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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #523AD6 it is the complementary color #ADC529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #523AD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #523AD6 shade: #573AD1, #684CE4, #795EF7, #8A70FF and #9B82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #523AD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #523AD6 shade: #523AD6, #4128C3, #3016B0, #1F049D and #0E008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #523AD6 shade: #5038D6, #7B38D6, #A638D6, #D038D6 and #D638B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #523AD6 shade: #5038D6 and #3838D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #523AD6 shade matches the following richer shades: #5038D6, #4325EA and #3611FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #523AD6 shade: #5038D6, #5E4BC3, #6B5FAF, #79729C and #868689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #523AD6 shade: #3875D6, #384BD6, #5038D6, #7A38D6 and #A438D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #523AD6 shade: #33209C, #3E27BE, #5038D6, #6E5ADD and #8C7DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #523AD6 shade: #523AD6, #D6389F and #60D638

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #523AD6 shade: #523AD6, #D65038 and #38D650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #523AD6 shade: #523AD6, #D6389F, #BFD638 and #38D66F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #523AD6 shade: #523AD6, #D6386F, #BFD638 and #38D69F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 73 / 0 / 16

HEX #523AD6

RGB 82 58 214

HSL 249.23, 0.66%, 0.53%

LAB 37.25, 52.89, -76.23

 

Complementary color

CMYK 12 / 0 / 79 / 23

HEX #ADC529

RGB 173 197 41

HSL 69.23, 0.66%, 0.47%

LAB 75.44, -27.08, 68.73

 

CMYK 58 / 72 / 0 / 18

HEX #573AD1

RGB 87 58 209

HSL 251.52, 0.62%, 0.52%

LAB 37.22, 52.06, -73.38

 

CMYK 54 / 67 / 0 / 11

HEX #684CE4

RGB 104 76 228

HSL 251.05, 0.74%, 0.6%

LAB 43.82, 50.53, -73.39

 

CMYK 51 / 62 / 0 / 3

HEX #795EF7

RGB 121 94 247

HSL 250.59, 0.91%, 0.67%

LAB 50.44, 48.99, -73.23

 

CMYK 46 / 56 / 0 / 0

HEX #8A70FF

RGB 138 112 255

HSL 250.91, 1%, 0.72%

LAB 56.3, 44.43, -68.1

 

CMYK 39 / 49 / 0 / 0

HEX #9B82FF

RGB 155 130 255

HSL 252, 1%, 0.75%

LAB 61.79, 38, -59.21

 

CMYK 62 / 73 / 0 / 16

HEX #523AD6

RGB 82 58 214

HSL 249.23, 0.66%, 0.53%

LAB 37.25, 52.89, -76.23

 

CMYK 67 / 79 / 0 / 24

HEX #4128C3

RGB 65 40 195

HSL 249.68, 0.66%, 0.46%

LAB 30.83, 54.34, -75.81

 

CMYK 73 / 88 / 0 / 31

HEX #3016B0

RGB 48 22 176

HSL 250.13, 0.78%, 0.39%

LAB 24.75, 55.08, -74.65

 

CMYK 80 / 97 / 0 / 38

HEX #1F049D

RGB 31 4 157

HSL 250.59, 0.95%, 0.32%

LAB 19.28, 54.43, -72.27

 

CMYK 90 / 100 / 0 / 46

HEX #0E008A

RGB 14 0 138

HSL 246.09, 1%, 0.27%

LAB 15.11, 50.33, -67.46

 

CMYK 63 / 74 / 0 / 16

HEX #5038D6

RGB 80 56 214

HSL 249.11, 0.66%, 0.53%

LAB 36.72, 53.69, -77.1

 

CMYK 43 / 74 / 0 / 16

HEX #7B38D6

RGB 123 56 214

HSL 265.44, 0.66%, 0.53%

LAB 41.05, 59.79, -69.84

 

CMYK 22 / 74 / 0 / 16

HEX #A638D6

RGB 166 56 214

HSL 281.77, 0.66%, 0.53%

LAB 46.7, 67.43, -60.41

 

CMYK 3 / 74 / 0 / 16

HEX #D038D6

RGB 208 56 214

HSL 297.72, 0.66%, 0.53%

LAB 53.05, 75.69, -49.87

 

CMYK 0 / 74 / 17 / 16

HEX #D638B1

RGB 214 56 177

HSL 314.05, 0.66%, 0.53%

LAB 52.17, 71.5, -29.83

 

CMYK 63 / 74 / 0 / 16

HEX #5038D6

RGB 80 56 214

HSL 249.11, 0.66%, 0.53%

LAB 36.72, 53.69, -77.1

 

CMYK 74 / 74 / 0 / 16

HEX #3838D6

RGB 56 56 214

HSL 240, 0.66%, 0.53%

LAB 35.05, 51.24, -79.92

 

CMYK 63 / 74 / 0 / 16

HEX #5038D6

RGB 80 56 214

HSL 249.11, 0.66%, 0.53%

LAB 36.72, 53.69, -77.1

 

CMYK 71 / 84 / 0 / 8

HEX #4325EA

RGB 67 37 234

HSL 249.14, 0.82%, 0.53%

LAB 34.92, 66.74, -91.57

 

CMYK 79 / 93 / 0 / 1

HEX #3611FD

RGB 54 17 253

HSL 249.41, 0.98%, 0.53%

LAB 34.55, 76.75, -102.94

 

CMYK 63 / 74 / 0 / 16

HEX #5038D6

RGB 80 56 214

HSL 249.11, 0.66%, 0.53%

LAB 36.72, 53.69, -77.1

 

CMYK 52 / 62 / 0 / 24

HEX #5E4BC3

RGB 94 75 195

HSL 249.5, 0.5%, 0.53%

LAB 40.17, 39.52, -60.41

 

CMYK 39 / 46 / 0 / 31

HEX #6B5FAF

RGB 107 95 175

HSL 249, 0.33%, 0.53%

LAB 44.81, 24.46, -41.2

 

CMYK 22 / 27 / 0 / 39

HEX #79729C

RGB 121 114 156

HSL 250, 0.18%, 0.53%

LAB 50.1, 12.01, -21.69

 

CMYK 2 / 2 / 0 / 46

HEX #868689

RGB 134 134 137

HSL 240, 0.01%, 0.53%

LAB 56.01, 0.6, -1.61

 

CMYK 74 / 45 / 0 / 16

HEX #3875D6

RGB 56 117 214

HSL 216.84, 0.66%, 0.53%

LAB 50, 13.56, -55.56

 

CMYK 74 / 65 / 0 / 16

HEX #384BD6

RGB 56 75 214

HSL 232.78, 0.66%, 0.53%

LAB 39.12, 40.12, -73.22

 

CMYK 63 / 74 / 0 / 16

HEX #5038D6

RGB 80 56 214

HSL 249.11, 0.66%, 0.53%

LAB 36.72, 53.69, -77.1

 

CMYK 43 / 74 / 0 / 16

HEX #7A38D6

RGB 122 56 214

HSL 265.06, 0.66%, 0.53%

LAB 40.93, 59.63, -70.04

 

CMYK 23 / 74 / 0 / 16

HEX #A438D6

RGB 164 56 214

HSL 281.01, 0.66%, 0.53%

LAB 46.41, 67.05, -60.88

 

CMYK 67 / 79 / 0 / 39

HEX #33209C

RGB 51 32 156

HSL 249.19, 0.66%, 0.37%

LAB 24.12, 45.11, -63.57

 

CMYK 67 / 79 / 0 / 25

HEX #3E27BE

RGB 62 39 190

HSL 249.14, 0.66%, 0.45%

LAB 29.89, 53.06, -74.43

 

CMYK 63 / 74 / 0 / 16

HEX #5038D6

RGB 80 56 214

HSL 249.11, 0.66%, 0.53%

LAB 36.72, 53.69, -77.1

 

CMYK 50 / 59 / 0 / 13

HEX #6E5ADD

RGB 110 90 221

HSL 249.16, 0.66%, 0.61%

LAB 46.77, 41.62, -64.58

 

CMYK 39 / 45 / 0 / 11

HEX #8C7DE4

RGB 140 125 228

HSL 248.74, 0.66%, 0.69%

LAB 57.89, 29.9, -50.55

 

CMYK 62 / 73 / 0 / 16

HEX #523AD6

RGB 82 58 214

HSL 249.23, 0.66%, 0.53%

LAB 37.25, 52.89, -76.23

 

CMYK 0 / 74 / 26 / 16

HEX #D6389F

RGB 214 56 159

HSL 320.89, 0.66%, 0.53%

LAB 51.41, 69.18, -20.41

 

CMYK 55 / 0 / 74 / 16

HEX #60D638

RGB 96 214 56

HSL 104.81, 0.66%, 0.53%

LAB 76.6, -60.27, 63.76

 

CMYK 62 / 73 / 0 / 16

HEX #523AD6

RGB 82 58 214

HSL 249.23, 0.66%, 0.53%

LAB 37.25, 52.89, -76.23

 

CMYK 0 / 63 / 74 / 16

HEX #D65038

RGB 214 80 56

HSL 9.11, 0.66%, 0.53%

LAB 52.2, 51.38, 41.42

 

CMYK 74 / 0 / 63 / 16

HEX #38D650

RGB 56 214 80

HSL 129.11, 0.66%, 0.53%

LAB 75.77, -66.37, 53.31

 

CMYK 62 / 73 / 0 / 16

HEX #523AD6

RGB 82 58 214

HSL 249.23, 0.66%, 0.53%

LAB 37.25, 52.89, -76.23

 

CMYK 0 / 74 / 26 / 16

HEX #D6389F

RGB 214 56 159

HSL 320.89, 0.66%, 0.53%

LAB 51.41, 69.18, -20.41

 

CMYK 11 / 0 / 74 / 16

HEX #BFD638

RGB 191 214 56

HSL 68.73, 0.66%, 0.53%

LAB 81.54, -27.17, 70.25

 

CMYK 74 / 0 / 48 / 16

HEX #38D66F

RGB 56 214 111

HSL 140.89, 0.66%, 0.53%

LAB 76.12, -62.22, 39.37

 

CMYK 62 / 73 / 0 / 16

HEX #523AD6

RGB 82 58 214

HSL 249.23, 0.66%, 0.53%

LAB 37.25, 52.89, -76.23

 

CMYK 0 / 74 / 48 / 16

HEX #D6386F

RGB 214 56 111

HSL 339.11, 0.66%, 0.53%

LAB 49.82, 64.16, 6.05

 

CMYK 11 / 0 / 74 / 16

HEX #BFD638

RGB 191 214 56

HSL 68.73, 0.66%, 0.53%

LAB 81.54, -27.17, 70.25

 

CMYK 74 / 0 / 26 / 16

HEX #38D69F

RGB 56 214 159

HSL 159.11, 0.66%, 0.53%

LAB 76.94, -53.02, 15.77

 

Description

Color code: HEX #523AD6 | qconv.com Color code: HEX #523AD6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 58 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 58 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 73 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 73% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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