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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #522625 it is the complementary color #ADD9DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #522625. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #522625 shade: #572620, #683833, #794A46, #8A5C59 and #9B6E6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #522625. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #522625 shade: #522625, #411412, #300200, #1F0000 and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #522625 shade: #512524 and #512424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #522625 shade: #512524, #513124, #513D24, #514924 and #4C5124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #522625 shade matches the following richer shades: #512524, #5A1C1B, #641311 and #6D0A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #522625 shade: #512524, #472E2E, #3E3737, #344141 and #2B4A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #522625 shade: #51243B, #512430, #512524, #513124 and #513D24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #522625 shade: #180B0B, #341818, #512524, #6D3231 and #8A403E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #522625 shade: #522625, #475124 and #243551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #522625 shade: #522625, #245125 and #252451

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #522625 shade: #522625, #475124, #245051 and #2E2451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #522625 shade: #522625, #3A5124, #245051 and #3B2451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 55 / 68

HEX #522625

RGB 82 38 37

HSL 1.33, 0.38%, 0.23%

LAB 21.26, 20.37, 10.16

 

Complementary color

CMYK 21 / 0 / 0 / 15

HEX #ADD9DA

RGB 173 217 218

HSL 181.33, 0.38%, 0.77%

LAB 83.74, -14.02, -5.22

 

CMYK 0 / 56 / 63 / 66

HEX #572620

RGB 87 38 32

HSL 6.55, 0.46%, 0.23%

LAB 22, 22.08, 14.69

 

CMYK 0 / 46 / 51 / 59

HEX #683833

RGB 104 56 51

HSL 5.66, 0.34%, 0.3%

LAB 29.44, 20.69, 12.5

 

CMYK 0 / 39 / 42 / 53

HEX #794A46

RGB 121 74 70

HSL 4.71, 0.27%, 0.37%

LAB 36.75, 19.48, 10.81

 

CMYK 0 / 33 / 36 / 46

HEX #8A5C59

RGB 138 92 89

HSL 3.67, 0.22%, 0.45%

LAB 43.91, 18.47, 9.42

 

CMYK 0 / 29 / 30 / 39

HEX #9B6E6C

RGB 155 110 108

HSL 2.55, 0.19%, 0.52%

LAB 50.92, 17.6, 8.23

 

CMYK 0 / 54 / 55 / 68

HEX #522625

RGB 82 38 37

HSL 1.33, 0.38%, 0.23%

LAB 21.26, 20.37, 10.16

 

CMYK 0 / 69 / 72 / 75

HEX #411412

RGB 65 20 18

HSL 2.55, 0.57%, 0.16%

LAB 13.64, 21.73, 12.64

 

CMYK 0 / 96 / 100 / 81

HEX #300200

RGB 48 2 0

HSL 2.5, 1%, 0.09%

LAB 6.07, 22.6, 9.54

 

CMYK 0 / 100 / 100 / 88

HEX #1F0000

RGB 31 0 0

HSL 0, 1%, 0.06%

LAB 2.63, 11.81, 4.16

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 54 / 56 / 68

HEX #512524

RGB 81 37 36

HSL 1.33, 0.38%, 0.23%

LAB 20.83, 20.43, 10.24

 

CMYK 0 / 56 / 56 / 68

HEX #512424

RGB 81 36 36

HSL 0, 0.38%, 0.23%

LAB 20.59, 21.03, 9.92

 

CMYK 0 / 54 / 56 / 68

HEX #512524

RGB 81 37 36

HSL 1.33, 0.38%, 0.23%

LAB 20.83, 20.43, 10.24

 

CMYK 0 / 40 / 56 / 68

HEX #513124

RGB 81 49 36

HSL 17.33, 0.38%, 0.23%

LAB 23.91, 12.91, 14.33

 

CMYK 0 / 25 / 56 / 68

HEX #513D24

RGB 81 61 36

HSL 33.33, 0.38%, 0.23%

LAB 27.34, 5.19, 18.7

 

CMYK 0 / 10 / 56 / 68

HEX #514924

RGB 81 73 36

HSL 49.33, 0.38%, 0.23%

LAB 30.98, -2.36, 23.18

 

CMYK 6 / 0 / 56 / 68

HEX #4C5124

RGB 76 81 36

HSL 66.67, 0.38%, 0.23%

LAB 33.02, -9.59, 25.51

 

CMYK 0 / 54 / 56 / 68

HEX #512524

RGB 81 37 36

HSL 1.33, 0.38%, 0.23%

LAB 20.83, 20.43, 10.24

 

CMYK 0 / 69 / 70 / 65

HEX #5A1C1B

RGB 90 28 27

HSL 0.95, 0.54%, 0.23%

LAB 20.37, 28.41, 16.11

 

CMYK 0 / 81 / 83 / 61

HEX #641311

RGB 100 19 17

HSL 1.45, 0.71%, 0.23%

LAB 20.89, 35.44, 23.76

 

CMYK 0 / 91 / 93 / 57

HEX #6D0A08

RGB 109 10 8

HSL 1.19, 0.86%, 0.23%

LAB 21.89, 40.71, 29.71

 

CMYK 0 / 54 / 56 / 68

HEX #512524

RGB 81 37 36

HSL 1.33, 0.38%, 0.23%

LAB 20.83, 20.43, 10.24

 

CMYK 0 / 35 / 35 / 72

HEX #472E2E

RGB 71 46 46

HSL 0, 0.21%, 0.23%

LAB 21.91, 11.5, 4.66

 

CMYK 0 / 11 / 11 / 76

HEX #3E3737

RGB 62 55 55

HSL 0, 0.06%, 0.23%

LAB 23.78, 3.07, 1.12

 

CMYK 20 / 0 / 0 / 75

HEX #344141

RGB 52 65 65

HSL 180, 0.11%, 0.23%

LAB 26.43, -5.25, -1.76

 

CMYK 42 / 0 / 0 / 71

HEX #2B4A4A

RGB 43 74 74

HSL 180, 0.26%, 0.23%

LAB 29.17, -11.43, -3.63

 

CMYK 0 / 56 / 27 / 68

HEX #51243B

RGB 81 36 59

HSL 329.33, 0.38%, 0.23%

LAB 21.31, 24.18, -4.96

 

CMYK 0 / 56 / 41 / 68

HEX #512430

RGB 81 36 48

HSL 344, 0.38%, 0.23%

LAB 20.92, 22.51, 2.08

 

CMYK 0 / 54 / 56 / 68

HEX #512524

RGB 81 37 36

HSL 1.33, 0.38%, 0.23%

LAB 20.83, 20.43, 10.24

 

CMYK 0 / 40 / 56 / 68

HEX #513124

RGB 81 49 36

HSL 17.33, 0.38%, 0.23%

LAB 23.91, 12.91, 14.33

 

CMYK 0 / 25 / 56 / 68

HEX #513D24

RGB 81 61 36

HSL 33.33, 0.38%, 0.23%

LAB 27.34, 5.19, 18.7

 

CMYK 0 / 54 / 54 / 91

HEX #180B0B

RGB 24 11 11

HSL 0, 0.37%, 0.07%

LAB 4.13, 4.99, 1.76

 

CMYK 0 / 54 / 54 / 80

HEX #341818

RGB 52 24 24

HSL 0, 0.37%, 0.15%

LAB 12.28, 13.98, 6.28

 

CMYK 0 / 54 / 56 / 68

HEX #512524

RGB 81 37 36

HSL 1.33, 0.38%, 0.23%

LAB 20.83, 20.43, 10.24

 

CMYK 0 / 54 / 55 / 57

HEX #6D3231

RGB 109 50 49

HSL 1, 0.38%, 0.31%

LAB 28.78, 26.11, 13.05

 

CMYK 0 / 54 / 55 / 46

HEX #8A403E

RGB 138 64 62

HSL 1.58, 0.38%, 0.39%

LAB 36.78, 31.34, 16.26

 

CMYK 0 / 54 / 55 / 68

HEX #522625

RGB 82 38 37

HSL 1.33, 0.38%, 0.23%

LAB 21.26, 20.37, 10.16

 

CMYK 12 / 0 / 56 / 68

HEX #475124

RGB 71 81 36

HSL 73.33, 0.38%, 0.23%

LAB 32.59, -11.94, 24.9

 

CMYK 56 / 35 / 0 / 68

HEX #243551

RGB 36 53 81

HSL 217.33, 0.38%, 0.23%

LAB 22, 2.33, -19.21

 

CMYK 0 / 54 / 55 / 68

HEX #522625

RGB 82 38 37

HSL 1.33, 0.38%, 0.23%

LAB 21.26, 20.37, 10.16

 

CMYK 56 / 0 / 54 / 68

HEX #245125

RGB 36 81 37

HSL 121.33, 0.38%, 0.23%

LAB 30.38, -25.96, 21.13

 

CMYK 54 / 56 / 0 / 68

HEX #252451

RGB 37 36 81

HSL 241.33, 0.38%, 0.23%

LAB 16.74, 14.72, -27.55

 

CMYK 0 / 54 / 55 / 68

HEX #522625

RGB 82 38 37

HSL 1.33, 0.38%, 0.23%

LAB 21.26, 20.37, 10.16

 

CMYK 12 / 0 / 56 / 68

HEX #475124

RGB 71 81 36

HSL 73.33, 0.38%, 0.23%

LAB 32.59, -11.94, 24.9

 

CMYK 56 / 1 / 0 / 68

HEX #245051

RGB 36 80 81

HSL 181.33, 0.38%, 0.23%

LAB 31.13, -14.78, -5.25

 

CMYK 43 / 56 / 0 / 68

HEX #2E2451

RGB 46 36 81

HSL 253.33, 0.38%, 0.23%

LAB 17.63, 17.21, -26.08

 

CMYK 0 / 54 / 55 / 68

HEX #522625

RGB 82 38 37

HSL 1.33, 0.38%, 0.23%

LAB 21.26, 20.37, 10.16

 

CMYK 28 / 0 / 56 / 68

HEX #3A5124

RGB 58 81 36

HSL 90.67, 0.38%, 0.23%

LAB 31.61, -17.78, 23.47

 

CMYK 56 / 1 / 0 / 68

HEX #245051

RGB 36 80 81

HSL 181.33, 0.38%, 0.23%

LAB 31.13, -14.78, -5.25

 

CMYK 27 / 56 / 0 / 68

HEX #3B2451

RGB 59 36 81

HSL 270.67, 0.38%, 0.23%

LAB 19.16, 21.18, -23.54

 

Description

Color code: HEX #522625 | qconv.com Color code: HEX #522625 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 38 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 38 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 55 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 55% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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