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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #522288 it is the complementary color #ADDD77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #522288. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #522288 shade: #572283, #683496, #7946A9, #8A58BC and #9B6ACF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #522288. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #522288 shade: #522288, #411075, #300062, #1F004F and #0E003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #522288 shade: #512287, #6C2287, #872286, #87226A and #87224F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #522288 shade: #512287, #362287 and #222287

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #522288 shade matches the following richer shades: #512287, #501494 and #5006A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #522288 shade: #512287, #522F79, #533D6B, #544B5E and #545850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #522288 shade: #222887, #362287, #512287, #6C2287 and #872287

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #522288 shade: #291145, #3D1966, #512287, #652AA8 and #7932C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #522288 shade: #522288, #872243 and #228728

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #522288 shade: #522288, #875122 and #228751

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #522288 shade: #522288, #872243, #588722 and #228765

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #522288 shade: #522288, #872225, #588722 and #228783

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 75 / 0 / 47

HEX #522288

RGB 82 34 136

HSL 268.24, 0.6%, 0.33%

LAB 25.91, 42.92, -48.14

 

Complementary color

CMYK 22 / 0 / 46 / 13

HEX #ADDD77

RGB 173 221 119

HSL 88.24, 0.6%, 0.67%

LAB 82.88, -32.43, 44.89

 

CMYK 34 / 74 / 0 / 49

HEX #572283

RGB 87 34 131

HSL 272.78, 0.59%, 0.32%

LAB 26.18, 42.64, -44.54

 

CMYK 31 / 65 / 0 / 41

HEX #683496

RGB 104 52 150

HSL 271.84, 0.49%, 0.4%

LAB 33.14, 42.07, -44.94

 

CMYK 28 / 59 / 0 / 34

HEX #7946A9

RGB 121 70 169

HSL 270.91, 0.41%, 0.47%

LAB 40.1, 41.22, -45.09

 

CMYK 27 / 53 / 0 / 26

HEX #8A58BC

RGB 138 88 188

HSL 270, 0.43%, 0.54%

LAB 46.99, 40.28, -45.13

 

CMYK 25 / 49 / 0 / 19

HEX #9B6ACF

RGB 155 106 207

HSL 269.11, 0.51%, 0.61%

LAB 53.79, 39.34, -45.13

 

CMYK 40 / 75 / 0 / 47

HEX #522288

RGB 82 34 136

HSL 268.24, 0.6%, 0.33%

LAB 25.91, 42.92, -48.14

 

CMYK 44 / 86 / 0 / 54

HEX #411075

RGB 65 16 117

HSL 269.11, 0.76%, 0.26%

LAB 19.14, 42.84, -47.27

 

CMYK 51 / 100 / 0 / 62

HEX #300062

RGB 48 0 98

HSL 269.39, 1%, 0.19%

LAB 12.67, 41.54, -45.56

 

CMYK 61 / 100 / 0 / 69

HEX #1F004F

RGB 31 0 79

HSL 263.54, 1%, 0.15%

LAB 7.73, 35.21, -40.92

 

CMYK 77 / 100 / 0 / 76

HEX #0E003C

RGB 14 0 60

HSL 254, 1%, 0.12%

LAB 3.79, 24.14, -34.01

 

CMYK 40 / 75 / 0 / 47

HEX #512287

RGB 81 34 135

HSL 267.92, 0.6%, 0.33%

LAB 25.69, 42.47, -47.88

 

CMYK 20 / 75 / 0 / 47

HEX #6C2287

RGB 108 34 135

HSL 283.96, 0.6%, 0.33%

LAB 29.62, 47.99, -41.33

 

CMYK 0 / 75 / 1 / 47

HEX #872286

RGB 135 34 134

HSL 300.59, 0.6%, 0.33%

LAB 34.02, 53.81, -33.42

 

CMYK 0 / 75 / 21 / 47

HEX #87226A

RGB 135 34 106

HSL 317.23, 0.6%, 0.33%

LAB 32.56, 49.4, -18.08

 

CMYK 0 / 75 / 41 / 47

HEX #87224F

RGB 135 34 79

HSL 333.27, 0.6%, 0.33%

LAB 31.48, 45.98, -2.21

 

CMYK 40 / 75 / 0 / 47

HEX #512287

RGB 81 34 135

HSL 267.92, 0.6%, 0.33%

LAB 25.69, 42.47, -47.88

 

CMYK 60 / 75 / 0 / 47

HEX #362287

RGB 54 34 135

HSL 251.88, 0.6%, 0.33%

LAB 22.58, 37.84, -53.1

 

CMYK 75 / 75 / 0 / 47

HEX #222287

RGB 34 34 135

HSL 240, 0.6%, 0.33%

LAB 20.96, 35.33, -55.83

 

CMYK 40 / 75 / 0 / 47

HEX #512287

RGB 81 34 135

HSL 267.92, 0.6%, 0.33%

LAB 25.69, 42.47, -47.88

 

CMYK 46 / 86 / 0 / 42

HEX #501494

RGB 80 20 148

HSL 268.13, 0.76%, 0.33%

LAB 24.78, 51.32, -57.46

 

CMYK 51 / 96 / 0 / 36

HEX #5006A2

RGB 80 6 162

HSL 268.46, 0.93%, 0.33%

LAB 25.09, 58.1, -65.53

 

CMYK 40 / 75 / 0 / 47

HEX #512287

RGB 81 34 135

HSL 267.92, 0.6%, 0.33%

LAB 25.69, 42.47, -47.88

 

CMYK 32 / 61 / 0 / 53

HEX #522F79

RGB 82 47 121

HSL 268.38, 0.44%, 0.33%

LAB 27.32, 31.93, -36.44

 

CMYK 22 / 43 / 0 / 58

HEX #533D6B

RGB 83 61 107

HSL 268.7, 0.27%, 0.33%

LAB 30.01, 19.81, -23.28

 

CMYK 11 / 20 / 0 / 63

HEX #544B5E

RGB 84 75 94

HSL 268.42, 0.11%, 0.33%

LAB 33.4, 7.92, -9.77

 

CMYK 5 / 0 / 9 / 65

HEX #545850

RGB 84 88 80

HSL 90, 0.05%, 0.33%

LAB 36.82, -3.28, 4.09

 

CMYK 75 / 70 / 0 / 47

HEX #222887

RGB 34 40 135

HSL 236.44, 0.6%, 0.33%

LAB 22.33, 31.55, -53.57

 

CMYK 60 / 75 / 0 / 47

HEX #362287

RGB 54 34 135

HSL 251.88, 0.6%, 0.33%

LAB 22.58, 37.84, -53.1

 

CMYK 40 / 75 / 0 / 47

HEX #512287

RGB 81 34 135

HSL 267.92, 0.6%, 0.33%

LAB 25.69, 42.47, -47.88

 

CMYK 20 / 75 / 0 / 47

HEX #6C2287

RGB 108 34 135

HSL 283.96, 0.6%, 0.33%

LAB 29.62, 47.99, -41.33

 

CMYK 0 / 75 / 0 / 47

HEX #872287

RGB 135 34 135

HSL 300, 0.6%, 0.33%

LAB 34.07, 53.98, -33.95

 

CMYK 41 / 75 / 0 / 73

HEX #291145

RGB 41 17 69

HSL 267.69, 0.6%, 0.17%

LAB 11.29, 24.63, -28.05

 

CMYK 40 / 75 / 0 / 60

HEX #3D1966

RGB 61 25 102

HSL 268.05, 0.61%, 0.25%

LAB 18.57, 34.13, -38.46

 

CMYK 40 / 75 / 0 / 47

HEX #512287

RGB 81 34 135

HSL 267.92, 0.6%, 0.33%

LAB 25.69, 42.47, -47.88

 

CMYK 40 / 75 / 0 / 34

HEX #652AA8

RGB 101 42 168

HSL 268.1, 0.6%, 0.41%

LAB 32.37, 50.85, -57.1

 

CMYK 40 / 75 / 0 / 21

HEX #7932C9

RGB 121 50 201

HSL 268.21, 0.6%, 0.49%

LAB 38.83, 58.88, -65.95

 

CMYK 40 / 75 / 0 / 47

HEX #522288

RGB 82 34 136

HSL 268.24, 0.6%, 0.33%

LAB 25.91, 42.92, -48.14

 

CMYK 0 / 75 / 50 / 47

HEX #872243

RGB 135 34 67

HSL 340.4, 0.6%, 0.33%

LAB 31.11, 44.77, 5.15

 

CMYK 75 / 0 / 70 / 47

HEX #228728

RGB 34 135 40

HSL 123.56, 0.6%, 0.33%

LAB 49.28, -47.66, 41.24

 

CMYK 40 / 75 / 0 / 47

HEX #522288

RGB 82 34 136

HSL 268.24, 0.6%, 0.33%

LAB 25.91, 42.92, -48.14

 

CMYK 0 / 40 / 75 / 47

HEX #875122

RGB 135 81 34

HSL 27.92, 0.6%, 0.33%

LAB 39.83, 18.41, 36.07

 

CMYK 75 / 0 / 40 / 47

HEX #228751

RGB 34 135 81

HSL 147.92, 0.6%, 0.33%

LAB 49.81, -41.43, 21.06

 

CMYK 40 / 75 / 0 / 47

HEX #522288

RGB 82 34 136

HSL 268.24, 0.6%, 0.33%

LAB 25.91, 42.92, -48.14

 

CMYK 0 / 75 / 50 / 47

HEX #872243

RGB 135 34 67

HSL 340.4, 0.6%, 0.33%

LAB 31.11, 44.77, 5.15

 

CMYK 35 / 0 / 75 / 47

HEX #588722

RGB 88 135 34

HSL 87.92, 0.6%, 0.33%

LAB 51.29, -32.57, 46.37

 

CMYK 75 / 0 / 25 / 47

HEX #228765

RGB 34 135 101

HSL 159.8, 0.6%, 0.33%

LAB 50.22, -36.92, 10.23

 

CMYK 40 / 75 / 0 / 47

HEX #522288

RGB 82 34 136

HSL 268.24, 0.6%, 0.33%

LAB 25.91, 42.92, -48.14

 

CMYK 0 / 75 / 73 / 47

HEX #872225

RGB 135 34 37

HSL 358.22, 0.6%, 0.33%

LAB 30.47, 42.61, 23.91

 

CMYK 35 / 0 / 75 / 47

HEX #588722

RGB 88 135 34

HSL 87.92, 0.6%, 0.33%

LAB 51.29, -32.57, 46.37

 

CMYK 75 / 0 / 3 / 47

HEX #228783

RGB 34 135 131

HSL 177.62, 0.6%, 0.33%

LAB 51.04, -28.62, -6.04

 

Description

Color code: HEX #522288 | qconv.com Color code: HEX #522288 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 34 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 34 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 75 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 75% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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