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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #522269 it is the complementary color #ADDD96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #522269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #522269 shade: #572264, #683477, #79468A, #8A589D and #9B6AB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #522269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #522269 shade: #522269, #411056, #300043, #1F0030 and #0E001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #522269 shade: #512268, #642268, #682259, #682246 and #682233

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #522269 shade: #512268, #3E2268, #2B2268 and #222268

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #522269 shade matches the following richer shades: #512268, #551773, #590B7E and #5D0089

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #522269 shade: #512268, #4D2D5D, #493852, #454347 and #424E3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #522269 shade: #2B2268, #3E2268, #512268, #632268 and #68225A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #522269 shade: #210E2A, #391849, #512268, #6A2C87 and #8236A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #522269 shade: #522269, #68222B and #226834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #522269 shade: #522269, #685122 and #226851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #522269 shade: #522269, #68222B, #396822 and #22685F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #522269 shade: #522269, #682D22, #396822 and #225C68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 68 / 0 / 59

HEX #522269

RGB 82 34 105

HSL 280.56, 0.51%, 0.27%

LAB 23.53, 35.13, -32.26

 

Complementary color

CMYK 22 / 0 / 32 / 13

HEX #ADDD96

RGB 173 221 150

HSL 100.56, 0.51%, 0.73%

LAB 83.34, -28.36, 29.95

 

CMYK 13 / 66 / 0 / 61

HEX #572264

RGB 87 34 100

HSL 288.18, 0.49%, 0.26%

LAB 23.97, 35.32, -28.26

 

CMYK 13 / 56 / 0 / 53

HEX #683477

RGB 104 52 119

HSL 286.57, 0.39%, 0.34%

LAB 31.19, 34.73, -28.84

 

CMYK 12 / 49 / 0 / 46

HEX #79468A

RGB 121 70 138

HSL 285, 0.33%, 0.41%

LAB 38.34, 33.93, -29.19

 

CMYK 12 / 44 / 0 / 38

HEX #8A589D

RGB 138 88 157

HSL 283.48, 0.28%, 0.48%

LAB 45.38, 33.1, -29.46

 

CMYK 12 / 40 / 0 / 31

HEX #9B6AB0

RGB 155 106 176

HSL 282, 0.31%, 0.55%

LAB 52.3, 32.28, -29.68

 

CMYK 22 / 68 / 0 / 59

HEX #522269

RGB 82 34 105

HSL 280.56, 0.51%, 0.27%

LAB 23.53, 35.13, -32.26

 

CMYK 24 / 81 / 0 / 66

HEX #411056

RGB 65 16 86

HSL 282, 0.69%, 0.2%

LAB 16.34, 35.18, -31.4

 

CMYK 28 / 100 / 0 / 74

HEX #300043

RGB 48 0 67

HSL 282.99, 1%, 0.13%

LAB 9.27, 34.27, -29.88

 

CMYK 35 / 100 / 0 / 81

HEX #1F0030

RGB 31 0 48

HSL 278.75, 1%, 0.09%

LAB 4.56, 24.43, -23.84

 

CMYK 52 / 100 / 0 / 89

HEX #0E001D

RGB 14 0 29

HSL 268.97, 1%, 0.06%

LAB 1.64, 9.41, -13.79

 

CMYK 22 / 67 / 0 / 59

HEX #512268

RGB 81 34 104

HSL 280.29, 0.51%, 0.27%

LAB 23.31, 34.63, -31.96

 

CMYK 4 / 67 / 0 / 59

HEX #642268

RGB 100 34 104

HSL 296.57, 0.51%, 0.27%

LAB 26.31, 39.69, -27.01

 

CMYK 0 / 67 / 14 / 59

HEX #682259

RGB 104 34 89

HSL 312.86, 0.51%, 0.27%

LAB 26.18, 38.07, -17.37

 

CMYK 0 / 67 / 33 / 59

HEX #682246

RGB 104 34 70

HSL 329.14, 0.51%, 0.27%

LAB 25.35, 35.14, -5.98

 

CMYK 0 / 67 / 51 / 59

HEX #682233

RGB 104 34 51

HSL 345.43, 0.51%, 0.27%

LAB 24.72, 32.84, 5.99

 

CMYK 22 / 67 / 0 / 59

HEX #512268

RGB 81 34 104

HSL 280.29, 0.51%, 0.27%

LAB 23.31, 34.63, -31.96

 

CMYK 40 / 67 / 0 / 59

HEX #3E2268

RGB 62 34 104

HSL 264, 0.51%, 0.27%

LAB 20.7, 29.86, -36.3

 

CMYK 59 / 67 / 0 / 59

HEX #2B2268

RGB 43 34 104

HSL 247.71, 0.51%, 0.27%

LAB 18.61, 25.68, -39.79

 

CMYK 67 / 67 / 0 / 59

HEX #222268

RGB 34 34 104

HSL 240, 0.51%, 0.27%

LAB 17.84, 24.04, -41.08

 

CMYK 22 / 67 / 0 / 59

HEX #512268

RGB 81 34 104

HSL 280.29, 0.51%, 0.27%

LAB 23.31, 34.63, -31.96

 

CMYK 26 / 80 / 0 / 55

HEX #551773

RGB 85 23 115

HSL 280.43, 0.67%, 0.27%

LAB 22.94, 43.21, -39.65

 

CMYK 29 / 91 / 0 / 51

HEX #590B7E

RGB 89 11 126

HSL 280.7, 0.84%, 0.27%

LAB 23.24, 50.05, -46.16

 

CMYK 32 / 100 / 0 / 46

HEX #5D0089

RGB 93 0 137

HSL 280.73, 1%, 0.27%

LAB 24.11, 55.27, -51.64

 

CMYK 22 / 67 / 0 / 59

HEX #512268

RGB 81 34 104

HSL 280.29, 0.51%, 0.27%

LAB 23.31, 34.63, -31.96

 

CMYK 17 / 52 / 0 / 64

HEX #4D2D5D

RGB 77 45 93

HSL 280, 0.35%, 0.27%

LAB 24.46, 24.39, -22.99

 

CMYK 11 / 32 / 0 / 68

HEX #493852

RGB 73 56 82

HSL 279.23, 0.19%, 0.27%

LAB 26.31, 13.15, -12.92

 

CMYK 3 / 6 / 0 / 72

HEX #454347

RGB 69 67 71

HSL 270, 0.03%, 0.27%

LAB 28.73, 1.73, -2.12

 

CMYK 15 / 0 / 24 / 69

HEX #424E3B

RGB 66 78 59

HSL 97.89, 0.14%, 0.27%

LAB 31.63, -8.9, 9.7

 

CMYK 59 / 67 / 0 / 59

HEX #2B2268

RGB 43 34 104

HSL 247.71, 0.51%, 0.27%

LAB 18.61, 25.68, -39.79

 

CMYK 40 / 67 / 0 / 59

HEX #3E2268

RGB 62 34 104

HSL 264, 0.51%, 0.27%

LAB 20.7, 29.86, -36.3

 

CMYK 22 / 67 / 0 / 59

HEX #512268

RGB 81 34 104

HSL 280.29, 0.51%, 0.27%

LAB 23.31, 34.63, -31.96

 

CMYK 5 / 67 / 0 / 59

HEX #632268

RGB 99 34 104

HSL 295.71, 0.51%, 0.27%

LAB 26.15, 39.42, -27.28

 

CMYK 0 / 67 / 13 / 59

HEX #68225A

RGB 104 34 90

HSL 312, 0.51%, 0.27%

LAB 26.23, 38.24, -17.95

 

CMYK 21 / 67 / 0 / 84

HEX #210E2A

RGB 33 14 42

HSL 280.71, 0.5%, 0.11%

LAB 7.27, 16.2, -15.03

 

CMYK 22 / 67 / 0 / 71

HEX #391849

RGB 57 24 73

HSL 280.41, 0.51%, 0.19%

LAB 15.51, 25.91, -23.92

 

CMYK 22 / 67 / 0 / 59

HEX #512268

RGB 81 34 104

HSL 280.29, 0.51%, 0.27%

LAB 23.31, 34.63, -31.96

 

CMYK 21 / 67 / 0 / 47

HEX #6A2C87

RGB 106 44 135

HSL 280.88, 0.51%, 0.35%

LAB 30.91, 43.05, -39.27

 

CMYK 22 / 67 / 0 / 35

HEX #8236A6

RGB 130 54 166

HSL 280.71, 0.51%, 0.43%

LAB 38.09, 50.81, -46.46

 

CMYK 22 / 68 / 0 / 59

HEX #522269

RGB 82 34 105

HSL 280.56, 0.51%, 0.27%

LAB 23.53, 35.13, -32.26

 

CMYK 0 / 67 / 59 / 59

HEX #68222B

RGB 104 34 43

HSL 352.29, 0.51%, 0.27%

LAB 24.52, 32.07, 11.15

 

CMYK 67 / 0 / 50 / 59

HEX #226834

RGB 34 104 52

HSL 135.43, 0.51%, 0.27%

LAB 38.71, -34.2, 22.96

 

CMYK 22 / 68 / 0 / 59

HEX #522269

RGB 82 34 105

HSL 280.56, 0.51%, 0.27%

LAB 23.53, 35.13, -32.26

 

CMYK 0 / 22 / 67 / 59

HEX #685122

RGB 104 81 34

HSL 40.29, 0.51%, 0.27%

LAB 35.88, 3.79, 30.63

 

CMYK 67 / 0 / 22 / 59

HEX #226851

RGB 34 104 81

HSL 160.29, 0.51%, 0.27%

LAB 39.3, -27.84, 6.63

 

CMYK 22 / 68 / 0 / 59

HEX #522269

RGB 82 34 105

HSL 280.56, 0.51%, 0.27%

LAB 23.53, 35.13, -32.26

 

CMYK 0 / 67 / 59 / 59

HEX #68222B

RGB 104 34 43

HSL 352.29, 0.51%, 0.27%

LAB 24.52, 32.07, 11.15

 

CMYK 45 / 0 / 67 / 59

HEX #396822

RGB 57 104 34

HSL 100.29, 0.51%, 0.27%

LAB 39.39, -29.89, 33.46

 

CMYK 67 / 0 / 9 / 59

HEX #22685F

RGB 34 104 95

HSL 172.29, 0.51%, 0.27%

LAB 39.69, -23.94, -1.33

 

CMYK 22 / 68 / 0 / 59

HEX #522269

RGB 82 34 105

HSL 280.56, 0.51%, 0.27%

LAB 23.53, 35.13, -32.26

 

CMYK 0 / 57 / 67 / 59

HEX #682D22

RGB 104 45 34

HSL 9.43, 0.51%, 0.27%

LAB 26.55, 25.54, 19.72

 

CMYK 45 / 0 / 67 / 59

HEX #396822

RGB 57 104 34

HSL 100.29, 0.51%, 0.27%

LAB 39.39, -29.89, 33.46

 

CMYK 67 / 12 / 0 / 59

HEX #225C68

RGB 34 92 104

HSL 190.29, 0.51%, 0.27%

LAB 35.97, -14.58, -12.44

 

Description

Color code: HEX #522269 | qconv.com Color code: HEX #522269 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 34 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 34 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 68 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 68% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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