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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #521AE1 it is the complementary color #ADE51E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #521AE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #521AE1 shade: #571ADC, #682CEF, #793EFF, #8A50FF and #9B62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #521AE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #521AE1 shade: #521AE1, #4108CE, #3000BB, #1F00A8 and #0E0095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #521AE1 shade: #521AE0, #871AE0, #BC1AE0, #E01ACE and #E01A99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #521AE1 shade: #521AE0, #1D1AE0 and #1A1AE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #521AE1 shade matches the following richer shades: #521AE0 and #4906F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #521AE1 shade: #521AE0, #5B2ECB, #6343B7, #6C57A3 and #756B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #521AE1 shade: #1A4FE0, #1A1AE0, #4F1AE0, #841AE0 and #B81AE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #521AE1 shade: #371296, #4416BB, #521AE0, #6C3BE8 and #8860EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #521AE1 shade: #521AE1, #E01A84 and #35E01A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #521AE1 shade: #521AE1, #E04F1A and #1AE04F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #521AE1 shade: #521AE1, #E01A84, #ABE01A and #1AE076

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #521AE1 shade: #521AE1, #E01A48, #ABE01A and #1AE0B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 88 / 0 / 12

HEX #521AE1

RGB 82 26 225

HSL 256.88, 0.79%, 0.49%

LAB 33.92, 68.96, -88.06

 

Complementary color

CMYK 24 / 0 / 87 / 10

HEX #ADE51E

RGB 173 229 30

HSL 76.88, 0.79%, 0.51%

LAB 84.49, -42.06, 79.05

 

CMYK 60 / 88 / 0 / 14

HEX #571ADC

RGB 87 26 220

HSL 258.87, 0.79%, 0.48%

LAB 33.84, 68.08, -85.3

 

CMYK 56 / 82 / 0 / 6

HEX #682CEF

RGB 104 44 239

HSL 258.46, 0.86%, 0.55%

LAB 39.54, 68.47, -86.65

 

CMYK 53 / 76 / 0 / 0

HEX #793EFF

RGB 121 62 255

HSL 258.34, 1%, 0.62%

LAB 45.26, 67.27, -86.15

 

CMYK 46 / 69 / 0 / 0

HEX #8A50FF

RGB 138 80 255

HSL 259.89, 1%, 0.66%

LAB 49.93, 61.46, -78.44

 

CMYK 39 / 62 / 0 / 0

HEX #9B62FF

RGB 155 98 255

HSL 261.78, 1%, 0.69%

LAB 54.99, 55.54, -70.13

 

CMYK 64 / 88 / 0 / 12

HEX #521AE1

RGB 82 26 225

HSL 256.88, 0.79%, 0.49%

LAB 33.92, 68.96, -88.06

 

CMYK 68 / 96 / 0 / 19

HEX #4108CE

RGB 65 8 206

HSL 257.27, 0.93%, 0.42%

LAB 28.78, 67.25, -85.65

 

CMYK 74 / 100 / 0 / 27

HEX #3000BB

RGB 48 0 187

HSL 255.4, 1%, 0.37%

LAB 24.37, 63.49, -81.85

 

CMYK 82 / 100 / 0 / 34

HEX #1F00A8

RGB 31 0 168

HSL 251.07, 1%, 0.33%

LAB 20.51, 58.34, -76.92

 

CMYK 91 / 100 / 0 / 42

HEX #0E0095

RGB 14 0 149

HSL 245.64, 1%, 0.29%

LAB 16.81, 53.2, -71.47

 

CMYK 63 / 88 / 0 / 12

HEX #521AE0

RGB 82 26 224

HSL 256.97, 0.79%, 0.49%

LAB 33.8, 68.71, -87.67

 

CMYK 40 / 88 / 0 / 12

HEX #871AE0

RGB 135 26 224

HSL 273.03, 0.79%, 0.49%

LAB 40.03, 73.69, -77.18

 

CMYK 16 / 88 / 0 / 12

HEX #BC1AE0

RGB 188 26 224

HSL 289.09, 0.79%, 0.49%

LAB 48.02, 80.93, -63.81

 

CMYK 0 / 88 / 8 / 12

HEX #E01ACE

RGB 224 26 206

HSL 305.45, 0.79%, 0.49%

LAB 53, 84.2, -45.22

 

CMYK 0 / 88 / 32 / 12

HEX #E01A99

RGB 224 26 153

HSL 321.52, 0.79%, 0.49%

LAB 50.55, 77.75, -18

 

CMYK 63 / 88 / 0 / 12

HEX #521AE0

RGB 82 26 224

HSL 256.97, 0.79%, 0.49%

LAB 33.8, 68.71, -87.67

 

CMYK 87 / 88 / 0 / 12

HEX #1D1AE0

RGB 29 26 224

HSL 240.91, 0.79%, 0.49%

LAB 30.36, 66.31, -93.51

 

CMYK 88 / 88 / 0 / 12

HEX #1A1AE0

RGB 26 26 224

HSL 240, 0.79%, 0.49%

LAB 30.26, 66.25, -93.68

 

CMYK 63 / 88 / 0 / 12

HEX #521AE0

RGB 82 26 224

HSL 256.97, 0.79%, 0.49%

LAB 33.8, 68.71, -87.67

 

CMYK 70 / 98 / 0 / 4

HEX #4906F4

RGB 73 6 244

HSL 256.89, 0.95%, 0.49%

LAB 34.15, 76.93, -98.52

 

CMYK 63 / 88 / 0 / 12

HEX #521AE0

RGB 82 26 224

HSL 256.97, 0.79%, 0.49%

LAB 33.8, 68.71, -87.67

 

CMYK 55 / 77 / 0 / 20

HEX #5B2ECB

RGB 91 46 203

HSL 257.2, 0.63%, 0.49%

LAB 34.98, 56.73, -73.56

 

CMYK 46 / 63 / 0 / 28

HEX #6343B7

RGB 99 67 183

HSL 256.55, 0.46%, 0.49%

LAB 38, 41.6, -56.89

 

CMYK 34 / 47 / 0 / 36

HEX #6C57A3

RGB 108 87 163

HSL 256.58, 0.3%, 0.49%

LAB 42.23, 26.25, -38.2

 

CMYK 18 / 25 / 0 / 44

HEX #756B8F

RGB 117 107 143

HSL 256.67, 0.14%, 0.49%

LAB 47.34, 11.71, -18.28

 

CMYK 88 / 65 / 0 / 12

HEX #1A4FE0

RGB 26 79 224

HSL 223.94, 0.79%, 0.49%

LAB 39.9, 38.95, -77.7

 

CMYK 88 / 88 / 0 / 12

HEX #1A1AE0

RGB 26 26 224

HSL 240, 0.79%, 0.49%

LAB 30.26, 66.25, -93.68

 

CMYK 65 / 88 / 0 / 12

HEX #4F1AE0

RGB 79 26 224

HSL 256.06, 0.79%, 0.49%

LAB 33.53, 68.5, -88.14

 

CMYK 41 / 88 / 0 / 12

HEX #841AE0

RGB 132 26 224

HSL 272.12, 0.79%, 0.49%

LAB 39.62, 73.34, -77.87

 

CMYK 18 / 88 / 0 / 12

HEX #B81AE0

RGB 184 26 224

HSL 287.88, 0.79%, 0.49%

LAB 47.38, 80.32, -64.89

 

CMYK 63 / 88 / 0 / 41

HEX #371296

RGB 55 18 150

HSL 256.82, 0.79%, 0.33%

LAB 21.75, 49.78, -63.79

 

CMYK 64 / 88 / 0 / 27

HEX #4416BB

RGB 68 22 187

HSL 256.73, 0.79%, 0.41%

LAB 27.82, 59.42, -76.07

 

CMYK 63 / 88 / 0 / 12

HEX #521AE0

RGB 82 26 224

HSL 256.97, 0.79%, 0.49%

LAB 33.8, 68.71, -87.67

 

CMYK 53 / 75 / 0 / 9

HEX #6C3BE8

RGB 108 59 232

HSL 256.99, 0.79%, 0.57%

LAB 41.44, 60.86, -79.54

 

CMYK 42 / 59 / 0 / 7

HEX #8860EC

RGB 136 96 236

HSL 257.14, 0.79%, 0.65%

LAB 51.45, 47.72, -65.38

 

CMYK 64 / 88 / 0 / 12

HEX #521AE1

RGB 82 26 225

HSL 256.88, 0.79%, 0.49%

LAB 33.92, 68.96, -88.06

 

CMYK 0 / 88 / 41 / 12

HEX #E01A84

RGB 224 26 132

HSL 327.88, 0.79%, 0.49%

LAB 49.8, 75.7, -6.51

 

CMYK 76 / 0 / 88 / 12

HEX #35E01A

RGB 53 224 26

HSL 111.82, 0.79%, 0.49%

LAB 78.54, -73.6, 72.97

 

CMYK 64 / 88 / 0 / 12

HEX #521AE1

RGB 82 26 225

HSL 256.88, 0.79%, 0.49%

LAB 33.92, 68.96, -88.06

 

CMYK 0 / 65 / 88 / 12

HEX #E04F1A

RGB 224 79 26

HSL 16.06, 0.79%, 0.49%

LAB 53.51, 54.37, 57.16

 

CMYK 88 / 0 / 65 / 12

HEX #1AE04F

RGB 26 224 79

HSL 136.06, 0.79%, 0.49%

LAB 78.52, -72.77, 56.69

 

CMYK 64 / 88 / 0 / 12

HEX #521AE1

RGB 82 26 225

HSL 256.88, 0.79%, 0.49%

LAB 33.92, 68.96, -88.06

 

CMYK 0 / 88 / 41 / 12

HEX #E01A84

RGB 224 26 132

HSL 327.88, 0.79%, 0.49%

LAB 49.8, 75.7, -6.51

 

CMYK 24 / 0 / 88 / 12

HEX #ABE01A

RGB 171 224 26

HSL 76.06, 0.79%, 0.49%

LAB 82.94, -40.73, 78.42

 

CMYK 88 / 0 / 47 / 12

HEX #1AE076

RGB 26 224 118

HSL 147.88, 0.79%, 0.49%

LAB 78.95, -67.5, 39.43

 

CMYK 64 / 88 / 0 / 12

HEX #521AE1

RGB 82 26 225

HSL 256.88, 0.79%, 0.49%

LAB 33.92, 68.96, -88.06

 

CMYK 0 / 88 / 68 / 12

HEX #E01A48

RGB 224 26 72

HSL 346.06, 0.79%, 0.49%

LAB 48.33, 71.57, 28.13

 

CMYK 24 / 0 / 88 / 12

HEX #ABE01A

RGB 171 224 26

HSL 76.06, 0.79%, 0.49%

LAB 82.94, -40.73, 78.42

 

CMYK 88 / 0 / 21 / 12

HEX #1AE0B2

RGB 26 224 178

HSL 166.06, 0.79%, 0.49%

LAB 80.04, -55.17, 10.03

 

Description

Color code: HEX #521AE1 | qconv.com Color code: HEX #521AE1 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 26 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 26 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 88 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 88% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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