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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #520232 it is the complementary color #ADFDCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #520232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #520232 shade: #57022D, #681440, #792653, #8A3866 and #9B4A79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #520232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #520232 shade: #520232, #41001F, #30000C, #1F0000 and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #520232 shade: #500231, #50021C, #500207 and #500202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #520232 shade: #500231, #500245, #450250, #300250 and #1B0250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #520232 shade matches the following richer shades: #500231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #520232 shade: #500231, #49092F, #420F2E, #3C162D and #351C2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #520232 shade: #450250, #500245, #500231, #50021C and #500207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #520232 shade: #000000, #270118, #500231, #780349 and #A00462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #520232 shade: #520232, #503102 and #025050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #520232 shade: #520232, #315002 and #023150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #520232 shade: #520232, #503102, #025021 and #022150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #520232 shade: #520232, #504802, #025021 and #020A50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 39 / 68

HEX #520232

RGB 82 2 50

HSL 324, 0.95%, 0.16%

LAB 15.84, 37.8, -6.84

 

Complementary color

CMYK 32 / 0 / 19 / 1

HEX #ADFDCD

RGB 173 253 205

HSL 144, 0.95%, 0.84%

LAB 93.25, -34.09, 15.31

 

CMYK 0 / 98 / 48 / 66

HEX #57022D

RGB 87 2 45

HSL 329.65, 0.96%, 0.17%

LAB 16.79, 38.54, -1.68

 

CMYK 0 / 81 / 38 / 59

HEX #681440

RGB 104 20 64

HSL 328.57, 0.68%, 0.24%

LAB 23.05, 40.13, -5.35

 

CMYK 0 / 69 / 31 / 53

HEX #792653

RGB 121 38 83

HSL 327.47, 0.52%, 0.31%

LAB 29.6, 40.57, -7.92

 

CMYK 0 / 59 / 26 / 46

HEX #8A3866

RGB 138 56 102

HSL 326.34, 0.42%, 0.38%

LAB 36.35, 40.25, -9.7

 

CMYK 0 / 52 / 22 / 39

HEX #9B4A79

RGB 155 74 121

HSL 325.19, 0.35%, 0.45%

LAB 43.13, 39.6, -11.02

 

CMYK 0 / 98 / 39 / 68

HEX #520232

RGB 82 2 50

HSL 324, 0.95%, 0.16%

LAB 15.84, 37.8, -6.84

 

CMYK 0 / 100 / 52 / 75

HEX #41001F

RGB 65 0 31

HSL 331.38, 1%, 0.13%

LAB 10.72, 32.05, -0.83

 

CMYK 0 / 100 / 75 / 81

HEX #30000C

RGB 48 0 12

HSL 345, 1%, 0.09%

LAB 5.92, 24.66, 4.39

 

CMYK 0 / 100 / 100 / 88

HEX #1F0000

RGB 31 0 0

HSL 0, 1%, 0.06%

LAB 2.63, 11.81, 4.16

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 98 / 39 / 69

HEX #500231

RGB 80 2 49

HSL 323.85, 0.95%, 0.16%

LAB 15.33, 37.17, -6.93

 

CMYK 0 / 98 / 65 / 69

HEX #50021C

RGB 80 2 28

HSL 340, 0.95%, 0.16%

LAB 14.58, 35.14, 7.42

 

CMYK 0 / 98 / 91 / 69

HEX #500207

RGB 80 2 7

HSL 356.15, 0.95%, 0.16%

LAB 14.2, 34.07, 19.27

 

CMYK 0 / 98 / 98 / 69

HEX #500202

RGB 80 2 2

HSL 0, 0.95%, 0.16%

LAB 14.14, 33.89, 21.23

 

CMYK 0 / 98 / 39 / 69

HEX #500231

RGB 80 2 49

HSL 323.85, 0.95%, 0.16%

LAB 15.33, 37.17, -6.93

 

CMYK 0 / 98 / 14 / 69

HEX #500245

RGB 80 2 69

HSL 308.46, 0.95%, 0.16%

LAB 16.4, 39.94, -19.47

 

CMYK 14 / 98 / 0 / 69

HEX #450250

RGB 69 2 80

HSL 291.54, 0.95%, 0.16%

LAB 14.89, 39.67, -29.62

 

CMYK 40 / 98 / 0 / 69

HEX #300250

RGB 48 2 80

HSL 275.38, 0.95%, 0.16%

LAB 10.93, 36.28, -36.24

 

CMYK 66 / 98 / 0 / 69

HEX #1B0250

RGB 27 2 80

HSL 259.23, 0.95%, 0.16%

LAB 7.73, 33.93, -41.63

 

CMYK 0 / 98 / 39 / 69

HEX #500231

RGB 80 2 49

HSL 323.85, 0.95%, 0.16%

LAB 15.33, 37.17, -6.93

 

CMYK 0 / 98 / 39 / 69

HEX #500231

RGB 80 2 49

HSL 323.85, 0.95%, 0.16%

LAB 15.33, 37.17, -6.93

 

CMYK 0 / 88 / 36 / 71

HEX #49092F

RGB 73 9 47

HSL 324.38, 0.78%, 0.16%

LAB 14.5, 32.62, -6.89

 

CMYK 0 / 77 / 30 / 74

HEX #420F2E

RGB 66 15 46

HSL 323.53, 0.63%, 0.16%

LAB 13.81, 27.94, -7.35

 

CMYK 0 / 63 / 25 / 76

HEX #3C162D

RGB 60 22 45

HSL 323.68, 0.46%, 0.16%

LAB 13.97, 21.95, -6.49

 

CMYK 0 / 47 / 19 / 79

HEX #351C2B

RGB 53 28 43

HSL 324, 0.31%, 0.16%

LAB 14.18, 14.93, -4.83

 

CMYK 14 / 98 / 0 / 69

HEX #450250

RGB 69 2 80

HSL 291.54, 0.95%, 0.16%

LAB 14.89, 39.67, -29.62

 

CMYK 0 / 98 / 14 / 69

HEX #500245

RGB 80 2 69

HSL 308.46, 0.95%, 0.16%

LAB 16.4, 39.94, -19.47

 

CMYK 0 / 98 / 39 / 69

HEX #500231

RGB 80 2 49

HSL 323.85, 0.95%, 0.16%

LAB 15.33, 37.17, -6.93

 

CMYK 0 / 98 / 65 / 69

HEX #50021C

RGB 80 2 28

HSL 340, 0.95%, 0.16%

LAB 14.58, 35.14, 7.42

 

CMYK 0 / 98 / 91 / 69

HEX #500207

RGB 80 2 7

HSL 356.15, 0.95%, 0.16%

LAB 14.2, 34.07, 19.27

 

CMYK 0 / 97 / 38 / 85

HEX #270118

RGB 39 1 24

HSL 323.68, 0.95%, 0.08%

LAB 4.69, 20.84, -4.95

 

CMYK 0 / 98 / 39 / 69

HEX #500231

RGB 80 2 49

HSL 323.85, 0.95%, 0.16%

LAB 15.33, 37.17, -6.93

 

CMYK 0 / 98 / 39 / 53

HEX #780349

RGB 120 3 73

HSL 324.1, 0.95%, 0.24%

LAB 25.38, 49.38, -7.64

 

CMYK 0 / 98 / 39 / 37

HEX #A00462

RGB 160 4 98

HSL 323.85, 0.95%, 0.32%

LAB 34.89, 60.96, -8.95

 

CMYK 0 / 98 / 39 / 68

HEX #520232

RGB 82 2 50

HSL 324, 0.95%, 0.16%

LAB 15.84, 37.8, -6.84

 

CMYK 0 / 39 / 98 / 69

HEX #503102

RGB 80 49 2

HSL 36.15, 0.95%, 0.16%

LAB 23.36, 10.12, 32

 

CMYK 98 / 0 / 0 / 69

HEX #025050

RGB 2 80 80

HSL 180, 0.95%, 0.16%

LAB 30.23, -20.53, -6.05

 

CMYK 0 / 98 / 39 / 68

HEX #520232

RGB 82 2 50

HSL 324, 0.95%, 0.16%

LAB 15.84, 37.8, -6.84

 

CMYK 39 / 0 / 98 / 69

HEX #315002

RGB 49 80 2

HSL 83.85, 0.95%, 0.16%

LAB 30.39, -23.93, 37.1

 

CMYK 98 / 39 / 0 / 69

HEX #023150

RGB 2 49 80

HSL 203.85, 0.95%, 0.16%

LAB 19.18, -1.53, -23.09

 

CMYK 0 / 98 / 39 / 68

HEX #520232

RGB 82 2 50

HSL 324, 0.95%, 0.16%

LAB 15.84, 37.8, -6.84

 

CMYK 0 / 39 / 98 / 69

HEX #503102

RGB 80 49 2

HSL 36.15, 0.95%, 0.16%

LAB 23.36, 10.12, 32

 

CMYK 98 / 0 / 59 / 69

HEX #025021

RGB 2 80 33

HSL 143.85, 0.95%, 0.16%

LAB 29.06, -33.29, 21.58

 

CMYK 98 / 59 / 0 / 69

HEX #022150

RGB 2 33 80

HSL 216.15, 0.95%, 0.16%

LAB 13.71, 10.37, -31.87

 

CMYK 0 / 98 / 39 / 68

HEX #520232

RGB 82 2 50

HSL 324, 0.95%, 0.16%

LAB 15.84, 37.8, -6.84

 

CMYK 0 / 10 / 98 / 69

HEX #504802

RGB 80 72 2

HSL 53.85, 0.95%, 0.16%

LAB 30.27, -4.44, 38.1

 

CMYK 98 / 0 / 59 / 69

HEX #025021

RGB 2 80 33

HSL 143.85, 0.95%, 0.16%

LAB 29.06, -33.29, 21.58

 

CMYK 98 / 88 / 0 / 69

HEX #020A50

RGB 2 10 80

HSL 233.85, 0.95%, 0.16%

LAB 7.31, 27.18, -42.38

 

Description

Color code: HEX #520232 | qconv.com Color code: HEX #520232 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 2 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 2 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 39 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 39% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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