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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51FFDC00 it is the complementary color #AE002300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51FFDC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51FFDC00 shade: #56FFD700, #67FFEA00, #78FFFD00, #89FFFF00 and #9AFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51FFDC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51FFDC00 shade: #51FFDC00, #40EDC900, #2FDBB600, #1EC9A300 and #0DB79000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51FFDC00 shade: #52FFDC, #52FFAD, #52FF7F, #53FF52 and #82FF52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51FFDC00 shade: #52FFDC, #52F3FF, #52C4FF, #5296FF and #5267FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51FFDC00 shade matches the following richer shades: #52FFDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51FFDC00 shade: #52FFDC, #60F1D4, #6EE3CB, #7CD5C3 and #8AC7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51FFDC00 shade: #52FF7D, #52FFAB, #52FFD9, #52F6FF and #52C8FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51FFDC00 shade: #00FECB, #28FFD4, #52FFDC, #7BFFE4 and #A4FFED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51FFDC00 shade: #51FFDC, #5254FF and #FF9452

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51FFDC00 shade: #51FFDC, #D952FF and #FFD952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51FFDC00 shade: #51FFDC, #5254FF, #FF5277 and #FFFC52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51FFDC00 shade: #51FFDC, #8352FF, #FF5277 and #CEFF52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #51FFDC00

RGBA 81 255 220 0

HSLA 167.93, 1%, 0.66%, 0

LABA 90.98, -51.99, 3.9, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AE002300

RGBA 174 0 35 0

HSLA 347.93, 1%, 0.34%, 0

LABA 36.21, 60.78, 33.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #56FFD700

RGBA 86 255 215 0

HSLA 165.8, 1%, 0.67%, 0

LABA 90.96, -52.47, 6.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #67FFEA00

RGBA 103 255 234 0

HSLA 171.71, 1%, 0.7%, 0

LABA 91.84, -45.15, -2.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #78FFFD00

RGBA 120 255 253 0

HSLA 179.11, 1%, 0.74%, 0

LABA 92.84, -37.3, -10.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #89FFFF00

RGBA 137 255 255 0

HSLA 180, 1%, 0.77%, 0

LABA 93.48, -33.34, -10.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9AFFFF00

RGBA 154 255 255 0

HSLA 180, 1%, 0.8%, 0

LABA 94.15, -29.47, -9.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #51FFDC00

RGBA 81 255 220 0

HSLA 167.93, 1%, 0.66%, 0

LABA 90.98, -51.99, 3.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #40EDC900

RGBA 64 237 201 0

HSLA 167.51, 0.83%, 0.59%, 0

LABA 84.93, -51.39, 5.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2FDBB600

RGBA 47 219 182 0

HSLA 167.09, 0.7%, 0.52%, 0

LABA 78.84, -50.57, 6.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1EC9A300

RGBA 30 201 163 0

HSLA 166.67, 0.74%, 0.45%, 0

LABA 72.69, -49.46, 7.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0DB79000

RGBA 13 183 144 0

HSLA 166.24, 0.87%, 0.38%, 0

LABA 66.49, -47.96, 9.04, 0

 

CMYK 68 / 0 / 14 / 0

HEX #52FFDC

RGB 82 255 220

HSL 167.86, 1%, 0.66%

LAB 91, -51.85, 3.93

 

CMYK 68 / 0 / 32 / 0

HEX #52FFAD

RGB 82 255 173

HSL 151.56, 1%, 0.66%

LAB 90.01, -62.17, 26.65

 

CMYK 68 / 0 / 50 / 0

HEX #52FF7F

RGB 82 255 127

HSL 135.61, 1%, 0.66%

LAB 89.32, -69.92, 48.26

 

CMYK 67 / 0 / 68 / 0

HEX #53FF52

RGB 83 255 82

HSL 119.65, 1%, 0.66%

LAB 88.91, -74.86, 66.98

 

CMYK 49 / 0 / 68 / 0

HEX #82FF52

RGB 130 255 82

HSL 103.35, 1%, 0.66%

LAB 90.26, -64.09, 68.83

 

CMYK 68 / 0 / 14 / 0

HEX #52FFDC

RGB 82 255 220

HSL 167.86, 1%, 0.66%

LAB 91, -51.85, 3.93

 

CMYK 68 / 5 / 0 / 0

HEX #52F3FF

RGB 82 243 255

HSL 184.16, 1%, 0.66%

LAB 88.5, -37.4, -17.98

 

CMYK 68 / 23 / 0 / 0

HEX #52C4FF

RGB 82 196 255

HSL 200.46, 1%, 0.66%

LAB 75.14, -14.21, -38.43

 

CMYK 68 / 41 / 0 / 0

HEX #5296FF

RGB 82 150 255

HSL 216.42, 1%, 0.66%

LAB 62.36, 11.65, -58.55

 

CMYK 68 / 60 / 0 / 0

HEX #5267FF

RGB 82 103 255

HSL 232.72, 1%, 0.66%

LAB 50.35, 40.15, -77.93

 

CMYK 68 / 0 / 14 / 0

HEX #52FFDC

RGB 82 255 220

HSL 167.86, 1%, 0.66%

LAB 91, -51.85, 3.93

 

CMYK 68 / 0 / 14 / 0

HEX #52FFDC

RGB 82 255 220

HSL 167.86, 1%, 0.66%

LAB 91, -51.85, 3.93

 

CMYK 60 / 0 / 12 / 5

HEX #60F1D4

RGB 96 241 212

HSL 168, 0.84%, 0.66%

LAB 87.07, -45.65, 2.43

 

CMYK 52 / 0 / 11 / 11

HEX #6EE3CB

RGB 110 227 203

HSL 167.69, 0.68%, 0.66%

LAB 83.21, -38.87, 1.61

 

CMYK 42 / 0 / 8 / 16

HEX #7CD5C3

RGB 124 213 195

HSL 167.87, 0.51%, 0.66%

LAB 79.51, -30.96, 0.53

 

CMYK 31 / 0 / 6 / 22

HEX #8AC7BB

RGB 138 199 187

HSL 168.2, 0.35%, 0.66%

LAB 75.97, -22.12, -0.26

 

CMYK 68 / 0 / 51 / 0

HEX #52FF7D

RGB 82 255 125

HSL 134.91, 1%, 0.66%

LAB 89.3, -70.2, 49.16

 

CMYK 68 / 0 / 33 / 0

HEX #52FFAB

RGB 82 255 171

HSL 150.87, 1%, 0.66%

LAB 89.98, -62.56, 27.61

 

CMYK 68 / 0 / 15 / 0

HEX #52FFD9

RGB 82 255 217

HSL 166.82, 1%, 0.66%

LAB 90.93, -52.57, 5.38

 

CMYK 68 / 4 / 0 / 0

HEX #52F6FF

RGB 82 246 255

HSL 183.12, 1%, 0.66%

LAB 89.36, -38.78, -16.69

 

CMYK 68 / 22 / 0 / 0

HEX #52C8FF

RGB 82 200 255

HSL 199.08, 1%, 0.66%

LAB 76.27, -16.31, -36.68

 

CMYK 100 / 0 / 20 / 0

HEX #00FECB

RGB 0 254 203

HSL 167.95, 1%, 0.5%

LAB 89.48, -61.48, 10.43

 

CMYK 84 / 0 / 17 / 0

HEX #28FFD4

RGB 40 255 212

HSL 168, 1%, 0.58%

LAB 90.19, -58.13, 6.83

 

CMYK 68 / 0 / 14 / 0

HEX #52FFDC

RGB 82 255 220

HSL 167.86, 1%, 0.66%

LAB 91, -51.85, 3.93

 

CMYK 52 / 0 / 11 / 0

HEX #7BFFE4

RGB 123 255 228

HSL 167.73, 1%, 0.74%

LAB 92.28, -42.79, 1.78

 

CMYK 36 / 0 / 7 / 0

HEX #A4FFED

RGB 164 255 237

HSL 168.13, 1%, 0.82%

LAB 94.11, -31.05, -0.01

 

CMYK 68 / 0 / 14 / 0

HEX #51FFDC

RGB 81 255 220

HSL 167.93, 1%, 0.66%

LAB 90.98, -51.99, 3.9

 

CMYK 68 / 67 / 0 / 0

HEX #5254FF

RGB 82 84 255

HSL 239.31, 1%, 0.66%

LAB 46.12, 51.33, -84.86

 

CMYK 0 / 42 / 68 / 0

HEX #FF9452

RGB 255 148 82

HSL 22.89, 1%, 0.66%

LAB 71.59, 34.92, 51.33

 

CMYK 68 / 0 / 14 / 0

HEX #51FFDC

RGB 81 255 220

HSL 167.93, 1%, 0.66%

LAB 90.98, -51.99, 3.9

 

CMYK 15 / 68 / 0 / 0

HEX #D952FF

RGB 217 82 255

HSL 286.82, 1%, 0.66%

LAB 59.89, 75.64, -61.85

 

CMYK 0 / 15 / 68 / 0

HEX #FFD952

RGB 255 217 82

HSL 46.82, 1%, 0.66%

LAB 87.72, -0.83, 68.62

 

CMYK 68 / 0 / 14 / 0

HEX #51FFDC

RGB 81 255 220

HSL 167.93, 1%, 0.66%

LAB 90.98, -51.99, 3.9

 

CMYK 68 / 67 / 0 / 0

HEX #5254FF

RGB 82 84 255

HSL 239.31, 1%, 0.66%

LAB 46.12, 51.33, -84.86

 

CMYK 0 / 68 / 53 / 0

HEX #FF5277

RGB 255 82 119

HSL 347.17, 1%, 0.66%

LAB 60.45, 67.5, 17.24

 

CMYK 0 / 1 / 68 / 0

HEX #FFFC52

RGB 255 252 82

HSL 58.96, 1%, 0.66%

LAB 96.61, -18.13, 77.6

 

CMYK 68 / 0 / 14 / 0

HEX #51FFDC

RGB 81 255 220

HSL 167.93, 1%, 0.66%

LAB 90.98, -51.99, 3.9

 

CMYK 49 / 68 / 0 / 0

HEX #8352FF

RGB 131 82 255

HSL 256.99, 1%, 0.66%

LAB 49.59, 59.31, -79.02

 

CMYK 0 / 68 / 53 / 0

HEX #FF5277

RGB 255 82 119

HSL 347.17, 1%, 0.66%

LAB 60.45, 67.5, 17.24

 

CMYK 19 / 0 / 68 / 0

HEX #CEFF52

RGB 206 255 82

HSL 76.99, 1%, 0.66%

LAB 93.99, -38.76, 73.85

 

Description

Color code: HEX #51FFDC00 | qconv.com Color code: HEX #51FFDC00 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 255 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 255 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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