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Color name
HEX #51F537

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51F537 it is the complementary color #AE0AC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51F537. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51F537 shade: #56F532, #67FF45, #78FF58, #89FF6B and #9AFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51F537. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51F537 shade: #51F537, #40E324, #2FD111, #1EBF00 and #0DAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51F537 shade: #52F538, #85F538, #B8F538, #EAF538 and #F5CC38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51F537 shade: #52F538, #38F551, #38F584, #38F5B7 and #38F5EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51F537 shade matches the following richer shades: #52F538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51F537 shade: #52F538, #5EE449, #6BD35A, #77C26B and #83B17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51F537 shade: #B9F538, #87F538, #55F538, #38F54E and #38F580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51F537 shade: #26CF0B, #30F211, #52F538, #74F760 and #96F987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51F537 shade: #51F537, #38EBF5 and #F538A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51F537 shade: #51F537, #3855F5 and #F53855

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51F537 shade: #51F537, #38EBF5, #D838F5 and #F54238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51F537 shade: #51F537, #38B3F5, #D838F5 and #F57A38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 78 / 4

HEX #51F537

RGB 81 245 55

HSL 111.79, 0.9%, 0.59%

LAB 85.67, -74.02, 72.75

 

Complementary color

CMYK 13 / 95 / 0 / 22

HEX #AE0AC8

RGB 174 10 200

HSL 291.79, 0.9%, 0.41%

LAB 43.34, 76.88, -57.7

 

CMYK 65 / 0 / 80 / 4

HEX #56F532

RGB 86 245 50

HSL 108.92, 0.91%, 0.58%

LAB 85.76, -73.33, 74.28

 

CMYK 60 / 0 / 73 / 0

HEX #67FF45

RGB 103 255 69

HSL 109.03, 1%, 0.64%

LAB 89.31, -71.82, 72.14

 

CMYK 53 / 0 / 65 / 0

HEX #78FF58

RGB 120 255 88

HSL 108.5, 1%, 0.67%

LAB 89.96, -66.26, 66.12

 

CMYK 46 / 0 / 58 / 0

HEX #89FF6B

RGB 137 255 107

HSL 107.84, 1%, 0.71%

LAB 90.73, -59.88, 59.35

 

CMYK 40 / 0 / 51 / 0

HEX #9AFF7E

RGB 154 255 126

HSL 106.98, 1%, 0.75%

LAB 91.64, -52.8, 52.09

 

CMYK 67 / 0 / 78 / 4

HEX #51F537

RGB 81 245 55

HSL 111.79, 0.9%, 0.59%

LAB 85.67, -74.02, 72.75

 

CMYK 72 / 0 / 84 / 11

HEX #40E324

RGB 64 227 36

HSL 111.2, 0.77%, 0.52%

LAB 79.7, -72.45, 72.05

 

CMYK 78 / 0 / 92 / 18

HEX #2FD111

RGB 47 209 17

HSL 110.63, 0.85%, 0.44%

LAB 73.7, -70.3, 70.25

 

CMYK 84 / 0 / 100 / 25

HEX #1EBF00

RGB 30 191 0

HSL 110.58, 1%, 0.37%

LAB 67.68, -67.48, 67.18

 

CMYK 92 / 0 / 100 / 32

HEX #0DAD00

RGB 13 173 0

HSL 115.49, 1%, 0.34%

LAB 61.63, -63.76, 62.28

 

CMYK 67 / 0 / 77 / 4

HEX #52F538

RGB 82 245 56

HSL 111.75, 0.9%, 0.59%

LAB 85.7, -73.78, 72.49

 

CMYK 46 / 0 / 77 / 4

HEX #85F538

RGB 133 245 56

HSL 95.56, 0.9%, 0.59%

LAB 87.28, -61.22, 74.55

 

CMYK 25 / 0 / 77 / 4

HEX #B8F538

RGB 184 245 56

HSL 79.37, 0.9%, 0.59%

LAB 89.76, -43.96, 77.76

 

CMYK 4 / 0 / 77 / 4

HEX #EAF538

RGB 234 245 56

HSL 63.49, 0.9%, 0.59%

LAB 93.05, -24.4, 81.97

 

CMYK 0 / 17 / 77 / 4

HEX #F5CC38

RGB 245 204 56

HSL 46.98, 0.9%, 0.59%

LAB 83.38, 0.46, 73.58

 

CMYK 67 / 0 / 77 / 4

HEX #52F538

RGB 82 245 56

HSL 111.75, 0.9%, 0.59%

LAB 85.7, -73.78, 72.49

 

CMYK 77 / 0 / 67 / 4

HEX #38F551

RGB 56 245 81

HSL 127.94, 0.9%, 0.59%

LAB 85.37, -75.96, 63.45

 

CMYK 77 / 0 / 46 / 4

HEX #38F584

RGB 56 245 132

HSL 144.13, 0.9%, 0.59%

LAB 85.91, -69.49, 41.51

 

CMYK 77 / 0 / 25 / 4

HEX #38F5B7

RGB 56 245 183

HSL 160.32, 0.9%, 0.59%

LAB 86.78, -59.7, 17

 

CMYK 77 / 0 / 4 / 4

HEX #38F5EA

RGB 56 245 234

HSL 176.51, 0.9%, 0.59%

LAB 88.01, -47.03, -7.79

 

CMYK 67 / 0 / 77 / 4

HEX #52F538

RGB 82 245 56

HSL 111.75, 0.9%, 0.59%

LAB 85.7, -73.78, 72.49

 

CMYK 67 / 0 / 77 / 4

HEX #52F538

RGB 82 245 56

HSL 111.75, 0.9%, 0.59%

LAB 85.7, -73.78, 72.49

 

CMYK 59 / 0 / 68 / 11

HEX #5EE449

RGB 94 228 73

HSL 111.87, 0.74%, 0.59%

LAB 80.93, -64.4, 62.03

 

CMYK 49 / 0 / 57 / 17

HEX #6BD35A

RGB 107 211 90

HSL 111.57, 0.58%, 0.59%

LAB 76.35, -53.12, 49.93

 

CMYK 39 / 0 / 45 / 24

HEX #77C26B

RGB 119 194 107

HSL 111.72, 0.42%, 0.59%

LAB 71.94, -40.31, 36.5

 

CMYK 26 / 0 / 30 / 31

HEX #83B17C

RGB 131 177 124

HSL 112.08, 0.25%, 0.59%

LAB 67.82, -25.76, 22.31

 

CMYK 24 / 0 / 77 / 4

HEX #B9F538

RGB 185 245 56

HSL 79.05, 0.9%, 0.59%

LAB 89.82, -43.59, 77.83

 

CMYK 45 / 0 / 77 / 4

HEX #87F538

RGB 135 245 56

HSL 94.92, 0.9%, 0.59%

LAB 87.36, -60.61, 74.66

 

CMYK 65 / 0 / 77 / 4

HEX #55F538

RGB 85 245 56

HSL 110.79, 0.9%, 0.59%

LAB 85.77, -73.2, 72.58

 

CMYK 77 / 0 / 68 / 4

HEX #38F54E

RGB 56 245 78

HSL 126.98, 0.9%, 0.59%

LAB 85.35, -76.24, 64.57

 

CMYK 77 / 0 / 48 / 4

HEX #38F580

RGB 56 245 128

HSL 142.86, 0.9%, 0.59%

LAB 85.86, -70.12, 43.37

 

CMYK 82 / 0 / 95 / 19

HEX #26CF0B

RGB 38 207 11

HSL 111.73, 0.9%, 0.43%

LAB 72.93, -70.98, 70.29

 

CMYK 80 / 0 / 93 / 5

HEX #30F211

RGB 48 242 17

HSL 111.73, 0.9%, 0.51%

LAB 84.06, -79.6, 78.87

 

CMYK 67 / 0 / 77 / 4

HEX #52F538

RGB 82 245 56

HSL 111.75, 0.9%, 0.59%

LAB 85.7, -73.78, 72.49

 

CMYK 53 / 0 / 61 / 3

HEX #74F760

RGB 116 247 96

HSL 112.05, 0.9%, 0.67%

LAB 87.52, -63.65, 60.17

 

CMYK 40 / 0 / 46 / 2

HEX #96F987

RGB 150 249 135

HSL 112.11, 0.9%, 0.75%

LAB 89.85, -50.42, 45.62

 

CMYK 67 / 0 / 78 / 4

HEX #51F537

RGB 81 245 55

HSL 111.79, 0.9%, 0.59%

LAB 85.67, -74.02, 72.75

 

CMYK 77 / 4 / 0 / 4

HEX #38EBF5

RGB 56 235 245

HSL 183.17, 0.9%, 0.59%

LAB 85.43, -39.51, -17.41

 

CMYK 0 / 77 / 35 / 4

HEX #F538A0

RGB 245 56 160

HSL 326.98, 0.9%, 0.59%

LAB 56.86, 76.84, -12.22

 

CMYK 67 / 0 / 78 / 4

HEX #51F537

RGB 81 245 55

HSL 111.79, 0.9%, 0.59%

LAB 85.67, -74.02, 72.75

 

CMYK 77 / 65 / 0 / 4

HEX #3855F5

RGB 56 85 245

HSL 230.79, 0.9%, 0.59%

LAB 44.13, 44.8, -82.58

 

CMYK 0 / 77 / 65 / 4

HEX #F53855

RGB 245 56 85

HSL 350.79, 0.9%, 0.59%

LAB 54.97, 71.01, 29.58

 

CMYK 67 / 0 / 78 / 4

HEX #51F537

RGB 81 245 55

HSL 111.79, 0.9%, 0.59%

LAB 85.67, -74.02, 72.75

 

CMYK 77 / 4 / 0 / 4

HEX #38EBF5

RGB 56 235 245

HSL 183.17, 0.9%, 0.59%

LAB 85.43, -39.51, -17.41

 

CMYK 12 / 77 / 0 / 4

HEX #D838F5

RGB 216 56 245

HSL 290.79, 0.9%, 0.59%

LAB 56.11, 82.36, -62.39

 

CMYK 0 / 73 / 77 / 4

HEX #F54238

RGB 245 66 56

HSL 3.17, 0.9%, 0.59%

LAB 55.68, 66.72, 46.76

 

CMYK 67 / 0 / 78 / 4

HEX #51F537

RGB 81 245 55

HSL 111.79, 0.9%, 0.59%

LAB 85.67, -74.02, 72.75

 

CMYK 77 / 27 / 0 / 4

HEX #38B3F5

RGB 56 179 245

HSL 200.95, 0.9%, 0.59%

LAB 69.24, -11.66, -42.28

 

CMYK 12 / 77 / 0 / 4

HEX #D838F5

RGB 216 56 245

HSL 290.79, 0.9%, 0.59%

LAB 56.11, 82.36, -62.39

 

CMYK 0 / 50 / 77 / 4

HEX #F57A38

RGB 245 122 56

HSL 20.95, 0.9%, 0.59%

LAB 64.66, 42.99, 55.86

 

Description

Color code: HEX #51F537 | qconv.com Color code: HEX #51F537 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 245 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 245 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 78 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 78% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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