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Color name
HEX #51F42A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51F42A it is the complementary color #AE0BD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51F42A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51F42A shade: #56F425, #67FF38, #78FF4B, #89FF5E and #9AFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51F42A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51F42A shade: #51F42A, #40E217, #2FD004, #1EBE00 and #0DAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51F42A shade: #51F42A, #87F42A, #BEF42A, #F4F32A and #F4BD2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51F42A shade: #51F42A, #2AF439, #2AF470, #2AF4A6 and #2AF4DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51F42A shade matches the following richer shades: #51F42A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51F42A shade: #51F42A, #5CE23C, #67CF4E, #72BD60 and #7DAB72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51F42A shade: #BEF42A, #88F42A, #52F42A, #2AF437 and #2AF46D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51F42A shade: #2DC10A, #37E80C, #51F42A, #71F651 and #91F878

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51F42A shade: #51F42A, #2AF4F4 and #F42AA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51F42A shade: #51F42A, #2A52F4 and #F42A52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51F42A shade: #51F42A, #2AF4F4, #CB2AF4 and #F42A2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51F42A shade: #51F42A, #2AB7F4, #CB2AF4 and #F4662A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

Complementary color

CMYK 18 / 95 / 0 / 16

HEX #AE0BD5

RGB 174 11 213

HSL 288.42, 0.9%, 0.44%

LAB 44.29, 78.97, -63.67

 

CMYK 65 / 0 / 85 / 4

HEX #56F425

RGB 86 244 37

HSL 105.8, 0.9%, 0.55%

LAB 85.41, -73.61, 77.07

 

CMYK 60 / 0 / 78 / 0

HEX #67FF38

RGB 103 255 56

HSL 105.83, 1%, 0.61%

LAB 89.25, -72.61, 76.05

 

CMYK 53 / 0 / 71 / 0

HEX #78FF4B

RGB 120 255 75

HSL 105, 1%, 0.65%

LAB 89.87, -67.28, 70.83

 

CMYK 46 / 0 / 63 / 0

HEX #89FF5E

RGB 137 255 94

HSL 103.98, 1%, 0.68%

LAB 90.62, -61.12, 64.64

 

CMYK 40 / 0 / 56 / 0

HEX #9AFF71

RGB 154 255 113

HSL 102.68, 1%, 0.72%

LAB 91.5, -54.24, 57.8

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 72 / 0 / 90 / 11

HEX #40E217

RGB 64 226 23

HSL 107.88, 0.82%, 0.49%

LAB 79.35, -72.61, 74.23

 

CMYK 77 / 0 / 98 / 18

HEX #2FD004

RGB 47 208 4

HSL 107.35, 0.96%, 0.42%

LAB 73.37, -70.27, 71.41

 

CMYK 84 / 0 / 100 / 25

HEX #1EBE00

RGB 30 190 0

HSL 110.53, 1%, 0.37%

LAB 67.35, -67.19, 66.92

 

CMYK 92 / 0 / 100 / 33

HEX #0DAC00

RGB 13 172 0

HSL 115.47, 1%, 0.34%

LAB 61.3, -63.48, 62.01

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 45 / 0 / 83 / 4

HEX #87F42A

RGB 135 244 42

HSL 92.38, 0.9%, 0.56%

LAB 87.01, -60.87, 77.99

 

CMYK 22 / 0 / 83 / 4

HEX #BEF42A

RGB 190 244 42

HSL 76.04, 0.9%, 0.56%

LAB 89.77, -41.8, 81.48

 

CMYK 0 / 0 / 83 / 4

HEX #F4F32A

RGB 244 243 42

HSL 59.7, 0.9%, 0.56%

LAB 93.23, -19.78, 85.9

 

CMYK 0 / 23 / 83 / 4

HEX #F4BD2A

RGB 244 189 42

HSL 43.66, 0.9%, 0.56%

LAB 79.5, 7.35, 74.38

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 83 / 0 / 77 / 4

HEX #2AF439

RGB 42 244 57

HSL 124.46, 0.9%, 0.56%

LAB 84.74, -79.11, 71.04

 

CMYK 83 / 0 / 54 / 4

HEX #2AF470

RGB 42 244 112

HSL 140.79, 0.9%, 0.56%

LAB 85.18, -73.59, 50.01

 

CMYK 83 / 0 / 32 / 4

HEX #2AF4A6

RGB 42 244 166

HSL 156.83, 0.9%, 0.56%

LAB 85.98, -64.29, 24.6

 

CMYK 83 / 0 / 9 / 4

HEX #2AF4DD

RGB 42 244 221

HSL 173.17, 0.9%, 0.56%

LAB 87.2, -51.25, -2.2

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 59 / 0 / 73 / 11

HEX #5CE23C

RGB 92 226 60

HSL 108.43, 0.74%, 0.56%

LAB 80.18, -65.18, 65.93

 

CMYK 50 / 0 / 62 / 19

HEX #67CF4E

RGB 103 207 78

HSL 108.37, 0.57%, 0.56%

LAB 74.86, -53.96, 53.5

 

CMYK 40 / 0 / 49 / 26

HEX #72BD60

RGB 114 189 96

HSL 108.39, 0.41%, 0.56%

LAB 70.05, -41.21, 39.6

 

CMYK 27 / 0 / 33 / 33

HEX #7DAB72

RGB 125 171 114

HSL 108.42, 0.25%, 0.56%

LAB 65.51, -26.54, 24.54

 

CMYK 22 / 0 / 83 / 4

HEX #BEF42A

RGB 190 244 42

HSL 76.04, 0.9%, 0.56%

LAB 89.77, -41.8, 81.48

 

CMYK 44 / 0 / 83 / 4

HEX #88F42A

RGB 136 244 42

HSL 92.08, 0.9%, 0.56%

LAB 87.05, -60.56, 78.04

 

CMYK 66 / 0 / 83 / 4

HEX #52F42A

RGB 82 244 42

HSL 108.12, 0.9%, 0.56%

LAB 85.33, -74.19, 75.86

 

CMYK 83 / 0 / 77 / 4

HEX #2AF437

RGB 42 244 55

HSL 123.86, 0.9%, 0.56%

LAB 84.73, -79.24, 71.63

 

CMYK 83 / 0 / 55 / 4

HEX #2AF46D

RGB 42 244 109

HSL 139.9, 0.9%, 0.56%

LAB 85.15, -74, 51.33

 

CMYK 77 / 0 / 95 / 24

HEX #2DC10A

RGB 45 193 10

HSL 108.52, 0.9%, 0.4%

LAB 68.55, -66.01, 66.83

 

CMYK 76 / 0 / 95 / 9

HEX #37E80C

RGB 55 232 12

HSL 108.27, 0.9%, 0.48%

LAB 81.04, -75.99, 76.96

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 54 / 0 / 67 / 4

HEX #71F651

RGB 113 246 81

HSL 108.36, 0.9%, 0.64%

LAB 87, -65.43, 65.59

 

CMYK 42 / 0 / 52 / 3

HEX #91F878

RGB 145 248 120

HSL 108.28, 0.9%, 0.72%

LAB 89.16, -53.37, 51.77

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 83 / 0 / 0 / 4

HEX #2AF4F4

RGB 42 244 244

HSL 180, 0.9%, 0.56%

LAB 87.84, -44.93, -13.29

 

CMYK 0 / 83 / 33 / 4

HEX #F42AA3

RGB 244 42 163

HSL 324.06, 0.9%, 0.56%

LAB 55.62, 80.27, -15.88

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 83 / 66 / 0 / 4

HEX #2A52F4

RGB 42 82 244

HSL 228.12, 0.9%, 0.56%

LAB 42.85, 45.21, -84.15

 

CMYK 0 / 83 / 66 / 4

HEX #F42A52

RGB 244 42 82

HSL 348.12, 0.9%, 0.56%

LAB 53.49, 74.1, 29.45

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 83 / 0 / 0 / 4

HEX #2AF4F4

RGB 42 244 244

HSL 180, 0.9%, 0.56%

LAB 87.84, -44.93, -13.29

 

CMYK 17 / 83 / 0 / 4

HEX #CB2AF4

RGB 203 42 244

HSL 287.82, 0.9%, 0.56%

LAB 52.82, 83.54, -67.22

 

CMYK 0 / 83 / 83 / 4

HEX #F42A2A

RGB 244 42 42

HSL 0, 0.9%, 0.56%

LAB 53.01, 72.66, 51.29

 

CMYK 67 / 0 / 83 / 4

HEX #51F42A

RGB 81 244 42

HSL 108.42, 0.9%, 0.56%

LAB 85.31, -74.38, 75.83

 

CMYK 83 / 25 / 0 / 4

HEX #2AB7F4

RGB 42 183 244

HSL 198.12, 0.9%, 0.56%

LAB 70.1, -15.43, -40.41

 

CMYK 17 / 83 / 0 / 4

HEX #CB2AF4

RGB 203 42 244

HSL 287.82, 0.9%, 0.56%

LAB 52.82, 83.54, -67.22

 

CMYK 0 / 58 / 83 / 4

HEX #F4662A

RGB 244 102 42

HSL 17.82, 0.9%, 0.56%

LAB 60.7, 51.69, 58.17

 

Description

Color code: HEX #51F42A | qconv.com Color code: HEX #51F42A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 244 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 244 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 83% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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