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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51F359 it is the complementary color #AE0CA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51F359. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51F359 shade: #56F354, #67FF67, #78FF7A, #89FF8D and #9AFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51F359. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51F359 shade: #51F359, #40E146, #2FCF33, #1EBD20 and #0DAB0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51F359 shade: #53F35B, #77F353, #A2F353, #CDF353 and #F3EE53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51F359 shade: #53F35B, #53F386, #53F3B1, #53F3DC and #53DFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51F359 shade matches the following richer shades: #53F35B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51F359 shade: #53F35B, #62E469, #71D576, #80C783 and #8FB891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51F359 shade: #A3F353, #79F353, #53F359, #53F383 and #53F3AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51F359 shade: #10E41A, #2DF036, #53F35B, #7AF680 and #A0F8A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51F359 shade: #51F359, #53CEF3 and #F3538E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51F359 shade: #51F359, #5953F3 and #F35953

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51F359 shade: #51F359, #53CEF3, #F353EE and #F37953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51F359 shade: #51F359, #539EF3, #F353EE and #F3A953

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 63 / 5

HEX #51F359

RGB 81 243 89

HSL 122.96, 0.87%, 0.64%

LAB 85.29, -70.69, 60.31

 

Complementary color

CMYK 0 / 93 / 5 / 32

HEX #AE0CA6

RGB 174 12 166

HSL 302.96, 0.87%, 0.36%

LAB 41.24, 71.36, -41.01

 

CMYK 65 / 0 / 65 / 5

HEX #56F354

RGB 86 243 84

HSL 119.25, 0.87%, 0.64%

LAB 85.36, -70.22, 62.43

 

CMYK 60 / 0 / 60 / 0

HEX #67FF67

RGB 103 255 103

HSL 120, 1%, 0.7%

LAB 89.57, -68.84, 59.43

 

CMYK 53 / 0 / 52 / 0

HEX #78FF7A

RGB 120 255 122

HSL 120.89, 1%, 0.74%

LAB 90.28, -62.68, 51.99

 

CMYK 46 / 0 / 45 / 0

HEX #89FF8D

RGB 137 255 141

HSL 122.03, 1%, 0.77%

LAB 91.13, -55.76, 44.24

 

CMYK 40 / 0 / 37 / 0

HEX #9AFFA0

RGB 154 255 160

HSL 123.56, 1%, 0.8%

LAB 92.1, -48.2, 36.36

 

CMYK 67 / 0 / 63 / 5

HEX #51F359

RGB 81 243 89

HSL 122.96, 0.87%, 0.64%

LAB 85.29, -70.69, 60.31

 

CMYK 72 / 0 / 69 / 12

HEX #40E146

RGB 64 225 70

HSL 122.24, 0.73%, 0.57%

LAB 79.26, -69.63, 61.19

 

CMYK 77 / 0 / 75 / 19

HEX #2FCF33

RGB 47 207 51

HSL 121.5, 0.63%, 0.5%

LAB 73.2, -68.09, 61.67

 

CMYK 84 / 0 / 83 / 26

HEX #1EBD20

RGB 30 189 32

HSL 120.75, 0.73%, 0.43%

LAB 67.11, -65.9, 61.44

 

CMYK 92 / 0 / 92 / 33

HEX #0DAB0D

RGB 13 171 13

HSL 120, 0.86%, 0.36%

LAB 60.99, -62.86, 59.98

 

CMYK 66 / 0 / 63 / 5

HEX #53F35B

RGB 83 243 91

HSL 123, 0.87%, 0.64%

LAB 85.35, -70.11, 59.57

 

CMYK 51 / 0 / 66 / 5

HEX #77F353

RGB 119 243 83

HSL 106.5, 0.87%, 0.64%

LAB 86.33, -62.61, 64.16

 

CMYK 33 / 0 / 66 / 5

HEX #A2F353

RGB 162 243 83

HSL 90.38, 0.87%, 0.64%

LAB 88.16, -49.4, 66.66

 

CMYK 16 / 0 / 66 / 5

HEX #CDF353

RGB 205 243 83

HSL 74.25, 0.87%, 0.64%

LAB 90.65, -33.66, 70.02

 

CMYK 0 / 2 / 66 / 5

HEX #F3EE53

RGB 243 238 83

HSL 58.13, 0.87%, 0.64%

LAB 92.06, -16.17, 72.34

 

CMYK 66 / 0 / 63 / 5

HEX #53F35B

RGB 83 243 91

HSL 123, 0.87%, 0.64%

LAB 85.35, -70.11, 59.57

 

CMYK 66 / 0 / 45 / 5

HEX #53F386

RGB 83 243 134

HSL 139.13, 0.87%, 0.64%

LAB 85.84, -64.5, 40.55

 

CMYK 66 / 0 / 27 / 5

HEX #53F3B1

RGB 83 243 177

HSL 155.25, 0.87%, 0.64%

LAB 86.56, -56.59, 19.86

 

CMYK 66 / 0 / 9 / 5

HEX #53F3DC

RGB 83 243 220

HSL 171.38, 0.87%, 0.64%

LAB 87.54, -46.63, -1.11

 

CMYK 66 / 8 / 0 / 5

HEX #53DFF3

RGB 83 223 243

HSL 187.5, 0.87%, 0.64%

LAB 82.42, -31.3, -20.84

 

CMYK 66 / 0 / 63 / 5

HEX #53F35B

RGB 83 243 91

HSL 123, 0.87%, 0.64%

LAB 85.35, -70.11, 59.57

 

CMYK 66 / 0 / 63 / 5

HEX #53F35B

RGB 83 243 91

HSL 123, 0.87%, 0.64%

LAB 85.35, -70.11, 59.57

 

CMYK 57 / 0 / 54 / 11

HEX #62E469

RGB 98 228 105

HSL 123.23, 0.71%, 0.64%

LAB 81.35, -60.1, 48.89

 

CMYK 47 / 0 / 45 / 16

HEX #71D576

RGB 113 213 118

HSL 123, 0.54%, 0.64%

LAB 77.52, -48.62, 38.02

 

CMYK 36 / 0 / 34 / 22

HEX #80C783

RGB 128 199 131

HSL 122.54, 0.39%, 0.64%

LAB 74.24, -36.04, 27.2

 

CMYK 22 / 0 / 21 / 28

HEX #8FB891

RGB 143 184 145

HSL 122.93, 0.22%, 0.64%

LAB 70.98, -21.47, 15.42

 

CMYK 33 / 0 / 66 / 5

HEX #A3F353

RGB 163 243 83

HSL 90, 0.87%, 0.64%

LAB 88.21, -49.06, 66.73

 

CMYK 50 / 0 / 66 / 5

HEX #79F353

RGB 121 243 83

HSL 105.75, 0.87%, 0.64%

LAB 86.4, -62.07, 64.25

 

CMYK 66 / 0 / 63 / 5

HEX #53F359

RGB 83 243 89

HSL 122.25, 0.87%, 0.64%

LAB 85.33, -70.32, 60.37

 

CMYK 66 / 0 / 46 / 5

HEX #53F383

RGB 83 243 131

HSL 138, 0.87%, 0.64%

LAB 85.8, -64.97, 41.95

 

CMYK 66 / 0 / 28 / 5

HEX #53F3AE

RGB 83 243 174

HSL 154.13, 0.87%, 0.64%

LAB 86.5, -57.22, 21.32

 

CMYK 93 / 0 / 89 / 11

HEX #10E41A

RGB 16 228 26

HSL 122.83, 0.87%, 0.48%

LAB 79.43, -78.06, 73.58

 

CMYK 81 / 0 / 78 / 6

HEX #2DF036

RGB 45 240 54

HSL 122.77, 0.87%, 0.56%

LAB 83.52, -77.86, 70.77

 

CMYK 66 / 0 / 63 / 5

HEX #53F35B

RGB 83 243 91

HSL 123, 0.87%, 0.64%

LAB 85.35, -70.11, 59.57

 

CMYK 50 / 0 / 48 / 4

HEX #7AF680

RGB 122 246 128

HSL 122.9, 0.87%, 0.72%

LAB 87.78, -57.98, 46.13

 

CMYK 35 / 0 / 33 / 3

HEX #A0F8A5

RGB 160 248 165

HSL 123.41, 0.86%, 0.8%

LAB 90.47, -42.63, 31.75

 

CMYK 67 / 0 / 63 / 5

HEX #51F359

RGB 81 243 89

HSL 122.96, 0.87%, 0.64%

LAB 85.29, -70.69, 60.31

 

CMYK 66 / 15 / 0 / 5

HEX #53CEF3

RGB 83 206 243

HSL 193.88, 0.87%, 0.64%

LAB 77.55, -22.95, -28.27

 

CMYK 0 / 66 / 42 / 5

HEX #F3538E

RGB 243 83 142

HSL 337.88, 0.87%, 0.64%

LAB 59.15, 65.58, 1.68

 

CMYK 67 / 0 / 63 / 5

HEX #51F359

RGB 81 243 89

HSL 122.96, 0.87%, 0.64%

LAB 85.29, -70.69, 60.31

 

CMYK 63 / 66 / 0 / 5

HEX #5953F3

RGB 89 83 243

HSL 242.25, 0.87%, 0.64%

LAB 45.33, 48.96, -79.42

 

CMYK 0 / 63 / 66 / 5

HEX #F35953

RGB 243 89 83

HSL 2.25, 0.87%, 0.64%

LAB 58.81, 58.67, 35.44

 

CMYK 67 / 0 / 63 / 5

HEX #51F359

RGB 81 243 89

HSL 122.96, 0.87%, 0.64%

LAB 85.29, -70.69, 60.31

 

CMYK 66 / 15 / 0 / 5

HEX #53CEF3

RGB 83 206 243

HSL 193.88, 0.87%, 0.64%

LAB 77.55, -22.95, -28.27

 

CMYK 0 / 66 / 2 / 5

HEX #F353EE

RGB 243 83 238

HSL 301.88, 0.87%, 0.64%

LAB 62.86, 77.99, -47.49

 

CMYK 0 / 50 / 66 / 5

HEX #F37953

RGB 243 121 83

HSL 14.25, 0.87%, 0.64%

LAB 64.45, 43.98, 42.2

 

CMYK 67 / 0 / 63 / 5

HEX #51F359

RGB 81 243 89

HSL 122.96, 0.87%, 0.64%

LAB 85.29, -70.69, 60.31

 

CMYK 66 / 35 / 0 / 5

HEX #539EF3

RGB 83 158 243

HSL 211.88, 0.87%, 0.64%

LAB 63.97, 3.04, -49.42

 

CMYK 0 / 66 / 2 / 5

HEX #F353EE

RGB 243 83 238

HSL 301.88, 0.87%, 0.64%

LAB 62.86, 77.99, -47.49

 

CMYK 0 / 30 / 66 / 5

HEX #F3A953

RGB 243 169 83

HSL 32.25, 0.87%, 0.64%

LAB 74.86, 19.16, 54.1

 

Description

Color code: HEX #51F359 | qconv.com Color code: HEX #51F359 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 243 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 243 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 63 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 63% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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