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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51EFF9 it is the complementary color #AE1006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51EFF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #51EFF9: #56EFF4, #67FFFF, #78FFFF, #89FFFF and #9AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51EFF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #51EFF9: #51EFF9, #40DDE6, #2FCBD3, #1EB9C0 and #0DA7AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

Complementary color

CMYK 0 / 91 / 97 / 32

HEX #AE1006

RGB 174 16 6

HSL 3.57, 0.93%, 0.35%

LAB 36.71, 58.19, 48.29

 

CMYK 65 / 2 / 0 / 4

HEX #56EFF4

RGB 86 239 244

HSL 181.9, 0.88%, 0.65%

LAB 87.12, -38.08, -14.3

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

CMYK 72 / 4 / 0 / 10

HEX #40DDE6

RGB 64 221 230

HSL 183.25, 0.77%, 0.58%

LAB 81.02, -36.61, -16.09

 

CMYK 78 / 4 / 0 / 17

HEX #2FCBD3

RGB 47 203 211

HSL 182.93, 0.65%, 0.51%

LAB 74.84, -35.61, -15.25

 

CMYK 84 / 4 / 0 / 25

HEX #1EB9C0

RGB 30 185 192

HSL 182.59, 0.73%, 0.44%

LAB 68.59, -34.32, -14.31

 

CMYK 92 / 3 / 0 / 32

HEX #0DA7AD

RGB 13 167 173

HSL 182.25, 0.86%, 0.36%

LAB 62.29, -32.67, -13.26

 

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

CMYK 67 / 15 / 0 / 3

HEX #52D4F8

RGB 82 212 248

HSL 193.01, 0.92%, 0.65%

LAB 79.42, -24.6, -28.08

 

CMYK 67 / 25 / 0 / 3

HEX #52B9F8

RGB 82 185 248

HSL 202.77, 0.92%, 0.65%

LAB 71.74, -10.57, -39.95

 

CMYK 67 / 37 / 0 / 3

HEX #529DF8

RGB 82 157 248

HSL 212.89, 0.92%, 0.65%

LAB 63.91, 5.15, -52.27

 

CMYK 67 / 48 / 0 / 3

HEX #5281F8

RGB 82 129 248

HSL 223.01, 0.92%, 0.65%

LAB 56.36, 21.88, -64.32

 

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

CMYK 67 / 4 / 0 / 82

HEX #0F2B2D

RGB 15 43 45

HSL 184, 0.5%, 0.12%

LAB 15.59, -9.77, -4.52

 

CMYK 68 / 4 / 0 / 62

HEX #1F5C60

RGB 31 92 96

HSL 183.69, 0.51%, 0.25%

LAB 35.58, -17.81, -8.07

 

CMYK 67 / 4 / 0 / 42

HEX #308D93

RGB 48 141 147

HSL 183.64, 0.51%, 0.38%

LAB 53.8, -24.72, -11.18

 

CMYK 68 / 4 / 0 / 22

HEX #40BEC6

RGB 64 190 198

HSL 183.58, 0.54%, 0.51%

LAB 70.87, -31.29, -14.12

 

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

CMYK 50 / 67 / 0 / 3

HEX #7C52F8

RGB 124 82 248

HSL 255.18, 0.92%, 0.65%

LAB 48.38, 56.26, -77.12

 

CMYK 0 / 23 / 67 / 3

HEX #F8BE52

RGB 248 190 82

HSL 39.04, 0.92%, 0.65%

LAB 80.4, 10.15, 60.73

 

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

CMYK 0 / 67 / 3 / 3

HEX #F852F0

RGB 248 82 240

HSL 302.89, 0.92%, 0.65%

LAB 63.58, 79.77, -47.42

 

CMYK 3 / 0 / 67 / 3

HEX #F0F852

RGB 240 248 82

HSL 62.89, 0.92%, 0.65%

LAB 94.43, -22.25, 75.04

 

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

CMYK 50 / 67 / 0 / 3

HEX #7C52F8

RGB 124 82 248

HSL 255.18, 0.92%, 0.65%

LAB 48.38, 56.26, -77.12

 

CMYK 0 / 63 / 67 / 3

HEX #F85B52

RGB 248 91 82

HSL 3.25, 0.92%, 0.65%

LAB 59.93, 59.42, 37.55

 

CMYK 17 / 0 / 67 / 3

HEX #CFF852

RGB 207 248 82

HSL 74.82, 0.92%, 0.65%

LAB 92.14, -35.23, 71.97

 

CMYK 67 / 4 / 0 / 2

HEX #51EFF9

RGB 81 239 249

HSL 183.57, 0.93%, 0.65%

LAB 87.15, -37.38, -16.87

 

CMYK 30 / 67 / 0 / 3

HEX #AE52F8

RGB 174 82 248

HSL 273.25, 0.92%, 0.65%

LAB 53.83, 65.47, -68.03

 

CMYK 0 / 63 / 67 / 3

HEX #F85B52

RGB 248 91 82

HSL 3.25, 0.92%, 0.65%

LAB 59.93, 59.42, 37.55

 

CMYK 37 / 0 / 67 / 3

HEX #9DF852

RGB 157 248 82

HSL 92.89, 0.92%, 0.65%

LAB 89.35, -53.2, 68.22

 

Description

Color code: HEX #51EFF9 | qconv.com Color code: HEX #51EFF9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 239 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 239 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 4 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 4% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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