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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51EEB8 it is the complementary color #AE1147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51EEB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51EEB8 shade: #56EEB3, #67FFC6, #78FFD9, #89FFEC and #9AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51EEB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51EEB8 shade: #51EEB8, #40DCA5, #2FCA92, #1EB87F and #0DA66C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51EEB8 shade: #53EEB9, #53EE8F, #53EE65, #6BEE53 and #95EE53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51EEB8 shade: #53EEB9, #53EEE3, #53D0EE, #53A6EE and #537CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51EEB8 shade matches the following richer shades: #53EEB9 and #44FDBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51EEB8 shade: #53EEB9, #63DFB4, #72CFAF, #81C0AA and #90B1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51EEB8 shade: #53EE65, #53EE8F, #53EEB8, #53EEE1 and #53D2EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51EEB8 shade: #15D996, #2EEAA9, #53EEB9, #79F2C8 and #9EF5D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51EEB8 shade: #51EEB8, #536AEE and #EE7A53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51EEB8 shade: #51EEB8, #B853EE and #EEB853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51EEB8 shade: #51EEB8, #536AEE, #EE5389 and #EED753

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51EEB8 shade: #51EEB8, #6A53EE, #EE5389 and #D7EE53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 23 / 7

HEX #51EEB8

RGB 81 238 184

HSL 159.36, 0.82%, 0.63%

LAB 85.18, -53.42, 14.29

 

Complementary color

CMYK 0 / 90 / 59 / 32

HEX #AE1147

RGB 174 17 71

HSL 339.36, 0.82%, 0.37%

LAB 37.58, 60.34, 12.75

 

CMYK 64 / 0 / 25 / 7

HEX #56EEB3

RGB 86 238 179

HSL 156.71, 0.82%, 0.64%

LAB 85.19, -53.68, 16.92

 

CMYK 60 / 0 / 22 / 0

HEX #67FFC6

RGB 103 255 198

HSL 157.5, 1%, 0.7%

LAB 91, -53.46, 15.34

 

CMYK 53 / 0 / 15 / 0

HEX #78FFD9

RGB 120 255 217

HSL 163.11, 1%, 0.74%

LAB 91.92, -45.93, 6.93

 

CMYK 46 / 0 / 7 / 0

HEX #89FFEC

RGB 137 255 236

HSL 170.34, 1%, 0.77%

LAB 92.97, -37.89, -1.29

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 66 / 0 / 23 / 7

HEX #51EEB8

RGB 81 238 184

HSL 159.36, 0.82%, 0.63%

LAB 85.18, -53.42, 14.29

 

CMYK 71 / 0 / 25 / 14

HEX #40DCA5

RGB 64 220 165

HSL 158.85, 0.69%, 0.56%

LAB 79.04, -52.98, 15.55

 

CMYK 77 / 0 / 28 / 21

HEX #2FCA92

RGB 47 202 146

HSL 158.32, 0.62%, 0.49%

LAB 72.84, -52.3, 16.93

 

CMYK 84 / 0 / 31 / 28

HEX #1EB87F

RGB 30 184 127

HSL 157.79, 0.72%, 0.42%

LAB 66.59, -51.3, 18.46

 

CMYK 92 / 0 / 35 / 35

HEX #0DA66C

RGB 13 166 108

HSL 157.25, 0.85%, 0.35%

LAB 60.28, -49.84, 20.14

 

CMYK 65 / 0 / 22 / 7

HEX #53EEB9

RGB 83 238 185

HSL 159.48, 0.82%, 0.63%

LAB 85.25, -52.87, 13.87

 

CMYK 65 / 0 / 40 / 7

HEX #53EE8F

RGB 83 238 143

HSL 143.23, 0.82%, 0.63%

LAB 84.47, -61.19, 34.33

 

CMYK 65 / 0 / 58 / 7

HEX #53EE65

RGB 83 238 101

HSL 126.97, 0.82%, 0.63%

LAB 83.93, -67.32, 53.65

 

CMYK 55 / 0 / 65 / 7

HEX #6BEE53

RGB 107 238 83

HSL 110.71, 0.82%, 0.63%

LAB 84.43, -63.91, 61.99

 

CMYK 37 / 0 / 65 / 7

HEX #95EE53

RGB 149 238 83

HSL 94.45, 0.82%, 0.63%

LAB 86.09, -51.7, 64.26

 

CMYK 65 / 0 / 22 / 7

HEX #53EEB9

RGB 83 238 185

HSL 159.48, 0.82%, 0.63%

LAB 85.25, -52.87, 13.87

 

CMYK 65 / 0 / 5 / 7

HEX #53EEE3

RGB 83 238 227

HSL 175.74, 0.82%, 0.63%

LAB 86.27, -42.64, -6.64

 

CMYK 65 / 13 / 0 / 7

HEX #53D0EE

RGB 83 208 238

HSL 191.61, 0.82%, 0.63%

LAB 77.95, -25.46, -24.99

 

CMYK 65 / 30 / 0 / 7

HEX #53A6EE

RGB 83 166 238

HSL 207.87, 0.82%, 0.63%

LAB 65.97, -3.19, -43.53

 

CMYK 65 / 48 / 0 / 7

HEX #537CEE

RGB 83 124 238

HSL 224.13, 0.82%, 0.63%

LAB 54.48, 21.65, -61.8

 

CMYK 65 / 0 / 22 / 7

HEX #53EEB9

RGB 83 238 185

HSL 159.48, 0.82%, 0.63%

LAB 85.25, -52.87, 13.87

 

CMYK 73 / 0 / 25 / 1

HEX #44FDBE

RGB 68 253 190

HSL 159.57, 0.98%, 0.63%

LAB 89.49, -59.84, 17.21

 

CMYK 65 / 0 / 22 / 7

HEX #53EEB9

RGB 83 238 185

HSL 159.48, 0.82%, 0.63%

LAB 85.25, -52.87, 13.87

 

CMYK 56 / 0 / 19 / 13

HEX #63DFB4

RGB 99 223 180

HSL 159.19, 0.66%, 0.63%

LAB 81.14, -44.72, 10.73

 

CMYK 45 / 0 / 15 / 19

HEX #72CFAF

RGB 114 207 175

HSL 159.35, 0.49%, 0.63%

LAB 76.86, -35.21, 7.35

 

CMYK 33 / 0 / 11 / 25

HEX #81C0AA

RGB 129 192 170

HSL 159.05, 0.33%, 0.63%

LAB 73.07, -24.99, 4.69

 

CMYK 19 / 0 / 6 / 31

HEX #90B1A6

RGB 144 177 166

HSL 160, 0.17%, 0.63%

LAB 69.56, -13.48, 1.9

 

CMYK 65 / 0 / 58 / 7

HEX #53EE65

RGB 83 238 101

HSL 126.97, 0.82%, 0.63%

LAB 83.93, -67.32, 53.65

 

CMYK 65 / 0 / 40 / 7

HEX #53EE8F

RGB 83 238 143

HSL 143.23, 0.82%, 0.63%

LAB 84.47, -61.19, 34.33

 

CMYK 65 / 0 / 23 / 7

HEX #53EEB8

RGB 83 238 184

HSL 159.1, 0.82%, 0.63%

LAB 85.22, -53.09, 14.36

 

CMYK 65 / 0 / 5 / 7

HEX #53EEE1

RGB 83 238 225

HSL 174.97, 0.82%, 0.63%

LAB 86.22, -43.16, -5.67

 

CMYK 65 / 12 / 0 / 7

HEX #53D2EE

RGB 83 210 238

HSL 190.84, 0.82%, 0.63%

LAB 78.52, -26.45, -24.11

 

CMYK 90 / 0 / 31 / 15

HEX #15D996

RGB 21 217 150

HSL 159.49, 0.82%, 0.47%

LAB 77.27, -59.25, 20.91

 

CMYK 80 / 0 / 28 / 8

HEX #2EEAA9

RGB 46 234 169

HSL 159.26, 0.82%, 0.55%

LAB 83.07, -59.61, 19.05

 

CMYK 65 / 0 / 22 / 7

HEX #53EEB9

RGB 83 238 185

HSL 159.48, 0.82%, 0.63%

LAB 85.25, -52.87, 13.87

 

CMYK 50 / 0 / 17 / 5

HEX #79F2C8

RGB 121 242 200

HSL 159.17, 0.82%, 0.71%

LAB 87.84, -43.8, 9.9

 

CMYK 36 / 0 / 12 / 4

HEX #9EF5D7

RGB 158 245 215

HSL 159.31, 0.81%, 0.79%

LAB 90.54, -32.67, 6.18

 

CMYK 66 / 0 / 23 / 7

HEX #51EEB8

RGB 81 238 184

HSL 159.36, 0.82%, 0.63%

LAB 85.18, -53.42, 14.29

 

CMYK 65 / 55 / 0 / 7

HEX #536AEE

RGB 83 106 238

HSL 231.1, 0.82%, 0.63%

LAB 49.88, 32.73, -69.22

 

CMYK 0 / 49 / 65 / 7

HEX #EE7A53

RGB 238 122 83

HSL 15.1, 0.82%, 0.63%

LAB 63.93, 41.6, 41.42

 

CMYK 66 / 0 / 23 / 7

HEX #51EEB8

RGB 81 238 184

HSL 159.36, 0.82%, 0.63%

LAB 85.18, -53.42, 14.29

 

CMYK 23 / 65 / 0 / 7

HEX #B853EE

RGB 184 83 238

HSL 279.1, 0.82%, 0.63%

LAB 54.61, 64.95, -61.13

 

CMYK 0 / 23 / 65 / 7

HEX #EEB853

RGB 238 184 83

HSL 39.1, 0.82%, 0.63%

LAB 77.92, 9.17, 57.32

 

CMYK 66 / 0 / 23 / 7

HEX #51EEB8

RGB 81 238 184

HSL 159.36, 0.82%, 0.63%

LAB 85.18, -53.42, 14.29

 

CMYK 65 / 55 / 0 / 7

HEX #536AEE

RGB 83 106 238

HSL 231.1, 0.82%, 0.63%

LAB 49.88, 32.73, -69.22

 

CMYK 0 / 65 / 42 / 7

HEX #EE5389

RGB 238 83 137

HSL 339.1, 0.82%, 0.63%

LAB 58.2, 63.63, 3.12

 

CMYK 0 / 10 / 65 / 7

HEX #EED753

RGB 238 215 83

HSL 51.1, 0.82%, 0.63%

LAB 85.71, -6.82, 65.65

 

CMYK 66 / 0 / 23 / 7

HEX #51EEB8

RGB 81 238 184

HSL 159.36, 0.82%, 0.63%

LAB 85.18, -53.42, 14.29

 

CMYK 55 / 65 / 0 / 7

HEX #6A53EE

RGB 106 83 238

HSL 248.9, 0.82%, 0.63%

LAB 46.21, 49.93, -75.13

 

CMYK 0 / 65 / 42 / 7

HEX #EE5389

RGB 238 83 137

HSL 339.1, 0.82%, 0.63%

LAB 58.2, 63.63, 3.12

 

CMYK 10 / 0 / 65 / 7

HEX #D7EE53

RGB 215 238 83

HSL 68.9, 0.82%, 0.63%

LAB 89.96, -27.43, 69.53

 

Description

Color code: HEX #51EEB8 | qconv.com Color code: HEX #51EEB8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 238 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 238 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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