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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51EB6E it is the complementary color #AE1491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51EB6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51EB6E shade: #56EB69, #67FD7C, #78FF8F, #89FFA2 and #9AFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51EB6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51EB6E shade: #51EB6E, #40D95B, #2FC748, #1EB535 and #0DA322

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51EB6E shade: #52EB6E, #5EEB52, #87EB52, #B1EB52 and #DAEB52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51EB6E shade: #52EB6E, #52EB98, #52EBC1, #52EBEA and #52C2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51EB6E shade matches the following richer shades: #52EB6E and #42FA65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51EB6E shade: #52EB6E, #61DB78, #71CB82, #81BC8C and #90AC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51EB6E shade: #87EB52, #5EEB52, #52EB6E, #52EB96 and #52EBBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51EB6E shade: #19D13B, #2DE650, #52EB6E, #76EF8D and #9BF3AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51EB6E shade: #51EB6E, #52B0EB and #EB5273

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51EB6E shade: #51EB6E, #6E52EB and #EB6E52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51EB6E shade: #51EB6E, #52B0EB, #EB52CF and #EB8C52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51EB6E shade: #51EB6E, #5282EB, #EB52CF and #EBBA52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 53 / 8

HEX #51EB6E

RGB 81 235 110

HSL 131.3, 0.79%, 0.62%

LAB 83.07, -65.54, 48.53

 

Complementary color

CMYK 0 / 89 / 17 / 32

HEX #AE1491

RGB 174 20 145

HSL 311.3, 0.79%, 0.38%

LAB 40.48, 67.3, -29.52

 

CMYK 63 / 0 / 55 / 8

HEX #56EB69

RGB 86 235 105

HSL 127.65, 0.79%, 0.63%

LAB 83.13, -65.22, 50.94

 

CMYK 59 / 0 / 51 / 1

HEX #67FD7C

RGB 103 253 124

HSL 128.4, 0.97%, 0.7%

LAB 89.2, -65.62, 49.63

 

CMYK 53 / 0 / 44 / 0

HEX #78FF8F

RGB 120 255 143

HSL 130.22, 1%, 0.74%

LAB 90.55, -59.82, 42.41

 

CMYK 46 / 0 / 36 / 0

HEX #89FFA2

RGB 137 255 162

HSL 132.71, 1%, 0.77%

LAB 91.44, -52.59, 34.36

 

CMYK 40 / 0 / 29 / 0

HEX #9AFFB5

RGB 154 255 181

HSL 136.04, 1%, 0.8%

LAB 92.45, -44.78, 26.31

 

CMYK 66 / 0 / 53 / 8

HEX #51EB6E

RGB 81 235 110

HSL 131.3, 0.79%, 0.62%

LAB 83.07, -65.54, 48.53

 

CMYK 71 / 0 / 58 / 15

HEX #40D95B

RGB 64 217 91

HSL 130.59, 0.67%, 0.55%

LAB 76.96, -64.81, 49.88

 

CMYK 76 / 0 / 64 / 22

HEX #2FC748

RGB 47 199 72

HSL 129.87, 0.62%, 0.48%

LAB 70.82, -63.69, 51.14

 

CMYK 83 / 0 / 71 / 29

HEX #1EB535

RGB 30 181 53

HSL 129.14, 0.72%, 0.41%

LAB 64.63, -62, 52.16

 

CMYK 92 / 0 / 79 / 36

HEX #0DA322

RGB 13 163 34

HSL 128.4, 0.85%, 0.35%

LAB 58.41, -59.52, 52.64

 

CMYK 65 / 0 / 53 / 8

HEX #52EB6E

RGB 82 235 110

HSL 130.98, 0.79%, 0.62%

LAB 83.09, -65.35, 48.57

 

CMYK 60 / 0 / 65 / 8

HEX #5EEB52

RGB 94 235 82

HSL 115.29, 0.79%, 0.62%

LAB 83.13, -66.03, 60.86

 

CMYK 43 / 0 / 65 / 8

HEX #87EB52

RGB 135 235 82

HSL 99.22, 0.79%, 0.62%

LAB 84.57, -55.04, 62.85

 

CMYK 25 / 0 / 65 / 8

HEX #B1EB52

RGB 177 235 82

HSL 82.75, 0.79%, 0.62%

LAB 86.69, -40.72, 65.74

 

CMYK 7 / 0 / 65 / 8

HEX #DAEB52

RGB 218 235 82

HSL 66.67, 0.79%, 0.62%

LAB 89.36, -24.88, 69.36

 

CMYK 65 / 0 / 53 / 8

HEX #52EB6E

RGB 82 235 110

HSL 130.98, 0.79%, 0.62%

LAB 83.09, -65.35, 48.57

 

CMYK 65 / 0 / 35 / 8

HEX #52EB98

RGB 82 235 152

HSL 147.45, 0.79%, 0.62%

LAB 83.69, -58.63, 28.75

 

CMYK 65 / 0 / 18 / 8

HEX #52EBC1

RGB 82 235 193

HSL 163.53, 0.79%, 0.62%

LAB 84.52, -49.97, 8.65

 

CMYK 65 / 0 / 0 / 8

HEX #52EBEA

RGB 82 235 234

HSL 179.61, 0.79%, 0.62%

LAB 85.58, -39.56, -11.35

 

CMYK 65 / 17 / 0 / 8

HEX #52C2EB

RGB 82 194 235

HSL 196.08, 0.79%, 0.62%

LAB 73.79, -19.43, -29.75

 

CMYK 65 / 0 / 53 / 8

HEX #52EB6E

RGB 82 235 110

HSL 130.98, 0.79%, 0.62%

LAB 83.09, -65.35, 48.57

 

CMYK 74 / 0 / 60 / 2

HEX #42FA65

RGB 66 250 101

HSL 131.41, 0.95%, 0.62%

LAB 87.23, -74.09, 57.38

 

CMYK 65 / 0 / 53 / 8

HEX #52EB6E

RGB 82 235 110

HSL 130.98, 0.79%, 0.62%

LAB 83.09, -65.35, 48.57

 

CMYK 56 / 0 / 45 / 14

HEX #61DB78

RGB 97 219 120

HSL 131.31, 0.63%, 0.62%

LAB 78.79, -54.85, 38.51

 

CMYK 44 / 0 / 36 / 20

HEX #71CB82

RGB 113 203 130

HSL 131.33, 0.46%, 0.62%

LAB 74.72, -42.49, 28.25

 

CMYK 31 / 0 / 26 / 26

HEX #81BC8C

RGB 129 188 140

HSL 131.19, 0.31%, 0.62%

LAB 71.23, -29, 18.34

 

CMYK 16 / 0 / 13 / 33

HEX #90AC95

RGB 144 172 149

HSL 130.71, 0.14%, 0.62%

LAB 67.73, -14.23, 8.64

 

CMYK 43 / 0 / 65 / 8

HEX #87EB52

RGB 135 235 82

HSL 99.22, 0.79%, 0.62%

LAB 84.57, -55.04, 62.85

 

CMYK 60 / 0 / 65 / 8

HEX #5EEB52

RGB 94 235 82

HSL 115.29, 0.79%, 0.62%

LAB 83.13, -66.03, 60.86

 

CMYK 65 / 0 / 53 / 8

HEX #52EB6E

RGB 82 235 110

HSL 130.98, 0.79%, 0.62%

LAB 83.09, -65.35, 48.57

 

CMYK 65 / 0 / 36 / 8

HEX #52EB96

RGB 82 235 150

HSL 146.67, 0.79%, 0.62%

LAB 83.66, -59, 29.72

 

CMYK 65 / 0 / 19 / 8

HEX #52EBBF

RGB 82 235 191

HSL 162.75, 0.79%, 0.62%

LAB 84.47, -50.44, 9.63

 

CMYK 88 / 0 / 72 / 18

HEX #19D13B

RGB 25 209 59

HSL 131.09, 0.79%, 0.46%

LAB 73.63, -70.33, 59.24

 

CMYK 80 / 0 / 65 / 10

HEX #2DE650

RGB 45 230 80

HSL 131.35, 0.79%, 0.54%

LAB 80.59, -72.8, 58.61

 

CMYK 65 / 0 / 53 / 8

HEX #52EB6E

RGB 82 235 110

HSL 130.98, 0.79%, 0.62%

LAB 83.09, -65.35, 48.57

 

CMYK 51 / 0 / 41 / 6

HEX #76EF8D

RGB 118 239 141

HSL 131.4, 0.79%, 0.7%

LAB 85.76, -54.35, 37.21

 

CMYK 36 / 0 / 29 / 5

HEX #9BF3AC

RGB 155 243 172

HSL 131.59, 0.79%, 0.78%

LAB 88.95, -40.77, 26.1

 

CMYK 66 / 0 / 53 / 8

HEX #51EB6E

RGB 81 235 110

HSL 131.3, 0.79%, 0.62%

LAB 83.07, -65.54, 48.53

 

CMYK 65 / 25 / 0 / 8

HEX #52B0EB

RGB 82 176 235

HSL 203.14, 0.79%, 0.62%

LAB 68.64, -9.88, -37.72

 

CMYK 0 / 65 / 51 / 8

HEX #EB5273

RGB 235 82 115

HSL 347.06, 0.79%, 0.62%

LAB 57.01, 61.15, 14.31

 

CMYK 66 / 0 / 53 / 8

HEX #51EB6E

RGB 81 235 110

HSL 131.3, 0.79%, 0.62%

LAB 83.07, -65.54, 48.53

 

CMYK 53 / 65 / 0 / 8

HEX #6E52EB

RGB 110 82 235

HSL 250.98, 0.79%, 0.62%

LAB 46.11, 50.26, -73.59

 

CMYK 0 / 53 / 65 / 8

HEX #EB6E52

RGB 235 110 82

HSL 10.98, 0.79%, 0.62%

LAB 61.15, 46.34, 38.53

 

CMYK 66 / 0 / 53 / 8

HEX #51EB6E

RGB 81 235 110

HSL 131.3, 0.79%, 0.62%

LAB 83.07, -65.54, 48.53

 

CMYK 65 / 25 / 0 / 8

HEX #52B0EB

RGB 82 176 235

HSL 203.14, 0.79%, 0.62%

LAB 68.64, -9.88, -37.72

 

CMYK 0 / 65 / 12 / 8

HEX #EB52CF

RGB 235 82 207

HSL 310.98, 0.79%, 0.62%

LAB 60.07, 71.77, -34.54

 

CMYK 0 / 40 / 65 / 8

HEX #EB8C52

RGB 235 140 82

HSL 22.75, 0.79%, 0.62%

LAB 67.3, 31.12, 45.77

 

CMYK 66 / 0 / 53 / 8

HEX #51EB6E

RGB 81 235 110

HSL 131.3, 0.79%, 0.62%

LAB 83.07, -65.54, 48.53

 

CMYK 65 / 45 / 0 / 8

HEX #5282EB

RGB 82 130 235

HSL 221.18, 0.79%, 0.62%

LAB 55.84, 16.8, -57.94

 

CMYK 0 / 65 / 12 / 8

HEX #EB52CF

RGB 235 82 207

HSL 310.98, 0.79%, 0.62%

LAB 60.07, 71.77, -34.54

 

CMYK 0 / 21 / 65 / 8

HEX #EBBA52

RGB 235 186 82

HSL 40.78, 0.79%, 0.62%

LAB 78.1, 6.81, 57.87

 

Description

Color code: HEX #51EB6E | qconv.com Color code: HEX #51EB6E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 235 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 235 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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