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Color name
HEX #51D86C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51D86C it is the complementary color #AE2793. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51D86C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51D86C shade: #56D867, #67EA7A, #78FC8D, #89FFA0 and #9AFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51D86C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51D86C shade: #51D86C, #40C659, #2FB446, #1EA233 and #0D9020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51D86C shade: #50D76B, #5AD750, #7ED750, #A3D750 and #C7D750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51D86C shade: #50D76B, #50D790, #50D7B4, #50D6D7 and #50B2D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51D86C shade matches the following richer shades: #50D76B, #3FE961 and #2EFA57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51D86C shade: #50D76B, #62C676, #73B580, #84A38B and #969295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51D86C shade: #7DD750, #59D750, #50D76B, #50D78F and #50D7B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51D86C shade: #27AE42, #2FCF4F, #50D76B, #72DF88 and #94E7A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51D86C shade: #51D86C, #50A1D7 and #D7506B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51D86C shade: #51D86C, #6B50D7 and #D76B50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51D86C shade: #51D86C, #50A1D7, #D750BC and #D78650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51D86C shade: #51D86C, #5079D7, #D750BC and #D7AF50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 50 / 15

HEX #51D86C

RGB 81 216 108

HSL 132, 0.63%, 0.58%

LAB 77.25, -59.03, 42.36

 

Complementary color

CMYK 0 / 78 / 16 / 32

HEX #AE2793

RGB 174 39 147

HSL 312, 0.63%, 0.42%

LAB 42.09, 63.21, -28.22

 

CMYK 60 / 0 / 52 / 15

HEX #56D867

RGB 86 216 103

HSL 127.85, 0.63%, 0.59%

LAB 77.32, -58.66, 44.88

 

CMYK 56 / 0 / 48 / 8

HEX #67EA7A

RGB 103 234 122

HSL 128.7, 0.76%, 0.66%

LAB 83.51, -58.89, 43.54

 

CMYK 52 / 0 / 44 / 1

HEX #78FC8D

RGB 120 252 141

HSL 129.55, 0.96%, 0.73%

LAB 89.64, -58.96, 42.22

 

CMYK 46 / 0 / 37 / 0

HEX #89FFA0

RGB 137 255 160

HSL 131.69, 1%, 0.77%

LAB 91.4, -52.91, 35.31

 

CMYK 40 / 0 / 30 / 0

HEX #9AFFB3

RGB 154 255 179

HSL 134.85, 1%, 0.8%

LAB 92.42, -45.12, 27.27

 

CMYK 63 / 0 / 50 / 15

HEX #51D86C

RGB 81 216 108

HSL 132, 0.63%, 0.58%

LAB 77.25, -59.03, 42.36

 

CMYK 68 / 0 / 55 / 22

HEX #40C659

RGB 64 198 89

HSL 131.19, 0.54%, 0.51%

LAB 71.01, -58.52, 43.76

 

CMYK 74 / 0 / 61 / 29

HEX #2FB446

RGB 47 180 70

HSL 130.38, 0.59%, 0.45%

LAB 64.71, -57.63, 45.13

 

CMYK 81 / 0 / 69 / 36

HEX #1EA233

RGB 30 162 51

HSL 129.55, 0.69%, 0.38%

LAB 58.37, -56.18, 46.32

 

CMYK 91 / 0 / 78 / 44

HEX #0D9020

RGB 13 144 32

HSL 128.7, 0.83%, 0.31%

LAB 51.99, -53.92, 47.04

 

CMYK 63 / 0 / 50 / 16

HEX #50D76B

RGB 80 215 107

HSL 132, 0.63%, 0.58%

LAB 76.9, -59.01, 42.41

 

CMYK 58 / 0 / 63 / 16

HEX #5AD750

RGB 90 215 80

HSL 115.56, 0.63%, 0.58%

LAB 76.89, -60.1, 54.79

 

CMYK 41 / 0 / 63 / 16

HEX #7ED750

RGB 126 215 80

HSL 99.56, 0.63%, 0.58%

LAB 78.24, -50.04, 56.66

 

CMYK 24 / 0 / 63 / 16

HEX #A3D750

RGB 163 215 80

HSL 83.11, 0.63%, 0.58%

LAB 80.16, -37.15, 59.31

 

CMYK 7 / 0 / 63 / 16

HEX #C7D750

RGB 199 215 80

HSL 67.11, 0.63%, 0.58%

LAB 82.55, -23.05, 62.59

 

CMYK 63 / 0 / 50 / 16

HEX #50D76B

RGB 80 215 107

HSL 132, 0.63%, 0.58%

LAB 76.9, -59.01, 42.41

 

CMYK 63 / 0 / 33 / 16

HEX #50D790

RGB 80 215 144

HSL 148.44, 0.63%, 0.58%

LAB 77.47, -52.75, 24.46

 

CMYK 63 / 0 / 16 / 16

HEX #50D7B4

RGB 80 215 180

HSL 164.44, 0.63%, 0.58%

LAB 78.23, -44.91, 6.5

 

CMYK 63 / 0 / 0 / 16

HEX #50D6D7

RGB 80 214 215

HSL 180.44, 0.63%, 0.58%

LAB 78.87, -35.42, -11.28

 

CMYK 63 / 17 / 0 / 16

HEX #50B2D7

RGB 80 178 215

HSL 196.44, 0.63%, 0.58%

LAB 68.35, -17.6, -27.22

 

CMYK 63 / 0 / 50 / 16

HEX #50D76B

RGB 80 215 107

HSL 132, 0.63%, 0.58%

LAB 76.9, -59.01, 42.41

 

CMYK 73 / 0 / 58 / 9

HEX #3FE961

RGB 63 233 97

HSL 132, 0.79%, 0.58%

LAB 81.95, -69.53, 53.01

 

CMYK 82 / 0 / 65 / 2

HEX #2EFA57

RGB 46 250 87

HSL 132.06, 0.95%, 0.58%

LAB 86.82, -78, 62.63

 

CMYK 63 / 0 / 50 / 16

HEX #50D76B

RGB 80 215 107

HSL 132, 0.63%, 0.58%

LAB 76.9, -59.01, 42.41

 

CMYK 51 / 0 / 40 / 22

HEX #62C676

RGB 98 198 118

HSL 132, 0.47%, 0.58%

LAB 72.42, -46.47, 31.33

 

CMYK 36 / 0 / 29 / 29

HEX #73B580

RGB 115 181 128

HSL 131.82, 0.31%, 0.58%

LAB 68.21, -32.29, 20.54

 

CMYK 19 / 0 / 15 / 36

HEX #84A38B

RGB 132 163 139

HSL 133.55, 0.14%, 0.58%

LAB 64.13, -15.61, 8.96

 

CMYK 0 / 3 / 1 / 41

HEX #969295

RGB 150 146 149

HSL 315, 0.02%, 0.58%

LAB 60.97, 2.04, -1.07

 

CMYK 42 / 0 / 63 / 16

HEX #7DD750

RGB 125 215 80

HSL 100, 0.63%, 0.58%

LAB 78.19, -50.35, 56.6

 

CMYK 59 / 0 / 63 / 16

HEX #59D750

RGB 89 215 80

HSL 116, 0.63%, 0.58%

LAB 76.86, -60.34, 54.75

 

CMYK 63 / 0 / 50 / 16

HEX #50D76B

RGB 80 215 107

HSL 132, 0.63%, 0.58%

LAB 76.9, -59.01, 42.41

 

CMYK 63 / 0 / 33 / 16

HEX #50D78F

RGB 80 215 143

HSL 148, 0.63%, 0.58%

LAB 77.45, -52.94, 24.96

 

CMYK 63 / 0 / 17 / 16

HEX #50D7B3

RGB 80 215 179

HSL 164, 0.63%, 0.58%

LAB 78.21, -45.15, 7

 

CMYK 78 / 0 / 62 / 32

HEX #27AE42

RGB 39 174 66

HSL 132, 0.63%, 0.42%

LAB 62.59, -57.28, 44.48

 

CMYK 77 / 0 / 62 / 19

HEX #2FCF4F

RGB 47 207 79

HSL 132, 0.63%, 0.5%

LAB 73.41, -65.48, 51.04

 

CMYK 63 / 0 / 50 / 16

HEX #50D76B

RGB 80 215 107

HSL 132, 0.63%, 0.58%

LAB 76.9, -59.01, 42.41

 

CMYK 49 / 0 / 39 / 13

HEX #72DF88

RGB 114 223 136

HSL 132.11, 0.63%, 0.66%

LAB 80.81, -49.69, 33.22

 

CMYK 36 / 0 / 29 / 9

HEX #94E7A4

RGB 148 231 164

HSL 131.57, 0.63%, 0.74%

LAB 85.06, -38.86, 24.85

 

CMYK 63 / 0 / 50 / 15

HEX #51D86C

RGB 81 216 108

HSL 132, 0.63%, 0.58%

LAB 77.25, -59.03, 42.36

 

CMYK 63 / 25 / 0 / 16

HEX #50A1D7

RGB 80 161 215

HSL 204, 0.63%, 0.58%

LAB 63.43, -8.41, -34.84

 

CMYK 0 / 63 / 50 / 16

HEX #D7506B

RGB 215 80 107

HSL 348, 0.63%, 0.58%

LAB 53.22, 55, 13.27

 

CMYK 63 / 0 / 50 / 15

HEX #51D86C

RGB 81 216 108

HSL 132, 0.63%, 0.58%

LAB 77.25, -59.03, 42.36

 

CMYK 50 / 63 / 0 / 16

HEX #6B50D7

RGB 107 80 215

HSL 252, 0.63%, 0.58%

LAB 43.9, 45.03, -65.84

 

CMYK 0 / 50 / 63 / 16

HEX #D76B50

RGB 215 107 80

HSL 12, 0.63%, 0.58%

LAB 57.6, 40.22, 34.63

 

CMYK 63 / 0 / 50 / 15

HEX #51D86C

RGB 81 216 108

HSL 132, 0.63%, 0.58%

LAB 77.25, -59.03, 42.36

 

CMYK 63 / 25 / 0 / 16

HEX #50A1D7

RGB 80 161 215

HSL 204, 0.63%, 0.58%

LAB 63.43, -8.41, -34.84

 

CMYK 0 / 63 / 13 / 16

HEX #D750BC

RGB 215 80 188

HSL 312, 0.63%, 0.58%

LAB 55.9, 64.68, -30.4

 

CMYK 0 / 38 / 63 / 16

HEX #D78650

RGB 215 134 80

HSL 24, 0.63%, 0.58%

LAB 63.41, 26.07, 41.61

 

CMYK 63 / 0 / 50 / 15

HEX #51D86C

RGB 81 216 108

HSL 132, 0.63%, 0.58%

LAB 77.25, -59.03, 42.36

 

CMYK 63 / 44 / 0 / 16

HEX #5079D7

RGB 80 121 215

HSL 221.78, 0.63%, 0.58%

LAB 52.16, 15.11, -52.62

 

CMYK 0 / 63 / 13 / 16

HEX #D750BC

RGB 215 80 188

HSL 312, 0.63%, 0.58%

LAB 55.9, 64.68, -30.4

 

CMYK 0 / 19 / 63 / 16

HEX #D7AF50

RGB 215 175 80

HSL 42.22, 0.63%, 0.58%

LAB 73.34, 4.03, 52.98

 

Description

Color code: HEX #51D86C | qconv.com Color code: HEX #51D86C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 216 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 216 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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