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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51C18A it is the complementary color #AE3E75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51C18A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51C18A shade: #56C185, #67D398, #78E5AB, #89F7BE and #9AFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51C18A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51C18A shade: #51C18A, #40AF77, #2F9D64, #1E8B51 and #0D793E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51C18A shade: #53C18B, #53C16D, #56C153, #74C153 and #91C153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51C18A shade: #53C18B, #53C1A8, #53BCC1, #539EC1 and #5380C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51C18A shade matches the following richer shades: #53C18B, #40D48B, #2DE78B and #1AFA8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51C18A shade: #53C18B, #66AE8A, #799B8A, #8C888A and #9E7589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51C18A shade: #56C153, #53C16C, #53C18A, #53C1A7 and #53BDC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51C18A shade: #338E61, #3EAC76, #53C18B, #71CC9F and #8FD7B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51C18A shade: #51C18A, #5374C1 and #C15E53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51C18A shade: #51C18A, #8A53C1 and #C18A53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51C18A shade: #51C18A, #5374C1, #C1538A and #C1A053

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51C18A shade: #51C18A, #5353C1, #C1538A and #C1C153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 28 / 24

HEX #51C18A

RGB 81 193 138

HSL 150.54, 0.47%, 0.54%

LAB 70.68, -44.73, 18.34

 

Complementary color

CMYK 0 / 64 / 33 / 32

HEX #AE3E75

RGB 174 62 117

HSL 330.54, 0.47%, 0.46%

LAB 43.84, 50.86, -7.2

 

CMYK 55 / 0 / 31 / 24

HEX #56C185

RGB 86 193 133

HSL 146.36, 0.46%, 0.55%

LAB 70.74, -44.63, 21.13

 

CMYK 51 / 0 / 28 / 17

HEX #67D398

RGB 103 211 152

HSL 147.22, 0.55%, 0.62%

LAB 77.12, -44.54, 19.91

 

CMYK 48 / 0 / 25 / 10

HEX #78E5AB

RGB 120 229 171

HSL 148.07, 0.68%, 0.68%

LAB 83.43, -44.39, 18.78

 

CMYK 45 / 0 / 23 / 3

HEX #89F7BE

RGB 137 247 190

HSL 148.91, 0.87%, 0.75%

LAB 89.65, -44.19, 17.73

 

CMYK 40 / 0 / 18 / 0

HEX #9AFFD1

RGB 154 255 209

HSL 152.67, 1%, 0.8%

LAB 93.01, -39.55, 12.79

 

CMYK 58 / 0 / 28 / 24

HEX #51C18A

RGB 81 193 138

HSL 150.54, 0.47%, 0.54%

LAB 70.68, -44.73, 18.34

 

CMYK 63 / 0 / 32 / 31

HEX #40AF77

RGB 64 175 119

HSL 149.73, 0.46%, 0.47%

LAB 64.23, -44.62, 19.66

 

CMYK 70 / 0 / 36 / 38

HEX #2F9D64

RGB 47 157 100

HSL 148.91, 0.54%, 0.4%

LAB 57.69, -44.29, 21.11

 

CMYK 78 / 0 / 42 / 45

HEX #1E8B51

RGB 30 139 81

HSL 148.07, 0.64%, 0.33%

LAB 51.08, -43.61, 22.72

 

CMYK 89 / 0 / 49 / 53

HEX #0D793E

RGB 13 121 62

HSL 147.22, 0.81%, 0.26%

LAB 44.39, -42.34, 24.51

 

CMYK 57 / 0 / 28 / 24

HEX #53C18B

RGB 83 193 139

HSL 150.55, 0.47%, 0.54%

LAB 70.76, -44.09, 17.93

 

CMYK 57 / 0 / 44 / 24

HEX #53C16D

RGB 83 193 109

HSL 134.18, 0.47%, 0.54%

LAB 70.23, -49.65, 33.02

 

CMYK 55 / 0 / 57 / 24

HEX #56C153

RGB 86 193 83

HSL 118.36, 0.47%, 0.54%

LAB 70, -52.59, 45.53

 

CMYK 40 / 0 / 57 / 24

HEX #74C153

RGB 116 193 83

HSL 102, 0.47%, 0.54%

LAB 71.2, -43.82, 47.24

 

CMYK 25 / 0 / 57 / 24

HEX #91C153

RGB 145 193 83

HSL 86.18, 0.47%, 0.54%

LAB 72.75, -33.59, 49.44

 

CMYK 57 / 0 / 28 / 24

HEX #53C18B

RGB 83 193 139

HSL 150.55, 0.47%, 0.54%

LAB 70.76, -44.09, 17.93

 

CMYK 57 / 0 / 13 / 24

HEX #53C1A8

RGB 83 193 168

HSL 166.36, 0.47%, 0.54%

LAB 71.42, -37.51, 3.16

 

CMYK 57 / 3 / 0 / 24

HEX #53BCC1

RGB 83 188 193

HSL 182.73, 0.47%, 0.54%

LAB 70.63, -28.59, -11.68

 

CMYK 57 / 18 / 0 / 24

HEX #539EC1

RGB 83 158 193

HSL 199.09, 0.47%, 0.54%

LAB 61.78, -13.11, -25.12

 

CMYK 57 / 34 / 0 / 24

HEX #5380C1

RGB 83 128 193

HSL 215.45, 0.47%, 0.54%

LAB 53.09, 4.05, -38.63

 

CMYK 57 / 0 / 28 / 24

HEX #53C18B

RGB 83 193 139

HSL 150.55, 0.47%, 0.54%

LAB 70.76, -44.09, 17.93

 

CMYK 70 / 0 / 34 / 17

HEX #40D48B

RGB 64 212 139

HSL 150.41, 0.63%, 0.54%

LAB 76.09, -55.33, 25.14

 

CMYK 81 / 0 / 40 / 9

HEX #2DE78B

RGB 45 231 139

HSL 150.32, 0.79%, 0.54%

LAB 81.61, -64.68, 32.45

 

CMYK 90 / 0 / 44 / 2

HEX #1AFA8C

RGB 26 250 140

HSL 150.54, 0.96%, 0.54%

LAB 87.23, -72.33, 39.26

 

CMYK 57 / 0 / 28 / 24

HEX #53C18B

RGB 83 193 139

HSL 150.55, 0.47%, 0.54%

LAB 70.76, -44.09, 17.93

 

CMYK 41 / 0 / 21 / 32

HEX #66AE8A

RGB 102 174 138

HSL 150, 0.31%, 0.54%

LAB 65.7, -30.91, 11.5

 

CMYK 22 / 0 / 11 / 39

HEX #799B8A

RGB 121 155 138

HSL 150, 0.15%, 0.54%

LAB 61.08, -15.38, 5.07

 

CMYK 0 / 3 / 1 / 45

HEX #8C888A

RGB 140 136 138

HSL 330, 0.02%, 0.54%

LAB 57.09, 1.88, -0.55

 

CMYK 0 / 26 / 13 / 38

HEX #9E7589

RGB 158 117 137

HSL 330.73, 0.17%, 0.54%

LAB 53.81, 19.35, -4.6

 

CMYK 55 / 0 / 57 / 24

HEX #56C153

RGB 86 193 83

HSL 118.36, 0.47%, 0.54%

LAB 70, -52.59, 45.53

 

CMYK 57 / 0 / 44 / 24

HEX #53C16C

RGB 83 193 108

HSL 133.64, 0.47%, 0.54%

LAB 70.22, -49.81, 33.51

 

CMYK 57 / 0 / 28 / 24

HEX #53C18A

RGB 83 193 138

HSL 150, 0.47%, 0.54%

LAB 70.74, -44.3, 18.44

 

CMYK 57 / 0 / 13 / 24

HEX #53C1A7

RGB 83 193 167

HSL 165.82, 0.47%, 0.54%

LAB 71.4, -37.76, 3.66

 

CMYK 57 / 2 / 0 / 24

HEX #53BDC1

RGB 83 189 193

HSL 182.18, 0.47%, 0.54%

LAB 70.93, -29.08, -11.24

 

CMYK 64 / 0 / 32 / 44

HEX #338E61

RGB 51 142 97

HSL 150.33, 0.47%, 0.38%

LAB 52.85, -37.88, 16.23

 

CMYK 64 / 0 / 31 / 33

HEX #3EAC76

RGB 62 172 118

HSL 150.55, 0.47%, 0.46%

LAB 63.21, -43.97, 18.8

 

CMYK 57 / 0 / 28 / 24

HEX #53C18B

RGB 83 193 139

HSL 150.55, 0.47%, 0.54%

LAB 70.76, -44.09, 17.93

 

CMYK 45 / 0 / 22 / 20

HEX #71CC9F

RGB 113 204 159

HSL 150.33, 0.47%, 0.62%

LAB 75.58, -37.5, 14.09

 

CMYK 33 / 0 / 16 / 16

HEX #8FD7B4

RGB 143 215 180

HSL 150.83, 0.47%, 0.7%

LAB 80.59, -29.95, 10.19

 

CMYK 58 / 0 / 28 / 24

HEX #51C18A

RGB 81 193 138

HSL 150.54, 0.47%, 0.54%

LAB 70.68, -44.73, 18.34

 

CMYK 57 / 40 / 0 / 24

HEX #5374C1

RGB 83 116 193

HSL 222, 0.47%, 0.54%

LAB 49.71, 11.34, -43.96

 

CMYK 0 / 51 / 57 / 24

HEX #C15E53

RGB 193 94 83

HSL 6, 0.47%, 0.54%

LAB 51.8, 38.68, 24.93

 

CMYK 58 / 0 / 28 / 24

HEX #51C18A

RGB 81 193 138

HSL 150.54, 0.47%, 0.54%

LAB 70.68, -44.73, 18.34

 

CMYK 28 / 57 / 0 / 24

HEX #8A53C1

RGB 138 83 193

HSL 270, 0.47%, 0.54%

LAB 46.23, 44.24, -49.25

 

CMYK 0 / 28 / 57 / 24

HEX #C18A53

RGB 193 138 83

HSL 30, 0.47%, 0.54%

LAB 61.77, 14.91, 37.46

 

CMYK 58 / 0 / 28 / 24

HEX #51C18A

RGB 81 193 138

HSL 150.54, 0.47%, 0.54%

LAB 70.68, -44.73, 18.34

 

CMYK 57 / 40 / 0 / 24

HEX #5374C1

RGB 83 116 193

HSL 222, 0.47%, 0.54%

LAB 49.71, 11.34, -43.96

 

CMYK 0 / 57 / 28 / 24

HEX #C1538A

RGB 193 83 138

HSL 330, 0.47%, 0.54%

LAB 51.1, 49.95, -8.73

 

CMYK 0 / 17 / 57 / 24

HEX #C1A053

RGB 193 160 83

HSL 42, 0.47%, 0.54%

LAB 67.35, 2.89, 44.13

 

CMYK 58 / 0 / 28 / 24

HEX #51C18A

RGB 81 193 138

HSL 150.54, 0.47%, 0.54%

LAB 70.68, -44.73, 18.34

 

CMYK 57 / 57 / 0 / 24

HEX #5353C1

RGB 83 83 193

HSL 240, 0.47%, 0.54%

LAB 41.02, 31.95, -57.91

 

CMYK 0 / 57 / 28 / 24

HEX #C1538A

RGB 193 83 138

HSL 330, 0.47%, 0.54%

LAB 51.1, 49.95, -8.73

 

CMYK 0 / 0 / 57 / 24

HEX #C1C153

RGB 193 193 83

HSL 60, 0.47%, 0.54%

LAB 76.13, -14.41, 54.18

 

Description

Color code: HEX #51C18A | qconv.com Color code: HEX #51C18A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 193 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 193 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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