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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51C074 it is the complementary color #AE3F8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51C074. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51C074 shade: #56C06F, #67D282, #78E495, #89F6A8 and #9AFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51C074. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51C074 shade: #51C074, #40AE61, #2F9C4E, #1E8A3B and #0D7828

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51C074 shade: #53C175, #53C158, #6BC153, #89C153 and #A7C153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51C074 shade: #53C175, #53C193, #53C1B1, #53B3C1 and #5395C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51C074 shade matches the following richer shades: #53C175, #40D46E, #2DE767 and #1AFA60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51C074 shade: #53C175, #66AE7C, #799B83, #8C888A and #9E7591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51C074 shade: #6CC153, #53C156, #53C174, #53C191 and #53C1AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51C074 shade: #338E50, #3EAC61, #53C175, #71CC8E and #8FD7A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51C074 shade: #51C074, #538AC1 and #C1535E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51C074 shade: #51C074, #7453C1 and #C17453

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51C074 shade: #51C074, #538AC1, #C153A0 and #C18A53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51C074 shade: #51C074, #5369C1, #C153A0 and #C1AB53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 40 / 25

HEX #51C074

RGB 81 192 116

HSL 138.92, 0.47%, 0.54%

LAB 69.97, -48.53, 29.04

 

Complementary color

CMYK 0 / 64 / 20 / 32

HEX #AE3F8B

RGB 174 63 139

HSL 318.92, 0.47%, 0.46%

LAB 44.83, 53.38, -19.13

 

CMYK 55 / 0 / 42 / 25

HEX #56C06F

RGB 86 192 111

HSL 134.15, 0.46%, 0.55%

LAB 70.05, -48.2, 31.77

 

CMYK 51 / 0 / 38 / 18

HEX #67D282

RGB 103 210 130

HSL 135.14, 0.54%, 0.61%

LAB 76.43, -48.16, 30.44

 

CMYK 47 / 0 / 35 / 11

HEX #78E495

RGB 120 228 149

HSL 136.11, 0.67%, 0.68%

LAB 82.73, -48.02, 29.19

 

CMYK 44 / 0 / 32 / 4

HEX #89F6A8

RGB 137 246 168

HSL 137.06, 0.86%, 0.75%

LAB 88.95, -47.83, 28.01

 

CMYK 40 / 0 / 27 / 0

HEX #9AFFBB

RGB 154 255 187

HSL 139.6, 1%, 0.8%

LAB 92.57, -43.72, 23.42

 

CMYK 58 / 0 / 40 / 25

HEX #51C074

RGB 81 192 116

HSL 138.92, 0.47%, 0.54%

LAB 69.97, -48.53, 29.04

 

CMYK 63 / 0 / 44 / 32

HEX #40AE61

RGB 64 174 97

HSL 138, 0.46%, 0.47%

LAB 63.53, -48.36, 30.48

 

CMYK 70 / 0 / 50 / 39

HEX #2F9C4E

RGB 47 156 78

HSL 137.06, 0.54%, 0.4%

LAB 57.01, -47.92, 32

 

CMYK 78 / 0 / 57 / 46

HEX #1E8A3B

RGB 30 138 59

HSL 136.11, 0.64%, 0.33%

LAB 50.42, -47.02, 33.59

 

CMYK 89 / 0 / 67 / 53

HEX #0D7828

RGB 13 120 40

HSL 135.14, 0.8%, 0.26%

LAB 43.76, -45.38, 35.12

 

CMYK 57 / 0 / 39 / 24

HEX #53C175

RGB 83 193 117

HSL 138.55, 0.47%, 0.54%

LAB 70.36, -48.3, 29.04

 

CMYK 57 / 0 / 54 / 24

HEX #53C158

RGB 83 193 88

HSL 122.73, 0.47%, 0.54%

LAB 69.95, -52.72, 43.1

 

CMYK 45 / 0 / 57 / 24

HEX #6BC153

RGB 107 193 83

HSL 106.91, 0.47%, 0.54%

LAB 70.8, -46.68, 46.67

 

CMYK 29 / 0 / 57 / 24

HEX #89C153

RGB 137 193 83

HSL 90.55, 0.47%, 0.54%

LAB 72.28, -36.55, 48.78

 

CMYK 13 / 0 / 57 / 24

HEX #A7C153

RGB 167 193 83

HSL 74.18, 0.47%, 0.54%

LAB 74.18, -25.04, 51.44

 

CMYK 57 / 0 / 39 / 24

HEX #53C175

RGB 83 193 117

HSL 138.55, 0.47%, 0.54%

LAB 70.36, -48.3, 29.04

 

CMYK 57 / 0 / 24 / 24

HEX #53C193

RGB 83 193 147

HSL 154.91, 0.47%, 0.54%

LAB 70.93, -42.39, 13.85

 

CMYK 57 / 0 / 8 / 24

HEX #53C1B1

RGB 83 193 177

HSL 171.27, 0.47%, 0.54%

LAB 71.66, -35.25, -1.41

 

CMYK 57 / 7 / 0 / 24

HEX #53B3C1

RGB 83 179 193

HSL 187.64, 0.47%, 0.54%

LAB 67.97, -24.12, -15.68

 

CMYK 57 / 23 / 0 / 24

HEX #5395C1

RGB 83 149 193

HSL 204, 0.47%, 0.54%

LAB 59.14, -8.13, -29.18

 

CMYK 57 / 0 / 39 / 24

HEX #53C175

RGB 83 193 117

HSL 138.55, 0.47%, 0.54%

LAB 70.36, -48.3, 29.04

 

CMYK 70 / 0 / 48 / 17

HEX #40D46E

RGB 64 212 110

HSL 138.65, 0.63%, 0.54%

LAB 75.64, -60.44, 39.29

 

CMYK 81 / 0 / 55 / 9

HEX #2DE767

RGB 45 231 103

HSL 138.71, 0.79%, 0.54%

LAB 81.12, -70.4, 49.26

 

CMYK 90 / 0 / 62 / 2

HEX #1AFA60

RGB 26 250 96

HSL 138.75, 0.96%, 0.54%

LAB 86.72, -78.59, 58.8

 

CMYK 57 / 0 / 39 / 24

HEX #53C175

RGB 83 193 117

HSL 138.55, 0.47%, 0.54%

LAB 70.36, -48.3, 29.04

 

CMYK 41 / 0 / 29 / 32

HEX #66AE7C

RGB 102 174 124

HSL 138.33, 0.31%, 0.54%

LAB 65.4, -33.72, 18.76

 

CMYK 22 / 0 / 15 / 39

HEX #799B83

RGB 121 155 131

HSL 137.65, 0.15%, 0.54%

LAB 60.91, -16.79, 8.76

 

CMYK 0 / 3 / 1 / 45

HEX #8C888A

RGB 140 136 138

HSL 330, 0.02%, 0.54%

LAB 57.09, 1.88, -0.55

 

CMYK 0 / 26 / 8 / 38

HEX #9E7591

RGB 158 117 145

HSL 319.02, 0.17%, 0.54%

LAB 54.07, 20.78, -8.9

 

CMYK 44 / 0 / 57 / 24

HEX #6CC153

RGB 108 193 83

HSL 106.36, 0.47%, 0.54%

LAB 70.84, -46.37, 46.73

 

CMYK 57 / 0 / 55 / 24

HEX #53C156

RGB 83 193 86

HSL 121.64, 0.47%, 0.54%

LAB 69.93, -52.98, 44.02

 

CMYK 57 / 0 / 40 / 24

HEX #53C174

RGB 83 193 116

HSL 138, 0.47%, 0.54%

LAB 70.34, -48.47, 29.54

 

CMYK 57 / 0 / 25 / 24

HEX #53C191

RGB 83 193 145

HSL 153.82, 0.47%, 0.54%

LAB 70.89, -42.82, 14.87

 

CMYK 57 / 0 / 10 / 24

HEX #53C1AE

RGB 83 193 174

HSL 169.64, 0.47%, 0.54%

LAB 71.58, -36.02, 0.11

 

CMYK 64 / 0 / 44 / 44

HEX #338E50

RGB 51 142 80

HSL 139.12, 0.47%, 0.38%

LAB 52.54, -41.26, 25.27

 

CMYK 64 / 0 / 44 / 33

HEX #3EAC61

RGB 62 172 97

HSL 139.09, 0.47%, 0.46%

LAB 62.84, -47.99, 29.57

 

CMYK 57 / 0 / 39 / 24

HEX #53C175

RGB 83 193 117

HSL 138.55, 0.47%, 0.54%

LAB 70.36, -48.3, 29.04

 

CMYK 45 / 0 / 30 / 20

HEX #71CC8E

RGB 113 204 142

HSL 139.12, 0.47%, 0.62%

LAB 75.23, -40.81, 22.65

 

CMYK 33 / 0 / 23 / 16

HEX #8FD7A6

RGB 143 215 166

HSL 139.17, 0.47%, 0.7%

LAB 80.29, -32.66, 17.18

 

CMYK 58 / 0 / 40 / 25

HEX #51C074

RGB 81 192 116

HSL 138.92, 0.47%, 0.54%

LAB 69.97, -48.53, 29.04

 

CMYK 57 / 28 / 0 / 24

HEX #538AC1

RGB 83 138 193

HSL 210, 0.47%, 0.54%

LAB 55.95, -1.85, -34.14

 

CMYK 0 / 57 / 51 / 24

HEX #C1535E

RGB 193 83 94

HSL 354, 0.47%, 0.54%

LAB 49.9, 45.08, 15.9

 

CMYK 58 / 0 / 40 / 25

HEX #51C074

RGB 81 192 116

HSL 138.92, 0.47%, 0.54%

LAB 69.97, -48.53, 29.04

 

CMYK 40 / 57 / 0 / 24

HEX #7453C1

RGB 116 83 193

HSL 258, 0.47%, 0.54%

LAB 43.87, 38.94, -53.16

 

CMYK 0 / 40 / 57 / 24

HEX #C17453

RGB 193 116 83

HSL 18, 0.47%, 0.54%

LAB 56.54, 27.01, 30.99

 

CMYK 58 / 0 / 40 / 25

HEX #51C074

RGB 81 192 116

HSL 138.92, 0.47%, 0.54%

LAB 69.97, -48.53, 29.04

 

CMYK 57 / 28 / 0 / 24

HEX #538AC1

RGB 83 138 193

HSL 210, 0.47%, 0.54%

LAB 55.95, -1.85, -34.14

 

CMYK 0 / 57 / 17 / 24

HEX #C153A0

RGB 193 83 160

HSL 318, 0.47%, 0.54%

LAB 51.91, 53.06, -20.54

 

CMYK 0 / 28 / 57 / 24

HEX #C18A53

RGB 193 138 83

HSL 30, 0.47%, 0.54%

LAB 61.77, 14.91, 37.46

 

CMYK 58 / 0 / 40 / 25

HEX #51C074

RGB 81 192 116

HSL 138.92, 0.47%, 0.54%

LAB 69.97, -48.53, 29.04

 

CMYK 57 / 46 / 0 / 24

HEX #5369C1

RGB 83 105 193

HSL 228, 0.47%, 0.54%

LAB 46.7, 18.16, -48.76

 

CMYK 0 / 57 / 17 / 24

HEX #C153A0

RGB 193 83 160

HSL 318, 0.47%, 0.54%

LAB 51.91, 53.06, -20.54

 

CMYK 0 / 11 / 57 / 24

HEX #C1AB53

RGB 193 171 83

HSL 48, 0.47%, 0.54%

LAB 70.24, -2.99, 47.49

 

Description

Color code: HEX #51C074 | qconv.com Color code: HEX #51C074 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 192 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 192 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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