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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51B35ACE it is the complementary color #AE4CA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51B35ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51B35ACE shade: #56B355CE, #67C568CE, #78D77BCE, #89E98ECE and #9AFBA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51B35ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51B35ACE shade: #51B35ACE, #40A147CE, #2F8F34CE, #1E7D21CE and #0D6B0ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51B35ACE shade: #51B35A, #63B351, #7DB351, #97B351 and #B1B351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51B35ACE shade: #51B35A, #51B375, #51B38F, #51B3A9 and #51A2B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51B35ACE shade matches the following richer shades: #51B35A, #3DC74A, #29DB39 and #15EF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51B35ACE shade: #51B35A, #669F6B, #7A8A7B, #8E768C and #A2629C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51B35ACE shade: #7DB351, #63B351, #51B359, #51B373 and #51B38D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51B35ACE shade: #367B3D, #43984B, #51B35A, #6EBF75 and #8BCC91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51B35ACE shade: #51B35A, #5197B3 and #B35170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51B35ACE shade: #51B35A, #5951B3 and #B35951

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51B35ACE shade: #51B35A, #5197B3, #B351AB and #B36D51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51B35ACE shade: #51B35A, #517AB3, #B351AB and #B38A51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 40 / 24

HEX #51B35ACE

RGBA 81 179 90 0.81

HSLA 125.51, 0.39%, 0.51%, 0.81

LABA 65.54, -47.47, 36.71, 0.81

 

Complementary color

CMYK 0 / 46 / 4 / 26

HEX #AE4CA5CE

RGBA 174 76 165 0.81

HSLA 305.51, 0.39%, 0.49%, 0.81

LABA 48.11, 51.65, -29.58, 0.81

 

CMYK 42 / 0 / 43 / 24

HEX #56B355CE

RGBA 86 179 85 0.81

HSLA 119.36, 0.38%, 0.52%, 0.81

LABA 65.65, -46.83, 39.38, 0.81

 

CMYK 39 / 0 / 38 / 18

HEX #67C568CE

RGBA 103 197 104 0.81

HSLA 120.64, 0.45%, 0.59%, 0.81

LABA 72.11, -46.84, 38.07, 0.81

 

CMYK 36 / 0 / 35 / 13

HEX #78D77BCE

RGBA 120 215 123 0.81

HSLA 121.89, 0.54%, 0.66%, 0.81

LABA 78.48, -46.73, 36.79, 0.81

 

CMYK 33 / 0 / 32 / 7

HEX #89E98ECE

RGBA 137 233 142 0.81

HSLA 123.13, 0.69%, 0.73%, 0.81

LABA 84.77, -46.56, 35.56, 0.81

 

CMYK 31 / 0 / 29 / 1

HEX #9AFBA1CE

RGBA 154 251 161 0.81

HSLA 124.33, 0.92%, 0.79%, 0.81

LABA 90.98, -46.35, 34.38, 0.81

 

CMYK 44 / 0 / 40 / 24

HEX #51B35ACE

RGBA 81 179 90 0.81

HSLA 125.51, 0.39%, 0.51%, 0.81

LABA 65.54, -47.47, 36.71, 0.81

 

CMYK 49 / 0 / 45 / 30

HEX #40A147CE

RGBA 64 161 71 0.81

HSLA 124.33, 0.43%, 0.44%, 0.81

LABA 59.01, -47.25, 38.09, 0.81

 

CMYK 54 / 0 / 52 / 36

HEX #2F8F34CE

RGBA 47 143 52 0.81

HSLA 123.13, 0.51%, 0.37%, 0.81

LABA 52.39, -46.69, 39.39, 0.81

 

CMYK 62 / 0 / 60 / 41

HEX #1E7D21CE

RGBA 30 125 33 0.81

HSLA 121.89, 0.61%, 0.3%, 0.81

LABA 45.71, -45.55, 40.38, 0.81

 

CMYK 71 / 0 / 70 / 47

HEX #0D6B0ECE

RGBA 13 107 14 0.81

HSLA 120.64, 0.78%, 0.24%, 0.81

LABA 38.95, -43.44, 40.46, 0.81

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 45 / 0 / 55 / 30

HEX #63B351

RGB 99 179 81

HSL 108.98, 0.39%, 0.51%

LAB 66.13, -43.54, 42.03

 

CMYK 30 / 0 / 55 / 30

HEX #7DB351

RGB 125 179 81

HSL 93.06, 0.39%, 0.51%

LAB 67.42, -34.74, 43.88

 

CMYK 16 / 0 / 55 / 30

HEX #97B351

RGB 151 179 81

HSL 77.14, 0.39%, 0.51%

LAB 69.05, -24.78, 46.2

 

CMYK 1 / 0 / 55 / 30

HEX #B1B351

RGB 177 179 81

HSL 61.22, 0.39%, 0.51%

LAB 71, -14.1, 48.94

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 55 / 0 / 35 / 30

HEX #51B375

RGB 81 179 117

HSL 142.04, 0.39%, 0.51%

LAB 65.96, -42.95, 23.18

 

CMYK 55 / 0 / 20 / 30

HEX #51B38F

RGB 81 179 143

HSL 157.96, 0.39%, 0.51%

LAB 66.5, -37.51, 9.77

 

CMYK 55 / 0 / 6 / 30

HEX #51B3A9

RGB 81 179 169

HSL 173.88, 0.39%, 0.51%

LAB 67.17, -31.12, -3.62

 

CMYK 55 / 9 / 0 / 30

HEX #51A2B3

RGB 81 162 179

HSL 190.41, 0.39%, 0.51%

LAB 62.38, -19.83, -16.35

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 69 / 0 / 63 / 22

HEX #3DC74A

RGB 61 199 74

HSL 125.65, 0.55%, 0.51%

LAB 71.1, -61.24, 50.67

 

CMYK 81 / 0 / 74 / 14

HEX #29DB39

RGB 41 219 57

HSL 125.39, 0.71%, 0.51%

LAB 76.94, -71.98, 63.36

 

CMYK 91 / 0 / 83 / 6

HEX #15EF29

RGB 21 239 41

HSL 125.5, 0.87%, 0.51%

LAB 82.94, -80.18, 73.62

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 36 / 0 / 33 / 38

HEX #669F6B

RGB 102 159 107

HSL 125.26, 0.23%, 0.51%

LAB 60.5, -29.74, 21.4

 

CMYK 12 / 0 / 11 / 46

HEX #7A8A7B

RGB 122 138 123

HSL 123.75, 0.06%, 0.51%

LAB 55.83, -8.84, 6.08

 

CMYK 0 / 17 / 1 / 44

HEX #8E768C

RGB 142 118 140

HSL 305, 0.1%, 0.51%

LAB 52.51, 13.39, -8.47

 

CMYK 0 / 40 / 4 / 36

HEX #A2629C

RGB 162 98 156

HSL 305.63, 0.26%, 0.51%

LAB 50.47, 34.98, -20.75

 

CMYK 30 / 0 / 55 / 30

HEX #7DB351

RGB 125 179 81

HSL 93.06, 0.39%, 0.51%

LAB 67.42, -34.74, 43.88

 

CMYK 45 / 0 / 55 / 30

HEX #63B351

RGB 99 179 81

HSL 108.98, 0.39%, 0.51%

LAB 66.13, -43.54, 42.03

 

CMYK 55 / 0 / 50 / 30

HEX #51B359

RGB 81 179 89

HSL 124.9, 0.39%, 0.51%

LAB 65.52, -47.61, 37.2

 

CMYK 55 / 0 / 36 / 30

HEX #51B373

RGB 81 179 115

HSL 140.82, 0.39%, 0.51%

LAB 65.93, -43.33, 24.2

 

CMYK 55 / 0 / 21 / 30

HEX #51B38D

RGB 81 179 141

HSL 156.73, 0.39%, 0.51%

LAB 66.45, -37.97, 10.8

 

CMYK 56 / 0 / 50 / 52

HEX #367B3D

RGB 54 123 61

HSL 126.09, 0.39%, 0.35%

LAB 46.02, -35.74, 27.33

 

CMYK 56 / 0 / 51 / 40

HEX #43984B

RGB 67 152 75

HSL 125.65, 0.39%, 0.43%

LAB 56.25, -42.33, 32.73

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 42 / 0 / 39 / 25

HEX #6EBF75

RGB 110 191 117

HSL 125.19, 0.39%, 0.59%

LAB 70.77, -40.26, 29.78

 

CMYK 32 / 0 / 29 / 20

HEX #8BCC91

RGB 139 204 145

HSL 125.54, 0.39%, 0.67%

LAB 76.51, -32.51, 23.01

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 55 / 16 / 0 / 30

HEX #5197B3

RGB 81 151 179

HSL 197.14, 0.39%, 0.51%

LAB 59.1, -13.97, -21.34

 

CMYK 0 / 55 / 37 / 30

HEX #B35170

RGB 179 81 112

HSL 341.02, 0.39%, 0.51%

LAB 47.8, 43.02, 1.78

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 50 / 55 / 0 / 30

HEX #5951B3

RGB 89 81 179

HSL 244.9, 0.39%, 0.51%

LAB 40.02, 29.92, -51.3

 

CMYK 0 / 50 / 55 / 30

HEX #B35951

RGB 179 89 81

HSL 4.9, 0.39%, 0.51%

LAB 48.66, 35.75, 21.61

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 55 / 16 / 0 / 30

HEX #5197B3

RGB 81 151 179

HSL 197.14, 0.39%, 0.51%

LAB 59.1, -13.97, -21.34

 

CMYK 0 / 55 / 4 / 30

HEX #B351AB

RGB 179 81 171

HSL 304.9, 0.39%, 0.51%

LAB 49.99, 51.72, -30.13

 

CMYK 0 / 39 / 55 / 30

HEX #B36D51

RGB 179 109 81

HSL 17.14, 0.39%, 0.51%

LAB 53.08, 24.93, 27.34

 

CMYK 55 / 0 / 50 / 30

HEX #51B35A

RGB 81 179 90

HSL 125.51, 0.39%, 0.51%

LAB 65.54, -47.47, 36.71

 

CMYK 55 / 32 / 0 / 30

HEX #517AB3

RGB 81 122 179

HSL 214.9, 0.39%, 0.51%

LAB 50.6, 2.66, -34.51

 

CMYK 0 / 55 / 4 / 30

HEX #B351AB

RGB 179 81 171

HSL 304.9, 0.39%, 0.51%

LAB 49.99, 51.72, -30.13

 

CMYK 0 / 23 / 55 / 30

HEX #B38A51

RGB 179 138 81

HSL 34.9, 0.39%, 0.51%

LAB 60.21, 8.76, 36.25

 

Description

Color code: HEX #51B35ACE | qconv.com Color code: HEX #51B35ACE | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 179 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 179 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 40 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 40% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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