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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #519C52 it is the complementary color #AE63AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #519C52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #519C52 shade: #569C4D, #67AE60, #78C073, #89D286 and #9AE499

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #519C52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #519C52 shade: #519C52, #408A3F, #2F782C, #1E6619 and #0D5406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #519C52 shade: #509B51, #639B50, #779B50, #8B9B50 and #9B9650

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #519C52 shade: #509B51, #509B65, #509B79, #509B8D and #50949B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #519C52 shade matches the following richer shades: #509B51, #3DAE3E, #2AC12C, #17D419 and #04E707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #519C52 shade: #509B51, #638863, #767576, #896288 and #9C4F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #519C52 shade: #789B50, #649B50, #509B50, #509B64 and #509B78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #519C52 shade: #346434, #428043, #509B51, #64AF65 and #80BD81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #519C52 shade: #519C52, #508C9B and #9B506E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #519C52 shade: #519C52, #50509B and #9B5050

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #519C52 shade: #519C52, #508C9B, #9B509B and #9B5F50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #519C52 shade: #519C52, #50759B, #9B509B and #9B7550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 47 / 39

HEX #519C52

RGB 81 156 82

HSL 120.8, 0.32%, 0.46%

LAB 58.17, -39.05, 31.61

 

Complementary color

CMYK 0 / 43 / 1 / 32

HEX #AE63AD

RGB 174 99 173

HSL 300.8, 0.32%, 0.54%

LAB 52.88, 41.47, -26.85

 

CMYK 45 / 0 / 51 / 39

HEX #569C4D

RGB 86 156 77

HSL 113.16, 0.34%, 0.46%

LAB 58.31, -38.24, 34.43

 

CMYK 41 / 0 / 45 / 32

HEX #67AE60

RGB 103 174 96

HSL 114.62, 0.33%, 0.53%

LAB 64.96, -38.12, 33.12

 

CMYK 38 / 0 / 40 / 25

HEX #78C073

RGB 120 192 115

HSL 116.1, 0.38%, 0.6%

LAB 71.51, -37.93, 31.87

 

CMYK 35 / 0 / 36 / 18

HEX #89D286

RGB 137 210 134

HSL 117.63, 0.46%, 0.67%

LAB 77.95, -37.71, 30.66

 

CMYK 32 / 0 / 33 / 11

HEX #9AE499

RGB 154 228 153

HSL 119.2, 0.58%, 0.75%

LAB 84.31, -37.47, 29.52

 

CMYK 48 / 0 / 47 / 39

HEX #519C52

RGB 81 156 82

HSL 120.8, 0.32%, 0.46%

LAB 58.17, -39.05, 31.61

 

CMYK 54 / 0 / 54 / 46

HEX #408A3F

RGB 64 138 63

HSL 119.2, 0.37%, 0.39%

LAB 51.41, -39.04, 32.98

 

CMYK 61 / 0 / 63 / 53

HEX #2F782C

RGB 47 120 44

HSL 117.63, 0.46%, 0.32%

LAB 44.55, -38.76, 34.29

 

CMYK 71 / 0 / 75 / 60

HEX #1E6619

RGB 30 102 25

HSL 116.1, 0.61%, 0.25%

LAB 37.57, -37.95, 35.27

 

CMYK 85 / 0 / 93 / 67

HEX #0D5406

RGB 13 84 6

HSL 114.62, 0.87%, 0.18%

LAB 30.49, -36.16, 35.2

 

CMYK 48 / 0 / 48 / 39

HEX #509B51

RGB 80 155 81

HSL 120.8, 0.32%, 0.46%

LAB 57.79, -39.06, 31.65

 

CMYK 36 / 0 / 48 / 39

HEX #639B50

RGB 99 155 80

HSL 104.8, 0.32%, 0.46%

LAB 58.67, -33.06, 33.46

 

CMYK 23 / 0 / 48 / 39

HEX #779B50

RGB 119 155 80

HSL 88.8, 0.32%, 0.46%

LAB 59.84, -25.69, 35.16

 

CMYK 10 / 0 / 48 / 39

HEX #8B9B50

RGB 139 155 80

HSL 72.8, 0.32%, 0.46%

LAB 61.23, -17.66, 37.18

 

CMYK 0 / 3 / 48 / 39

HEX #9B9650

RGB 155 150 80

HSL 56, 0.32%, 0.46%

LAB 61.1, -8.28, 37.32

 

CMYK 48 / 0 / 48 / 39

HEX #509B51

RGB 80 155 81

HSL 120.8, 0.32%, 0.46%

LAB 57.79, -39.06, 31.65

 

CMYK 48 / 0 / 35 / 39

HEX #509B65

RGB 80 155 101

HSL 136.8, 0.32%, 0.46%

LAB 58.12, -35.7, 21.31

 

CMYK 48 / 0 / 22 / 39

HEX #509B79

RGB 80 155 121

HSL 152.8, 0.32%, 0.46%

LAB 58.54, -31.61, 10.73

 

CMYK 48 / 0 / 9 / 39

HEX #509B8D

RGB 80 155 141

HSL 168.8, 0.32%, 0.46%

LAB 59.04, -26.86, 0.14

 

CMYK 48 / 5 / 0 / 39

HEX #50949B

RGB 80 148 155

HSL 185.6, 0.32%, 0.46%

LAB 57.32, -19.56, -10.38

 

CMYK 48 / 0 / 48 / 39

HEX #509B51

RGB 80 155 81

HSL 120.8, 0.32%, 0.46%

LAB 57.79, -39.06, 31.65

 

CMYK 65 / 0 / 64 / 32

HEX #3DAE3E

RGB 61 174 62

HSL 120.53, 0.48%, 0.46%

LAB 63.02, -53.85, 46.88

 

CMYK 78 / 0 / 77 / 24

HEX #2AC12C

RGB 42 193 44

HSL 120.79, 0.64%, 0.46%

LAB 68.62, -64.97, 59.43

 

CMYK 89 / 0 / 88 / 17

HEX #17D419

RGB 23 212 25

HSL 120.63, 0.8%, 0.46%

LAB 74.41, -73.34, 69.44

 

CMYK 98 / 0 / 97 / 9

HEX #04E707

RGB 4 231 7

HSL 120.79, 0.97%, 0.46%

LAB 80.29, -79.73, 76.6

 

CMYK 48 / 0 / 48 / 39

HEX #509B51

RGB 80 155 81

HSL 120.8, 0.32%, 0.46%

LAB 57.79, -39.06, 31.65

 

CMYK 27 / 0 / 27 / 47

HEX #638863

RGB 99 136 99

HSL 120, 0.16%, 0.46%

LAB 53.13, -20.72, 15.81

 

CMYK 0 / 1 / 0 / 54

HEX #767576

RGB 118 117 118

HSL 300, 0%, 0.46%

LAB 49.35, 0.58, -0.42

 

CMYK 0 / 28 / 1 / 46

HEX #896288

RGB 137 98 136

HSL 301.54, 0.17%, 0.46%

LAB 46.75, 22.52, -14.83

 

CMYK 0 / 49 / 1 / 39

HEX #9C4F9B

RGB 156 79 155

HSL 300.78, 0.33%, 0.46%

LAB 45.67, 43.13, -27.65

 

CMYK 23 / 0 / 48 / 39

HEX #789B50

RGB 120 155 80

HSL 88, 0.32%, 0.46%

LAB 59.9, -25.3, 35.26

 

CMYK 35 / 0 / 48 / 39

HEX #649B50

RGB 100 155 80

HSL 104, 0.32%, 0.46%

LAB 58.72, -32.72, 33.54

 

CMYK 48 / 0 / 48 / 39

HEX #509B50

RGB 80 155 80

HSL 120, 0.32%, 0.46%

LAB 57.78, -39.21, 32.15

 

CMYK 48 / 0 / 35 / 39

HEX #509B64

RGB 80 155 100

HSL 136, 0.32%, 0.46%

LAB 58.1, -35.88, 21.84

 

CMYK 48 / 0 / 23 / 39

HEX #509B78

RGB 80 155 120

HSL 152, 0.32%, 0.46%

LAB 58.51, -31.83, 11.26

 

CMYK 48 / 0 / 48 / 61

HEX #346434

RGB 52 100 52

HSL 120, 0.32%, 0.3%

LAB 38.01, -27.35, 22.22

 

CMYK 48 / 0 / 48 / 50

HEX #428043

RGB 66 128 67

HSL 120.97, 0.32%, 0.38%

LAB 48.26, -33.49, 26.98

 

CMYK 48 / 0 / 48 / 39

HEX #509B51

RGB 80 155 81

HSL 120.8, 0.32%, 0.46%

LAB 57.79, -39.06, 31.65

 

CMYK 43 / 0 / 42 / 31

HEX #64AF65

RGB 100 175 101

HSL 120.8, 0.32%, 0.54%

LAB 65.21, -38.75, 30.81

 

CMYK 32 / 0 / 32 / 26

HEX #80BD81

RGB 128 189 129

HSL 120.98, 0.32%, 0.62%

LAB 71.26, -31.72, 24.26

 

CMYK 48 / 0 / 47 / 39

HEX #519C52

RGB 81 156 82

HSL 120.8, 0.32%, 0.46%

LAB 58.17, -39.05, 31.61

 

CMYK 48 / 10 / 0 / 39

HEX #508C9B

RGB 80 140 155

HSL 192, 0.32%, 0.46%

LAB 54.89, -15.28, -14.03

 

CMYK 0 / 48 / 29 / 39

HEX #9B506E

RGB 155 80 110

HSL 336, 0.32%, 0.46%

LAB 43.99, 34.8, -3

 

CMYK 48 / 0 / 47 / 39

HEX #519C52

RGB 81 156 82

HSL 120.8, 0.32%, 0.46%

LAB 58.17, -39.05, 31.61

 

CMYK 48 / 48 / 0 / 39

HEX #50509B

RGB 80 80 155

HSL 240, 0.32%, 0.46%

LAB 37.5, 20.89, -41.1

 

CMYK 0 / 48 / 48 / 39

HEX #9B5050

RGB 155 80 80

HSL 0, 0.32%, 0.46%

LAB 43.19, 31.12, 14.25

 

CMYK 48 / 0 / 47 / 39

HEX #519C52

RGB 81 156 82

HSL 120.8, 0.32%, 0.46%

LAB 58.17, -39.05, 31.61

 

CMYK 48 / 10 / 0 / 39

HEX #508C9B

RGB 80 140 155

HSL 192, 0.32%, 0.46%

LAB 54.89, -15.28, -14.03

 

CMYK 0 / 48 / 0 / 39

HEX #9B509B

RGB 155 80 155

HSL 300, 0.32%, 0.46%

LAB 45.73, 42.3, -27.56

 

CMYK 0 / 39 / 48 / 39

HEX #9B5F50

RGB 155 95 80

HSL 12, 0.32%, 0.46%

LAB 46.62, 22.73, 18.89

 

CMYK 48 / 0 / 47 / 39

HEX #519C52

RGB 81 156 82

HSL 120.8, 0.32%, 0.46%

LAB 58.17, -39.05, 31.61

 

CMYK 48 / 25 / 0 / 39

HEX #50759B

RGB 80 117 155

HSL 210.4, 0.32%, 0.46%

LAB 48, -2.19, -24.58

 

CMYK 0 / 48 / 0 / 39

HEX #9B509B

RGB 155 80 155

HSL 300, 0.32%, 0.46%

LAB 45.73, 42.3, -27.56

 

CMYK 0 / 25 / 48 / 39

HEX #9B7550

RGB 155 117 80

HSL 29.6, 0.32%, 0.46%

LAB 52.14, 10.12, 26.13

 

Description

Color code: HEX #519C52 | qconv.com Color code: HEX #519C52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 156 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 156 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 47 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 47% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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