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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #519B48 it is the complementary color #AE64B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #519B48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #519B48: #569B43, #67AD56, #78BF69, #89D17C and #9AE38F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #519B48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #519B48: #519B48, #408935, #2F7722, #1E650F and #0D5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

Complementary color

CMYK 5 / 45 / 0 / 28

HEX #AE64B7

RGB 174 100 183

HSL 293.49, 0.37%, 0.55%

LAB 53.53, 42.85, -31.65

 

CMYK 45 / 0 / 57 / 39

HEX #569B43

RGB 86 155 67

HSL 107.05, 0.4%, 0.44%

LAB 57.87, -39.08, 38.9

 

CMYK 40 / 0 / 50 / 32

HEX #67AD56

RGB 103 173 86

HSL 108.28, 0.35%, 0.51%

LAB 64.52, -39.06, 37.67

 

CMYK 37 / 0 / 45 / 25

HEX #78BF69

RGB 120 191 105

HSL 109.53, 0.4%, 0.58%

LAB 71.06, -38.94, 36.41

 

CMYK 34 / 0 / 41 / 18

HEX #89D17C

RGB 137 209 124

HSL 110.82, 0.48%, 0.65%

LAB 77.5, -38.76, 35.19

 

CMYK 32 / 0 / 37 / 11

HEX #9AE38F

RGB 154 227 143

HSL 112.14, 0.6%, 0.73%

LAB 83.86, -38.56, 34.01

 

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

CMYK 53 / 0 / 61 / 46

HEX #408935

RGB 64 137 53

HSL 112.14, 0.44%, 0.37%

LAB 50.96, -39.9, 37.43

 

CMYK 61 / 0 / 71 / 53

HEX #2F7722

RGB 47 119 34

HSL 110.82, 0.56%, 0.3%

LAB 44.11, -39.44, 38.42

 

CMYK 70 / 0 / 85 / 60

HEX #1E650F

RGB 30 101 15

HSL 109.53, 0.74%, 0.23%

LAB 37.15, -38.36, 38.6

 

CMYK 84 / 0 / 100 / 67

HEX #0D5300

RGB 13 83 0

HSL 110.6, 1%, 0.16%

LAB 30.09, -36.22, 37.04

 

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

CMYK 54 / 0 / 52 / 38

HEX #489D4C

RGB 72 157 76

HSL 122.82, 0.37%, 0.45%

LAB 58.05, -42.91, 34.49

 

CMYK 54 / 0 / 43 / 38

HEX #489D5A

RGB 72 157 90

HSL 132.71, 0.37%, 0.45%

LAB 58.25, -40.72, 27.41

 

CMYK 54 / 0 / 34 / 38

HEX #489D68

RGB 72 157 104

HSL 142.59, 0.37%, 0.45%

LAB 58.5, -38.15, 20.12

 

CMYK 54 / 0 / 25 / 38

HEX #489D76

RGB 72 157 118

HSL 152.47, 0.37%, 0.45%

LAB 58.79, -35.23, 12.73

 

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

CMYK 48 / 0 / 53 / 19

HEX #6CCE60

RGB 108 206 96

HSL 113.45, 0.53%, 0.59%

LAB 74.94, -50.15, 45.49

 

CMYK 50 / 0 / 50 / 99

HEX #010201

RGB 1 2 1

HSL 120, 0.33%, 0.01%

LAB 0.47, -0.4, 0.29

 

CMYK 47 / 0 / 53 / 79

HEX #1C3519

RGB 28 53 25

HSL 113.57, 0.36%, 0.15%

LAB 19.49, -16.62, 14.66

 

CMYK 48 / 0 / 54 / 59

HEX #366830

RGB 54 104 48

HSL 113.57, 0.37%, 0.3%

LAB 39.41, -29.2, 26.23

 

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

CMYK 54 / 4 / 0 / 38

HEX #48969D

RGB 72 150 157

HSL 184.94, 0.37%, 0.45%

LAB 57.68, -21.86, -11.02

 

CMYK 0 / 54 / 26 / 38

HEX #9D4874

RGB 157 72 116

HSL 328.94, 0.37%, 0.45%

LAB 42.86, 40.56, -8.33

 

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

CMYK 54 / 48 / 0 / 38

HEX #48529D

RGB 72 82 157

HSL 232.94, 0.37%, 0.45%

LAB 37.57, 18.37, -42.23

 

CMYK 0 / 54 / 48 / 38

HEX #9D4852

RGB 157 72 82

HSL 352.94, 0.37%, 0.45%

LAB 41.86, 36.36, 11.24

 

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

CMYK 54 / 4 / 0 / 38

HEX #48969D

RGB 72 150 157

HSL 184.94, 0.37%, 0.45%

LAB 57.68, -21.86, -11.02

 

CMYK 6 / 54 / 0 / 38

HEX #93489D

RGB 147 72 157

HSL 292.94, 0.37%, 0.45%

LAB 43.17, 44.49, -32.84

 

CMYK 0 / 50 / 54 / 38

HEX #9D4F48

RGB 157 79 72

HSL 4.94, 0.37%, 0.45%

LAB 43.1, 31.68, 19.05

 

CMYK 48 / 0 / 54 / 39

HEX #519B48

RGB 81 155 72

HSL 113.49, 0.37%, 0.45%

LAB 57.71, -40.02, 36.18

 

CMYK 54 / 21 / 0 / 38

HEX #487C9D

RGB 72 124 157

HSL 203.29, 0.37%, 0.45%

LAB 49.77, -7.61, -23.05

 

CMYK 6 / 54 / 0 / 38

HEX #93489D

RGB 147 72 157

HSL 292.94, 0.37%, 0.45%

LAB 43.17, 44.49, -32.84

 

CMYK 0 / 34 / 54 / 38

HEX #9D6848

RGB 157 104 72

HSL 22.59, 0.37%, 0.45%

LAB 48.93, 17.65, 26.6

 

Description

Color code: HEX #519B48 | qconv.com Color code: HEX #519B48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 155 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 155 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 54 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 54% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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