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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #519825 it is the complementary color #AE67DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #519825. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #519825 shade: #569820, #67AA33, #78BC46, #89CE59 and #9AE06C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #519825. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #519825 shade: #519825, #408612, #2F7400, #1E6200 and #0D5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #519825 shade: #519825, #709825, #8F9825, #988225 and #986325

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #519825 shade: #519825, #329825, #259837, #259856 and #259875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #519825 shade matches the following richer shades: #519825, #4DA716 and #4AB606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #519825 shade: #519825, #548934, #587943, #5C6A53 and #5F5B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #519825 shade: #8E9825, #709825, #519825, #329825 and #259836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #519825 shade: #2D5515, #3F771D, #519825, #63B92D and #77D03F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #519825 shade: #519825, #259883 and #98257F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #519825 shade: #519825, #255198 and #982551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #519825 shade: #519825, #259883, #6C2598 and #98253A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #519825 shade: #519825, #258A98, #6C2598 and #983225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

Complementary color

CMYK 20 / 53 / 0 / 15

HEX #AE67DA

RGB 174 103 218

HSL 277.04, 0.61%, 0.63%

LAB 55.85, 48.56, -47.97

 

CMYK 43 / 0 / 79 / 40

HEX #569820

RGB 86 152 32

HSL 93, 0.65%, 0.36%

LAB 56.62, -40.88, 52.21

 

CMYK 39 / 0 / 70 / 33

HEX #67AA33

RGB 103 170 51

HSL 93.78, 0.54%, 0.43%

LAB 63.24, -41.37, 52.16

 

CMYK 36 / 0 / 63 / 26

HEX #78BC46

RGB 120 188 70

HSL 94.58, 0.47%, 0.51%

LAB 69.75, -41.62, 51.49

 

CMYK 33 / 0 / 57 / 19

HEX #89CE59

RGB 137 206 89

HSL 95.38, 0.54%, 0.58%

LAB 76.18, -41.73, 50.53

 

CMYK 31 / 0 / 52 / 12

HEX #9AE06C

RGB 154 224 108

HSL 96.21, 0.65%, 0.65%

LAB 82.52, -41.75, 49.45

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 52 / 0 / 87 / 47

HEX #408612

RGB 64 134 18

HSL 96.21, 0.76%, 0.3%

LAB 49.72, -41.48, 49.62

 

CMYK 59 / 0 / 100 / 55

HEX #2F7400

RGB 47 116 0

HSL 95.69, 1%, 0.23%

LAB 42.91, -40.23, 47.62

 

CMYK 69 / 0 / 100 / 62

HEX #1E6200

RGB 30 98 0

HSL 101.63, 1%, 0.19%

LAB 36.01, -38.04, 41.93

 

CMYK 84 / 0 / 100 / 69

HEX #0D5000

RGB 13 80 0

HSL 110.25, 1%, 0.16%

LAB 28.96, -35.18, 36.14

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 26 / 0 / 76 / 40

HEX #709825

RGB 112 152 37

HSL 80.87, 0.61%, 0.37%

LAB 58.07, -30.84, 52.39

 

CMYK 6 / 0 / 76 / 40

HEX #8F9825

RGB 143 152 37

HSL 64.7, 0.61%, 0.37%

LAB 60.27, -17.69, 55.27

 

CMYK 0 / 14 / 76 / 40

HEX #988225

RGB 152 130 37

HSL 48.52, 0.61%, 0.37%

LAB 54.84, -1.8, 50.4

 

CMYK 0 / 35 / 76 / 40

HEX #986325

RGB 152 99 37

HSL 32.35, 0.61%, 0.37%

LAB 46.62, 15.85, 42.31

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 67 / 0 / 76 / 40

HEX #329825

RGB 50 152 37

HSL 113.22, 0.61%, 0.37%

LAB 55.35, -50.73, 48.8

 

CMYK 76 / 0 / 64 / 40

HEX #259837

RGB 37 152 55

HSL 129.39, 0.61%, 0.37%

LAB 55.2, -51.41, 41.11

 

CMYK 76 / 0 / 43 / 40

HEX #259856

RGB 37 152 86

HSL 145.57, 0.61%, 0.37%

LAB 55.61, -46.67, 25.94

 

CMYK 76 / 0 / 23 / 40

HEX #259875

RGB 37 152 117

HSL 161.74, 0.61%, 0.37%

LAB 56.22, -39.89, 9.54

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 54 / 0 / 87 / 35

HEX #4DA716

RGB 77 167 22

HSL 97.24, 0.77%, 0.37%

LAB 61.02, -50.15, 58.81

 

CMYK 59 / 0 / 97 / 29

HEX #4AB606

RGB 74 182 6

HSL 96.82, 0.94%, 0.37%

LAB 65.69, -56.79, 65.24

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 39 / 0 / 62 / 46

HEX #548934

RGB 84 137 52

HSL 97.41, 0.45%, 0.37%

LAB 51.86, -33.45, 39.18

 

CMYK 27 / 0 / 45 / 53

HEX #587943

RGB 88 121 67

HSL 96.67, 0.29%, 0.37%

LAB 47.18, -22.36, 25.85

 

CMYK 13 / 0 / 22 / 58

HEX #5C6A53

RGB 92 106 83

HSL 96.52, 0.12%, 0.37%

LAB 43.07, -10.02, 11.18

 

CMYK 3 / 7 / 0 / 62

HEX #5F5B62

RGB 95 91 98

HSL 274.29, 0.04%, 0.37%

LAB 39.24, 3.08, -3.44

 

CMYK 7 / 0 / 76 / 40

HEX #8E9825

RGB 142 152 37

HSL 65.22, 0.61%, 0.37%

LAB 60.2, -18.13, 55.17

 

CMYK 26 / 0 / 76 / 40

HEX #709825

RGB 112 152 37

HSL 80.87, 0.61%, 0.37%

LAB 58.07, -30.84, 52.39

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 67 / 0 / 76 / 40

HEX #329825

RGB 50 152 37

HSL 113.22, 0.61%, 0.37%

LAB 55.35, -50.73, 48.8

 

CMYK 76 / 0 / 64 / 40

HEX #259836

RGB 37 152 54

HSL 128.87, 0.61%, 0.37%

LAB 55.19, -51.53, 41.55

 

CMYK 47 / 0 / 75 / 67

HEX #2D5515

RGB 45 85 21

HSL 97.5, 0.6%, 0.21%

LAB 32.05, -26.7, 31.47

 

CMYK 47 / 0 / 76 / 53

HEX #3F771D

RGB 63 119 29

HSL 97.33, 0.61%, 0.29%

LAB 44.72, -34.92, 41.32

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 46 / 0 / 76 / 27

HEX #63B92D

RGB 99 185 45

HSL 96.86, 0.61%, 0.45%

LAB 67.68, -49.26, 58.74

 

CMYK 43 / 0 / 70 / 18

HEX #77D03F

RGB 119 208 63

HSL 96.83, 0.61%, 0.53%

LAB 75.69, -50.84, 60.63

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 76 / 0 / 14 / 40

HEX #259883

RGB 37 152 131

HSL 169.04, 0.61%, 0.37%

LAB 56.57, -36.24, 2.09

 

CMYK 0 / 76 / 16 / 40

HEX #98257F

RGB 152 37 127

HSL 313.04, 0.61%, 0.37%

LAB 36.99, 55.74, -24.2

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 76 / 47 / 0 / 40

HEX #255198

RGB 37 81 152

HSL 217.04, 0.61%, 0.37%

LAB 35.09, 10.77, -43.28

 

CMYK 0 / 76 / 47 / 40

HEX #982551

RGB 152 37 81

HSL 337.04, 0.61%, 0.37%

LAB 35.19, 50.14, 2.29

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 76 / 0 / 14 / 40

HEX #259883

RGB 37 152 131

HSL 169.04, 0.61%, 0.37%

LAB 56.57, -36.24, 2.09

 

CMYK 29 / 76 / 0 / 40

HEX #6C2598

RGB 108 37 152

HSL 277.04, 0.61%, 0.37%

LAB 31.3, 50.49, -49.11

 

CMYK 0 / 76 / 62 / 40

HEX #98253A

RGB 152 37 58

HSL 349.04, 0.61%, 0.37%

LAB 34.61, 48.25, 16.37

 

CMYK 47 / 0 / 76 / 40

HEX #519825

RGB 81 152 37

HSL 97.04, 0.61%, 0.37%

LAB 56.43, -42.25, 50.23

 

CMYK 76 / 9 / 0 / 40

HEX #258A98

RGB 37 138 152

HSL 187.3, 0.61%, 0.37%

LAB 52.77, -23.14, -15.65

 

CMYK 29 / 76 / 0 / 40

HEX #6C2598

RGB 108 37 152

HSL 277.04, 0.61%, 0.37%

LAB 31.3, 50.49, -49.11

 

CMYK 0 / 67 / 76 / 40

HEX #983225

RGB 152 50 37

HSL 6.78, 0.61%, 0.37%

LAB 36.16, 41.88, 31.28

 

Description

Color code: HEX #519825 | qconv.com Color code: HEX #519825 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 152 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 152 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 76 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 76% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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