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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #519808 it is the complementary color #AE67F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #519808. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #519808 shade: #569803, #67AA16, #78BC29, #89CE3C and #9AE04F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #519808. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #519808 shade: #519808, #408600, #2F7400, #1E6200 and #0D5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #519808 shade: #509608, #769608, #969008, #966908 and #964308

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #519808 shade: #509608, #2A9608, #08960D, #089633 and #089659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #519808 shade matches the following richer shades: #509608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #519808 shade: #509608, #508915, #507D21, #50702E and #4F633B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #519808 shade: #968F08, #779608, #519608, #2B9608 and #08960A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #519808 shade: #264804, #3B6F06, #509608, #65BD0A and #7AE50C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #519808 shade: #519808, #089669 and #96088A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #519808 shade: #519808, #085196 and #960851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #519808 shade: #519808, #089669, #4D0896 and #960835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #519808 shade: #519808, #089694, #4D0896 and #96080A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 95 / 40

HEX #519808

RGB 81 152 8

HSL 89.58, 0.9%, 0.31%

LAB 56.31, -43.51, 57.46

 

Complementary color

CMYK 30 / 58 / 0 / 3

HEX #AE67F7

RGB 174 103 247

HSL 269.58, 0.9%, 0.69%

LAB 57.48, 55.13, -61.59

 

CMYK 43 / 0 / 98 / 40

HEX #569803

RGB 86 152 3

HSL 86.58, 0.96%, 0.3%

LAB 56.53, -41.92, 58.51

 

CMYK 39 / 0 / 87 / 33

HEX #67AA16

RGB 103 170 22

HSL 87.16, 0.77%, 0.38%

LAB 63.09, -42.94, 61.04

 

CMYK 36 / 0 / 78 / 26

HEX #78BC29

RGB 120 188 41

HSL 87.76, 0.64%, 0.45%

LAB 69.55, -43.66, 62.15

 

CMYK 33 / 0 / 71 / 19

HEX #89CE3C

RGB 137 206 60

HSL 88.36, 0.6%, 0.52%

LAB 75.94, -44.14, 62.27

 

CMYK 31 / 0 / 65 / 12

HEX #9AE04F

RGB 154 224 79

HSL 88.97, 0.7%, 0.59%

LAB 82.24, -44.46, 61.81

 

CMYK 47 / 0 / 95 / 40

HEX #519808

RGB 81 152 8

HSL 89.58, 0.9%, 0.31%

LAB 56.31, -43.51, 57.46

 

CMYK 52 / 0 / 100 / 47

HEX #408600

RGB 64 134 0

HSL 91.34, 1%, 0.26%

LAB 49.67, -42.07, 53.21

 

CMYK 59 / 0 / 100 / 55

HEX #2F7400

RGB 47 116 0

HSL 95.69, 1%, 0.23%

LAB 42.91, -40.23, 47.62

 

CMYK 69 / 0 / 100 / 62

HEX #1E6200

RGB 30 98 0

HSL 101.63, 1%, 0.19%

LAB 36.01, -38.04, 41.93

 

CMYK 84 / 0 / 100 / 69

HEX #0D5000

RGB 13 80 0

HSL 110.25, 1%, 0.16%

LAB 28.96, -35.18, 36.14

 

CMYK 47 / 0 / 95 / 41

HEX #509608

RGB 80 150 8

HSL 89.58, 0.9%, 0.31%

LAB 55.62, -43.03, 56.88

 

CMYK 21 / 0 / 95 / 41

HEX #769608

RGB 118 150 8

HSL 73.52, 0.9%, 0.31%

LAB 57.73, -28.46, 59.47

 

CMYK 0 / 4 / 95 / 41

HEX #969008

RGB 150 144 8

HSL 57.46, 0.9%, 0.31%

LAB 58.46, -11.21, 61.11

 

CMYK 0 / 30 / 95 / 41

HEX #966908

RGB 150 105 8

HSL 40.99, 0.9%, 0.31%

LAB 47.76, 10.56, 53.06

 

CMYK 0 / 55 / 95 / 41

HEX #964308

RGB 150 67 8

HSL 24.93, 0.9%, 0.31%

LAB 38.75, 31.95, 46.58

 

CMYK 47 / 0 / 95 / 41

HEX #509608

RGB 80 150 8

HSL 89.58, 0.9%, 0.31%

LAB 55.62, -43.03, 56.88

 

CMYK 72 / 0 / 95 / 41

HEX #2A9608

RGB 42 150 8

HSL 105.63, 0.9%, 0.31%

LAB 54.37, -53.14, 55.33

 

CMYK 95 / 0 / 91 / 41

HEX #08960D

RGB 8 150 13

HSL 122.11, 0.9%, 0.31%

LAB 53.91, -57.11, 53.93

 

CMYK 95 / 0 / 66 / 41

HEX #089633

RGB 8 150 51

HSL 138.17, 0.9%, 0.31%

LAB 54.14, -54.27, 41.63

 

CMYK 95 / 0 / 41 / 41

HEX #089659

RGB 8 150 89

HSL 154.23, 0.9%, 0.31%

LAB 54.64, -48.14, 22.97

 

CMYK 47 / 0 / 95 / 41

HEX #509608

RGB 80 150 8

HSL 89.58, 0.9%, 0.31%

LAB 55.62, -43.03, 56.88

 

CMYK 47 / 0 / 95 / 41

HEX #509608

RGB 80 150 8

HSL 89.58, 0.9%, 0.31%

LAB 55.62, -43.03, 56.88

 

CMYK 42 / 0 / 85 / 46

HEX #508915

RGB 80 137 21

HSL 89.48, 0.73%, 0.31%

LAB 51.44, -37.17, 50.63

 

CMYK 36 / 0 / 74 / 51

HEX #507D21

RGB 80 125 33

HSL 89.35, 0.58%, 0.31%

LAB 47.6, -31.1, 42.92

 

CMYK 29 / 0 / 59 / 56

HEX #50702E

RGB 80 112 46

HSL 89.09, 0.42%, 0.31%

LAB 43.49, -23.62, 32.5

 

CMYK 20 / 0 / 40 / 61

HEX #4F633B

RGB 79 99 59

HSL 90, 0.25%, 0.31%

LAB 39.41, -15.47, 20.31

 

CMYK 0 / 5 / 95 / 41

HEX #968F08

RGB 150 143 8

HSL 57.04, 0.9%, 0.31%

LAB 58.18, -10.68, 60.89

 

CMYK 21 / 0 / 95 / 41

HEX #779608

RGB 119 150 8

HSL 73.1, 0.9%, 0.31%

LAB 57.8, -28.04, 59.55

 

CMYK 46 / 0 / 95 / 41

HEX #519608

RGB 81 150 8

HSL 89.15, 0.9%, 0.31%

LAB 55.66, -42.7, 56.93

 

CMYK 71 / 0 / 95 / 41

HEX #2B9608

RGB 43 150 8

HSL 105.21, 0.9%, 0.31%

LAB 54.39, -52.95, 55.36

 

CMYK 95 / 0 / 93 / 41

HEX #08960A

RGB 8 150 10

HSL 120.85, 0.9%, 0.31%

LAB 53.91, -57.21, 54.44

 

CMYK 47 / 0 / 94 / 72

HEX #264804

RGB 38 72 4

HSL 90, 0.89%, 0.15%

LAB 26.89, -24.47, 33.13

 

CMYK 47 / 0 / 95 / 56

HEX #3B6F06

RGB 59 111 6

HSL 89.71, 0.9%, 0.23%

LAB 41.71, -34.08, 45.42

 

CMYK 47 / 0 / 95 / 41

HEX #509608

RGB 80 150 8

HSL 89.58, 0.9%, 0.31%

LAB 55.62, -43.03, 56.88

 

CMYK 47 / 0 / 95 / 26

HEX #65BD0A

RGB 101 189 10

HSL 89.5, 0.9%, 0.39%

LAB 68.88, -51.53, 67.77

 

CMYK 47 / 0 / 95 / 10

HEX #7AE50C

RGB 122 229 12

HSL 89.59, 0.9%, 0.47%

LAB 81.95, -60.05, 78.45

 

CMYK 47 / 0 / 95 / 40

HEX #519808

RGB 81 152 8

HSL 89.58, 0.9%, 0.31%

LAB 56.31, -43.51, 57.46

 

CMYK 95 / 0 / 30 / 41

HEX #089669

RGB 8 150 105

HSL 160.99, 0.9%, 0.31%

LAB 54.95, -44.59, 14.5

 

CMYK 0 / 95 / 8 / 41

HEX #96088A

RGB 150 8 138

HSL 305.07, 0.9%, 0.31%

LAB 34.99, 63.32, -34.19

 

CMYK 47 / 0 / 95 / 40

HEX #519808

RGB 81 152 8

HSL 89.58, 0.9%, 0.31%

LAB 56.31, -43.51, 57.46

 

CMYK 95 / 46 / 0 / 41

HEX #085196

RGB 8 81 150

HSL 209.15, 0.9%, 0.31%

LAB 34.27, 7.33, -43.43

 

CMYK 0 / 95 / 46 / 41

HEX #960851

RGB 150 8 81

HSL 329.15, 0.9%, 0.31%

LAB 32.37, 56.49, -1.87

 

CMYK 47 / 0 / 95 / 40

HEX #519808

RGB 81 152 8

HSL 89.58, 0.9%, 0.31%

LAB 56.31, -43.51, 57.46

 

CMYK 95 / 0 / 30 / 41

HEX #089669

RGB 8 150 105

HSL 160.99, 0.9%, 0.31%

LAB 54.95, -44.59, 14.5

 

CMYK 49 / 95 / 0 / 41

HEX #4D0896

RGB 77 8 150

HSL 269.15, 0.9%, 0.31%

LAB 23.52, 54.59, -60.78

 

CMYK 0 / 95 / 65 / 41

HEX #960835

RGB 150 8 53

HSL 340.99, 0.9%, 0.31%

LAB 31.61, 54.4, 15.6

 

CMYK 47 / 0 / 95 / 40

HEX #519808

RGB 81 152 8

HSL 89.58, 0.9%, 0.31%

LAB 56.31, -43.51, 57.46

 

CMYK 95 / 0 / 1 / 41

HEX #089694

RGB 8 150 148

HSL 179.15, 0.9%, 0.31%

LAB 56.09, -32.65, -8.38

 

CMYK 49 / 95 / 0 / 41

HEX #4D0896

RGB 77 8 150

HSL 269.15, 0.9%, 0.31%

LAB 23.52, 54.59, -60.78

 

CMYK 0 / 95 / 93 / 41

HEX #96080A

RGB 150 8 10

HSL 359.15, 0.9%, 0.31%

LAB 31.07, 52.88, 40.6

 

Description

Color code: HEX #519808 | qconv.com Color code: HEX #519808 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 152 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 152 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 95 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 95% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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