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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5191DF it is the complementary color #AE6E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5191DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5191DF shade: #5691DA, #67A3ED, #78B5FF, #89C7FF and #9AD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5191DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5191DF shade: #5191DF, #407FCC, #2F6DB9, #1E5BA6 and #0D4993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5191DF shade: #5392DF, #536CDF, #5F53DF, #8553DF and #AB53DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5191DF shade: #5392DF, #536CDF and #5353DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5191DF shade matches the following richer shades: #5392DF and #4290F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5191DF shade: #5392DF, #6394CF, #7495BE, #8497AE and #95999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5191DF shade: #53DFDF, #53BADF, #5394DF, #536FDF and #5C53DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5191DF shade: #2368BD, #307CD9, #5392DF, #75A8E6 and #98BEEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5191DF shade: #5191DF, #BA53DF and #CDDF53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5191DF shade: #5191DF, #DF5394 and #94DF53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5191DF shade: #5191DF, #BA53DF, #DF9E53 and #78DF53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5191DF shade: #5191DF, #DF53DB, #DF9E53 and #53DF57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 35 / 0 / 13

HEX #5191DF

RGB 81 145 223

HSL 212.96, 0.69%, 0.6%

LAB 59.28, 3.56, -45.79

 

Complementary color

CMYK 0 / 37 / 82 / 32

HEX #AE6E20

RGB 174 110 32

HSL 32.96, 0.69%, 0.4%

LAB 52.12, 19.25, 50.7

 

CMYK 61 / 33 / 0 / 15

HEX #5691DA

RGB 86 145 218

HSL 213.18, 0.64%, 0.6%

LAB 59.24, 2.8, -43.04

 

CMYK 57 / 31 / 0 / 7

HEX #67A3ED

RGB 103 163 237

HSL 213.13, 0.79%, 0.67%

LAB 65.9, 1.85, -43.04

 

CMYK 53 / 29 / 0 / 0

HEX #78B5FF

RGB 120 181 255

HSL 212.89, 1%, 0.74%

LAB 72.4, 0.76, -42.58

 

CMYK 46 / 22 / 0 / 0

HEX #89C7FF

RGB 137 199 255

HSL 208.47, 1%, 0.77%

LAB 78.1, -5.27, -33.67

 

CMYK 40 / 15 / 0 / 0

HEX #9AD9FF

RGB 154 217 255

HSL 202.57, 1%, 0.8%

LAB 83.82, -10.61, -24.83

 

CMYK 64 / 35 / 0 / 13

HEX #5191DF

RGB 81 145 223

HSL 212.96, 0.69%, 0.6%

LAB 59.28, 3.56, -45.79

 

CMYK 69 / 38 / 0 / 20

HEX #407FCC

RGB 64 127 204

HSL 213, 0.58%, 0.53%

LAB 52.54, 4.92, -45.82

 

CMYK 75 / 41 / 0 / 27

HEX #2F6DB9

RGB 47 109 185

HSL 213.04, 0.59%, 0.45%

LAB 45.69, 6.64, -45.84

 

CMYK 82 / 45 / 0 / 35

HEX #1E5BA6

RGB 30 91 166

HSL 213.09, 0.69%, 0.38%

LAB 38.74, 8.86, -45.82

 

CMYK 91 / 50 / 0 / 42

HEX #0D4993

RGB 13 73 147

HSL 213.13, 0.84%, 0.31%

LAB 31.71, 11.78, -45.73

 

CMYK 63 / 35 / 0 / 13

HEX #5392DF

RGB 83 146 223

HSL 213, 0.69%, 0.6%

LAB 59.64, 3.32, -45.22

 

CMYK 63 / 52 / 0 / 13

HEX #536CDF

RGB 83 108 223

HSL 229.29, 0.69%, 0.6%

LAB 49.36, 26.41, -61.62

 

CMYK 57 / 63 / 0 / 13

HEX #5F53DF

RGB 95 83 223

HSL 245.14, 0.69%, 0.6%

LAB 44.16, 43.61, -70.03

 

CMYK 40 / 63 / 0 / 13

HEX #8553DF

RGB 133 83 223

HSL 261.43, 0.69%, 0.6%

LAB 47.62, 50.69, -64.24

 

CMYK 23 / 63 / 0 / 13

HEX #AB53DF

RGB 171 83 223

HSL 277.71, 0.69%, 0.6%

LAB 52.03, 58.92, -56.91

 

CMYK 63 / 35 / 0 / 13

HEX #5392DF

RGB 83 146 223

HSL 213, 0.69%, 0.6%

LAB 59.64, 3.32, -45.22

 

CMYK 63 / 52 / 0 / 13

HEX #536CDF

RGB 83 108 223

HSL 229.29, 0.69%, 0.6%

LAB 49.36, 26.41, -61.62

 

CMYK 63 / 63 / 0 / 13

HEX #5353DF

RGB 83 83 223

HSL 240, 0.69%, 0.6%

LAB 43.29, 41.73, -71.48

 

CMYK 63 / 35 / 0 / 13

HEX #5392DF

RGB 83 146 223

HSL 213, 0.69%, 0.6%

LAB 59.64, 3.32, -45.22

 

CMYK 73 / 40 / 0 / 6

HEX #4290F0

RGB 66 144 240

HSL 213.1, 0.85%, 0.6%

LAB 59.34, 7.75, -55.16

 

CMYK 63 / 35 / 0 / 13

HEX #5392DF

RGB 83 146 223

HSL 213, 0.69%, 0.6%

LAB 59.64, 3.32, -45.22

 

CMYK 52 / 29 / 0 / 19

HEX #6394CF

RGB 99 148 207

HSL 212.78, 0.53%, 0.6%

LAB 60.19, 0.26, -35.36

 

CMYK 39 / 22 / 0 / 25

HEX #7495BE

RGB 116 149 190

HSL 213.24, 0.36%, 0.6%

LAB 60.72, -1, -24.92

 

CMYK 24 / 13 / 0 / 32

HEX #8497AE

RGB 132 151 174

HSL 212.86, 0.21%, 0.6%

LAB 61.74, -1.5, -14.24

 

CMYK 5 / 3 / 0 / 38

HEX #95999D

RGB 149 153 157

HSL 210, 0.04%, 0.6%

LAB 63.02, -0.64, -2.6

 

CMYK 63 / 0 / 0 / 13

HEX #53DFDF

RGB 83 223 223

HSL 180, 0.69%, 0.6%

LAB 81.81, -36.93, -11.16

 

CMYK 63 / 17 / 0 / 13

HEX #53BADF

RGB 83 186 223

HSL 195.86, 0.69%, 0.6%

LAB 71.07, -18.81, -27.42

 

CMYK 63 / 34 / 0 / 13

HEX #5394DF

RGB 83 148 223

HSL 212.14, 0.69%, 0.6%

LAB 60.2, 2.16, -44.33

 

CMYK 63 / 50 / 0 / 13

HEX #536FDF

RGB 83 111 223

HSL 228, 0.69%, 0.6%

LAB 50.14, 24.54, -60.37

 

CMYK 59 / 63 / 0 / 13

HEX #5C53DF

RGB 92 83 223

HSL 243.86, 0.69%, 0.6%

LAB 43.93, 43.12, -70.41

 

CMYK 81 / 45 / 0 / 26

HEX #2368BD

RGB 35 104 189

HSL 213.12, 0.69%, 0.44%

LAB 44.14, 9.97, -50.67

 

CMYK 78 / 43 / 0 / 15

HEX #307CD9

RGB 48 124 217

HSL 213.02, 0.69%, 0.52%

LAB 51.9, 9.37, -54.23

 

CMYK 63 / 35 / 0 / 13

HEX #5392DF

RGB 83 146 223

HSL 213, 0.69%, 0.6%

LAB 59.64, 3.32, -45.22

 

CMYK 49 / 27 / 0 / 10

HEX #75A8E6

RGB 117 168 230

HSL 212.92, 0.69%, 0.68%

LAB 67.65, -0.07, -36.41

 

CMYK 36 / 19 / 0 / 7

HEX #98BEEC

RGB 152 190 236

HSL 212.86, 0.69%, 0.76%

LAB 75.8, -1.69, -26.94

 

CMYK 64 / 35 / 0 / 13

HEX #5191DF

RGB 81 145 223

HSL 212.96, 0.69%, 0.6%

LAB 59.28, 3.56, -45.79

 

CMYK 17 / 63 / 0 / 13

HEX #BA53DF

RGB 186 83 223

HSL 284.14, 0.69%, 0.6%

LAB 53.98, 62.34, -53.69

 

CMYK 8 / 0 / 63 / 13

HEX #CDDF53

RGB 205 223 83

HSL 67.71, 0.69%, 0.6%

LAB 85.19, -24.29, 64.3

 

CMYK 64 / 35 / 0 / 13

HEX #5191DF

RGB 81 145 223

HSL 212.96, 0.69%, 0.6%

LAB 59.28, 3.56, -45.79

 

CMYK 0 / 63 / 34 / 13

HEX #DF5394

RGB 223 83 148

HSL 332.14, 0.69%, 0.6%

LAB 56.1, 60.35, -6.7

 

CMYK 34 / 0 / 63 / 13

HEX #94DF53

RGB 148 223 83

HSL 92.14, 0.69%, 0.6%

LAB 81.67, -45.8, 59.48

 

CMYK 64 / 35 / 0 / 13

HEX #5191DF

RGB 81 145 223

HSL 212.96, 0.69%, 0.6%

LAB 59.28, 3.56, -45.79

 

CMYK 17 / 63 / 0 / 13

HEX #BA53DF

RGB 186 83 223

HSL 284.14, 0.69%, 0.6%

LAB 53.98, 62.34, -53.69

 

CMYK 0 / 29 / 63 / 13

HEX #DF9E53

RGB 223 158 83

HSL 32.14, 0.69%, 0.6%

LAB 70.01, 16.69, 48.02

 

CMYK 46 / 0 / 63 / 13

HEX #78DF53

RGB 120 223 83

HSL 104.14, 0.69%, 0.6%

LAB 80.4, -54.78, 57.72

 

CMYK 64 / 35 / 0 / 13

HEX #5191DF

RGB 81 145 223

HSL 212.96, 0.69%, 0.6%

LAB 59.28, 3.56, -45.79

 

CMYK 0 / 63 / 2 / 13

HEX #DF53DB

RGB 223 83 219

HSL 301.71, 0.69%, 0.6%

LAB 58.96, 70.32, -43.19

 

CMYK 0 / 29 / 63 / 13

HEX #DF9E53

RGB 223 158 83

HSL 32.14, 0.69%, 0.6%

LAB 70.01, 16.69, 48.02

 

CMYK 63 / 0 / 61 / 13

HEX #53DF57

RGB 83 223 87

HSL 121.71, 0.69%, 0.6%

LAB 79.22, -63.76, 54.35

 

Description

Color code: HEX #5191DF | qconv.com Color code: HEX #5191DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 145 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 145 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 35 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 35% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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