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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5189CF it is the complementary color #AE7630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5189CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5189CF shade: #5689CA, #679BDD, #78ADF0, #89BFFF and #9AD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5189CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5189CF shade: #5189CF, #4077BC, #2F65A9, #1E5396 and #0D4183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5189CF shade: #4F88CF, #4F65CF, #5B4FCF, #7D4FCF and #A04FCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5189CF shade: #4F88CF, #4F65CF and #4F4FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5189CF shade matches the following richer shades: #4F88CF, #3D86E1 and #2B84F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5189CF shade: #4F88CF, #618ABD, #738CAA, #858E98 and #979086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5189CF shade: #4FCDCF, #4FABCF, #4F88CF, #4F66CF and #5A4FCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5189CF shade: #2C5F9F, #3572C0, #4F88CF, #6F9ED8 and #90B4E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5189CF shade: #5189CF, #AF4FCF and #BCCF4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5189CF shade: #5189CF, #CF4F88 and #88CF4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5189CF shade: #5189CF, #AF4FCF, #CF954F and #6FCF4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5189CF shade: #5189CF, #CF4FC8, #CF954F and #4FCF55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 34 / 0 / 19

HEX #5189CF

RGB 81 137 207

HSL 213.33, 0.57%, 0.56%

LAB 56.23, 2.92, -41.63

 

Complementary color

CMYK 0 / 32 / 72 / 32

HEX #AE7630

RGB 174 118 48

HSL 33.33, 0.57%, 0.44%

LAB 54.21, 15.46, 45.85

 

CMYK 57 / 32 / 0 / 21

HEX #5689CA

RGB 86 137 202

HSL 213.62, 0.52%, 0.56%

LAB 56.22, 2.27, -38.81

 

CMYK 53 / 30 / 0 / 13

HEX #679BDD

RGB 103 155 221

HSL 213.56, 0.63%, 0.64%

LAB 62.97, 1.44, -38.81

 

CMYK 50 / 28 / 0 / 6

HEX #78ADF0

RGB 120 173 240

HSL 213.5, 0.8%, 0.71%

LAB 69.59, 0.76, -38.84

 

CMYK 46 / 25 / 0 / 0

HEX #89BFFF

RGB 137 191 255

HSL 212.54, 1%, 0.77%

LAB 75.95, -0.94, -37

 

CMYK 40 / 18 / 0 / 0

HEX #9AD1FF

RGB 154 209 255

HSL 207.33, 1%, 0.8%

LAB 81.67, -6.42, -28.11

 

CMYK 61 / 34 / 0 / 19

HEX #5189CF

RGB 81 137 207

HSL 213.33, 0.57%, 0.56%

LAB 56.23, 2.92, -41.63

 

CMYK 66 / 37 / 0 / 26

HEX #4077BC

RGB 64 119 188

HSL 213.39, 0.49%, 0.49%

LAB 49.39, 4.14, -41.66

 

CMYK 72 / 40 / 0 / 34

HEX #2F65A9

RGB 47 101 169

HSL 213.44, 0.56%, 0.42%

LAB 42.42, 5.7, -41.69

 

CMYK 80 / 45 / 0 / 41

HEX #1E5396

RGB 30 83 150

HSL 213.5, 0.67%, 0.35%

LAB 35.33, 7.77, -41.71

 

CMYK 90 / 50 / 0 / 49

HEX #0D4183

RGB 13 65 131

HSL 213.56, 0.82%, 0.28%

LAB 28.13, 10.56, -41.65

 

CMYK 62 / 34 / 0 / 19

HEX #4F88CF

RGB 79 136 207

HSL 213.28, 0.57%, 0.56%

LAB 55.86, 3.14, -42.22

 

CMYK 62 / 51 / 0 / 19

HEX #4F65CF

RGB 79 101 207

HSL 229.69, 0.57%, 0.56%

LAB 46.28, 24.64, -57.51

 

CMYK 56 / 62 / 0 / 19

HEX #5B4FCF

RGB 91 79 207

HSL 245.63, 0.57%, 0.56%

LAB 41.72, 40.3, -64.85

 

CMYK 40 / 62 / 0 / 19

HEX #7D4FCF

RGB 125 79 207

HSL 261.56, 0.57%, 0.56%

LAB 44.88, 46.96, -59.58

 

CMYK 23 / 62 / 0 / 19

HEX #A04FCF

RGB 160 79 207

HSL 277.97, 0.57%, 0.56%

LAB 48.97, 54.83, -52.78

 

CMYK 62 / 34 / 0 / 19

HEX #4F88CF

RGB 79 136 207

HSL 213.28, 0.57%, 0.56%

LAB 55.86, 3.14, -42.22

 

CMYK 62 / 51 / 0 / 19

HEX #4F65CF

RGB 79 101 207

HSL 229.69, 0.57%, 0.56%

LAB 46.28, 24.64, -57.51

 

CMYK 62 / 62 / 0 / 19

HEX #4F4FCF

RGB 79 79 207

HSL 240, 0.57%, 0.56%

LAB 40.83, 38.31, -66.34

 

CMYK 62 / 34 / 0 / 19

HEX #4F88CF

RGB 79 136 207

HSL 213.28, 0.57%, 0.56%

LAB 55.86, 3.14, -42.22

 

CMYK 73 / 40 / 0 / 12

HEX #3D86E1

RGB 61 134 225

HSL 213.29, 0.73%, 0.56%

LAB 55.56, 7.75, -52.85

 

CMYK 82 / 46 / 0 / 5

HEX #2B84F3

RGB 43 132 243

HSL 213.3, 0.89%, 0.56%

LAB 55.57, 13.67, -62.89

 

CMYK 62 / 34 / 0 / 19

HEX #4F88CF

RGB 79 136 207

HSL 213.28, 0.57%, 0.56%

LAB 55.86, 3.14, -42.22

 

CMYK 49 / 27 / 0 / 26

HEX #618ABD

RGB 97 138 189

HSL 213.26, 0.41%, 0.56%

LAB 56.48, 0.09, -31

 

CMYK 32 / 18 / 0 / 33

HEX #738CAA

RGB 115 140 170

HSL 212.73, 0.24%, 0.56%

LAB 57.37, -1.52, -18.7

 

CMYK 13 / 7 / 0 / 40

HEX #858E98

RGB 133 142 152

HSL 211.58, 0.08%, 0.56%

LAB 58.6, -1.14, -6.42

 

CMYK 0 / 5 / 11 / 41

HEX #979086

RGB 151 144 134

HSL 35.29, 0.08%, 0.56%

LAB 60.11, 0.78, 6.23

 

CMYK 62 / 1 / 0 / 19

HEX #4FCDCF

RGB 79 205 207

HSL 180.94, 0.57%, 0.56%

LAB 75.96, -33.57, -11.33

 

CMYK 62 / 17 / 0 / 19

HEX #4FABCF

RGB 79 171 207

HSL 196.88, 0.57%, 0.56%

LAB 65.98, -16.55, -26.47

 

CMYK 62 / 34 / 0 / 19

HEX #4F88CF

RGB 79 136 207

HSL 213.28, 0.57%, 0.56%

LAB 55.86, 3.14, -42.22

 

CMYK 62 / 51 / 0 / 19

HEX #4F66CF

RGB 79 102 207

HSL 229.22, 0.57%, 0.56%

LAB 46.54, 24.01, -57.09

 

CMYK 57 / 62 / 0 / 19

HEX #5A4FCF

RGB 90 79 207

HSL 245.16, 0.57%, 0.56%

LAB 41.64, 40.12, -64.98

 

CMYK 72 / 40 / 0 / 38

HEX #2C5F9F

RGB 44 95 159

HSL 213.39, 0.57%, 0.4%

LAB 39.95, 5.32, -39.7

 

CMYK 72 / 41 / 0 / 25

HEX #3572C0

RGB 53 114 192

HSL 213.67, 0.57%, 0.48%

LAB 47.75, 6.93, -46.6

 

CMYK 62 / 34 / 0 / 19

HEX #4F88CF

RGB 79 136 207

HSL 213.28, 0.57%, 0.56%

LAB 55.86, 3.14, -42.22

 

CMYK 49 / 27 / 0 / 15

HEX #6F9ED8

RGB 111 158 216

HSL 213.14, 0.57%, 0.64%

LAB 63.99, 0.04, -34.41

 

CMYK 36 / 20 / 0 / 12

HEX #90B4E0

RGB 144 180 224

HSL 213, 0.56%, 0.72%

LAB 72.2, -1.52, -25.99

 

CMYK 61 / 34 / 0 / 19

HEX #5189CF

RGB 81 137 207

HSL 213.33, 0.57%, 0.56%

LAB 56.23, 2.92, -41.63

 

CMYK 15 / 62 / 0 / 19

HEX #AF4FCF

RGB 175 79 207

HSL 285, 0.57%, 0.56%

LAB 50.93, 58.38, -49.53

 

CMYK 9 / 0 / 62 / 19

HEX #BCCF4F

RGB 188 207 79

HSL 68.91, 0.57%, 0.56%

LAB 79.55, -23.7, 59.55

 

CMYK 61 / 34 / 0 / 19

HEX #5189CF

RGB 81 137 207

HSL 213.33, 0.57%, 0.56%

LAB 56.23, 2.92, -41.63

 

CMYK 0 / 62 / 34 / 19

HEX #CF4F88

RGB 207 79 136

HSL 333.28, 0.57%, 0.56%

LAB 52.55, 55.86, -5.15

 

CMYK 34 / 0 / 62 / 19

HEX #88CF4F

RGB 136 207 79

HSL 93.28, 0.57%, 0.56%

LAB 76.33, -43.46, 55.11

 

CMYK 61 / 34 / 0 / 19

HEX #5189CF

RGB 81 137 207

HSL 213.33, 0.57%, 0.56%

LAB 56.23, 2.92, -41.63

 

CMYK 15 / 62 / 0 / 19

HEX #AF4FCF

RGB 175 79 207

HSL 285, 0.57%, 0.56%

LAB 50.93, 58.38, -49.53

 

CMYK 0 / 28 / 62 / 19

HEX #CF954F

RGB 207 149 79

HSL 32.81, 0.57%, 0.56%

LAB 66, 14.54, 44.91

 

CMYK 46 / 0 / 62 / 19

HEX #6FCF4F

RGB 111 207 79

HSL 105, 0.57%, 0.56%

LAB 75.18, -51.54, 53.52

 

CMYK 61 / 34 / 0 / 19

HEX #5189CF

RGB 81 137 207

HSL 213.33, 0.57%, 0.56%

LAB 56.23, 2.92, -41.63

 

CMYK 0 / 62 / 3 / 19

HEX #CF4FC8

RGB 207 79 200

HSL 303.28, 0.57%, 0.56%

LAB 55.1, 64.93, -38.63

 

CMYK 0 / 28 / 62 / 19

HEX #CF954F

RGB 207 149 79

HSL 32.81, 0.57%, 0.56%

LAB 66, 14.54, 44.91

 

CMYK 62 / 0 / 59 / 19

HEX #4FCF55

RGB 79 207 85

HSL 122.81, 0.57%, 0.56%

LAB 74.15, -59.19, 49.41

 

Description

Color code: HEX #5189CF | qconv.com Color code: HEX #5189CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 137 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 137 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 34 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 34% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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