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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #518438 it is the complementary color #AE7BC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #518438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #518438 shade: #568433, #679646, #78A859, #89BA6C and #9ACC7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #518438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #518438 shade: #518438, #407225, #2F6012, #1E4E00 and #0D3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #518438 shade: #518439, #668439, #7A8439, #847A39 and #846539

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #518438 shade: #518439, #3D8439, #398448, #39845D and #398471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #518438 shade matches the following richer shades: #518439, #4C9329, #47A31A and #42B20B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #518438 shade: #518439, #577548, #5C6657, #615666 and #664776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #518438 shade: #7A8439, #668439, #528439, #3E8439 and #398448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #518438 shade: #2E4A20, #40672C, #518439, #63A145 and #77B758

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #518438 shade: #518438, #39847A and #843970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #518438 shade: #518438, #395284 and #843952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #518438 shade: #518438, #39847A, #6B3984 and #843943

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #518438 shade: #518438, #397884, #6B3984 and #844539

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 58 / 48

HEX #518438

RGB 81 132 56

HSL 100.26, 0.4%, 0.37%

LAB 50.14, -31.79, 35.2

 

Complementary color

CMYK 13 / 38 / 0 / 22

HEX #AE7BC7

RGB 174 123 199

HSL 280.26, 0.4%, 0.63%

LAB 59.24, 33.55, -31.9

 

CMYK 35 / 0 / 61 / 48

HEX #568433

RGB 86 132 51

HSL 94.07, 0.44%, 0.36%

LAB 50.36, -30.5, 37.98

 

CMYK 31 / 0 / 53 / 41

HEX #679646

RGB 103 150 70

HSL 95.25, 0.36%, 0.43%

LAB 57.21, -30.54, 36.84

 

CMYK 29 / 0 / 47 / 34

HEX #78A859

RGB 120 168 89

HSL 96.46, 0.31%, 0.5%

LAB 63.93, -30.49, 35.62

 

CMYK 26 / 0 / 42 / 27

HEX #89BA6C

RGB 137 186 108

HSL 97.69, 0.36%, 0.58%

LAB 70.54, -30.39, 34.41

 

CMYK 25 / 0 / 38 / 20

HEX #9ACC7F

RGB 154 204 127

HSL 98.96, 0.43%, 0.65%

LAB 77.03, -30.26, 33.23

 

CMYK 39 / 0 / 58 / 48

HEX #518438

RGB 81 132 56

HSL 100.26, 0.4%, 0.37%

LAB 50.14, -31.79, 35.2

 

CMYK 44 / 0 / 68 / 55

HEX #407225

RGB 64 114 37

HSL 98.96, 0.51%, 0.3%

LAB 43.15, -31.66, 36.26

 

CMYK 51 / 0 / 81 / 62

HEX #2F6012

RGB 47 96 18

HSL 97.69, 0.68%, 0.22%

LAB 36.01, -31.21, 36.69

 

CMYK 62 / 0 / 100 / 69

HEX #1E4E00

RGB 30 78 0

HSL 96.92, 1%, 0.15%

LAB 28.71, -30.25, 36.15

 

CMYK 78 / 0 / 100 / 76

HEX #0D3C00

RGB 13 60 0

HSL 107, 1%, 0.12%

LAB 21.27, -27.83, 28.86

 

CMYK 39 / 0 / 57 / 48

HEX #518439

RGB 81 132 57

HSL 100.8, 0.4%, 0.37%

LAB 50.15, -31.67, 34.71

 

CMYK 23 / 0 / 57 / 48

HEX #668439

RGB 102 132 57

HSL 84, 0.4%, 0.37%

LAB 51.41, -23.58, 36.5

 

CMYK 8 / 0 / 57 / 48

HEX #7A8439

RGB 122 132 57

HSL 68, 0.4%, 0.37%

LAB 52.88, -15.09, 38.58

 

CMYK 0 / 8 / 57 / 48

HEX #847A39

RGB 132 122 57

HSL 52, 0.4%, 0.37%

LAB 50.83, -5.16, 36.44

 

CMYK 0 / 23 / 57 / 48

HEX #846539

RGB 132 101 57

HSL 35.2, 0.4%, 0.37%

LAB 44.95, 6.92, 29.47

 

CMYK 39 / 0 / 57 / 48

HEX #518439

RGB 81 132 57

HSL 100.8, 0.4%, 0.37%

LAB 50.15, -31.67, 34.71

 

CMYK 54 / 0 / 57 / 48

HEX #3D8439

RGB 61 132 57

HSL 116.8, 0.4%, 0.37%

LAB 49.24, -38.18, 33.41

 

CMYK 57 / 0 / 45 / 48

HEX #398448

RGB 57 132 72

HSL 132, 0.4%, 0.37%

LAB 49.3, -37.01, 25.5

 

CMYK 57 / 0 / 30 / 48

HEX #39845D

RGB 57 132 93

HSL 148.8, 0.4%, 0.37%

LAB 49.69, -32.92, 14.19

 

CMYK 57 / 0 / 14 / 48

HEX #398471

RGB 57 132 113

HSL 164.8, 0.4%, 0.37%

LAB 50.17, -28.15, 3.27

 

CMYK 39 / 0 / 57 / 48

HEX #518439

RGB 81 132 57

HSL 100.8, 0.4%, 0.37%

LAB 50.15, -31.67, 34.71

 

CMYK 48 / 0 / 72 / 42

HEX #4C9329

RGB 76 147 41

HSL 100.19, 0.56%, 0.37%

LAB 54.62, -41.51, 46.83

 

CMYK 56 / 0 / 84 / 36

HEX #47A31A

RGB 71 163 26

HSL 100.29, 0.72%, 0.37%

LAB 59.53, -50.18, 56.44

 

CMYK 63 / 0 / 94 / 30

HEX #42B20B

RGB 66 178 11

HSL 100.24, 0.88%, 0.37%

LAB 64.18, -57.27, 63.29

 

CMYK 39 / 0 / 57 / 48

HEX #518439

RGB 81 132 57

HSL 100.8, 0.4%, 0.37%

LAB 50.15, -31.67, 34.71

 

CMYK 26 / 0 / 38 / 54

HEX #577548

RGB 87 117 72

HSL 100, 0.24%, 0.37%

LAB 45.93, -19.91, 21.42

 

CMYK 10 / 0 / 15 / 60

HEX #5C6657

RGB 92 102 87

HSL 100, 0.08%, 0.37%

LAB 41.95, -6.96, 7.19

 

CMYK 5 / 16 / 0 / 60

HEX #615666

RGB 97 86 102

HSL 281.25, 0.09%, 0.37%

LAB 38.12, 7.81, -7.56

 

CMYK 14 / 40 / 0 / 54

HEX #664776

RGB 102 71 118

HSL 279.57, 0.25%, 0.37%

LAB 35.28, 22.65, -21.81

 

CMYK 8 / 0 / 57 / 48

HEX #7A8439

RGB 122 132 57

HSL 68, 0.4%, 0.37%

LAB 52.88, -15.09, 38.58

 

CMYK 23 / 0 / 57 / 48

HEX #668439

RGB 102 132 57

HSL 84, 0.4%, 0.37%

LAB 51.41, -23.58, 36.5

 

CMYK 38 / 0 / 57 / 48

HEX #528439

RGB 82 132 57

HSL 100, 0.4%, 0.37%

LAB 50.21, -31.31, 34.79

 

CMYK 53 / 0 / 57 / 48

HEX #3E8439

RGB 62 132 57

HSL 116, 0.4%, 0.37%

LAB 49.28, -37.89, 33.47

 

CMYK 57 / 0 / 45 / 48

HEX #398448

RGB 57 132 72

HSL 132, 0.4%, 0.37%

LAB 49.3, -37.01, 25.5

 

CMYK 38 / 0 / 57 / 71

HEX #2E4A20

RGB 46 74 32

HSL 100, 0.4%, 0.21%

LAB 28.33, -19.59, 21.62

 

CMYK 38 / 0 / 57 / 60

HEX #40672C

RGB 64 103 44

HSL 99.66, 0.4%, 0.29%

LAB 39.53, -25.68, 28.66

 

CMYK 39 / 0 / 57 / 48

HEX #518439

RGB 81 132 57

HSL 100.8, 0.4%, 0.37%

LAB 50.15, -31.67, 34.71

 

CMYK 39 / 0 / 57 / 37

HEX #63A145

RGB 99 161 69

HSL 100.43, 0.4%, 0.45%

LAB 60.4, -37.15, 41.06

 

CMYK 35 / 0 / 52 / 28

HEX #77B758

RGB 119 183 88

HSL 100.42, 0.4%, 0.53%

LAB 68.38, -37.89, 41.56

 

CMYK 39 / 0 / 58 / 48

HEX #518438

RGB 81 132 56

HSL 100.26, 0.4%, 0.37%

LAB 50.14, -31.79, 35.2

 

CMYK 57 / 0 / 8 / 48

HEX #39847A

RGB 57 132 122

HSL 172, 0.4%, 0.37%

LAB 50.43, -25.75, -1.62

 

CMYK 0 / 57 / 15 / 48

HEX #843970

RGB 132 57 112

HSL 316, 0.4%, 0.37%

LAB 35.99, 39.37, -16.64

 

CMYK 39 / 0 / 58 / 48

HEX #518438

RGB 81 132 56

HSL 100.26, 0.4%, 0.37%

LAB 50.14, -31.79, 35.2

 

CMYK 57 / 38 / 0 / 48

HEX #395284

RGB 57 82 132

HSL 220, 0.4%, 0.37%

LAB 35.14, 6.34, -30.96

 

CMYK 0 / 57 / 38 / 48

HEX #843952

RGB 132 57 82

HSL 340, 0.4%, 0.37%

LAB 34.88, 34.95, 0.76

 

CMYK 39 / 0 / 58 / 48

HEX #518438

RGB 81 132 56

HSL 100.26, 0.4%, 0.37%

LAB 50.14, -31.79, 35.2

 

CMYK 57 / 0 / 8 / 48

HEX #39847A

RGB 57 132 122

HSL 172, 0.4%, 0.37%

LAB 50.43, -25.75, -1.62

 

CMYK 19 / 57 / 0 / 48

HEX #6B3984

RGB 107 57 132

HSL 280, 0.4%, 0.37%

LAB 33.39, 35.78, -33.44

 

CMYK 0 / 57 / 49 / 48

HEX #843943

RGB 132 57 67

HSL 352, 0.4%, 0.37%

LAB 34.47, 33.23, 9.8

 

CMYK 39 / 0 / 58 / 48

HEX #518438

RGB 81 132 56

HSL 100.26, 0.4%, 0.37%

LAB 50.14, -31.79, 35.2

 

CMYK 57 / 9 / 0 / 48

HEX #397884

RGB 57 120 132

HSL 189.6, 0.4%, 0.37%

LAB 46.93, -16.53, -12.72

 

CMYK 19 / 57 / 0 / 48

HEX #6B3984

RGB 107 57 132

HSL 280, 0.4%, 0.37%

LAB 33.39, 35.78, -33.44

 

CMYK 0 / 48 / 57 / 48

HEX #844539

RGB 132 69 57

HSL 9.6, 0.4%, 0.37%

LAB 36.85, 25.67, 19.29

 

Description

Color code: HEX #518438 | qconv.com Color code: HEX #518438 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 132 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 132 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 58 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 58% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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