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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5181FACE it is the complementary color #AE7E05CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5181FACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5181FACE shade: #5681F5CE, #6793FFCE, #78A5FFCE, #89B7FFCE and #9AC9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5181FACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5181FACE shade: #5181FACE, #406FE7CE, #2F5DD4CE, #1E4BC1CE and #0D39AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5181FACE shade: #5282FA, #5254FA, #7D52FA, #AA52FA and #D752FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5181FACE shade: #5282FA, #5254FA and #5252FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5181FACE shade matches the following richer shades: #5282FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5181FACE shade: #5282FA, #6088EB, #6F8EDD, #7D94CE and #8C9AC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5181FACE shade: #52DEFA, #52B1FA, #5284FA, #5257FA and #7952FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5181FACE shade: #074AF2, #2A65F8, #5282FA, #7A9FFB and #A2BCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5181FACE shade: #5181FA, #E952FA and #C7FA52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5181FACE shade: #5181FA, #FA5284 and #84FA52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5181FACE shade: #5181FA, #E952FA, #FAC752 and #63FA52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5181FACE shade: #5181FA, #FA52D8, #FAC752 and #52FA73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 39 / 0 / 2

HEX #5181FACE

RGBA 81 129 250 0.81

HSLA 222.96, 0.94%, 0.65%, 0.81

LABA 56.44, 22.42, -65.3, 0.81

 

Complementary color

CMYK 0 / 22 / 79 / 26

HEX #AE7E05CE

RGBA 174 126 5 0.81

HSLA 42.96, 0.94%, 0.35%, 0.81

LABA 56.02, 9.69, 60.89, 0.81

 

CMYK 53 / 38 / 0 / 3

HEX #5681F5CE

RGBA 86 129 245 0.81

HSLA 223.77, 0.89%, 0.65%, 0.81

LABA 56.36, 21.47, -62.65, 0.81

 

CMYK 48 / 34 / 0 / 0

HEX #6793FFCE

RGBA 103 147 255 0.81

HSLA 222.63, 1%, 0.7%, 0.81

LABA 62.48, 16.92, -58.3, 0.81

 

CMYK 43 / 29 / 0 / 0

HEX #78A5FFCE

RGBA 120 165 255 0.81

HSLA 220, 1%, 0.74%, 0.81

LABA 68.11, 9.79, -49.32, 0.81

 

CMYK 37 / 23 / 0 / 0

HEX #89B7FFCE

RGBA 137 183 255 0.81

HSLA 216.61, 1%, 0.77%, 0.81

LABA 73.81, 3.46, -40.33, 0.81

 

CMYK 32 / 17 / 0 / 0

HEX #9AC9FFCE

RGBA 154 201 255 0.81

HSLA 212.08, 1%, 0.8%, 0.81

LABA 79.54, -2.17, -31.38, 0.81

 

CMYK 55 / 39 / 0 / 2

HEX #5181FACE

RGBA 81 129 250 0.81

HSLA 222.96, 0.94%, 0.65%, 0.81

LABA 56.44, 22.42, -65.3, 0.81

 

CMYK 59 / 42 / 0 / 8

HEX #406FE7CE

RGBA 64 111 231 0.81

HSLA 223.11, 0.78%, 0.58%, 0.81

LABA 49.77, 24.53, -65.51, 0.81

 

CMYK 63 / 45 / 0 / 14

HEX #2F5DD4CE

RGBA 47 93 212 0.81

HSLA 223.27, 0.66%, 0.51%, 0.81

LABA 43.04, 27.05, -65.68, 0.81

 

CMYK 68 / 50 / 0 / 20

HEX #1E4BC1CE

RGBA 30 75 193 0.81

HSLA 223.44, 0.73%, 0.44%, 0.81

LABA 36.29, 30.09, -65.73, 0.81

 

CMYK 75 / 54 / 0 / 26

HEX #0D39AECE

RGBA 13 57 174 0.81

HSLA 223.6, 0.86%, 0.37%, 0.81

LABA 29.58, 33.67, -65.51, 0.81

 

CMYK 67 / 48 / 0 / 2

HEX #5282FA

RGB 82 130 250

HSL 222.86, 0.94%, 0.65%

LAB 56.74, 21.96, -64.81

 

CMYK 67 / 66 / 0 / 2

HEX #5254FA

RGB 82 84 250

HSL 239.29, 0.94%, 0.65%

LAB 45.68, 49.73, -82.78

 

CMYK 50 / 67 / 0 / 2

HEX #7D52FA

RGB 125 82 250

HSL 255.36, 0.94%, 0.65%

LAB 48.63, 56.97, -77.83

 

CMYK 32 / 67 / 0 / 2

HEX #AA52FA

RGB 170 82 250

HSL 271.43, 0.94%, 0.65%

LAB 53.47, 65.13, -69.74

 

CMYK 14 / 67 / 0 / 2

HEX #D752FA

RGB 215 82 250

HSL 287.5, 0.94%, 0.65%

LAB 59.33, 74.3, -60.01

 

CMYK 67 / 48 / 0 / 2

HEX #5282FA

RGB 82 130 250

HSL 222.86, 0.94%, 0.65%

LAB 56.74, 21.96, -64.81

 

CMYK 67 / 66 / 0 / 2

HEX #5254FA

RGB 82 84 250

HSL 239.29, 0.94%, 0.65%

LAB 45.68, 49.73, -82.78

 

CMYK 67 / 67 / 0 / 2

HEX #5252FA

RGB 82 82 250

HSL 240, 0.94%, 0.65%

LAB 45.26, 50.87, -83.47

 

CMYK 67 / 48 / 0 / 2

HEX #5282FA

RGB 82 130 250

HSL 222.86, 0.94%, 0.65%

LAB 56.74, 21.96, -64.81

 

CMYK 67 / 48 / 0 / 2

HEX #5282FA

RGB 82 130 250

HSL 222.86, 0.94%, 0.65%

LAB 56.74, 21.96, -64.81

 

CMYK 59 / 42 / 0 / 8

HEX #6088EB

RGB 96 136 235

HSL 222.73, 0.78%, 0.65%

LAB 58.13, 15.64, -54.25

 

CMYK 50 / 36 / 0 / 13

HEX #6F8EDD

RGB 111 142 221

HSL 223.09, 0.62%, 0.65%

LAB 59.84, 10.79, -43.69

 

CMYK 39 / 28 / 0 / 19

HEX #7D94CE

RGB 125 148 206

HSL 222.96, 0.45%, 0.65%

LAB 61.65, 6.44, -32.42

 

CMYK 27 / 20 / 0 / 25

HEX #8C9AC0

RGB 140 154 192

HSL 223.85, 0.29%, 0.65%

LAB 63.75, 3.68, -21.26

 

CMYK 67 / 11 / 0 / 2

HEX #52DEFA

RGB 82 222 250

HSL 190, 0.94%, 0.65%

LAB 82.35, -28.92, -24.67

 

CMYK 67 / 29 / 0 / 2

HEX #52B1FA

RGB 82 177 250

HSL 206.07, 0.94%, 0.65%

LAB 69.57, -5.54, -44.42

 

CMYK 67 / 47 / 0 / 2

HEX #5284FA

RGB 82 132 250

HSL 222.14, 0.94%, 0.65%

LAB 57.27, 20.74, -63.96

 

CMYK 67 / 65 / 0 / 2

HEX #5257FA

RGB 82 87 250

HSL 238.21, 0.94%, 0.65%

LAB 46.33, 48, -81.73

 

CMYK 52 / 67 / 0 / 2

HEX #7952FA

RGB 121 82 250

HSL 253.93, 0.94%, 0.65%

LAB 48.26, 56.32, -78.44

 

CMYK 97 / 69 / 0 / 5

HEX #074AF2

RGB 7 74 242

HSL 222.89, 0.94%, 0.49%

LAB 40.17, 47.99, -87.47

 

CMYK 83 / 59 / 0 / 3

HEX #2A65F8

RGB 42 101 248

HSL 222.82, 0.94%, 0.57%

LAB 47.72, 34.87, -78.4

 

CMYK 67 / 48 / 0 / 2

HEX #5282FA

RGB 82 130 250

HSL 222.86, 0.94%, 0.65%

LAB 56.74, 21.96, -64.81

 

CMYK 51 / 37 / 0 / 2

HEX #7A9FFB

RGB 122 159 251

HSL 222.79, 0.94%, 0.73%

LAB 66.44, 12.46, -49.77

 

CMYK 36 / 25 / 0 / 1

HEX #A2BCFC

RGB 162 188 252

HSL 222.67, 0.94%, 0.81%

LAB 76.48, 6.21, -34.45

 

CMYK 68 / 48 / 0 / 2

HEX #5181FA

RGB 81 129 250

HSL 222.96, 0.94%, 0.65%

LAB 56.44, 22.42, -65.3

 

CMYK 7 / 67 / 0 / 2

HEX #E952FA

RGB 233 82 250

HSL 293.93, 0.94%, 0.65%

LAB 61.88, 78.12, -55.79

 

CMYK 20 / 0 / 67 / 2

HEX #C7FA52

RGB 199 250 82

HSL 78.21, 0.94%, 0.65%

LAB 92.19, -39.17, 71.87

 

CMYK 68 / 48 / 0 / 2

HEX #5181FA

RGB 81 129 250

HSL 222.96, 0.94%, 0.65%

LAB 56.44, 22.42, -65.3

 

CMYK 0 / 67 / 47 / 2

HEX #FA5284

RGB 250 82 132

HSL 342.14, 0.94%, 0.65%

LAB 59.91, 67.08, 8.77

 

CMYK 47 / 0 / 67 / 2

HEX #84FA52

RGB 132 250 82

HSL 102.14, 0.94%, 0.65%

LAB 88.87, -61.68, 67.38

 

CMYK 68 / 48 / 0 / 2

HEX #5181FA

RGB 81 129 250

HSL 222.96, 0.94%, 0.65%

LAB 56.44, 22.42, -65.3

 

CMYK 7 / 67 / 0 / 2

HEX #E952FA

RGB 233 82 250

HSL 293.93, 0.94%, 0.65%

LAB 61.88, 78.12, -55.79

 

CMYK 0 / 20 / 67 / 2

HEX #FAC752

RGB 250 199 82

HSL 41.79, 0.94%, 0.65%

LAB 82.8, 6.31, 63.34

 

CMYK 60 / 0 / 67 / 2

HEX #63FA52

RGB 99 250 82

HSL 113.93, 0.94%, 0.65%

LAB 87.79, -70.04, 65.92

 

CMYK 68 / 48 / 0 / 2

HEX #5181FA

RGB 81 129 250

HSL 222.96, 0.94%, 0.65%

LAB 56.44, 22.42, -65.3

 

CMYK 0 / 67 / 14 / 2

HEX #FA52D8

RGB 250 82 216

HSL 312.14, 0.94%, 0.65%

LAB 62.77, 76.7, -35.24

 

CMYK 0 / 20 / 67 / 2

HEX #FAC752

RGB 250 199 82

HSL 41.79, 0.94%, 0.65%

LAB 82.8, 6.31, 63.34

 

CMYK 67 / 0 / 54 / 2

HEX #52FA73

RGB 82 250 115

HSL 131.79, 0.94%, 0.65%

LAB 87.68, -69.85, 51.8

 

Description

Color code: HEX #5181FACE | qconv.com Color code: HEX #5181FACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 129 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 129 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 39 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 39% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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