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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517DFECE it is the complementary color #AE8201CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517DFECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517DFECE shade: #567DF9CE, #678FFFCE, #78A1FFCE, #89B3FFCE and #9AC5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517DFECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517DFECE shade: #517DFECE, #406BEBCE, #2F59D8CE, #1E47C5CE and #0D35B2CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517DFECE shade: #527EFE, #5552FE, #8352FE, #B252FE and #E052FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517DFECE shade: #527EFE and #5252FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517DFECE shade matches the following richer shades: #527EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517DFECE shade: #527EFE, #6085F0, #6F8CE2, #7D93D4 and #8B9AC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517DFECE shade: #52DCFE, #52AEFE, #5280FE, #5252FE and #8052FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517DFECE shade: #0141FD, #295FFE, #527EFE, #7C9DFE and #A5BBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517DFECE shade: #517DFE, #F352FE and #C5FE52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517DFECE shade: #517DFE, #FE5280 and #80FE52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517DFECE shade: #517DFE, #F352FE, #FED052 and #5EFE52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517DFECE shade: #517DFE, #FE52D6, #FED052 and #52FE7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 41 / 0 / 0

HEX #517DFECE

RGBA 81 125 254 0.81

HSLA 224.74, 0.99%, 0.66%, 0.81

LABA 55.66, 26.25, -68.77, 0.81

 

Complementary color

CMYK 0 / 20 / 81 / 26

HEX #AE8201CE

RGBA 174 130 1 0.81

HSLA 44.74, 0.99%, 0.34%, 0.81

LABA 57.04, 7.41, 62.3, 0.81

 

CMYK 53 / 40 / 0 / 2

HEX #567DF9CE

RGBA 86 125 249 0.81

HSLA 225.64, 0.93%, 0.66%, 0.81

LABA 55.57, 25.27, -66.14, 0.81

 

CMYK 48 / 36 / 0 / 0

HEX #678FFFCE

RGBA 103 143 255 0.81

HSLA 224.21, 1%, 0.7%, 0.81

LABA 61.44, 19.29, -59.97, 0.81

 

CMYK 43 / 30 / 0 / 0

HEX #78A1FFCE

RGBA 120 161 255 0.81

HSLA 221.78, 1%, 0.74%, 0.81

LABA 67.05, 12.09, -50.99, 0.81

 

CMYK 37 / 24 / 0 / 0

HEX #89B3FFCE

RGBA 137 179 255 0.81

HSLA 218.64, 1%, 0.77%, 0.81

LABA 72.75, 5.69, -41.98, 0.81

 

CMYK 32 / 18 / 0 / 0

HEX #9AC5FFCE

RGBA 154 197 255 0.81

HSLA 214.46, 1%, 0.8%, 0.81

LABA 78.47, -0.01, -33.02, 0.81

 

CMYK 55 / 41 / 0 / 0

HEX #517DFECE

RGBA 81 125 254 0.81

HSLA 224.74, 0.99%, 0.66%, 0.81

LABA 55.66, 26.25, -68.77, 0.81

 

CMYK 59 / 44 / 0 / 6

HEX #406BEBCE

RGBA 64 107 235 0.81

HSLA 224.91, 0.81%, 0.59%, 0.81

LABA 49.01, 28.47, -68.99, 0.81

 

CMYK 63 / 48 / 0 / 12

HEX #2F59D8CE

RGBA 47 89 216 0.81

HSLA 225.09, 0.68%, 0.52%, 0.81

LABA 42.32, 31.11, -69.15, 0.81

 

CMYK 69 / 52 / 0 / 18

HEX #1E47C5CE

RGBA 30 71 197 0.81

HSLA 225.27, 0.74%, 0.45%, 0.81

LABA 35.62, 34.22, -69.15, 0.81

 

CMYK 75 / 57 / 0 / 24

HEX #0D35B2CE

RGBA 13 53 178 0.81

HSLA 225.45, 0.86%, 0.37%, 0.81

LABA 29.02, 37.78, -68.83, 0.81

 

CMYK 68 / 50 / 0 / 0

HEX #527EFE

RGB 82 126 254

HSL 224.65, 0.99%, 0.66%

LAB 55.96, 25.78, -68.28

 

CMYK 67 / 68 / 0 / 0

HEX #5552FE

RGB 85 82 254

HSL 241.05, 0.99%, 0.66%

LAB 45.8, 52.49, -84.82

 

CMYK 48 / 68 / 0 / 0

HEX #8352FE

RGB 131 82 254

HSL 257.09, 0.99%, 0.66%

LAB 49.52, 59.05, -78.59

 

CMYK 30 / 68 / 0 / 0

HEX #B252FE

RGB 178 82 254

HSL 273.49, 0.99%, 0.66%

LAB 54.72, 67.58, -69.9

 

CMYK 12 / 68 / 0 / 0

HEX #E052FE

RGB 224 82 254

HSL 289.53, 0.99%, 0.66%

LAB 60.81, 76.91, -59.77

 

CMYK 68 / 50 / 0 / 0

HEX #527EFE

RGB 82 126 254

HSL 224.65, 0.99%, 0.66%

LAB 55.96, 25.78, -68.28

 

CMYK 68 / 68 / 0 / 0

HEX #5252FE

RGB 82 82 254

HSL 240, 0.99%, 0.66%

LAB 45.61, 52.15, -85.13

 

CMYK 68 / 50 / 0 / 0

HEX #527EFE

RGB 82 126 254

HSL 224.65, 0.99%, 0.66%

LAB 55.96, 25.78, -68.28

 

CMYK 68 / 50 / 0 / 0

HEX #527EFE

RGB 82 126 254

HSL 224.65, 0.99%, 0.66%

LAB 55.96, 25.78, -68.28

 

CMYK 60 / 45 / 0 / 6

HEX #6085F0

RGB 96 133 240

HSL 224.58, 0.83%, 0.66%

LAB 57.61, 19.09, -57.85

 

CMYK 51 / 38 / 0 / 11

HEX #6F8CE2

RGB 111 140 226

HSL 224.87, 0.66%, 0.66%

LAB 59.55, 13.5, -46.94

 

CMYK 41 / 31 / 0 / 17

HEX #7D93D4

RGB 125 147 212

HSL 224.83, 0.5%, 0.66%

LAB 61.64, 8.69, -35.79

 

CMYK 30 / 22 / 0 / 22

HEX #8B9AC6

RGB 139 154 198

HSL 224.75, 0.34%, 0.66%

LAB 63.9, 4.87, -24.39

 

CMYK 68 / 13 / 0 / 0

HEX #52DCFE

RGB 82 220 254

HSL 191.86, 0.99%, 0.66%

LAB 81.91, -26.75, -27.45

 

CMYK 68 / 31 / 0 / 0

HEX #52AEFE

RGB 82 174 254

HSL 207.91, 0.99%, 0.66%

LAB 68.91, -2.55, -47.63

 

CMYK 68 / 50 / 0 / 0

HEX #5280FE

RGB 82 128 254

HSL 223.95, 0.99%, 0.66%

LAB 56.47, 24.56, -67.45

 

CMYK 68 / 68 / 0 / 0

HEX #5252FE

RGB 82 82 254

HSL 240, 0.99%, 0.66%

LAB 45.61, 52.15, -85.13

 

CMYK 50 / 68 / 0 / 0

HEX #8052FE

RGB 128 82 254

HSL 256.05, 0.99%, 0.66%

LAB 49.23, 58.55, -79.07

 

CMYK 100 / 74 / 0 / 1

HEX #0141FD

RGB 1 65 253

HSL 224.76, 0.99%, 0.5%

LAB 39.38, 56.87, -94.96

 

CMYK 84 / 63 / 0 / 0

HEX #295FFE

RGB 41 95 254

HSL 224.79, 0.99%, 0.58%

LAB 46.73, 40.74, -83.37

 

CMYK 68 / 50 / 0 / 0

HEX #527EFE

RGB 82 126 254

HSL 224.65, 0.99%, 0.66%

LAB 55.96, 25.78, -68.28

 

CMYK 51 / 38 / 0 / 0

HEX #7C9DFE

RGB 124 157 254

HSL 224.77, 0.98%, 0.74%

LAB 66.18, 14.96, -51.82

 

CMYK 35 / 27 / 0 / 0

HEX #A5BBFF

RGB 165 187 255

HSL 225.33, 1%, 0.82%

LAB 76.53, 8.34, -35.96

 

CMYK 68 / 51 / 0 / 0

HEX #517DFE

RGB 81 125 254

HSL 224.74, 0.99%, 0.66%

LAB 55.66, 26.25, -68.77

 

CMYK 4 / 68 / 0 / 0

HEX #F352FE

RGB 243 82 254

HSL 296.16, 0.99%, 0.66%

LAB 63.54, 80.91, -55.26

 

CMYK 22 / 0 / 68 / 0

HEX #C5FE52

RGB 197 254 82

HSL 79.88, 0.99%, 0.66%

LAB 93.17, -41.68, 72.84

 

CMYK 68 / 51 / 0 / 0

HEX #517DFE

RGB 81 125 254

HSL 224.74, 0.99%, 0.66%

LAB 55.66, 26.25, -68.77

 

CMYK 0 / 68 / 50 / 0

HEX #FE5280

RGB 254 82 128

HSL 343.95, 0.99%, 0.66%

LAB 60.48, 67.91, 12.01

 

CMYK 50 / 0 / 68 / 0

HEX #80FE52

RGB 128 254 82

HSL 103.95, 0.99%, 0.66%

LAB 89.9, -64.27, 68.42

 

CMYK 68 / 51 / 0 / 0

HEX #517DFE

RGB 81 125 254

HSL 224.74, 0.99%, 0.66%

LAB 55.66, 26.25, -68.77

 

CMYK 4 / 68 / 0 / 0

HEX #F352FE

RGB 243 82 254

HSL 296.16, 0.99%, 0.66%

LAB 63.54, 80.91, -55.26

 

CMYK 0 / 18 / 68 / 0

HEX #FED052

RGB 254 208 82

HSL 43.95, 0.99%, 0.66%

LAB 85.4, 3.34, 66.19

 

CMYK 63 / 0 / 68 / 0

HEX #5EFE52

RGB 94 254 82

HSL 115.81, 0.99%, 0.66%

LAB 88.86, -72.43, 67.01

 

CMYK 68 / 51 / 0 / 0

HEX #517DFE

RGB 81 125 254

HSL 224.74, 0.99%, 0.66%

LAB 55.66, 26.25, -68.77

 

CMYK 0 / 68 / 16 / 0

HEX #FE52D6

RGB 254 82 214

HSL 313.95, 0.99%, 0.66%

LAB 63.31, 77.38, -33.23

 

CMYK 0 / 18 / 68 / 0

HEX #FED052

RGB 254 208 82

HSL 43.95, 0.99%, 0.66%

LAB 85.4, 3.34, 66.19

 

CMYK 68 / 0 / 52 / 0

HEX #52FE7B

RGB 82 254 123

HSL 134.3, 0.99%, 0.66%

LAB 88.97, -70.14, 49.7

 

Description

Color code: HEX #517DFECE | qconv.com Color code: HEX #517DFECE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 125 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 125 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 41 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 41% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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