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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517519 it is the complementary color #AE8AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517519 shade: #567514, #678727, #78993A, #89AB4D and #9ABD60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517519 shade: #517519, #406306, #2F5100, #1E3F00 and #0D2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517519 shade: #517619, #6B7619, #766819, #764F19 and #763619

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517519 shade: #517619, #387619, #1F7619, #19762C and #197645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517519 shade matches the following richer shades: #517619, #54810D and #578D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517519 shade: #517619, #4F6A25, #4C5F30, #4A533C and #474847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517519 shade: #766819, #6B7619, #527619, #397619 and #217619

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517519 shade: #22320B, #3A5412, #517619, #699820 and #81BA27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517519 shade: #517519, #19764F and #741976

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517519 shade: #517519, #195276 and #761952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517519 shade: #517519, #19764F, #3D1976 and #761940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517519 shade: #517519, #19766B, #3D1976 and #761924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 79 / 54

HEX #517519

RGB 81 117 25

HSL 83.48, 0.65%, 0.28%

LAB 45, -27.44, 43.43

 

Complementary color

CMYK 24 / 40 / 0 / 10

HEX #AE8AE6

RGB 174 138 230

HSL 263.48, 0.65%, 0.72%

LAB 64.07, 32.13, -41.71

 

CMYK 26 / 0 / 83 / 54

HEX #567514

RGB 86 117 20

HSL 79.18, 0.71%, 0.27%

LAB 45.29, -25.61, 45.51

 

CMYK 24 / 0 / 71 / 47

HEX #678727

RGB 103 135 39

HSL 80, 0.55%, 0.34%

LAB 52.24, -26.21, 45.66

 

CMYK 22 / 0 / 62 / 40

HEX #78993A

RGB 120 153 58

HSL 80.84, 0.45%, 0.41%

LAB 59.05, -26.59, 45

 

CMYK 20 / 0 / 55 / 33

HEX #89AB4D

RGB 137 171 77

HSL 81.7, 0.38%, 0.49%

LAB 65.73, -26.81, 44

 

CMYK 19 / 0 / 49 / 26

HEX #9ABD60

RGB 154 189 96

HSL 82.58, 0.41%, 0.56%

LAB 72.3, -26.95, 42.87

 

CMYK 31 / 0 / 79 / 54

HEX #517519

RGB 81 117 25

HSL 83.48, 0.65%, 0.28%

LAB 45, -27.44, 43.43

 

CMYK 35 / 0 / 94 / 61

HEX #406306

RGB 64 99 6

HSL 82.58, 0.89%, 0.21%

LAB 37.89, -26.68, 42.35

 

CMYK 42 / 0 / 100 / 68

HEX #2F5100

RGB 47 81 0

HSL 85.19, 1%, 0.16%

LAB 30.61, -25.36, 37.99

 

CMYK 52 / 0 / 100 / 75

HEX #1E3F00

RGB 30 63 0

HSL 91.43, 1%, 0.12%

LAB 23.1, -23.66, 31

 

CMYK 71 / 0 / 100 / 82

HEX #0D2D00

RGB 13 45 0

HSL 102.67, 1%, 0.09%

LAB 15.29, -21.62, 21.77

 

CMYK 31 / 0 / 79 / 54

HEX #517619

RGB 81 118 25

HSL 83.87, 0.65%, 0.28%

LAB 45.33, -27.92, 43.74

 

CMYK 9 / 0 / 79 / 54

HEX #6B7619

RGB 107 118 25

HSL 67.1, 0.65%, 0.28%

LAB 47.17, -16.57, 46.14

 

CMYK 0 / 12 / 79 / 54

HEX #766819

RGB 118 104 25

HSL 50.97, 0.65%, 0.28%

LAB 43.98, -3.6, 43.52

 

CMYK 0 / 33 / 79 / 54

HEX #764F19

RGB 118 79 25

HSL 34.84, 0.65%, 0.28%

LAB 36.96, 11.22, 36.78

 

CMYK 0 / 54 / 79 / 54

HEX #763619

RGB 118 54 25

HSL 18.71, 0.65%, 0.28%

LAB 30.78, 25.95, 30.54

 

CMYK 31 / 0 / 79 / 54

HEX #517619

RGB 81 118 25

HSL 83.87, 0.65%, 0.28%

LAB 45.33, -27.92, 43.74

 

CMYK 53 / 0 / 79 / 54

HEX #387619

RGB 56 118 25

HSL 100, 0.65%, 0.28%

LAB 44.04, -37.11, 42.06

 

CMYK 74 / 0 / 79 / 54

HEX #1F7619

RGB 31 118 25

HSL 116.13, 0.65%, 0.28%

LAB 43.24, -43.59, 41

 

CMYK 79 / 0 / 63 / 54

HEX #19762C

RGB 25 118 44

HSL 132.26, 0.65%, 0.28%

LAB 43.28, -42.65, 32.69

 

CMYK 79 / 0 / 42 / 54

HEX #197645

RGB 25 118 69

HSL 148.39, 0.65%, 0.28%

LAB 43.64, -38.39, 19.65

 

CMYK 31 / 0 / 79 / 54

HEX #517619

RGB 81 118 25

HSL 83.87, 0.65%, 0.28%

LAB 45.33, -27.92, 43.74

 

CMYK 35 / 0 / 90 / 49

HEX #54810D

RGB 84 129 13

HSL 83.28, 0.82%, 0.28%

LAB 49.03, -32.42, 50.58

 

CMYK 38 / 0 / 99 / 45

HEX #578D02

RGB 87 141 2

HSL 83.31, 0.97%, 0.28%

LAB 53.04, -36.92, 55.95

 

CMYK 31 / 0 / 79 / 54

HEX #517619

RGB 81 118 25

HSL 83.87, 0.65%, 0.28%

LAB 45.33, -27.92, 43.74

 

CMYK 25 / 0 / 65 / 58

HEX #4F6A25

RGB 79 106 37

HSL 83.48, 0.48%, 0.28%

LAB 41.38, -21.89, 34.58

 

CMYK 20 / 0 / 49 / 63

HEX #4C5F30

RGB 76 95 48

HSL 84.26, 0.33%, 0.28%

LAB 37.72, -16.1, 24.45

 

CMYK 11 / 0 / 28 / 67

HEX #4A533C

RGB 74 83 60

HSL 83.48, 0.16%, 0.28%

LAB 33.92, -8.28, 12.32

 

CMYK 1 / 0 / 1 / 72

HEX #474847

RGB 71 72 71

HSL 120, 0.01%, 0.28%

LAB 30.47, -0.63, 0.45

 

CMYK 0 / 12 / 79 / 54

HEX #766819

RGB 118 104 25

HSL 50.97, 0.65%, 0.28%

LAB 43.98, -3.6, 43.52

 

CMYK 9 / 0 / 79 / 54

HEX #6B7619

RGB 107 118 25

HSL 67.1, 0.65%, 0.28%

LAB 47.17, -16.57, 46.14

 

CMYK 31 / 0 / 79 / 54

HEX #527619

RGB 82 118 25

HSL 83.23, 0.65%, 0.28%

LAB 45.39, -27.51, 43.82

 

CMYK 52 / 0 / 79 / 54

HEX #397619

RGB 57 118 25

HSL 99.35, 0.65%, 0.28%

LAB 44.08, -36.79, 42.12

 

CMYK 72 / 0 / 79 / 54

HEX #217619

RGB 33 118 25

HSL 114.84, 0.65%, 0.28%

LAB 43.29, -43.19, 41.06

 

CMYK 32 / 0 / 78 / 80

HEX #22320B

RGB 34 50 11

HSL 84.62, 0.64%, 0.12%

LAB 18.56, -14.23, 21.58

 

CMYK 31 / 0 / 79 / 67

HEX #3A5412

RGB 58 84 18

HSL 83.64, 0.65%, 0.2%

LAB 32.44, -21.16, 33.41

 

CMYK 31 / 0 / 79 / 54

HEX #517619

RGB 81 118 25

HSL 83.87, 0.65%, 0.28%

LAB 45.33, -27.92, 43.74

 

CMYK 31 / 0 / 79 / 40

HEX #699820

RGB 105 152 32

HSL 83.5, 0.65%, 0.36%

LAB 57.62, -33.89, 53.5

 

CMYK 31 / 0 / 79 / 27

HEX #81BA27

RGB 129 186 39

HSL 83.27, 0.65%, 0.44%

LAB 69.42, -39.6, 62.8

 

CMYK 31 / 0 / 79 / 54

HEX #517519

RGB 81 117 25

HSL 83.48, 0.65%, 0.28%

LAB 45, -27.44, 43.43

 

CMYK 79 / 0 / 33 / 54

HEX #19764F

RGB 25 118 79

HSL 154.84, 0.65%, 0.28%

LAB 43.84, -36.19, 14.13

 

CMYK 2 / 79 / 0 / 54

HEX #741976

RGB 116 25 118

HSL 298.71, 0.65%, 0.28%

LAB 28.69, 49.72, -32.05

 

CMYK 31 / 0 / 79 / 54

HEX #517519

RGB 81 117 25

HSL 83.48, 0.65%, 0.28%

LAB 45, -27.44, 43.43

 

CMYK 79 / 31 / 0 / 54

HEX #195276

RGB 25 82 118

HSL 203.23, 0.65%, 0.28%

LAB 33.03, -4.89, -25.73

 

CMYK 0 / 79 / 31 / 54

HEX #761952

RGB 118 25 82

HSL 323.23, 0.65%, 0.28%

LAB 27.17, 44.65, -10.99

 

CMYK 31 / 0 / 79 / 54

HEX #517519

RGB 81 117 25

HSL 83.48, 0.65%, 0.28%

LAB 45, -27.44, 43.43

 

CMYK 79 / 0 / 33 / 54

HEX #19764F

RGB 25 118 79

HSL 154.84, 0.65%, 0.28%

LAB 43.84, -36.19, 14.13

 

CMYK 48 / 79 / 0 / 54

HEX #3D1976

RGB 61 25 118

HSL 263.23, 0.65%, 0.28%

LAB 20.03, 38.61, -46.47

 

CMYK 0 / 79 / 46 / 54

HEX #761940

RGB 118 25 64

HSL 334.84, 0.65%, 0.28%

LAB 26.5, 42.54, 0.07

 

CMYK 31 / 0 / 79 / 54

HEX #517519

RGB 81 117 25

HSL 83.48, 0.65%, 0.28%

LAB 45, -27.44, 43.43

 

CMYK 79 / 0 / 9 / 54

HEX #19766B

RGB 25 118 107

HSL 172.9, 0.65%, 0.28%

LAB 44.55, -28.7, -1.47

 

CMYK 48 / 79 / 0 / 54

HEX #3D1976

RGB 61 25 118

HSL 263.23, 0.65%, 0.28%

LAB 20.03, 38.61, -46.47

 

CMYK 0 / 79 / 69 / 54

HEX #761924

RGB 118 25 36

HSL 352.9, 0.65%, 0.28%

LAB 25.79, 40.26, 18.05

 

Description

Color code: HEX #517519 | qconv.com Color code: HEX #517519 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 117 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 117 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 79 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 79% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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