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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #516FD100 it is the complementary color #AE902E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #516FD100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #516FD100 shade: #566FCC00, #6781DF00, #7893F200, #89A5FF00 and #9AB7FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #516FD100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #516FD100 shade: #516FD100, #405DBE00, #2F4BAB00, #1E399800 and #0D278500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #516FD100 shade: #5270D1, #5652D1, #7952D1, #9B52D1 and #BD52D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #516FD100 shade: #5270D1 and #5252D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #516FD100 shade matches the following richer shades: #5270D1, #4066E3 and #2E5DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #516FD100 shade: #5270D1, #6379BF, #7582AD, #878C9C and #99958A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #516FD100 shade: #52B5D1, #5293D1, #5272D1, #5452D1 and #7652D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #516FD100 shade: #2C48A4, #3456C5, #5270D1, #728BDA and #93A6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #516FD100 shade: #516FD1, #CB52D1 and #A4D152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #516FD100 shade: #516FD1, #D15272 and #72D152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #516FD100 shade: #516FD1, #CB52D1, #D1B152 and #58D152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #516FD100 shade: #516FD1, #D152B1, #D1B152 and #52D172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #516FD100

RGBA 81 111 209 0

HSLA 225.94, 0.58%, 0.57%, 0

LABA 49.16, 19.43, -54.01, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AE902E00

RGBA 174 144 46 0

HSLA 45.94, 0.58%, 0.43%, 0

LABA 60.91, 0.89, 53.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #566FCC00

RGBA 86 111 204 0

HSLA 227.29, 0.54%, 0.57%, 0

LABA 49.14, 18.7, -51.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6781DF00

RGBA 103 129 223 0

HSLA 227, 0.65%, 0.64%, 0

LABA 56, 17.38, -50.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7893F200

RGBA 120 147 242 0

HSLA 226.72, 0.82%, 0.71%, 0

LABA 62.74, 16.27, -50.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #89A5FF00

RGBA 137 165 255 0

HSLA 225.76, 1%, 0.77%, 0

LABA 69.08, 13.6, -47.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9AB7FF00

RGBA 154 183 255 0

HSLA 222.77, 1%, 0.8%, 0

LABA 74.8, 7.66, -38.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #516FD100

RGBA 81 111 209 0

HSLA 225.94, 0.58%, 0.57%, 0

LABA 49.16, 19.43, -54.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #405DBE00

RGBA 64 93 190 0

HSLA 226.19, 0.5%, 0.5%, 0

LABA 42.21, 21.22, -54.29, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2F4BAB00

RGBA 47 75 171 0

HSLA 226.45, 0.57%, 0.43%, 0

LABA 35.16, 23.45, -54.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1E399800

RGBA 30 57 152 0

HSLA 226.72, 0.67%, 0.36%, 0

LABA 28.03, 26.24, -54.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0D278500

RGBA 13 39 133 0

HSLA 227, 0.82%, 0.29%, 0

LABA 20.94, 29.66, -54.62, 0

 

CMYK 61 / 46 / 0 / 18

HEX #5270D1

RGB 82 112 209

HSL 225.83, 0.58%, 0.57%

LAB 49.48, 18.99, -53.5

 

CMYK 59 / 61 / 0 / 18

HEX #5652D1

RGB 86 82 209

HSL 241.89, 0.58%, 0.57%

LAB 42.18, 38.28, -65.27

 

CMYK 42 / 61 / 0 / 18

HEX #7952D1

RGB 121 82 209

HSL 258.43, 0.58%, 0.57%

LAB 45.22, 45, -60.19

 

CMYK 26 / 61 / 0 / 18

HEX #9B52D1

RGB 155 82 209

HSL 274.49, 0.58%, 0.57%

LAB 49.02, 52.63, -53.89

 

CMYK 10 / 61 / 0 / 18

HEX #BD52D1

RGB 189 82 209

HSL 290.55, 0.58%, 0.57%

LAB 53.45, 60.79, -46.56

 

CMYK 61 / 46 / 0 / 18

HEX #5270D1

RGB 82 112 209

HSL 225.83, 0.58%, 0.57%

LAB 49.48, 18.99, -53.5

 

CMYK 61 / 61 / 0 / 18

HEX #5252D1

RGB 82 82 209

HSL 240, 0.58%, 0.57%

LAB 41.89, 37.62, -65.75

 

CMYK 61 / 46 / 0 / 18

HEX #5270D1

RGB 82 112 209

HSL 225.83, 0.58%, 0.57%

LAB 49.48, 18.99, -53.5

 

CMYK 72 / 55 / 0 / 11

HEX #4066E3

RGB 64 102 227

HSL 226.01, 0.74%, 0.57%

LAB 47.16, 28.75, -67.5

 

CMYK 81 / 62 / 0 / 4

HEX #2E5DF4

RGB 46 93 244

HSL 225.76, 0.9%, 0.57%

LAB 45.55, 38.72, -79.71

 

CMYK 61 / 46 / 0 / 18

HEX #5270D1

RGB 82 112 209

HSL 225.83, 0.58%, 0.57%

LAB 49.48, 18.99, -53.5

 

CMYK 48 / 37 / 0 / 25

HEX #6379BF

RGB 99 121 191

HSL 225.65, 0.42%, 0.57%

LAB 51.94, 11.28, -39.24

 

CMYK 32 / 25 / 0 / 32

HEX #7582AD

RGB 117 130 173

HSL 226.07, 0.25%, 0.57%

LAB 54.83, 5.66, -24.3

 

CMYK 13 / 10 / 0 / 39

HEX #878C9C

RGB 135 140 156

HSL 225.71, 0.1%, 0.57%

LAB 58.33, 1.56, -9.1

 

CMYK 0 / 3 / 10 / 40

HEX #99958A

RGB 153 149 138

HSL 44, 0.07%, 0.57%

LAB 61.74, -0.55, 6.32

 

CMYK 61 / 13 / 0 / 18

HEX #52B5D1

RGB 82 181 209

HSL 193.23, 0.58%, 0.57%

LAB 69.07, -20.63, -22.82

 

CMYK 61 / 30 / 0 / 18

HEX #5293D1

RGB 82 147 209

HSL 209.29, 0.58%, 0.57%

LAB 59.22, -2.07, -38.06

 

CMYK 61 / 45 / 0 / 18

HEX #5272D1

RGB 82 114 209

HSL 224.88, 0.58%, 0.57%

LAB 50.02, 17.75, -52.64

 

CMYK 60 / 61 / 0 / 18

HEX #5452D1

RGB 84 82 209

HSL 240.94, 0.58%, 0.57%

LAB 42.04, 37.94, -65.51

 

CMYK 44 / 61 / 0 / 18

HEX #7652D1

RGB 118 82 209

HSL 257.01, 0.58%, 0.57%

LAB 44.93, 44.37, -60.69

 

CMYK 73 / 56 / 0 / 36

HEX #2C48A4

RGB 44 72 164

HSL 226, 0.58%, 0.41%

LAB 33.67, 22.4, -52.8

 

CMYK 74 / 56 / 0 / 23

HEX #3456C5

RGB 52 86 197

HSL 225.93, 0.58%, 0.49%

LAB 40.27, 26.57, -61.53

 

CMYK 61 / 46 / 0 / 18

HEX #5270D1

RGB 82 112 209

HSL 225.83, 0.58%, 0.57%

LAB 49.48, 18.99, -53.5

 

CMYK 48 / 36 / 0 / 15

HEX #728BDA

RGB 114 139 218

HSL 225.58, 0.58%, 0.65%

LAB 59.07, 12.35, -43.22

 

CMYK 35 / 27 / 0 / 11

HEX #93A6E2

RGB 147 166 226

HSL 225.57, 0.58%, 0.73%

LAB 68.73, 7.6, -32.41

 

CMYK 61 / 47 / 0 / 18

HEX #516FD1

RGB 81 111 209

HSL 225.94, 0.58%, 0.57%

LAB 49.16, 19.43, -54.01

 

CMYK 3 / 61 / 0 / 18

HEX #CB52D1

RGB 203 82 209

HSL 297.17, 0.58%, 0.57%

LAB 55.42, 64.21, -43.32

 

CMYK 22 / 0 / 61 / 18

HEX #A4D152

RGB 164 209 82

HSL 81.26, 0.58%, 0.57%

LAB 78.52, -33.87, 56.69

 

CMYK 61 / 47 / 0 / 18

HEX #516FD1

RGB 81 111 209

HSL 225.94, 0.58%, 0.57%

LAB 49.16, 19.43, -54.01

 

CMYK 0 / 61 / 45 / 18

HEX #D15272

RGB 209 82 114

HSL 344.88, 0.58%, 0.57%

LAB 52.74, 52.82, 8.28

 

CMYK 45 / 0 / 61 / 18

HEX #72D152

RGB 114 209 82

HSL 104.88, 0.58%, 0.57%

LAB 75.94, -51.14, 53.1

 

CMYK 61 / 47 / 0 / 18

HEX #516FD1

RGB 81 111 209

HSL 225.94, 0.58%, 0.57%

LAB 49.16, 19.43, -54.01

 

CMYK 3 / 61 / 0 / 18

HEX #CB52D1

RGB 203 82 209

HSL 297.17, 0.58%, 0.57%

LAB 55.42, 64.21, -43.32

 

CMYK 0 / 15 / 61 / 18

HEX #D1B152

RGB 209 177 82

HSL 44.88, 0.58%, 0.57%

LAB 73.29, 0.56, 51.84

 

CMYK 58 / 0 / 61 / 18

HEX #58D152

RGB 88 209 82

HSL 117.17, 0.58%, 0.57%

LAB 75, -58.19, 51.79

 

CMYK 61 / 47 / 0 / 18

HEX #516FD1

RGB 81 111 209

HSL 225.94, 0.58%, 0.57%

LAB 49.16, 19.43, -54.01

 

CMYK 0 / 61 / 15 / 18

HEX #D152B1

RGB 209 82 177

HSL 315.12, 0.58%, 0.57%

LAB 54.83, 60.6, -25.77

 

CMYK 0 / 15 / 61 / 18

HEX #D1B152

RGB 209 177 82

HSL 44.88, 0.58%, 0.57%

LAB 73.29, 0.56, 51.84

 

CMYK 61 / 0 / 45 / 18

HEX #52D172

RGB 82 209 114

HSL 135.12, 0.58%, 0.57%

LAB 75.21, -55.31, 36.85

 

Description

Color code: HEX #516FD100 | qconv.com Color code: HEX #516FD100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 111 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 111 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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