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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #516432 it is the complementary color #AE9BCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #516432. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #516432 shade: #56642D, #677640, #788853, #899A66 and #9AAC79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #516432. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #516432 shade: #516432, #40521F, #2F400C, #1E2E00 and #0D1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #516432 shade: #506232, #5D6232, #625B32, #624D32 and #624032

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #516432 shade: #506232, #436232, #356232, #32623B and #326248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #516432 shade matches the following richer shades: #506232, #536E26, #567A1A, #58860E and #5B9202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #516432 shade: #506232, #4D563E, #4A4A49, #473E55 and #443261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #516432 shade: #625A32, #5D6232, #506232, #436232 and #366232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #516432 shade: #232B16, #3A4724, #506232, #667E3F and #7C994D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #516432 shade: #516432, #32624D and #613262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #516432 shade: #516432, #325062 and #623250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #516432 shade: #516432, #32624D, #433262 and #623247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #516432 shade: #516432, #32625C, #433262 and #623238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 50 / 61

HEX #516432

RGB 81 100 50

HSL 82.8, 0.33%, 0.29%

LAB 39.74, -16.43, 25.9

 

Complementary color

CMYK 15 / 24 / 0 / 20

HEX #AE9BCD

RGB 174 155 205

HSL 262.8, 0.33%, 0.71%

LAB 67.16, 16.84, -23.05

 

CMYK 14 / 0 / 55 / 61

HEX #56642D

RGB 86 100 45

HSL 75.27, 0.38%, 0.28%

LAB 40.05, -14.82, 29.1

 

CMYK 13 / 0 / 46 / 54

HEX #677640

RGB 103 118 64

HSL 76.67, 0.3%, 0.36%

LAB 47.25, -15.03, 27.82

 

CMYK 12 / 0 / 39 / 47

HEX #788853

RGB 120 136 83

HSL 78.11, 0.24%, 0.43%

LAB 54.27, -15.15, 26.56

 

CMYK 11 / 0 / 34 / 40

HEX #899A66

RGB 137 154 102

HSL 79.62, 0.2%, 0.5%

LAB 61.12, -15.22, 25.35

 

CMYK 10 / 0 / 30 / 33

HEX #9AAC79

RGB 154 172 121

HSL 81.18, 0.24%, 0.57%

LAB 67.84, -15.25, 24.22

 

CMYK 19 / 0 / 50 / 61

HEX #516432

RGB 81 100 50

HSL 82.8, 0.33%, 0.29%

LAB 39.74, -16.43, 25.9

 

CMYK 22 / 0 / 62 / 68

HEX #40521F

RGB 64 82 31

HSL 81.18, 0.45%, 0.22%

LAB 32.31, -16.27, 27.16

 

CMYK 27 / 0 / 81 / 75

HEX #2F400C

RGB 47 64 12

HSL 79.62, 0.68%, 0.15%

LAB 24.63, -15.87, 27.96

 

CMYK 35 / 0 / 100 / 82

HEX #1E2E00

RGB 30 46 0

HSL 80.87, 1%, 0.09%

LAB 16.65, -14.97, 23.69

 

CMYK 54 / 0 / 100 / 89

HEX #0D1C00

RGB 13 28 0

HSL 92.14, 1%, 0.05%

LAB 8.27, -11.84, 12.17

 

CMYK 18 / 0 / 49 / 62

HEX #506232

RGB 80 98 50

HSL 82.5, 0.32%, 0.29%

LAB 39.02, -15.76, 24.99

 

CMYK 5 / 0 / 49 / 62

HEX #5D6232

RGB 93 98 50

HSL 66.25, 0.32%, 0.29%

LAB 40.07, -9.98, 26.52

 

CMYK 0 / 7 / 49 / 62

HEX #625B32

RGB 98 91 50

HSL 51.25, 0.32%, 0.29%

LAB 38.39, -3.6, 24.56

 

CMYK 0 / 21 / 49 / 62

HEX #624D32

RGB 98 77 50

HSL 33.75, 0.32%, 0.29%

LAB 34.26, 4.88, 19.34

 

CMYK 0 / 35 / 49 / 62

HEX #624032

RGB 98 64 50

HSL 17.5, 0.32%, 0.29%

LAB 30.63, 12.97, 14.58

 

CMYK 18 / 0 / 49 / 62

HEX #506232

RGB 80 98 50

HSL 82.5, 0.32%, 0.29%

LAB 39.02, -15.76, 24.99

 

CMYK 32 / 0 / 49 / 62

HEX #436232

RGB 67 98 50

HSL 98.75, 0.32%, 0.29%

LAB 38.13, -21.17, 23.68

 

CMYK 46 / 0 / 49 / 62

HEX #356232

RGB 53 98 50

HSL 116.25, 0.32%, 0.29%

LAB 37.34, -26.37, 22.53

 

CMYK 49 / 0 / 40 / 62

HEX #32623B

RGB 50 98 59

HSL 131.25, 0.32%, 0.29%

LAB 37.35, -25.79, 17.28

 

CMYK 49 / 0 / 27 / 62

HEX #326248

RGB 50 98 72

HSL 147.5, 0.32%, 0.29%

LAB 37.63, -23.05, 9.84

 

CMYK 18 / 0 / 49 / 62

HEX #506232

RGB 80 98 50

HSL 82.5, 0.32%, 0.29%

LAB 39.02, -15.76, 24.99

 

CMYK 25 / 0 / 65 / 57

HEX #536E26

RGB 83 110 38

HSL 82.5, 0.49%, 0.29%

LAB 42.96, -22.15, 35.91

 

CMYK 30 / 0 / 79 / 52

HEX #567A1A

RGB 86 122 26

HSL 82.5, 0.65%, 0.29%

LAB 46.94, -27.74, 45.04

 

CMYK 34 / 0 / 90 / 47

HEX #58860E

RGB 88 134 14

HSL 83, 0.81%, 0.29%

LAB 50.87, -33.09, 52.02

 

CMYK 38 / 0 / 99 / 43

HEX #5B9202

RGB 91 146 2

HSL 82.92, 0.97%, 0.29%

LAB 54.85, -37.59, 57.46

 

CMYK 18 / 0 / 49 / 62

HEX #506232

RGB 80 98 50

HSL 82.5, 0.32%, 0.29%

LAB 39.02, -15.76, 24.99

 

CMYK 10 / 0 / 28 / 66

HEX #4D563E

RGB 77 86 62

HSL 82.5, 0.16%, 0.29%

LAB 35.17, -8.41, 12.83

 

CMYK 0 / 0 / 1 / 71

HEX #4A4A49

RGB 74 74 73

HSL 60, 0.01%, 0.29%

LAB 31.43, -0.22, 0.59

 

CMYK 16 / 27 / 0 / 67

HEX #473E55

RGB 71 62 85

HSL 263.48, 0.16%, 0.29%

LAB 27.96, 9.19, -12.39

 

CMYK 30 / 48 / 0 / 62

HEX #443261

RGB 68 50 97

HSL 262.98, 0.32%, 0.29%

LAB 24.87, 19.35, -25.04

 

CMYK 0 / 8 / 49 / 62

HEX #625A32

RGB 98 90 50

HSL 50, 0.32%, 0.29%

LAB 38.09, -3.01, 24.18

 

CMYK 5 / 0 / 49 / 62

HEX #5D6232

RGB 93 98 50

HSL 66.25, 0.32%, 0.29%

LAB 40.07, -9.98, 26.52

 

CMYK 18 / 0 / 49 / 62

HEX #506232

RGB 80 98 50

HSL 82.5, 0.32%, 0.29%

LAB 39.02, -15.76, 24.99

 

CMYK 32 / 0 / 49 / 62

HEX #436232

RGB 67 98 50

HSL 98.75, 0.32%, 0.29%

LAB 38.13, -21.17, 23.68

 

CMYK 45 / 0 / 49 / 62

HEX #366232

RGB 54 98 50

HSL 115, 0.32%, 0.29%

LAB 37.39, -26.03, 22.6

 

CMYK 19 / 0 / 49 / 83

HEX #232B16

RGB 35 43 22

HSL 82.86, 0.32%, 0.13%

LAB 16.22, -8.08, 12.54

 

CMYK 18 / 0 / 49 / 72

HEX #3A4724

RGB 58 71 36

HSL 82.29, 0.33%, 0.21%

LAB 28.2, -12.14, 19.3

 

CMYK 18 / 0 / 49 / 62

HEX #506232

RGB 80 98 50

HSL 82.5, 0.32%, 0.29%

LAB 39.02, -15.76, 24.99

 

CMYK 19 / 0 / 50 / 51

HEX #667E3F

RGB 102 126 63

HSL 82.86, 0.33%, 0.37%

LAB 49.62, -19.83, 31.28

 

CMYK 19 / 0 / 50 / 40

HEX #7C994D

RGB 124 153 77

HSL 82.89, 0.33%, 0.45%

LAB 59.53, -23.08, 36.4

 

CMYK 19 / 0 / 50 / 61

HEX #516432

RGB 81 100 50

HSL 82.8, 0.33%, 0.29%

LAB 39.74, -16.43, 25.9

 

CMYK 49 / 0 / 21 / 62

HEX #32624D

RGB 50 98 77

HSL 153.75, 0.32%, 0.29%

LAB 37.75, -21.88, 6.96

 

CMYK 1 / 49 / 0 / 62

HEX #613262

RGB 97 50 98

HSL 298.75, 0.32%, 0.29%

LAB 28.65, 29.13, -19.48

 

CMYK 19 / 0 / 50 / 61

HEX #516432

RGB 81 100 50

HSL 82.8, 0.33%, 0.29%

LAB 39.74, -16.43, 25.9

 

CMYK 49 / 18 / 0 / 62

HEX #325062

RGB 50 80 98

HSL 202.5, 0.32%, 0.29%

LAB 32.47, -5.65, -13.95

 

CMYK 0 / 49 / 18 / 62

HEX #623250

RGB 98 50 80

HSL 322.5, 0.32%, 0.29%

LAB 28, 26, -8.74

 

CMYK 19 / 0 / 50 / 61

HEX #516432

RGB 81 100 50

HSL 82.8, 0.33%, 0.29%

LAB 39.74, -16.43, 25.9

 

CMYK 49 / 0 / 21 / 62

HEX #32624D

RGB 50 98 77

HSL 153.75, 0.32%, 0.29%

LAB 37.75, -21.88, 6.96

 

CMYK 32 / 49 / 0 / 62

HEX #433262

RGB 67 50 98

HSL 261.25, 0.32%, 0.29%

LAB 24.82, 19.32, -25.78

 

CMYK 0 / 49 / 28 / 62

HEX #623247

RGB 98 50 71

HSL 333.75, 0.32%, 0.29%

LAB 27.66, 24.48, -3.3

 

CMYK 19 / 0 / 50 / 61

HEX #516432

RGB 81 100 50

HSL 82.8, 0.33%, 0.29%

LAB 39.74, -16.43, 25.9

 

CMYK 49 / 0 / 6 / 62

HEX #32625C

RGB 50 98 92

HSL 172.5, 0.32%, 0.29%

LAB 38.17, -17.96, -1.65

 

CMYK 32 / 49 / 0 / 62

HEX #433262

RGB 67 50 98

HSL 261.25, 0.32%, 0.29%

LAB 24.82, 19.32, -25.78

 

CMYK 0 / 49 / 43 / 62

HEX #623238

RGB 98 50 56

HSL 352.5, 0.32%, 0.29%

LAB 27.2, 22.31, 5.97

 

Description

Color code: HEX #516432 | qconv.com Color code: HEX #516432 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 100 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 100 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 50 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 50% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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