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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5161DF it is the complementary color #AE9E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5161DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5161DF shade: #5661DA, #6773ED, #7885FF, #8997FF and #9AA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5161DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5161DF shade: #5161DF, #404FCC, #2F3DB9, #1E2BA6 and #0D1993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5161DF shade: #5362DF, #6953DF, #8F53DF, #B553DF and #DB53DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5161DF shade: #5362DF and #5353DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5161DF shade matches the following richer shades: #5362DF and #4256F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5161DF shade: #5362DF, #636FCF, #747CBE, #8489AE and #95969D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5161DF shade: #53AEDF, #5389DF, #5363DF, #6853DF and #8D53DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5161DF shade: #2334BD, #3043D9, #5362DF, #7582E6 and #98A2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5161DF shade: #5161DF, #DF53D4 and #9BDF53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5161DF shade: #5161DF, #DF5363 and #63DF53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5161DF shade: #5161DF, #DF53D4, #DFCF53 and #53DF5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5161DF shade: #5161DF, #DF53A9, #DFCF53 and #53DF89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 57 / 0 / 13

HEX #5161DF

RGB 81 97 223

HSL 233.24, 0.69%, 0.6%

LAB 46.48, 32.9, -66.29

 

Complementary color

CMYK 0 / 9 / 82 / 32

HEX #AE9E20

RGB 174 158 32

HSL 53.24, 0.69%, 0.4%

LAB 64.61, -7.24, 61.77

 

CMYK 61 / 56 / 0 / 15

HEX #5661DA

RGB 86 97 218

HSL 235, 0.64%, 0.6%

LAB 46.43, 32.05, -63.52

 

CMYK 57 / 51 / 0 / 7

HEX #6773ED

RGB 103 115 237

HSL 234.63, 0.79%, 0.67%

LAB 53.23, 30.31, -63.19

 

CMYK 53 / 48 / 0 / 0

HEX #7885FF

RGB 120 133 255

HSL 234.22, 1%, 0.74%

LAB 59.88, 28.51, -62.41

 

CMYK 46 / 41 / 0 / 0

HEX #8997FF

RGB 137 151 255

HSL 232.88, 1%, 0.77%

LAB 65.49, 21.66, -53.4

 

CMYK 40 / 34 / 0 / 0

HEX #9AA9FF

RGB 154 169 255

HSL 231.09, 1%, 0.8%

LAB 71.19, 15.5, -44.34

 

CMYK 64 / 57 / 0 / 13

HEX #5161DF

RGB 81 97 223

HSL 233.24, 0.69%, 0.6%

LAB 46.48, 32.9, -66.29

 

CMYK 69 / 61 / 0 / 20

HEX #404FCC

RGB 64 79 204

HSL 233.57, 0.58%, 0.53%

LAB 39.65, 35.1, -66.57

 

CMYK 75 / 67 / 0 / 27

HEX #2F3DB9

RGB 47 61 185

HSL 233.91, 0.59%, 0.45%

LAB 32.8, 37.66, -66.72

 

CMYK 82 / 74 / 0 / 35

HEX #1E2BA6

RGB 30 43 166

HSL 234.26, 0.69%, 0.38%

LAB 26.03, 40.5, -66.54

 

CMYK 91 / 83 / 0 / 42

HEX #0D1993

RGB 13 25 147

HSL 234.63, 0.84%, 0.31%

LAB 19.59, 43.23, -65.61

 

CMYK 63 / 56 / 0 / 13

HEX #5362DF

RGB 83 98 223

HSL 233.57, 0.69%, 0.6%

LAB 46.85, 32.6, -65.69

 

CMYK 53 / 63 / 0 / 13

HEX #6953DF

RGB 105 83 223

HSL 249.43, 0.69%, 0.6%

LAB 44.97, 45.31, -68.68

 

CMYK 36 / 63 / 0 / 13

HEX #8F53DF

RGB 143 83 223

HSL 265.71, 0.69%, 0.6%

LAB 48.7, 52.77, -62.44

 

CMYK 19 / 63 / 0 / 13

HEX #B553DF

RGB 181 83 223

HSL 282, 0.69%, 0.6%

LAB 53.32, 61.19, -54.78

 

CMYK 2 / 63 / 0 / 13

HEX #DB53DF

RGB 219 83 223

HSL 298.29, 0.69%, 0.6%

LAB 58.58, 70.04, -46.09

 

CMYK 63 / 56 / 0 / 13

HEX #5362DF

RGB 83 98 223

HSL 233.57, 0.69%, 0.6%

LAB 46.85, 32.6, -65.69

 

CMYK 63 / 63 / 0 / 13

HEX #5353DF

RGB 83 83 223

HSL 240, 0.69%, 0.6%

LAB 43.29, 41.73, -71.48

 

CMYK 63 / 56 / 0 / 13

HEX #5362DF

RGB 83 98 223

HSL 233.57, 0.69%, 0.6%

LAB 46.85, 32.6, -65.69

 

CMYK 73 / 64 / 0 / 6

HEX #4256F0

RGB 66 86 240

HSL 233.1, 0.85%, 0.6%

LAB 44.38, 43.44, -79.35

 

CMYK 63 / 56 / 0 / 13

HEX #5362DF

RGB 83 98 223

HSL 233.57, 0.69%, 0.6%

LAB 46.85, 32.6, -65.69

 

CMYK 52 / 46 / 0 / 19

HEX #636FCF

RGB 99 111 207

HSL 233.33, 0.53%, 0.6%

LAB 50.13, 22.39, -51.26

 

CMYK 39 / 35 / 0 / 25

HEX #747CBE

RGB 116 124 190

HSL 233.51, 0.36%, 0.6%

LAB 53.86, 13.59, -35.56

 

CMYK 24 / 21 / 0 / 32

HEX #8489AE

RGB 132 137 174

HSL 232.86, 0.21%, 0.6%

LAB 57.9, 6.47, -20.07

 

CMYK 5 / 4 / 0 / 38

HEX #95969D

RGB 149 150 157

HSL 232.5, 0.04%, 0.6%

LAB 62.2, 1.03, -3.81

 

CMYK 63 / 22 / 0 / 13

HEX #53AEDF

RGB 83 174 223

HSL 201, 0.69%, 0.6%

LAB 67.6, -12.45, -32.76

 

CMYK 63 / 39 / 0 / 13

HEX #5389DF

RGB 83 137 223

HSL 216.86, 0.69%, 0.6%

LAB 57.13, 8.65, -49.19

 

CMYK 63 / 56 / 0 / 13

HEX #5363DF

RGB 83 99 223

HSL 233.14, 0.69%, 0.6%

LAB 47.09, 31.98, -65.29

 

CMYK 53 / 63 / 0 / 13

HEX #6853DF

RGB 104 83 223

HSL 249, 0.69%, 0.6%

LAB 44.88, 45.14, -68.82

 

CMYK 37 / 63 / 0 / 13

HEX #8D53DF

RGB 141 83 223

HSL 264.86, 0.69%, 0.6%

LAB 48.48, 52.35, -62.81

 

CMYK 81 / 72 / 0 / 26

HEX #2334BD

RGB 35 52 189

HSL 233.38, 0.69%, 0.44%

LAB 30.61, 43.54, -72.7

 

CMYK 78 / 69 / 0 / 15

HEX #3043D9

RGB 48 67 217

HSL 233.25, 0.69%, 0.52%

LAB 37.21, 45.28, -78.1

 

CMYK 63 / 56 / 0 / 13

HEX #5362DF

RGB 83 98 223

HSL 233.57, 0.69%, 0.6%

LAB 46.85, 32.6, -65.69

 

CMYK 49 / 43 / 0 / 10

HEX #7582E6

RGB 117 130 230

HSL 233.1, 0.69%, 0.68%

LAB 57.52, 22.02, -52.36

 

CMYK 36 / 31 / 0 / 7

HEX #98A2EC

RGB 152 162 236

HSL 232.86, 0.69%, 0.76%

LAB 68.44, 13.85, -38.31

 

CMYK 64 / 57 / 0 / 13

HEX #5161DF

RGB 81 97 223

HSL 233.24, 0.69%, 0.6%

LAB 46.48, 32.9, -66.29

 

CMYK 0 / 63 / 5 / 13

HEX #DF53D4

RGB 223 83 212

HSL 304.71, 0.69%, 0.6%

LAB 58.63, 69.2, -39.76

 

CMYK 30 / 0 / 63 / 13

HEX #9BDF53

RGB 155 223 83

HSL 89.14, 0.69%, 0.6%

LAB 82.04, -43.36, 59.98

 

CMYK 64 / 57 / 0 / 13

HEX #5161DF

RGB 81 97 223

HSL 233.24, 0.69%, 0.6%

LAB 46.48, 32.9, -66.29

 

CMYK 0 / 63 / 56 / 13

HEX #DF5363

RGB 223 83 99

HSL 353.14, 0.69%, 0.6%

LAB 54.84, 55.67, 20.44

 

CMYK 56 / 0 / 63 / 13

HEX #63DF53

RGB 99 223 83

HSL 113.14, 0.69%, 0.6%

LAB 79.64, -60.5, 56.67

 

CMYK 64 / 57 / 0 / 13

HEX #5161DF

RGB 81 97 223

HSL 233.24, 0.69%, 0.6%

LAB 46.48, 32.9, -66.29

 

CMYK 0 / 63 / 5 / 13

HEX #DF53D4

RGB 223 83 212

HSL 304.71, 0.69%, 0.6%

LAB 58.63, 69.2, -39.76

 

CMYK 0 / 7 / 63 / 13

HEX #DFCF53

RGB 223 207 83

HSL 53.14, 0.69%, 0.6%

LAB 82.35, -9.01, 61.69

 

CMYK 63 / 0 / 58 / 13

HEX #53DF5E

RGB 83 223 94

HSL 124.71, 0.69%, 0.6%

LAB 79.28, -62.96, 51.35

 

CMYK 64 / 57 / 0 / 13

HEX #5161DF

RGB 81 97 223

HSL 233.24, 0.69%, 0.6%

LAB 46.48, 32.9, -66.29

 

CMYK 0 / 63 / 24 / 13

HEX #DF53A9

RGB 223 83 169

HSL 323.14, 0.69%, 0.6%

LAB 56.82, 62.94, -17.89

 

CMYK 0 / 7 / 63 / 13

HEX #DFCF53

RGB 223 207 83

HSL 53.14, 0.69%, 0.6%

LAB 82.35, -9.01, 61.69

 

CMYK 63 / 0 / 39 / 13

HEX #53DF89

RGB 83 223 137

HSL 143.14, 0.69%, 0.6%

LAB 79.85, -56.59, 31.27

 

Description

Color code: HEX #5161DF | qconv.com Color code: HEX #5161DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 97 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 97 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 57 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 57% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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