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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #515F164C it is the complementary color #AEA0E94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #515F164C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #515F164C shade: #565F114C, #6771244C, #7883374C, #89954A4C and #9AA75D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #515F164C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #515F164C shade: #515F164C, #404D034C, #2F3B004C, #1E29004C and #0D17004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #515F164C shade: #515F16, #5F5916, #5F4616, #5F3216 and #5F1F16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #515F164C shade: #515F16, #3D5F16, #2A5F16, #165F16 and #165F2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #515F164C shade matches the following richer shades: #515F16, #57690D and #5D7203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #515F164C shade: #515F16, #4B5620, #454C29, #404333 and #3A393C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #515F164C shade: #5F4616, #5F5916, #525F16, #3E5F16 and #2B5F16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #515F164C shade: #181C07, #353E0E, #515F16, #6E801E and #8AA226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #515F164C shade: #515F16, #165F32 and #4F165F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #515F164C shade: #515F16, #16525F and #5F1652

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #515F164C shade: #515F16, #165F32, #24165F and #5F1643

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #515F164C shade: #515F16, #165F48, #24165F and #5F162D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 23 / 19

HEX #515F164C

RGBA 81 95 22 0.3

HSLA 71.51, 0.62%, 0.23%, 0.3

LABA 37.83, -16.32, 37.64, 0.3

 

Complementary color

CMYK 8 / 9 / 0 / 3

HEX #AEA0E94C

RGBA 174 160 233 0.3

HSLA 251.51, 0.62%, 0.77%, 0.3

LABA 69.49, 20.45, -34.91, 0.3

 

CMYK 3 / 0 / 25 / 19

HEX #565F114C

RGBA 86 95 17 0.3

HSLA 66.92, 0.7%, 0.22%, 0.3

LABA 38.2, -14.24, 40.02, 0.3

 

CMYK 3 / 0 / 20 / 17

HEX #6771244C

RGBA 103 113 36 0.3

HSLA 67.79, 0.52%, 0.29%, 0.3

LABA 45.39, -15.05, 39.88, 0.3

 

CMYK 3 / 0 / 17 / 15

HEX #7883374C

RGBA 120 131 55 0.3

HSLA 68.68, 0.41%, 0.36%, 0.3

LABA 52.4, -15.61, 38.97, 0.3

 

CMYK 2 / 0 / 15 / 12

HEX #89954A4C

RGBA 137 149 74 0.3

HSLA 69.6, 0.34%, 0.44%, 0.3

LABA 59.26, -16, 37.83, 0.3

 

CMYK 2 / 0 / 13 / 10

HEX #9AA75D4C

RGBA 154 167 93 0.3

HSLA 70.54, 0.3%, 0.51%, 0.3

LABA 65.98, -16.29, 36.62, 0.3

 

CMYK 4 / 0 / 23 / 19

HEX #515F164C

RGBA 81 95 22 0.3

HSLA 71.51, 0.62%, 0.23%, 0.3

LABA 37.83, -16.32, 37.64, 0.3

 

CMYK 5 / 0 / 29 / 21

HEX #404D034C

RGBA 64 77 3 0.3

HSLA 70.54, 0.93%, 0.16%, 0.3

LABA 30.41, -15.43, 37.18, 0.3

 

CMYK 6 / 0 / 30 / 23

HEX #2F3B004C

RGBA 47 59 0 0.3

HSLA 72.2, 1%, 0.12%, 0.3

LABA 22.77, -13.85, 31.01, 0.3

 

CMYK 8 / 0 / 30 / 25

HEX #1E29004C

RGBA 30 41 0 0.3

HSLA 76.1, 1%, 0.08%, 0.3

LABA 14.75, -12.08, 21.28, 0.3

 

CMYK 13 / 0 / 30 / 27

HEX #0D17004C

RGBA 13 23 0 0.3

HSLA 86.09, 1%, 0.05%, 0.3

LABA 6.31, -7.84, 9.3, 0.3

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 0 / 6 / 77 / 63

HEX #5F5916

RGB 95 89 22

HSL 55.07, 0.62%, 0.23%

LAB 37.18, -6.19, 37.43

 

CMYK 0 / 26 / 77 / 63

HEX #5F4616

RGB 95 70 22

HSL 39.45, 0.62%, 0.23%

LAB 31.51, 5.33, 31.8

 

CMYK 0 / 47 / 77 / 63

HEX #5F3216

RGB 95 50 22

HSL 23.01, 0.62%, 0.23%

LAB 26.08, 17.78, 26.1

 

CMYK 0 / 67 / 77 / 63

HEX #5F1F16

RGB 95 31 22

HSL 7.4, 0.62%, 0.23%

LAB 21.84, 28.57, 21.4

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 36 / 0 / 77 / 63

HEX #3D5F16

RGB 61 95 22

HSL 87.95, 0.62%, 0.23%

LAB 36.43, -25.14, 35.79

 

CMYK 56 / 0 / 77 / 63

HEX #2A5F16

RGB 42 95 22

HSL 103.56, 0.62%, 0.23%

LAB 35.47, -32.13, 34.5

 

CMYK 77 / 0 / 77 / 63

HEX #165F16

RGB 22 95 22

HSL 120, 0.62%, 0.23%

LAB 34.83, -37.3, 33.64

 

CMYK 77 / 0 / 56 / 63

HEX #165F2A

RGB 22 95 42

HSL 136.44, 0.62%, 0.23%

LAB 35.05, -34.69, 23.94

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 17 / 0 / 88 / 59

HEX #57690D

RGB 87 105 13

HSL 71.74, 0.78%, 0.23%

LAB 41.47, -19.34, 44.19

 

CMYK 18 / 0 / 97 / 55

HEX #5D7203

RGB 93 114 3

HSL 71.35, 0.95%, 0.23%

LAB 44.76, -21.6, 49.44

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 13 / 0 / 63 / 66

HEX #4B5620

RGB 75 86 32

HSL 72.22, 0.46%, 0.23%

LAB 34.51, -13.35, 29.36

 

CMYK 9 / 0 / 46 / 70

HEX #454C29

RGB 69 76 41

HSL 72, 0.3%, 0.23%

LAB 30.86, -9.33, 19.84

 

CMYK 4 / 0 / 24 / 74

HEX #404333

RGB 64 67 51

HSL 71.25, 0.14%, 0.23%

LAB 27.69, -4.55, 9.32

 

CMYK 3 / 5 / 0 / 76

HEX #3A393C

RGB 58 57 60

HSL 260, 0.03%, 0.23%

LAB 24.17, 1.12, -1.71

 

CMYK 0 / 26 / 77 / 63

HEX #5F4616

RGB 95 70 22

HSL 39.45, 0.62%, 0.23%

LAB 31.51, 5.33, 31.8

 

CMYK 0 / 6 / 77 / 63

HEX #5F5916

RGB 95 89 22

HSL 55.07, 0.62%, 0.23%

LAB 37.18, -6.19, 37.43

 

CMYK 14 / 0 / 77 / 63

HEX #525F16

RGB 82 95 22

HSL 70.68, 0.62%, 0.23%

LAB 37.91, -15.85, 37.74

 

CMYK 35 / 0 / 77 / 63

HEX #3E5F16

RGB 62 95 22

HSL 87.12, 0.62%, 0.23%

LAB 36.49, -24.73, 35.87

 

CMYK 55 / 0 / 77 / 63

HEX #2B5F16

RGB 43 95 22

HSL 102.74, 0.62%, 0.23%

LAB 35.51, -31.81, 34.56

 

CMYK 14 / 0 / 75 / 89

HEX #181C07

RGB 24 28 7

HSL 71.43, 0.6%, 0.07%

LAB 9.32, -6.16, 10.95

 

CMYK 15 / 0 / 77 / 76

HEX #353E0E

RGB 53 62 14

HSL 71.25, 0.63%, 0.15%

LAB 24.43, -11.65, 27

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 14 / 0 / 77 / 50

HEX #6E801E

RGB 110 128 30

HSL 71.02, 0.62%, 0.31%

LAB 50.51, -20.22, 47.59

 

CMYK 15 / 0 / 77 / 36

HEX #8AA226

RGB 138 162 38

HSL 71.61, 0.62%, 0.39%

LAB 62.83, -24.85, 57.19

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 77 / 0 / 47 / 63

HEX #165F32

RGB 22 95 50

HSL 143.01, 0.62%, 0.23%

LAB 35.17, -33.24, 19.54

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 77 / 14 / 0 / 63

HEX #16525F

RGB 22 82 95

HSL 190.68, 0.62%, 0.23%

LAB 31.88, -13.99, -13.07

 

CMYK 0 / 77 / 14 / 63

HEX #5F1652

RGB 95 22 82

HSL 310.68, 0.62%, 0.23%

LAB 22.36, 39.44, -18.79

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 77 / 0 / 47 / 63

HEX #165F32

RGB 22 95 50

HSL 143.01, 0.62%, 0.23%

LAB 35.17, -33.24, 19.54

 

CMYK 62 / 77 / 0 / 63

HEX #24165F

RGB 36 22 95

HSL 251.51, 0.62%, 0.23%

LAB 14.26, 28.98, -41

 

CMYK 0 / 77 / 29 / 63

HEX #5F1643

RGB 95 22 67

HSL 323.01, 0.62%, 0.23%

LAB 21.62, 37.13, -9.74

 

CMYK 15 / 0 / 77 / 63

HEX #515F16

RGB 81 95 22

HSL 71.51, 0.62%, 0.23%

LAB 37.83, -16.32, 37.64

 

CMYK 77 / 0 / 24 / 63

HEX #165F48

RGB 22 95 72

HSL 161.1, 0.62%, 0.23%

LAB 35.64, -28.11, 6.91

 

CMYK 62 / 77 / 0 / 63

HEX #24165F

RGB 36 22 95

HSL 251.51, 0.62%, 0.23%

LAB 14.26, 28.98, -41

 

CMYK 0 / 77 / 53 / 63

HEX #5F162D

RGB 95 22 45

HSL 341.1, 0.62%, 0.23%

LAB 20.81, 34.48, 4.36

 

Description

Color code: HEX #515F164C | qconv.com Color code: HEX #515F164C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 95 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 95 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 23 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 23% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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