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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514D2A it is the complementary color #AEB2D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514D2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #514D2A shade: #564D25, #675F38, #78714B, #89835E and #9A9571

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514D2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #514D2A shade: #514D2A, #403B17, #2F2904, #1E1700 and #0D0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #514D2A shade: #514D2A, #51422A, #51382A, #512D2A and #512A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #514D2A shade: #514D2A, #4A512A, #40512A, #35512A and #2B512A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #514D2A shade matches the following richer shades: #514D2A, #5B5520, #655D16, #6E640C and #786C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #514D2A shade: #514D2A, #474534, #3D3D3D, #333547 and #292D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #514D2A shade: #51372A, #51422A, #514C2A, #4B512A and #40512A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #514D2A shade: #1A190E, #36331C, #514D2A, #6C6738 and #878146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #514D2A shade: #514D2A, #2A512D and #3D2A51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #514D2A shade: #514D2A, #2A514C and #4C2A51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #514D2A shade: #514D2A, #2A512D, #2A2E51 and #512A4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #514D2A shade: #514D2A, #2A5139, #2A2E51 and #512A42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

Complementary color

CMYK 18 / 16 / 0 / 16

HEX #AEB2D5

RGB 174 178 213

HSL 233.85, 0.32%, 0.76%

LAB 73.31, 5.84, -18.1

 

CMYK 0 / 10 / 57 / 66

HEX #564D25

RGB 86 77 37

HSL 48.98, 0.4%, 0.24%

LAB 32.74, -2.28, 24.85

 

CMYK 0 / 8 / 46 / 60

HEX #675F38

RGB 103 95 56

HSL 49.79, 0.3%, 0.31%

LAB 40.17, -2.97, 23.43

 

CMYK 0 / 6 / 38 / 53

HEX #78714B

RGB 120 113 75

HSL 50.67, 0.23%, 0.38%

LAB 47.38, -3.47, 22.1

 

CMYK 0 / 4 / 31 / 46

HEX #89835E

RGB 137 131 94

HSL 51.63, 0.19%, 0.45%

LAB 54.41, -3.85, 20.86

 

CMYK 0 / 3 / 27 / 40

HEX #9A9571

RGB 154 149 113

HSL 52.68, 0.17%, 0.52%

LAB 61.27, -4.16, 19.72

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 0 / 8 / 64 / 75

HEX #403B17

RGB 64 59 23

HSL 52.68, 0.47%, 0.17%

LAB 24.58, -3.43, 22.72

 

CMYK 0 / 13 / 91 / 82

HEX #2F2904

RGB 47 41 4

HSL 51.63, 0.84%, 0.1%

LAB 16.5, -2.34, 22.23

 

CMYK 0 / 23 / 100 / 88

HEX #1E1700

RGB 30 23 0

HSL 46, 1%, 0.06%

LAB 8.03, -0.12, 12.02

 

CMYK 0 / 62 / 100 / 95

HEX #0D0500

RGB 13 5 0

HSL 23.08, 1%, 0.03%

LAB 1.75, 1.46, 2.65

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 0 / 19 / 48 / 68

HEX #51422A

RGB 81 66 42

HSL 36.92, 0.32%, 0.24%

LAB 28.94, 2.7, 17.01

 

CMYK 0 / 31 / 48 / 68

HEX #51382A

RGB 81 56 42

HSL 21.54, 0.32%, 0.24%

LAB 26, 9.11, 13.16

 

CMYK 0 / 44 / 48 / 68

HEX #512D2A

RGB 81 45 42

HSL 4.62, 0.32%, 0.24%

LAB 22.98, 16.17, 9.08

 

CMYK 0 / 48 / 48 / 68

HEX #512A2A

RGB 81 42 42

HSL 0, 0.32%, 0.24%

LAB 22.2, 18.05, 8.02

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 9 / 0 / 48 / 68

HEX #4A512A

RGB 74 81 42

HSL 70.77, 0.32%, 0.24%

LAB 32.94, -9.83, 21.93

 

CMYK 21 / 0 / 48 / 68

HEX #40512A

RGB 64 81 42

HSL 86.15, 0.32%, 0.24%

LAB 32.13, -14.35, 20.75

 

CMYK 35 / 0 / 48 / 68

HEX #35512A

RGB 53 81 42

HSL 103.08, 0.32%, 0.24%

LAB 31.37, -18.99, 19.63

 

CMYK 47 / 0 / 48 / 68

HEX #2B512A

RGB 43 81 42

HSL 118.46, 0.32%, 0.24%

LAB 30.8, -22.77, 18.78

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 0 / 7 / 65 / 64

HEX #5B5520

RGB 91 85 32

HSL 53.9, 0.48%, 0.24%

LAB 35.65, -5.11, 31.03

 

CMYK 0 / 8 / 78 / 60

HEX #655D16

RGB 101 93 22

HSL 53.92, 0.64%, 0.24%

LAB 38.99, -5.59, 39.38

 

CMYK 0 / 9 / 89 / 57

HEX #6E640C

RGB 110 100 12

HSL 53.88, 0.8%, 0.24%

LAB 41.93, -5.65, 45.66

 

CMYK 0 / 10 / 98 / 53

HEX #786C02

RGB 120 108 2

HSL 53.9, 0.97%, 0.24%

LAB 45.25, -5.62, 51.07

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 0 / 3 / 27 / 72

HEX #474534

RGB 71 69 52

HSL 53.68, 0.15%, 0.24%

LAB 29.01, -2.45, 10.6

 

CMYK 0 / 0 / 0 / 76

HEX #3D3D3D

RGB 61 61 61

HSL 0, 0%, 0.24%

LAB 25.76, 0, -0

 

CMYK 28 / 25 / 0 / 72

HEX #333547

RGB 51 53 71

HSL 234, 0.16%, 0.24%

LAB 22.67, 3.92, -11.4

 

CMYK 49 / 44 / 0 / 68

HEX #292D51

RGB 41 45 81

HSL 234, 0.33%, 0.24%

LAB 19.81, 9.38, -22.64

 

CMYK 0 / 32 / 48 / 68

HEX #51372A

RGB 81 55 42

HSL 20, 0.32%, 0.24%

LAB 25.71, 9.75, 12.78

 

CMYK 0 / 19 / 48 / 68

HEX #51422A

RGB 81 66 42

HSL 36.92, 0.32%, 0.24%

LAB 28.94, 2.7, 17.01

 

CMYK 0 / 6 / 48 / 68

HEX #514C2A

RGB 81 76 42

HSL 52.31, 0.32%, 0.24%

LAB 32, -3.53, 20.9

 

CMYK 7 / 0 / 48 / 68

HEX #4B512A

RGB 75 81 42

HSL 69.23, 0.32%, 0.24%

LAB 33.02, -9.36, 22.06

 

CMYK 21 / 0 / 48 / 68

HEX #40512A

RGB 64 81 42

HSL 86.15, 0.32%, 0.24%

LAB 32.13, -14.35, 20.75

 

CMYK 0 / 4 / 46 / 90

HEX #1A190E

RGB 26 25 14

HSL 55, 0.3%, 0.08%

LAB 8.54, -1.87, 6.81

 

CMYK 0 / 6 / 48 / 79

HEX #36331C

RGB 54 51 28

HSL 53.08, 0.32%, 0.16%

LAB 20.96, -2.83, 15.06

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 0 / 5 / 48 / 58

HEX #6C6738

RGB 108 103 56

HSL 54.23, 0.32%, 0.32%

LAB 43.02, -5.35, 27.1

 

CMYK 0 / 4 / 48 / 47

HEX #878146

RGB 135 129 70

HSL 54.46, 0.32%, 0.4%

LAB 53.27, -6.49, 32.61

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 48 / 0 / 44 / 68

HEX #2A512D

RGB 42 81 45

HSL 124.62, 0.32%, 0.24%

LAB 30.8, -22.58, 16.98

 

CMYK 25 / 48 / 0 / 68

HEX #3D2A51

RGB 61 42 81

HSL 269.23, 0.32%, 0.24%

LAB 20.99, 17.86, -20.64

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 48 / 0 / 6 / 68

HEX #2A514C

RGB 42 81 76

HSL 172.31, 0.32%, 0.24%

LAB 31.58, -15.23, -1.37

 

CMYK 6 / 48 / 0 / 68

HEX #4C2A51

RGB 76 42 81

HSL 292.31, 0.32%, 0.24%

LAB 22.95, 23.05, -17.42

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 48 / 0 / 44 / 68

HEX #2A512D

RGB 42 81 45

HSL 124.62, 0.32%, 0.24%

LAB 30.8, -22.58, 16.98

 

CMYK 48 / 43 / 0 / 68

HEX #2A2E51

RGB 42 46 81

HSL 233.85, 0.32%, 0.24%

LAB 20.2, 8.97, -22.01

 

CMYK 0 / 48 / 4 / 68

HEX #512A4E

RGB 81 42 78

HSL 304.62, 0.32%, 0.24%

LAB 23.52, 24.16, -14.48

 

CMYK 0 / 5 / 48 / 68

HEX #514D2A

RGB 81 77 42

HSL 53.85, 0.32%, 0.24%

LAB 32.31, -4.14, 21.29

 

CMYK 48 / 0 / 30 / 68

HEX #2A5139

RGB 42 81 57

HSL 143.08, 0.32%, 0.24%

LAB 31.05, -20.12, 9.91

 

CMYK 48 / 43 / 0 / 68

HEX #2A2E51

RGB 42 46 81

HSL 233.85, 0.32%, 0.24%

LAB 20.2, 8.97, -22.01

 

CMYK 0 / 48 / 19 / 68

HEX #512A42

RGB 81 42 66

HSL 323.08, 0.32%, 0.24%

LAB 22.99, 21.79, -7.2

 

Description

Color code: HEX #514D2A | qconv.com Color code: HEX #514D2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 77 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 77 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 48 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 48% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - très jolie!
Link: http://www.vndrea-vee.tumblr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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