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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514890 it is the complementary color #AEB76F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514890. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #514890 shade: #56488B, #675A9E, #786CB1, #897EC4 and #9A90D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514890. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #514890 shade: #514890, #40367D, #2F246A, #1E1257 and #0D0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #514890 shade: #51488E, #64488E, #77488E, #8A488E and #8E4880

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #514890 shade: #51488E and #48488E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #514890 shade matches the following richer shades: #51488E, #4436A0, #3725B1, #2A14C2 and #1D02D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #514890 shade: #51488E, #5E597D, #6B6A6C, #787C5A and #858D49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #514890 shade: #48658E, #48528E, #50488E, #63488E and #76488E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #514890 shade: #322C58, #413A73, #51488E, #6056AA and #7A71B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #514890 shade: #514890, #8E4878 and #5C8E48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #514890 shade: #514890, #8E5048 and #488E50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #514890 shade: #514890, #8E4878, #868E48 and #488E5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #514890 shade: #514890, #8E4863, #868E48 and #488E73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 50 / 0 / 44

HEX #514890

RGB 81 72 144

HSL 247.5, 0.33%, 0.42%

LAB 34.8, 22.81, -38.75

 

Complementary color

CMYK 5 / 0 / 39 / 28

HEX #AEB76F

RGB 174 183 111

HSL 67.5, 0.33%, 0.58%

LAB 72.24, -14.4, 35.54

 

CMYK 38 / 48 / 0 / 45

HEX #56488B

RGB 86 72 139

HSL 252.54, 0.32%, 0.41%

LAB 34.96, 22.65, -35.41

 

CMYK 35 / 43 / 0 / 38

HEX #675A9E

RGB 103 90 158

HSL 251.47, 0.27%, 0.49%

LAB 42.25, 21.62, -35.22

 

CMYK 32 / 39 / 0 / 31

HEX #786CB1

RGB 120 108 177

HSL 250.43, 0.31%, 0.56%

LAB 49.37, 20.74, -35.1

 

CMYK 30 / 36 / 0 / 23

HEX #897EC4

RGB 137 126 196

HSL 249.43, 0.37%, 0.63%

LAB 56.31, 19.97, -35.03

 

CMYK 28 / 33 / 0 / 16

HEX #9A90D7

RGB 154 144 215

HSL 248.45, 0.47%, 0.7%

LAB 63.11, 19.3, -35

 

CMYK 44 / 50 / 0 / 44

HEX #514890

RGB 81 72 144

HSL 247.5, 0.33%, 0.42%

LAB 34.8, 22.81, -38.75

 

CMYK 49 / 57 / 0 / 51

HEX #40367D

RGB 64 54 125

HSL 248.45, 0.4%, 0.35%

LAB 27.32, 24.19, -39.06

 

CMYK 56 / 66 / 0 / 58

HEX #2F246A

RGB 47 36 106

HSL 249.43, 0.49%, 0.28%

LAB 19.67, 25.86, -39.37

 

CMYK 66 / 79 / 0 / 66

HEX #1E1257

RGB 30 18 87

HSL 250.43, 0.66%, 0.21%

LAB 11.94, 27.73, -39.46

 

CMYK 81 / 100 / 0 / 73

HEX #0D0044

RGB 13 0 68

HSL 251.47, 1%, 0.13%

LAB 4.54, 28.18, -38.52

 

CMYK 43 / 49 / 0 / 44

HEX #51488E

RGB 81 72 142

HSL 247.71, 0.33%, 0.42%

LAB 34.68, 22.19, -37.72

 

CMYK 30 / 49 / 0 / 44

HEX #64488E

RGB 100 72 142

HSL 264, 0.33%, 0.42%

LAB 36.55, 27.46, -34.63

 

CMYK 16 / 49 / 0 / 44

HEX #77488E

RGB 119 72 142

HSL 280.29, 0.33%, 0.42%

LAB 38.74, 33.08, -31.02

 

CMYK 3 / 49 / 0 / 44

HEX #8A488E

RGB 138 72 142

HSL 296.57, 0.33%, 0.42%

LAB 41.2, 38.87, -26.99

 

CMYK 0 / 49 / 10 / 44

HEX #8E4880

RGB 142 72 128

HSL 312, 0.33%, 0.42%

LAB 41.13, 37.5, -18.53

 

CMYK 43 / 49 / 0 / 44

HEX #51488E

RGB 81 72 142

HSL 247.71, 0.33%, 0.42%

LAB 34.68, 22.19, -37.72

 

CMYK 49 / 49 / 0 / 44

HEX #48488E

RGB 72 72 142

HSL 240, 0.33%, 0.42%

LAB 33.91, 19.9, -38.99

 

CMYK 43 / 49 / 0 / 44

HEX #51488E

RGB 81 72 142

HSL 247.71, 0.33%, 0.42%

LAB 34.68, 22.19, -37.72

 

CMYK 58 / 66 / 0 / 37

HEX #4436A0

RGB 68 54 160

HSL 247.92, 0.5%, 0.42%

LAB 30.41, 36.37, -55.62

 

CMYK 69 / 79 / 0 / 31

HEX #3725B1

RGB 55 37 177

HSL 247.71, 0.65%, 0.42%

LAB 27.6, 49.47, -70.51

 

CMYK 78 / 90 / 0 / 24

HEX #2A14C2

RGB 42 20 194

HSL 247.59, 0.81%, 0.42%

LAB 26.41, 60.43, -82.61

 

CMYK 86 / 99 / 0 / 17

HEX #1D02D4

RGB 29 2 212

HSL 247.71, 0.98%, 0.42%

LAB 26.9, 68.76, -92.35

 

CMYK 43 / 49 / 0 / 44

HEX #51488E

RGB 81 72 142

HSL 247.71, 0.33%, 0.42%

LAB 34.68, 22.19, -37.72

 

CMYK 25 / 29 / 0 / 51

HEX #5E597D

RGB 94 89 125

HSL 248.33, 0.17%, 0.42%

LAB 39.59, 10.46, -19.53

 

CMYK 1 / 2 / 0 / 58

HEX #6B6A6C

RGB 107 106 108

HSL 270, 0.01%, 0.42%

LAB 44.96, 0.8, -0.99

 

CMYK 3 / 0 / 27 / 51

HEX #787C5A

RGB 120 124 90

HSL 67.06, 0.16%, 0.42%

LAB 50.86, -7.58, 18.11

 

CMYK 6 / 0 / 48 / 45

HEX #858D49

RGB 133 141 73

HSL 67.06, 0.32%, 0.42%

LAB 56.6, -13.57, 35.06

 

CMYK 49 / 29 / 0 / 44

HEX #48658E

RGB 72 101 142

HSL 215.14, 0.33%, 0.42%

LAB 42.21, 1.36, -25.88

 

CMYK 49 / 42 / 0 / 44

HEX #48528E

RGB 72 82 142

HSL 231.43, 0.33%, 0.42%

LAB 36.68, 13.4, -34.58

 

CMYK 44 / 49 / 0 / 44

HEX #50488E

RGB 80 72 142

HSL 246.86, 0.33%, 0.42%

LAB 34.59, 21.93, -37.87

 

CMYK 30 / 49 / 0 / 44

HEX #63488E

RGB 99 72 142

HSL 263.14, 0.33%, 0.42%

LAB 36.44, 27.17, -34.8

 

CMYK 17 / 49 / 0 / 44

HEX #76488E

RGB 118 72 142

HSL 279.43, 0.33%, 0.42%

LAB 38.62, 32.78, -31.22

 

CMYK 43 / 50 / 0 / 65

HEX #322C58

RGB 50 44 88

HSL 248.18, 0.33%, 0.26%

LAB 20.77, 15.12, -25.74

 

CMYK 43 / 50 / 0 / 55

HEX #413A73

RGB 65 58 115

HSL 247.37, 0.33%, 0.34%

LAB 27.81, 18.6, -31.95

 

CMYK 43 / 49 / 0 / 44

HEX #51488E

RGB 81 72 142

HSL 247.71, 0.33%, 0.42%

LAB 34.68, 22.19, -37.72

 

CMYK 44 / 49 / 0 / 33

HEX #6056AA

RGB 96 86 170

HSL 247.14, 0.33%, 0.5%

LAB 41.29, 25.7, -43.92

 

CMYK 34 / 39 / 0 / 28

HEX #7A71B8

RGB 122 113 184

HSL 247.61, 0.33%, 0.58%

LAB 51.16, 20.19, -36.32

 

CMYK 44 / 50 / 0 / 44

HEX #514890

RGB 81 72 144

HSL 247.5, 0.33%, 0.42%

LAB 34.8, 22.81, -38.75

 

CMYK 0 / 49 / 15 / 44

HEX #8E4878

RGB 142 72 120

HSL 318.86, 0.33%, 0.42%

LAB 40.8, 36.12, -14.11

 

CMYK 35 / 0 / 49 / 44

HEX #5C8E48

RGB 92 142 72

HSL 102.86, 0.33%, 0.42%

LAB 54.12, -30.52, 31.91

 

CMYK 44 / 50 / 0 / 44

HEX #514890

RGB 81 72 144

HSL 247.5, 0.33%, 0.42%

LAB 34.8, 22.81, -38.75

 

CMYK 0 / 44 / 49 / 44

HEX #8E5048

RGB 142 80 72

HSL 6.86, 0.33%, 0.42%

LAB 41.15, 25.04, 16.04

 

CMYK 49 / 0 / 44 / 44

HEX #488E50

RGB 72 142 80

HSL 126.86, 0.33%, 0.42%

LAB 53.28, -35.86, 26.37

 

CMYK 44 / 50 / 0 / 44

HEX #514890

RGB 81 72 144

HSL 247.5, 0.33%, 0.42%

LAB 34.8, 22.81, -38.75

 

CMYK 0 / 49 / 15 / 44

HEX #8E4878

RGB 142 72 120

HSL 318.86, 0.33%, 0.42%

LAB 40.8, 36.12, -14.11

 

CMYK 6 / 0 / 49 / 44

HEX #868E48

RGB 134 142 72

HSL 66.86, 0.33%, 0.42%

LAB 56.96, -13.78, 36.03

 

CMYK 49 / 0 / 34 / 44

HEX #488E5E

RGB 72 142 94

HSL 138.86, 0.33%, 0.42%

LAB 53.53, -33.35, 18.96

 

CMYK 44 / 50 / 0 / 44

HEX #514890

RGB 81 72 144

HSL 247.5, 0.33%, 0.42%

LAB 34.8, 22.81, -38.75

 

CMYK 0 / 49 / 30 / 44

HEX #8E4863

RGB 142 72 99

HSL 336.86, 0.33%, 0.42%

LAB 40.06, 32.85, -2.22

 

CMYK 6 / 0 / 49 / 44

HEX #868E48

RGB 134 142 72

HSL 66.86, 0.33%, 0.42%

LAB 56.96, -13.78, 36.03

 

CMYK 49 / 0 / 19 / 44

HEX #488E73

RGB 72 142 115

HSL 156.86, 0.33%, 0.42%

LAB 53.99, -28.85, 7.65

 

Description

Color code: HEX #514890 | qconv.com Color code: HEX #514890 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 72 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 72 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 50 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 50% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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