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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514410 it is the complementary color #AEBBEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514410. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #514410 shade: #56440B, #67561E, #786831, #897A44 and #9A8C57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514410. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #514410 shade: #514410, #403200, #2F2000, #1E0E00 and #0D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #514410 shade: #514410, #513210, #512110 and #511010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #514410 shade: #514410, #4C5110, #3B5110, #295110 and #185110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #514410 shade matches the following richer shades: #514410, #594908 and #614D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #514410 shade: #514410, #493F18, #413B20, #393628 and #32312F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #514410 shade: #512110, #513310, #514410, #4D5110 and #3B5110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #514410 shade: #0C0A02, #2E2709, #514410, #736117 and #967E1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #514410 shade: #514410, #105110 and #2A1051

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #514410 shade: #514410, #105144 and #441051

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #514410 shade: #514410, #105110, #101D51 and #511051

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #514410 shade: #514410, #105123, #101D51 and #51103D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

Complementary color

CMYK 27 / 22 / 0 / 6

HEX #AEBBEF

RGB 174 187 239

HSL 228, 0.67%, 0.81%

LAB 76.54, 6.9, -27.3

 

CMYK 0 / 21 / 87 / 66

HEX #56440B

RGB 86 68 11

HSL 45.6, 0.77%, 0.19%

LAB 29.76, 1.48, 34.54

 

CMYK 0 / 17 / 71 / 60

HEX #67561E

RGB 103 86 30

HSL 46.03, 0.55%, 0.26%

LAB 37.18, -0, 34.05

 

CMYK 0 / 13 / 59 / 53

HEX #786831

RGB 120 104 49

HSL 46.48, 0.42%, 0.33%

LAB 44.4, -1.08, 32.84

 

CMYK 0 / 11 / 50 / 46

HEX #897A44

RGB 137 122 68

HSL 46.96, 0.34%, 0.4%

LAB 51.44, -1.89, 31.49

 

CMYK 0 / 9 / 44 / 40

HEX #9A8C57

RGB 154 140 87

HSL 47.46, 0.28%, 0.47%

LAB 58.33, -2.52, 30.17

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 0 / 22 / 100 / 75

HEX #403200

RGB 64 50 0

HSL 46.88, 1%, 0.13%

LAB 21.47, 0.85, 30.17

 

CMYK 0 / 32 / 100 / 82

HEX #2F2000

RGB 47 32 0

HSL 40.85, 1%, 0.09%

LAB 13.46, 3.51, 19.95

 

CMYK 0 / 53 / 100 / 88

HEX #1E0E00

RGB 30 14 0

HSL 28, 1%, 0.06%

LAB 5.33, 5.39, 8.08

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 0 / 38 / 80 / 68

HEX #513210

RGB 81 50 16

HSL 31.38, 0.67%, 0.19%

LAB 23.89, 10.61, 26.47

 

CMYK 0 / 59 / 80 / 68

HEX #512110

RGB 81 33 16

HSL 15.69, 0.67%, 0.19%

LAB 19.53, 21.2, 21.77

 

CMYK 0 / 80 / 80 / 68

HEX #511010

RGB 81 16 16

HSL 0, 0.67%, 0.19%

LAB 16.29, 29.84, 17.89

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 6 / 0 / 80 / 68

HEX #4C5110

RGB 76 81 16

HSL 64.62, 0.67%, 0.19%

LAB 32.83, -11.2, 35.07

 

CMYK 27 / 0 / 80 / 68

HEX #3B5110

RGB 59 81 16

HSL 80.31, 0.67%, 0.19%

LAB 31.47, -19.28, 33.29

 

CMYK 49 / 0 / 80 / 68

HEX #295110

RGB 41 81 16

HSL 96.92, 0.67%, 0.19%

LAB 30.38, -26.74, 31.86

 

CMYK 70 / 0 / 80 / 68

HEX #185110

RGB 24 81 16

HSL 112.62, 0.67%, 0.19%

LAB 29.7, -32.05, 30.95

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 0 / 18 / 91 / 65

HEX #594908

RGB 89 73 8

HSL 48.15, 0.84%, 0.19%

LAB 31.59, -0.19, 37.33

 

CMYK 0 / 21 / 100 / 62

HEX #614D00

RGB 97 77 0

HSL 47.63, 1%, 0.19%

LAB 33.67, 1.17, 42.2

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 0 / 14 / 67 / 71

HEX #493F18

RGB 73 63 24

HSL 47.76, 0.51%, 0.19%

LAB 26.84, -1.27, 24.99

 

CMYK 0 / 9 / 51 / 75

HEX #413B20

RGB 65 59 32

HSL 49.09, 0.34%, 0.19%

LAB 24.82, -1.94, 17.63

 

CMYK 0 / 5 / 30 / 78

HEX #393628

RGB 57 54 40

HSL 49.41, 0.18%, 0.19%

LAB 22.52, -1.45, 9.3

 

CMYK 0 / 2 / 6 / 80

HEX #32312F

RGB 50 49 47

HSL 40, 0.03%, 0.19%

LAB 20.36, -0.01, 1.43

 

CMYK 0 / 59 / 80 / 68

HEX #512110

RGB 81 33 16

HSL 15.69, 0.67%, 0.19%

LAB 19.53, 21.2, 21.77

 

CMYK 0 / 37 / 80 / 68

HEX #513310

RGB 81 51 16

HSL 32.31, 0.67%, 0.19%

LAB 24.18, 9.97, 26.75

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 5 / 0 / 80 / 68

HEX #4D5110

RGB 77 81 16

HSL 63.69, 0.67%, 0.19%

LAB 32.92, -10.71, 35.19

 

CMYK 27 / 0 / 80 / 68

HEX #3B5110

RGB 59 81 16

HSL 80.31, 0.67%, 0.19%

LAB 31.47, -19.28, 33.29

 

CMYK 0 / 17 / 83 / 95

HEX #0C0A02

RGB 12 10 2

HSL 48, 0.71%, 0.03%

LAB 2.71, -0.56, 3.22

 

CMYK 0 / 15 / 80 / 82

HEX #2E2709

RGB 46 39 9

HSL 48.65, 0.67%, 0.11%

LAB 15.76, -1.14, 19.24

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 0 / 16 / 80 / 55

HEX #736117

RGB 115 97 23

HSL 48.26, 0.67%, 0.27%

LAB 41.62, -1.07, 41.97

 

CMYK 0 / 16 / 80 / 41

HEX #967E1E

RGB 150 126 30

HSL 48, 0.67%, 0.35%

LAB 53.49, -0.79, 51.65

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 80 / 0 / 80 / 68

HEX #105110

RGB 16 81 16

HSL 120, 0.67%, 0.19%

LAB 29.49, -33.81, 30.67

 

CMYK 48 / 80 / 0 / 68

HEX #2A1051

RGB 42 16 81

HSL 264, 0.67%, 0.19%

LAB 12.33, 29.02, -34.67

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 80 / 0 / 16 / 68

HEX #105144

RGB 16 81 68

HSL 168, 0.67%, 0.19%

LAB 30.43, -23.37, 1.95

 

CMYK 16 / 80 / 0 / 68

HEX #441051

RGB 68 16 81

HSL 288, 0.67%, 0.19%

LAB 16.47, 34.74, -27.76

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 80 / 0 / 80 / 68

HEX #105110

RGB 16 81 16

HSL 120, 0.67%, 0.19%

LAB 29.49, -33.81, 30.67

 

CMYK 80 / 64 / 0 / 68

HEX #101D51

RGB 16 29 81

HSL 228, 0.67%, 0.19%

LAB 13.13, 15.61, -33.47

 

CMYK 0 / 80 / 0 / 68

HEX #511051

RGB 81 16 81

HSL 300, 0.67%, 0.19%

LAB 18.86, 37.88, -23.81

 

CMYK 0 / 16 / 80 / 68

HEX #514410

RGB 81 68 16

HSL 48, 0.67%, 0.19%

LAB 29.21, -0.85, 31.77

 

CMYK 80 / 0 / 57 / 68

HEX #105123

RGB 16 81 35

HSL 137.54, 0.67%, 0.19%

LAB 29.7, -31.3, 21.29

 

CMYK 80 / 64 / 0 / 68

HEX #101D51

RGB 16 29 81

HSL 228, 0.67%, 0.19%

LAB 13.13, 15.61, -33.47

 

CMYK 0 / 80 / 25 / 68

HEX #51103D

RGB 81 16 61

HSL 318.46, 0.67%, 0.19%

LAB 17.72, 34.46, -11.8

 

Description

Color code: HEX #514410 | qconv.com Color code: HEX #514410 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 68 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 68 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 80 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 80% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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