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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #512855 it is the complementary color #AED7AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #512855. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #512855 shade: #562850, #673A63, #784C76, #895E89 and #9A709C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #512855. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #512855 shade: #512855, #401642, #2F042F, #1E001C and #0D0009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #512855 shade: #532957, #57294E, #572942, #572936 and #572929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #512855 shade: #532957, #462957, #3A2957, #2D2957 and #292957

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #512855 shade matches the following richer shades: #532957, #5B1E61, #64146B and #6C0A76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #512855 shade: #532957, #4A334C, #423D42, #394838 and #31522D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #512855 shade: #3A2957, #462957, #522957, #57294F and #572943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #512855 shade: #1D0E1F, #381C3B, #532957, #6D3673 and #88438F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #512855 shade: #512855, #572D29 and #295740

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #512855 shade: #512855, #575229 and #295752

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #512855 shade: #512855, #572D29, #2D5729 and #295257

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #512855 shade: #512855, #573B29, #2D5729 and #294457

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 53 / 0 / 67

HEX #512855

RGB 81 40 85

HSL 294.67, 0.36%, 0.25%

LAB 23.41, 26.87, -19.31

 

Complementary color

CMYK 19 / 0 / 21 / 16

HEX #AED7AA

RGB 174 215 170

HSL 114.67, 0.36%, 0.75%

LAB 82.11, -21.94, 17.87

 

CMYK 0 / 53 / 7 / 66

HEX #562850

RGB 86 40 80

HSL 307.83, 0.37%, 0.25%

LAB 23.92, 27.51, -15.14

 

CMYK 0 / 44 / 4 / 60

HEX #673A63

RGB 103 58 99

HSL 305.33, 0.28%, 0.32%

LAB 31.37, 26.7, -15.85

 

CMYK 0 / 37 / 2 / 53

HEX #784C76

RGB 120 76 118

HSL 302.73, 0.22%, 0.38%

LAB 38.67, 25.86, -16.4

 

CMYK 0 / 31 / 0 / 46

HEX #895E89

RGB 137 94 137

HSL 300, 0.19%, 0.45%

LAB 45.81, 25.07, -16.86

 

CMYK 1 / 28 / 0 / 39

HEX #9A709C

RGB 154 112 156

HSL 297.27, 0.18%, 0.53%

LAB 52.79, 24.35, -17.28

 

CMYK 5 / 53 / 0 / 67

HEX #512855

RGB 81 40 85

HSL 294.67, 0.36%, 0.25%

LAB 23.41, 26.87, -19.31

 

CMYK 3 / 67 / 0 / 74

HEX #401642

RGB 64 22 66

HSL 297.27, 0.5%, 0.17%

LAB 15.78, 27.5, -18.56

 

CMYK 0 / 91 / 0 / 82

HEX #2F042F

RGB 47 4 47

HSL 300, 0.84%, 0.1%

LAB 8.1, 27.63, -17.28

 

CMYK 0 / 100 / 7 / 88

HEX #1E001C

RGB 30 0 28

HSL 304, 1%, 0.06%

LAB 3.25, 16.51, -10.42

 

CMYK 0 / 100 / 31 / 95

HEX #0D0009

RGB 13 0 9

HSL 318.46, 1%, 0.03%

LAB 0.95, 4.72, -2.19

 

CMYK 5 / 53 / 0 / 66

HEX #532957

RGB 83 41 87

HSL 294.78, 0.36%, 0.25%

LAB 24.04, 27.38, -19.64

 

CMYK 0 / 53 / 10 / 66

HEX #57294E

RGB 87 41 78

HSL 311.74, 0.36%, 0.25%

LAB 24.2, 26.89, -13.36

 

CMYK 0 / 53 / 24 / 66

HEX #572942

RGB 87 41 66

HSL 327.39, 0.36%, 0.25%

LAB 23.69, 24.71, -6.06

 

CMYK 0 / 53 / 38 / 66

HEX #572936

RGB 87 41 54

HSL 343.04, 0.36%, 0.25%

LAB 23.27, 22.84, 1.47

 

CMYK 0 / 53 / 53 / 66

HEX #572929

RGB 87 41 41

HSL 0, 0.36%, 0.25%

LAB 22.9, 21.19, 9.81

 

CMYK 5 / 53 / 0 / 66

HEX #532957

RGB 83 41 87

HSL 294.78, 0.36%, 0.25%

LAB 24.04, 27.38, -19.64

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 33 / 53 / 0 / 66

HEX #3A2957

RGB 58 41 87

HSL 262.17, 0.36%, 0.25%

LAB 20.73, 19.28, -25.09

 

CMYK 48 / 53 / 0 / 66

HEX #2D2957

RGB 45 41 87

HSL 245.22, 0.36%, 0.25%

LAB 19.36, 15.44, -27.35

 

CMYK 53 / 53 / 0 / 66

HEX #292957

RGB 41 41 87

HSL 240, 0.36%, 0.25%

LAB 18.99, 14.36, -27.95

 

CMYK 5 / 53 / 0 / 66

HEX #532957

RGB 83 41 87

HSL 294.78, 0.36%, 0.25%

LAB 24.04, 27.38, -19.64

 

CMYK 6 / 69 / 0 / 62

HEX #5B1E61

RGB 91 30 97

HSL 294.63, 0.53%, 0.25%

LAB 23.72, 37.72, -26.65

 

CMYK 7 / 81 / 0 / 58

HEX #64146B

RGB 100 20 107

HSL 295.17, 0.69%, 0.25%

LAB 24.55, 45.79, -31.76

 

CMYK 8 / 92 / 0 / 54

HEX #6C0A76

RGB 108 10 118

HSL 294.44, 0.84%, 0.25%

LAB 25.9, 51.94, -36.59

 

CMYK 5 / 53 / 0 / 66

HEX #532957

RGB 83 41 87

HSL 294.78, 0.36%, 0.25%

LAB 24.04, 27.38, -19.64

 

CMYK 3 / 33 / 0 / 70

HEX #4A334C

RGB 74 51 76

HSL 295.2, 0.2%, 0.25%

LAB 24.78, 15.39, -11.29

 

CMYK 0 / 8 / 0 / 74

HEX #423D42

RGB 66 61 66

HSL 300, 0.04%, 0.25%

LAB 26.42, 3.25, -2.29

 

CMYK 21 / 0 / 22 / 72

HEX #394838

RGB 57 72 56

HSL 116.25, 0.13%, 0.25%

LAB 28.88, -9.67, 7.66

 

CMYK 40 / 0 / 45 / 68

HEX #31522D

RGB 49 82 45

HSL 113.51, 0.29%, 0.25%

LAB 31.53, -20.58, 17.99

 

CMYK 33 / 53 / 0 / 66

HEX #3A2957

RGB 58 41 87

HSL 262.17, 0.36%, 0.25%

LAB 20.73, 19.28, -25.09

 

CMYK 20 / 53 / 0 / 66

HEX #462957

RGB 70 41 87

HSL 277.83, 0.36%, 0.25%

LAB 22.22, 23.1, -22.63

 

CMYK 6 / 53 / 0 / 66

HEX #522957

RGB 82 41 87

HSL 293.48, 0.36%, 0.25%

LAB 23.89, 27.05, -19.88

 

CMYK 0 / 53 / 9 / 66

HEX #57294F

RGB 87 41 79

HSL 310.43, 0.36%, 0.25%

LAB 24.25, 27.09, -13.95

 

CMYK 0 / 53 / 23 / 66

HEX #572943

RGB 87 41 67

HSL 326.09, 0.36%, 0.25%

LAB 23.73, 24.88, -6.68

 

CMYK 6 / 55 / 0 / 88

HEX #1D0E1F

RGB 29 14 31

HSL 292.94, 0.38%, 0.09%

LAB 6.09, 11, -8.53

 

CMYK 5 / 53 / 0 / 77

HEX #381C3B

RGB 56 28 59

HSL 294.19, 0.36%, 0.17%

LAB 15.42, 19.65, -14.31

 

CMYK 5 / 53 / 0 / 66

HEX #532957

RGB 83 41 87

HSL 294.78, 0.36%, 0.25%

LAB 24.04, 27.38, -19.64

 

CMYK 5 / 53 / 0 / 55

HEX #6D3673

RGB 109 54 115

HSL 294.1, 0.36%, 0.33%

LAB 32.1, 34.27, -24.84

 

CMYK 5 / 53 / 0 / 44

HEX #88438F

RGB 136 67 143

HSL 294.47, 0.36%, 0.41%

LAB 39.97, 41.12, -29.54

 

CMYK 5 / 53 / 0 / 67

HEX #512855

RGB 81 40 85

HSL 294.67, 0.36%, 0.25%

LAB 23.41, 26.87, -19.31

 

CMYK 0 / 48 / 53 / 66

HEX #572D29

RGB 87 45 41

HSL 5.22, 0.36%, 0.25%

LAB 23.88, 18.76, 11.13

 

CMYK 53 / 0 / 26 / 66

HEX #295740

RGB 41 87 64

HSL 150, 0.36%, 0.25%

LAB 33.26, -21.93, 8.6

 

CMYK 5 / 53 / 0 / 67

HEX #512855

RGB 81 40 85

HSL 294.67, 0.36%, 0.25%

LAB 23.41, 26.87, -19.31

 

CMYK 0 / 6 / 53 / 66

HEX #575229

RGB 87 82 41

HSL 53.48, 0.36%, 0.25%

LAB 34.44, -4.41, 24.62

 

CMYK 53 / 0 / 6 / 66

HEX #295752

RGB 41 87 82

HSL 173.48, 0.36%, 0.25%

LAB 33.77, -17.15, -1.95

 

CMYK 5 / 53 / 0 / 67

HEX #512855

RGB 81 40 85

HSL 294.67, 0.36%, 0.25%

LAB 23.41, 26.87, -19.31

 

CMYK 0 / 48 / 53 / 66

HEX #572D29

RGB 87 45 41

HSL 5.22, 0.36%, 0.25%

LAB 23.88, 18.76, 11.13

 

CMYK 48 / 0 / 53 / 66

HEX #2D5729

RGB 45 87 41

HSL 114.78, 0.36%, 0.25%

LAB 32.99, -25.21, 22.15

 

CMYK 53 / 6 / 0 / 66

HEX #295257

RGB 41 82 87

HSL 186.52, 0.36%, 0.25%

LAB 32.24, -12.79, -7.38

 

CMYK 5 / 53 / 0 / 67

HEX #512855

RGB 81 40 85

HSL 294.67, 0.36%, 0.25%

LAB 23.41, 26.87, -19.31

 

CMYK 0 / 32 / 53 / 66

HEX #573B29

RGB 87 59 41

HSL 23.48, 0.36%, 0.25%

LAB 27.61, 9.93, 16.07

 

CMYK 48 / 0 / 53 / 66

HEX #2D5729

RGB 45 87 41

HSL 114.78, 0.36%, 0.25%

LAB 32.99, -25.21, 22.15

 

CMYK 53 / 22 / 0 / 66

HEX #294457

RGB 41 68 87

HSL 204.78, 0.36%, 0.25%

LAB 27.56, -4.19, -14.51

 

Description

Color code: HEX #512855 | qconv.com Color code: HEX #512855 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 40 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 40 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 53 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 53% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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