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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #512391 it is the complementary color #AEDC6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #512391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #512391 shade: #56238C, #67359F, #7847B2, #8959C5 and #9A6BD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #512391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #512391 shade: #512391, #40117E, #2F006B, #1E0058 and #0D0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #512391 shade: #502390, #6E2390, #8B2390, #902377 and #90235A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #512391 shade: #502390, #332390 and #232390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #512391 shade matches the following richer shades: #502390, #4E149E and #4C06AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #512391 shade: #502390, #533181, #554073, #574E64 and #5A5D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #512391 shade: #233090, #332390, #502390, #6D2390 and #8A2390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #512391 shade: #2B134D, #3E1B6E, #502390, #632BB1 and #7637CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #512391 shade: #512391, #90234D and #239025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #512391 shade: #512391, #905023 and #239050

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #512391 shade: #512391, #90234D, #629023 and #239066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #512391 shade: #512391, #90232C, #629023 and #239087

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 76 / 0 / 43

HEX #512391

RGB 81 35 145

HSL 265.09, 0.61%, 0.35%

LAB 26.72, 44.63, -52.41

 

Complementary color

CMYK 21 / 0 / 50 / 14

HEX #AEDC6E

RGB 174 220 110

HSL 85.09, 0.61%, 0.65%

LAB 82.55, -32.59, 48.81

 

CMYK 39 / 75 / 0 / 45

HEX #56238C

RGB 86 35 140

HSL 269.14, 0.6%, 0.34%

LAB 26.94, 44.24, -48.93

 

CMYK 35 / 67 / 0 / 38

HEX #67359F

RGB 103 53 159

HSL 268.3, 0.5%, 0.42%

LAB 33.84, 43.6, -49.27

 

CMYK 33 / 60 / 0 / 30

HEX #7847B2

RGB 120 71 178

HSL 267.48, 0.43%, 0.49%

LAB 40.76, 42.67, -49.36

 

CMYK 30 / 55 / 0 / 23

HEX #8959C5

RGB 137 89 197

HSL 266.67, 0.48%, 0.56%

LAB 47.62, 41.68, -49.35

 

CMYK 29 / 50 / 0 / 15

HEX #9A6BD8

RGB 154 107 216

HSL 265.87, 0.58%, 0.63%

LAB 54.39, 40.69, -49.3

 

CMYK 44 / 76 / 0 / 43

HEX #512391

RGB 81 35 145

HSL 265.09, 0.61%, 0.35%

LAB 26.72, 44.63, -52.41

 

CMYK 49 / 87 / 0 / 51

HEX #40117E

RGB 64 17 126

HSL 265.87, 0.76%, 0.28%

LAB 20.03, 44.66, -51.56

 

CMYK 56 / 100 / 0 / 58

HEX #2F006B

RGB 47 0 107

HSL 266.36, 1%, 0.21%

LAB 13.63, 43.66, -49.94

 

CMYK 66 / 100 / 0 / 65

HEX #1E0058

RGB 30 0 88

HSL 260.45, 1%, 0.17%

LAB 8.83, 37.54, -45.27

 

CMYK 81 / 100 / 0 / 73

HEX #0D0045

RGB 13 0 69

HSL 251.3, 1%, 0.14%

LAB 4.65, 28.68, -39.05

 

CMYK 44 / 76 / 0 / 44

HEX #502390

RGB 80 35 144

HSL 264.77, 0.61%, 0.35%

LAB 26.51, 44.19, -52.15

 

CMYK 24 / 76 / 0 / 44

HEX #6E2390

RGB 110 35 144

HSL 281.28, 0.61%, 0.35%

LAB 30.71, 49.94, -45.13

 

CMYK 3 / 76 / 0 / 44

HEX #8B2390

RGB 139 35 144

HSL 297.25, 0.61%, 0.35%

LAB 35.41, 56.1, -37.33

 

CMYK 0 / 76 / 17 / 44

HEX #902377

RGB 144 35 119

HSL 313.76, 0.61%, 0.35%

LAB 34.93, 53.25, -22.51

 

CMYK 0 / 76 / 38 / 44

HEX #90235A

RGB 144 35 90

HSL 329.72, 0.61%, 0.35%

LAB 33.71, 49.47, -5.88

 

CMYK 44 / 76 / 0 / 44

HEX #502390

RGB 80 35 144

HSL 264.77, 0.61%, 0.35%

LAB 26.51, 44.19, -52.15

 

CMYK 65 / 76 / 0 / 44

HEX #332390

RGB 51 35 144

HSL 248.81, 0.61%, 0.35%

LAB 23.4, 39.74, -57.36

 

CMYK 76 / 76 / 0 / 44

HEX #232390

RGB 35 35 144

HSL 240, 0.61%, 0.35%

LAB 22.21, 37.97, -59.38

 

CMYK 44 / 76 / 0 / 44

HEX #502390

RGB 80 35 144

HSL 264.77, 0.61%, 0.35%

LAB 26.51, 44.19, -52.15

 

CMYK 51 / 87 / 0 / 38

HEX #4E149E

RGB 78 20 158

HSL 265.22, 0.78%, 0.35%

LAB 25.53, 53.55, -62.37

 

CMYK 56 / 97 / 0 / 32

HEX #4C06AD

RGB 76 6 173

HSL 265.15, 0.93%, 0.35%

LAB 25.81, 60.35, -71

 

CMYK 44 / 76 / 0 / 44

HEX #502390

RGB 80 35 144

HSL 264.77, 0.61%, 0.35%

LAB 26.51, 44.19, -52.15

 

CMYK 36 / 62 / 0 / 49

HEX #533181

RGB 83 49 129

HSL 265.5, 0.45%, 0.35%

LAB 28.43, 33.19, -39.67

 

CMYK 26 / 44 / 0 / 55

HEX #554073

RGB 85 64 115

HSL 264.71, 0.28%, 0.35%

LAB 31.43, 20.67, -26.09

 

CMYK 13 / 22 / 0 / 61

HEX #574E64

RGB 87 78 100

HSL 264.55, 0.12%, 0.35%

LAB 34.79, 8.58, -11.42

 

CMYK 3 / 0 / 8 / 64

HEX #5A5D56

RGB 90 93 86

HSL 85.71, 0.04%, 0.35%

LAB 39.03, -2.64, 3.6

 

CMYK 76 / 67 / 0 / 44

HEX #233090

RGB 35 48 144

HSL 232.84, 0.61%, 0.35%

LAB 25.21, 29.76, -54.43

 

CMYK 65 / 76 / 0 / 44

HEX #332390

RGB 51 35 144

HSL 248.81, 0.61%, 0.35%

LAB 23.4, 39.74, -57.36

 

CMYK 44 / 76 / 0 / 44

HEX #502390

RGB 80 35 144

HSL 264.77, 0.61%, 0.35%

LAB 26.51, 44.19, -52.15

 

CMYK 24 / 76 / 0 / 44

HEX #6D2390

RGB 109 35 144

HSL 280.73, 0.61%, 0.35%

LAB 30.56, 49.73, -45.38

 

CMYK 4 / 76 / 0 / 44

HEX #8A2390

RGB 138 35 144

HSL 296.7, 0.61%, 0.35%

LAB 35.24, 55.88, -37.61

 

CMYK 44 / 75 / 0 / 70

HEX #2B134D

RGB 43 19 77

HSL 264.83, 0.6%, 0.19%

LAB 12.7, 26.32, -31.3

 

CMYK 44 / 75 / 0 / 57

HEX #3E1B6E

RGB 62 27 110

HSL 265.3, 0.61%, 0.27%

LAB 19.78, 35.52, -41.71

 

CMYK 44 / 76 / 0 / 44

HEX #502390

RGB 80 35 144

HSL 264.77, 0.61%, 0.35%

LAB 26.51, 44.19, -52.15

 

CMYK 44 / 76 / 0 / 31

HEX #632BB1

RGB 99 43 177

HSL 265.07, 0.61%, 0.43%

LAB 33.04, 52.34, -61.41

 

CMYK 43 / 73 / 0 / 19

HEX #7637CE

RGB 118 55 206

HSL 265.03, 0.61%, 0.51%

LAB 39.65, 57.42, -67.54

 

CMYK 44 / 76 / 0 / 43

HEX #512391

RGB 81 35 145

HSL 265.09, 0.61%, 0.35%

LAB 26.72, 44.63, -52.41

 

CMYK 0 / 76 / 47 / 44

HEX #90234D

RGB 144 35 77

HSL 336.88, 0.61%, 0.35%

LAB 33.28, 48.09, 1.93

 

CMYK 76 / 0 / 74 / 44

HEX #239025

RGB 35 144 37

HSL 121.1, 0.61%, 0.35%

LAB 52.33, -50.85, 45.64

 

CMYK 44 / 76 / 0 / 43

HEX #512391

RGB 81 35 145

HSL 265.09, 0.61%, 0.35%

LAB 26.72, 44.63, -52.41

 

CMYK 0 / 44 / 76 / 44

HEX #905023

RGB 144 80 35

HSL 24.77, 0.61%, 0.35%

LAB 40.88, 23.07, 37.05

 

CMYK 76 / 0 / 44 / 44

HEX #239050

RGB 35 144 80

HSL 144.77, 0.61%, 0.35%

LAB 52.82, -45.02, 25.56

 

CMYK 44 / 76 / 0 / 43

HEX #512391

RGB 81 35 145

HSL 265.09, 0.61%, 0.35%

LAB 26.72, 44.63, -52.41

 

CMYK 0 / 76 / 47 / 44

HEX #90234D

RGB 144 35 77

HSL 336.88, 0.61%, 0.35%

LAB 33.28, 48.09, 1.93

 

CMYK 32 / 0 / 76 / 44

HEX #629023

RGB 98 144 35

HSL 85.32, 0.61%, 0.35%

LAB 54.73, -32.78, 49.57

 

CMYK 76 / 0 / 29 / 44

HEX #239066

RGB 35 144 102

HSL 156.88, 0.61%, 0.35%

LAB 53.24, -40.39, 13.86

 

CMYK 44 / 76 / 0 / 43

HEX #512391

RGB 81 35 145

HSL 265.09, 0.61%, 0.35%

LAB 26.72, 44.63, -52.41

 

CMYK 0 / 76 / 69 / 44

HEX #90232C

RGB 144 35 44

HSL 355.05, 0.61%, 0.35%

LAB 32.51, 45.56, 22.35

 

CMYK 32 / 0 / 76 / 44

HEX #629023

RGB 98 144 35

HSL 85.32, 0.61%, 0.35%

LAB 54.73, -32.78, 49.57

 

CMYK 76 / 0 / 6 / 44

HEX #239087

RGB 35 144 135

HSL 175.05, 0.61%, 0.35%

LAB 54.08, -31.64, -3.86

 

Description

Color code: HEX #512391 | qconv.com Color code: HEX #512391 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 35 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 35 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 76 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 76% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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