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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50EDDF00 it is the complementary color #AF122000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50EDDF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50EDDF00 shade: #55EDDA00, #66FFED00, #77FFFF00, #88FFFF00 and #99FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50EDDF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50EDDF00 shade: #50EDDF00, #3FDBCC00, #2EC9B900, #1DB7A600 and #0CA59300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50EDDF00 shade: #50EDDF, #50EDB4, #50ED8A, #50ED60 and #6AED50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50EDDF00 shade: #50EDDF, #50D0ED, #50A6ED, #507CED and #5051ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50EDDF00 shade matches the following richer shades: #50EDDF and #40FCEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50EDDF00 shade: #50EDDF, #5FDDD2, #6FCDC5, #7FBEB8 and #8EAEAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50EDDF00 shade: #50ED89, #50EDB3, #50EDDD, #50D2ED and #50A9ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50EDDF00 shade: #16D3C3, #2AE9D8, #50EDDF, #75F1E5 and #9AF4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50EDDF00 shade: #50EDDF, #5F50ED and #ED9E50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50EDDF00 shade: #50EDDF, #DD50ED and #EDDD50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50EDDF00 shade: #50EDDF, #5F50ED, #ED505F and #DDED50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50EDDF00 shade: #50EDDF, #8E50ED, #ED505F and #AEED50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #50EDDF00

RGBA 80 237 223 0

HSLA 174.65, 0.81%, 0.62%, 0

LABA 85.81, -43.68, -5.23, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #AF122000

RGBA 175 18 32 0

HSLA 354.65, 0.81%, 0.38%, 0

LABA 37.21, 58.61, 36.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #55EDDA00

RGBA 85 237 218 0

HSLA 172.5, 0.81%, 0.63%, 0

LABA 85.79, -44.23, -2.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #66FFED00

RGBA 102 255 237 0

HSLA 172.94, 1%, 0.7%, 0

LABA 91.89, -44.57, -3.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #77FFFF00

RGBA 119 255 255 0

HSLA 180, 1%, 0.73%, 0

LABA 92.87, -36.98, -11.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #88FFFF00

RGBA 136 255 255 0

HSLA 180, 1%, 0.77%, 0

LABA 93.44, -33.56, -10.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99FFFF00

RGBA 153 255 255 0

HSLA 180, 1%, 0.8%, 0

LABA 94.1, -29.71, -9.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #50EDDF00

RGBA 80 237 223 0

HSLA 174.65, 0.81%, 0.62%, 0

LABA 85.81, -43.68, -5.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3FDBCC00

RGBA 63 219 204 0

HSLA 174.23, 0.68%, 0.55%, 0

LABA 79.66, -43.08, -4.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2EC9B900

RGBA 46 201 185 0

HSLA 173.81, 0.63%, 0.48%, 0

LABA 73.45, -42.25, -3.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1DB7A600

RGBA 29 183 166 0

HSLA 173.38, 0.73%, 0.42%, 0

LABA 67.19, -41.13, -2.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0CA59300

RGBA 12 165 147 0

HSLA 172.94, 0.86%, 0.35%, 0

LABA 60.87, -39.61, -0.76, 0

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 66 / 0 / 24 / 7

HEX #50EDB4

RGB 80 237 180

HSL 158.22, 0.81%, 0.62%

LAB 84.78, -54.05, 15.8

 

CMYK 66 / 0 / 42 / 7

HEX #50ED8A

RGB 80 237 138

HSL 142.17, 0.81%, 0.62%

LAB 84.02, -62.21, 36.23

 

CMYK 66 / 0 / 59 / 7

HEX #50ED60

RGB 80 237 96

HSL 126.11, 0.81%, 0.62%

LAB 83.5, -68.13, 55.34

 

CMYK 55 / 0 / 66 / 7

HEX #6AED50

RGB 106 237 80

HSL 110.06, 0.81%, 0.62%

LAB 84.08, -64.07, 62.78

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 66 / 12 / 0 / 7

HEX #50D0ED

RGB 80 208 237

HSL 191.08, 0.81%, 0.62%

LAB 77.83, -26.21, -24.63

 

CMYK 66 / 30 / 0 / 7

HEX #50A6ED

RGB 80 166 237

HSL 207.13, 0.81%, 0.62%

LAB 65.82, -4.01, -43.23

 

CMYK 66 / 48 / 0 / 7

HEX #507CED

RGB 80 124 237

HSL 223.18, 0.81%, 0.62%

LAB 54.28, 20.84, -61.57

 

CMYK 66 / 66 / 0 / 7

HEX #5051ED

RGB 80 81 237

HSL 239.62, 0.81%, 0.62%

LAB 43.81, 47.04, -78.57

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 75 / 0 / 7 / 1

HEX #40FCEB

RGB 64 252 235

HSL 174.57, 0.97%, 0.62%

LAB 90.19, -48.98, -5.08

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 57 / 0 / 5 / 13

HEX #5FDDD2

RGB 95 221 210

HSL 174.76, 0.65%, 0.62%

LAB 81.18, -37.42, -5.14

 

CMYK 46 / 0 / 4 / 20

HEX #6FCDC5

RGB 111 205 197

HSL 174.89, 0.48%, 0.62%

LAB 76.72, -29.83, -4.69

 

CMYK 33 / 0 / 3 / 25

HEX #7FBEB8

RGB 127 190 184

HSL 174.29, 0.33%, 0.62%

LAB 72.76, -21.43, -3.4

 

CMYK 18 / 0 / 2 / 32

HEX #8EAEAB

RGB 142 174 171

HSL 174.38, 0.16%, 0.62%

LAB 68.72, -11.51, -2.09

 

CMYK 66 / 0 / 42 / 7

HEX #50ED89

RGB 80 237 137

HSL 141.78, 0.81%, 0.62%

LAB 84.01, -62.38, 36.7

 

CMYK 66 / 0 / 24 / 7

HEX #50EDB3

RGB 80 237 179

HSL 157.83, 0.81%, 0.62%

LAB 84.76, -54.27, 16.29

 

CMYK 66 / 0 / 7 / 7

HEX #50EDDD

RGB 80 237 221

HSL 173.89, 0.81%, 0.62%

LAB 85.75, -44.2, -4.26

 

CMYK 66 / 11 / 0 / 7

HEX #50D2ED

RGB 80 210 237

HSL 190.32, 0.81%, 0.62%

LAB 78.41, -27.19, -23.75

 

CMYK 66 / 29 / 0 / 7

HEX #50A9ED

RGB 80 169 237

HSL 205.99, 0.81%, 0.62%

LAB 66.67, -5.69, -41.9

 

CMYK 90 / 0 / 8 / 17

HEX #16D3C3

RGB 22 211 195

HSL 174.92, 0.81%, 0.46%

LAB 76.5, -45.59, -4.17

 

CMYK 82 / 0 / 7 / 9

HEX #2AE9D8

RGB 42 233 216

HSL 174.66, 0.81%, 0.54%

LAB 83.82, -47.97, -4.54

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 51 / 0 / 5 / 5

HEX #75F1E5

RGB 117 241 229

HSL 174.19, 0.82%, 0.7%

LAB 88.14, -37.49, -4.83

 

CMYK 37 / 0 / 3 / 4

HEX #9AF4EC

RGB 154 244 236

HSL 174.67, 0.8%, 0.78%

LAB 90.61, -28.67, -4.67

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 60 / 66 / 0 / 7

HEX #5F50ED

RGB 95 80 237

HSL 245.73, 0.81%, 0.62%

LAB 44.64, 49.64, -77.17

 

CMYK 0 / 33 / 66 / 7

HEX #ED9E50

RGB 237 158 80

HSL 29.81, 0.81%, 0.62%

LAB 71.58, 22.32, 51.68

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 7 / 66 / 0 / 7

HEX #DD50ED

RGB 221 80 237

HSL 293.89, 0.81%, 0.62%

LAB 59.18, 74.04, -52.96

 

CMYK 0 / 7 / 66 / 7

HEX #EDDD50

RGB 237 221 80

HSL 53.89, 0.81%, 0.62%

LAB 87.14, -10.41, 68.31

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 60 / 66 / 0 / 7

HEX #5F50ED

RGB 95 80 237

HSL 245.73, 0.81%, 0.62%

LAB 44.64, 49.64, -77.17

 

CMYK 0 / 66 / 60 / 7

HEX #ED505F

RGB 237 80 95

HSL 354.27, 0.81%, 0.62%

LAB 56.65, 61.1, 25.61

 

CMYK 7 / 0 / 66 / 7

HEX #DDED50

RGB 221 237 80

HSL 66.11, 0.81%, 0.62%

LAB 90.1, -24.75, 70.94

 

CMYK 66 / 0 / 6 / 7

HEX #50EDDF

RGB 80 237 223

HSL 174.65, 0.81%, 0.62%

LAB 85.81, -43.68, -5.23

 

CMYK 40 / 66 / 0 / 7

HEX #8E50ED

RGB 142 80 237

HSL 263.69, 0.81%, 0.62%

LAB 49.01, 57.59, -69.86

 

CMYK 0 / 66 / 60 / 7

HEX #ED505F

RGB 237 80 95

HSL 354.27, 0.81%, 0.62%

LAB 56.65, 61.1, 25.61

 

CMYK 27 / 0 / 66 / 7

HEX #AEED50

RGB 174 237 80

HSL 84.08, 0.81%, 0.62%

LAB 87.07, -42.83, 66.86

 

Description

Color code: HEX #50EDDF00 | qconv.com Color code: HEX #50EDDF00 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 237 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 237 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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