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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50E424 it is the complementary color #AF1BDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50E424. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50E424 shade: #55E41F, #66F632, #77FF45, #88FF58 and #99FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50E424. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50E424 shade: #50E424, #3FD211, #2EC000, #1DAE00 and #0C9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50E424 shade: #51E425, #84E425, #B8E425, #E4DD25 and #E4A925

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50E424 shade: #51E425, #25E42D, #25E460, #25E494 and #25E4C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50E424 shade matches the following richer shades: #51E425 and #46F811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50E424 shade: #51E425, #5CD039, #66BC4D, #71A961 and #7C9574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50E424 shade: #B8E425, #85E425, #52E425, #25E42B and #25E45E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50E424 shade: #35A314, #41C719, #51E425, #6EE94A and #8CED6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50E424 shade: #50E424, #25E4DE and #E4259E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50E424 shade: #50E424, #2552E4 and #E42552

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50E424 shade: #50E424, #25E4DE, #B825E4 and #E4252B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50E424 shade: #50E424, #25B1E4, #B825E4 and #E45825

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 84 / 11

HEX #50E424

RGB 80 228 36

HSL 106.25, 0.78%, 0.52%

LAB 80.36, -69.8, 72.76

 

Complementary color

CMYK 20 / 88 / 0 / 14

HEX #AF1BDB

RGB 175 27 219

HSL 286.25, 0.78%, 0.48%

LAB 45.65, 77.91, -64.9

 

CMYK 63 / 0 / 86 / 11

HEX #55E41F

RGB 85 228 31

HSL 103.55, 0.78%, 0.51%

LAB 80.47, -68.94, 73.96

 

CMYK 59 / 0 / 80 / 4

HEX #66F632

RGB 102 246 50

HSL 104.08, 0.92%, 0.58%

LAB 86.49, -70.18, 75.1

 

CMYK 53 / 0 / 73 / 0

HEX #77FF45

RGB 119 255 69

HSL 103.87, 1%, 0.64%

LAB 89.8, -67.95, 72.78

 

CMYK 47 / 0 / 65 / 0

HEX #88FF58

RGB 136 255 88

HSL 102.75, 1%, 0.67%

LAB 90.53, -61.92, 66.91

 

CMYK 40 / 0 / 58 / 0

HEX #99FF6B

RGB 153 255 107

HSL 101.35, 1%, 0.71%

LAB 91.39, -55.15, 60.28

 

CMYK 65 / 0 / 84 / 11

HEX #50E424

RGB 80 228 36

HSL 106.25, 0.78%, 0.52%

LAB 80.36, -69.8, 72.76

 

CMYK 70 / 0 / 92 / 18

HEX #3FD211

RGB 63 210 17

HSL 105.7, 0.85%, 0.45%

LAB 74.31, -68.07, 70.87

 

CMYK 76 / 0 / 100 / 25

HEX #2EC000

RGB 46 192 0

HSL 105.63, 1%, 0.38%

LAB 68.23, -65.77, 67.72

 

CMYK 83 / 0 / 100 / 32

HEX #1DAE00

RGB 29 174 0

HSL 110, 1%, 0.34%

LAB 62.11, -62.68, 62.73

 

CMYK 92 / 0 / 100 / 39

HEX #0C9C00

RGB 12 156 0

HSL 115.38, 1%, 0.31%

LAB 55.94, -58.98, 57.72

 

CMYK 64 / 0 / 84 / 11

HEX #51E425

RGB 81 228 37

HSL 106.18, 0.78%, 0.52%

LAB 80.39, -69.55, 72.57

 

CMYK 42 / 0 / 84 / 11

HEX #84E425

RGB 132 228 37

HSL 90.16, 0.78%, 0.52%

LAB 82.12, -55.92, 74.77

 

CMYK 19 / 0 / 84 / 11

HEX #B8E425

RGB 184 228 37

HSL 73.82, 0.78%, 0.52%

LAB 84.9, -37.17, 78.26

 

CMYK 0 / 3 / 84 / 11

HEX #E4DD25

RGB 228 221 37

HSL 57.8, 0.78%, 0.52%

LAB 86.18, -15.87, 80.61

 

CMYK 0 / 26 / 84 / 11

HEX #E4A925

RGB 228 169 37

HSL 41.47, 0.78%, 0.52%

LAB 72.89, 10.86, 69.55

 

CMYK 64 / 0 / 84 / 11

HEX #51E425

RGB 81 228 37

HSL 106.18, 0.78%, 0.52%

LAB 80.39, -69.55, 72.57

 

CMYK 84 / 0 / 80 / 11

HEX #25E42D

RGB 37 228 45

HSL 122.51, 0.78%, 0.52%

LAB 79.65, -75.77, 69.63

 

CMYK 84 / 0 / 58 / 11

HEX #25E460

RGB 37 228 96

HSL 138.53, 0.78%, 0.52%

LAB 80.02, -71.15, 51.11

 

CMYK 84 / 0 / 35 / 11

HEX #25E494

RGB 37 228 148

HSL 154.87, 0.78%, 0.52%

LAB 80.75, -62.6, 26.7

 

CMYK 84 / 0 / 13 / 11

HEX #25E4C7

RGB 37 228 199

HSL 170.89, 0.78%, 0.52%

LAB 81.84, -50.77, 1.53

 

CMYK 64 / 0 / 84 / 11

HEX #51E425

RGB 81 228 37

HSL 106.18, 0.78%, 0.52%

LAB 80.39, -69.55, 72.57

 

CMYK 72 / 0 / 93 / 3

HEX #46F811

RGB 70 248 17

HSL 106.23, 0.94%, 0.52%

LAB 86.24, -78.3, 80.82

 

CMYK 64 / 0 / 84 / 11

HEX #51E425

RGB 81 228 37

HSL 106.18, 0.78%, 0.52%

LAB 80.39, -69.55, 72.57

 

CMYK 56 / 0 / 73 / 18

HEX #5CD039

RGB 92 208 57

HSL 106.09, 0.62%, 0.52%

LAB 74.62, -59.09, 61.4

 

CMYK 46 / 0 / 59 / 26

HEX #66BC4D

RGB 102 188 77

HSL 106.49, 0.45%, 0.52%

LAB 68.99, -46.81, 47.28

 

CMYK 33 / 0 / 43 / 34

HEX #71A961

RGB 113 169 97

HSL 106.67, 0.3%, 0.52%

LAB 63.96, -32.37, 31.42

 

CMYK 17 / 0 / 22 / 42

HEX #7C9574

RGB 124 149 116

HSL 105.45, 0.13%, 0.52%

LAB 59.01, -15.35, 14.57

 

CMYK 19 / 0 / 84 / 11

HEX #B8E425

RGB 184 228 37

HSL 73.82, 0.78%, 0.52%

LAB 84.9, -37.17, 78.26

 

CMYK 42 / 0 / 84 / 11

HEX #85E425

RGB 133 228 37

HSL 89.84, 0.78%, 0.52%

LAB 82.17, -55.6, 74.83

 

CMYK 64 / 0 / 84 / 11

HEX #52E425

RGB 82 228 37

HSL 105.86, 0.78%, 0.52%

LAB 80.41, -69.35, 72.6

 

CMYK 84 / 0 / 81 / 11

HEX #25E42B

RGB 37 228 43

HSL 121.88, 0.78%, 0.52%

LAB 79.64, -75.88, 70.15

 

CMYK 84 / 0 / 59 / 11

HEX #25E45E

RGB 37 228 94

HSL 137.91, 0.78%, 0.52%

LAB 80, -71.4, 51.98

 

CMYK 67 / 0 / 88 / 36

HEX #35A314

RGB 53 163 20

HSL 106.15, 0.78%, 0.36%

LAB 58.98, -54.84, 57.18

 

CMYK 67 / 0 / 87 / 22

HEX #41C719

RGB 65 199 25

HSL 106.21, 0.78%, 0.44%

LAB 70.9, -63.99, 66.64

 

CMYK 64 / 0 / 84 / 11

HEX #51E425

RGB 81 228 37

HSL 106.18, 0.78%, 0.52%

LAB 80.39, -69.55, 72.57

 

CMYK 53 / 0 / 68 / 9

HEX #6EE94A

RGB 110 233 74

HSL 106.42, 0.78%, 0.6%

LAB 82.96, -62.11, 63.94

 

CMYK 41 / 0 / 53 / 7

HEX #8CED6F

RGB 140 237 111

HSL 106.19, 0.78%, 0.68%

LAB 85.65, -51.45, 51.64

 

CMYK 65 / 0 / 84 / 11

HEX #50E424

RGB 80 228 36

HSL 106.25, 0.78%, 0.52%

LAB 80.36, -69.8, 72.76

 

CMYK 84 / 0 / 3 / 11

HEX #25E4DE

RGB 37 228 222

HSL 178.12, 0.78%, 0.52%

LAB 82.46, -44.5, -9.74

 

CMYK 0 / 84 / 31 / 11

HEX #E4259E

RGB 228 37 158

HSL 321.99, 0.78%, 0.52%

LAB 52.16, 77.21, -18.46

 

CMYK 65 / 0 / 84 / 11

HEX #50E424

RGB 80 228 36

HSL 106.25, 0.78%, 0.52%

LAB 80.36, -69.8, 72.76

 

CMYK 84 / 64 / 0 / 11

HEX #2552E4

RGB 37 82 228

HSL 225.86, 0.78%, 0.52%

LAB 41.26, 39.16, -77.73

 

CMYK 0 / 84 / 64 / 11

HEX #E42552

RGB 228 37 82

HSL 345.86, 0.78%, 0.52%

LAB 50.01, 71.04, 24.37

 

CMYK 65 / 0 / 84 / 11

HEX #50E424

RGB 80 228 36

HSL 106.25, 0.78%, 0.52%

LAB 80.36, -69.8, 72.76

 

CMYK 84 / 0 / 3 / 11

HEX #25E4DE

RGB 37 228 222

HSL 178.12, 0.78%, 0.52%

LAB 82.46, -44.5, -9.74

 

CMYK 19 / 84 / 0 / 11

HEX #B825E4

RGB 184 37 228

HSL 286.18, 0.78%, 0.52%

LAB 48.4, 78.83, -65.5

 

CMYK 0 / 84 / 81 / 11

HEX #E4252B

RGB 228 37 43

HSL 358.12, 0.78%, 0.52%

LAB 49.49, 69.48, 46.34

 

CMYK 65 / 0 / 84 / 11

HEX #50E424

RGB 80 228 36

HSL 106.25, 0.78%, 0.52%

LAB 80.36, -69.8, 72.76

 

CMYK 84 / 22 / 0 / 11

HEX #25B1E4

RGB 37 177 228

HSL 196.02, 0.78%, 0.52%

LAB 67.61, -18.1, -35.58

 

CMYK 19 / 84 / 0 / 11

HEX #B825E4

RGB 184 37 228

HSL 286.18, 0.78%, 0.52%

LAB 48.4, 78.83, -65.5

 

CMYK 0 / 61 / 84 / 11

HEX #E45825

RGB 228 88 37

HSL 16.02, 0.78%, 0.52%

LAB 55.69, 52.14, 54.88

 

Description

Color code: HEX #50E424 | qconv.com Color code: HEX #50E424 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 228 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 228 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 84 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 84% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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