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Color name
HEX #50CE26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50CE26 it is the complementary color #AF31D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50CE26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50CE26 shade: #55CE21, #66E034, #77F247, #88FF5A and #99FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50CE26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50CE26 shade: #50CE26, #3FBC13, #2EAA00, #1D9800 and #0C8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50CE26 shade: #50CF26, #7ECF26, #ABCF26, #CFC526 and #CF9726

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50CE26 shade: #50CF26, #26CF29, #26CF57, #26CF84 and #26CFB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50CE26 shade matches the following richer shades: #50CF26 and #46E312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50CE26 shade: #50CF26, #5ABB3A, #64A74E, #6E9361 and #788075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50CE26 shade: #AACF26, #7DCF26, #50CF26, #26CF29 and #26CF56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50CE26 shade: #358919, #43AC20, #50CF26, #68DC42 and #84E365

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50CE26 shade: #50CE26, #26CFC6 and #CF2694

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50CE26 shade: #50CE26, #2650CF and #CF2650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50CE26 shade: #50CE26, #26CFC6, #A526CF and #CF262E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50CE26 shade: #50CE26, #26A5CF, #A526CF and #CF5026

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 82 / 19

HEX #50CE26

RGB 80 206 38

HSL 105, 0.69%, 0.48%

LAB 73.54, -62.49, 66.13

 

Complementary color

CMYK 19 / 77 / 0 / 15

HEX #AF31D9

RGB 175 49 217

HSL 285, 0.69%, 0.52%

LAB 47.39, 72.05, -60.94

 

CMYK 59 / 0 / 84 / 19

HEX #55CE21

RGB 85 206 33

HSL 101.97, 0.72%, 0.47%

LAB 73.66, -61.53, 67.54

 

CMYK 54 / 0 / 77 / 12

HEX #66E034

RGB 102 224 52

HSL 102.56, 0.74%, 0.54%

LAB 79.83, -62.52, 68.27

 

CMYK 51 / 0 / 71 / 5

HEX #77F247

RGB 119 242 71

HSL 103.16, 0.87%, 0.61%

LAB 85.95, -63.19, 68.23

 

CMYK 47 / 0 / 65 / 0

HEX #88FF5A

RGB 136 255 90

HSL 103.27, 1%, 0.68%

LAB 90.55, -61.75, 66.14

 

CMYK 40 / 0 / 57 / 0

HEX #99FF6D

RGB 153 255 109

HSL 101.92, 1%, 0.71%

LAB 91.41, -54.95, 59.44

 

CMYK 61 / 0 / 82 / 19

HEX #50CE26

RGB 80 206 38

HSL 105, 0.69%, 0.48%

LAB 73.54, -62.49, 66.13

 

CMYK 66 / 0 / 90 / 26

HEX #3FBC13

RGB 63 188 19

HSL 104.38, 0.82%, 0.41%

LAB 67.33, -61.04, 64.68

 

CMYK 73 / 0 / 100 / 33

HEX #2EAA00

RGB 46 170 0

HSL 103.76, 1%, 0.33%

LAB 61.07, -59.03, 62.01

 

CMYK 81 / 0 / 100 / 40

HEX #1D9800

RGB 29 152 0

HSL 108.55, 1%, 0.3%

LAB 54.78, -56.12, 56.87

 

CMYK 91 / 0 / 100 / 47

HEX #0C8600

RGB 12 134 0

HSL 114.63, 1%, 0.26%

LAB 48.42, -52.54, 51.7

 

CMYK 61 / 0 / 82 / 19

HEX #50CF26

RGB 80 207 38

HSL 105.09, 0.69%, 0.48%

LAB 73.85, -62.83, 66.41

 

CMYK 39 / 0 / 82 / 19

HEX #7ECF26

RGB 126 207 38

HSL 88.76, 0.69%, 0.48%

LAB 75.58, -49.57, 68.62

 

CMYK 17 / 0 / 82 / 19

HEX #ABCF26

RGB 171 207 38

HSL 72.78, 0.69%, 0.48%

LAB 78.12, -32.72, 71.85

 

CMYK 0 / 5 / 82 / 19

HEX #CFC526

RGB 207 197 38

HSL 56.45, 0.69%, 0.48%

LAB 78.07, -12.79, 72.87

 

CMYK 0 / 27 / 82 / 19

HEX #CF9726

RGB 207 151 38

HSL 40.12, 0.69%, 0.48%

LAB 66.17, 11.41, 62.57

 

CMYK 61 / 0 / 82 / 19

HEX #50CF26

RGB 80 207 38

HSL 105.09, 0.69%, 0.48%

LAB 73.85, -62.83, 66.41

 

CMYK 82 / 0 / 80 / 19

HEX #26CF29

RGB 38 207 41

HSL 121.07, 0.69%, 0.48%

LAB 73.02, -69.84, 64.52

 

CMYK 82 / 0 / 58 / 19

HEX #26CF57

RGB 38 207 87

HSL 137.4, 0.69%, 0.48%

LAB 73.37, -65.56, 47.38

 

CMYK 82 / 0 / 36 / 19

HEX #26CF84

RGB 38 207 132

HSL 153.37, 0.69%, 0.48%

LAB 74, -58.13, 25.89

 

CMYK 82 / 0 / 14 / 19

HEX #26CFB2

RGB 38 207 178

HSL 169.7, 0.69%, 0.48%

LAB 74.98, -47.45, 2.78

 

CMYK 61 / 0 / 82 / 19

HEX #50CF26

RGB 80 207 38

HSL 105.09, 0.69%, 0.48%

LAB 73.85, -62.83, 66.41

 

CMYK 69 / 0 / 92 / 11

HEX #46E312

RGB 70 227 18

HSL 105.07, 0.85%, 0.48%

LAB 79.78, -72, 75.35

 

CMYK 61 / 0 / 82 / 19

HEX #50CF26

RGB 80 207 38

HSL 105.09, 0.69%, 0.48%

LAB 73.85, -62.83, 66.41

 

CMYK 52 / 0 / 69 / 27

HEX #5ABB3A

RGB 90 187 58

HSL 105.12, 0.53%, 0.48%

LAB 68.04, -51.77, 54.23

 

CMYK 40 / 0 / 53 / 35

HEX #64A74E

RGB 100 167 78

HSL 105.17, 0.36%, 0.48%

LAB 62.42, -38.41, 39.07

 

CMYK 25 / 0 / 34 / 42

HEX #6E9361

RGB 110 147 97

HSL 104.4, 0.2%, 0.48%

LAB 57.12, -22.71, 22.45

 

CMYK 6 / 0 / 9 / 50

HEX #788075

RGB 120 128 117

HSL 103.64, 0.04%, 0.48%

LAB 52.64, -5.17, 4.95

 

CMYK 18 / 0 / 82 / 19

HEX #AACF26

RGB 170 207 38

HSL 73.14, 0.69%, 0.48%

LAB 78.06, -33.12, 71.77

 

CMYK 40 / 0 / 82 / 19

HEX #7DCF26

RGB 125 207 38

HSL 89.11, 0.69%, 0.48%

LAB 75.53, -49.91, 68.56

 

CMYK 61 / 0 / 82 / 19

HEX #50CF26

RGB 80 207 38

HSL 105.09, 0.69%, 0.48%

LAB 73.85, -62.83, 66.41

 

CMYK 82 / 0 / 80 / 19

HEX #26CF29

RGB 38 207 41

HSL 121.07, 0.69%, 0.48%

LAB 73.02, -69.84, 64.52

 

CMYK 82 / 0 / 58 / 19

HEX #26CF56

RGB 38 207 86

HSL 137.04, 0.69%, 0.48%

LAB 73.36, -65.69, 47.82

 

CMYK 61 / 0 / 82 / 46

HEX #358919

RGB 53 137 25

HSL 105, 0.69%, 0.32%

LAB 50.36, -45.43, 48.06

 

CMYK 61 / 0 / 81 / 33

HEX #43AC20

RGB 67 172 32

HSL 105, 0.69%, 0.4%

LAB 62.34, -54.16, 57.31

 

CMYK 61 / 0 / 82 / 19

HEX #50CF26

RGB 80 207 38

HSL 105.09, 0.69%, 0.48%

LAB 73.85, -62.83, 66.41

 

CMYK 53 / 0 / 70 / 14

HEX #68DC42

RGB 104 220 66

HSL 105.19, 0.69%, 0.56%

LAB 78.77, -59.61, 62.5

 

CMYK 42 / 0 / 56 / 11

HEX #84E365

RGB 132 227 101

HSL 105.24, 0.69%, 0.64%

LAB 82.26, -50.94, 52.11

 

CMYK 61 / 0 / 82 / 19

HEX #50CE26

RGB 80 206 38

HSL 105, 0.69%, 0.48%

LAB 73.54, -62.49, 66.13

 

CMYK 82 / 0 / 4 / 19

HEX #26CFC6

RGB 38 207 198

HSL 176.8, 0.69%, 0.48%

LAB 75.52, -41.99, -7.21

 

CMYK 0 / 82 / 29 / 19

HEX #CF2694

RGB 207 38 148

HSL 320.95, 0.69%, 0.48%

LAB 47.99, 71.17, -19.2

 

CMYK 61 / 0 / 82 / 19

HEX #50CE26

RGB 80 206 38

HSL 105, 0.69%, 0.48%

LAB 73.54, -62.49, 66.13

 

CMYK 82 / 61 / 0 / 19

HEX #2650CF

RGB 38 80 207

HSL 225.09, 0.69%, 0.48%

LAB 38.99, 32.75, -69.43

 

CMYK 0 / 82 / 61 / 19

HEX #CF2650

RGB 207 38 80

HSL 345.09, 0.69%, 0.48%

LAB 45.95, 65.17, 19.49

 

CMYK 61 / 0 / 82 / 19

HEX #50CE26

RGB 80 206 38

HSL 105, 0.69%, 0.48%

LAB 73.54, -62.49, 66.13

 

CMYK 82 / 0 / 4 / 19

HEX #26CFC6

RGB 38 207 198

HSL 176.8, 0.69%, 0.48%

LAB 75.52, -41.99, -7.21

 

CMYK 20 / 82 / 0 / 19

HEX #A526CF

RGB 165 38 207

HSL 285.09, 0.69%, 0.48%

LAB 44.08, 71.64, -60.63

 

CMYK 0 / 82 / 78 / 19

HEX #CF262E

RGB 207 38 46

HSL 357.16, 0.69%, 0.48%

LAB 45.43, 63.58, 39.24

 

CMYK 61 / 0 / 82 / 19

HEX #50CE26

RGB 80 206 38

HSL 105, 0.69%, 0.48%

LAB 73.54, -62.49, 66.13

 

CMYK 82 / 20 / 0 / 19

HEX #26A5CF

RGB 38 165 207

HSL 194.91, 0.69%, 0.48%

LAB 63.2, -18.83, -30.83

 

CMYK 20 / 82 / 0 / 19

HEX #A526CF

RGB 165 38 207

HSL 285.09, 0.69%, 0.48%

LAB 44.08, 71.64, -60.63

 

CMYK 0 / 61 / 82 / 19

HEX #CF5026

RGB 207 80 38

HSL 14.91, 0.69%, 0.48%

LAB 50.85, 48.25, 48.76

 

Description

Color code: HEX #50CE26 | qconv.com Color code: HEX #50CE26 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 206 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 206 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 82 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 82% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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