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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50CC9B it is the complementary color #AF3364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50CC9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50CC9B shade: #55CC96, #66DEA9, #77F0BC, #88FFCF and #99FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50CC9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50CC9B shade: #50CC9B, #3FBA88, #2EA875, #1D9662 and #0C844F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50CC9B shade: #51CD9C, #51CD7A, #51CD59, #6ACD51 and #8CCD51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50CC9B shade: #51CD9C, #51CDBD, #51BBCD, #5199CD and #5178CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50CC9B shade matches the following richer shades: #51CD9C, #3FDFA0 and #2DF1A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50CC9B shade: #51CD9C, #63BA98, #75A894, #889690 and #9A848D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50CC9B shade: #51CD59, #51CD7A, #51CD9B, #51CDBC and #51BCCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50CC9B shade: #2E9D71, #37BD88, #51CD9C, #71D6AE and #91DFC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50CC9B shade: #50CC9B, #516ACD and #CD6A51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50CC9B shade: #50CC9B, #9B51CD and #CD9B51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50CC9B shade: #50CC9B, #516ACD, #CD5182 and #CDB451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50CC9B shade: #50CC9B, #5D51CD, #CD5182 and #C0CD51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 24 / 20

HEX #50CC9B

RGB 80 204 155

HSL 156.29, 0.55%, 0.56%

LAB 74.35, -45.96, 14.35

 

Complementary color

CMYK 0 / 71 / 43 / 31

HEX #AF3364

RGB 175 51 100

HSL 336.29, 0.55%, 0.44%

LAB 41.85, 53.71, 0.42

 

CMYK 58 / 0 / 26 / 20

HEX #55CC96

RGB 85 204 150

HSL 152.77, 0.54%, 0.57%

LAB 74.39, -46.03, 17.09

 

CMYK 54 / 0 / 24 / 13

HEX #66DEA9

RGB 102 222 169

HSL 153.5, 0.65%, 0.64%

LAB 80.7, -46.03, 15.92

 

CMYK 50 / 0 / 22 / 6

HEX #77F0BC

RGB 119 240 188

HSL 154.21, 0.8%, 0.7%

LAB 86.93, -45.94, 14.84

 

CMYK 47 / 0 / 19 / 0

HEX #88FFCF

RGB 136 255 207

HSL 155.8, 1%, 0.77%

LAB 92.25, -44.5, 12.63

 

CMYK 40 / 0 / 11 / 0

HEX #99FFE2

RGB 153 255 226

HSL 162.94, 1%, 0.8%

LAB 93.36, -36.28, 4.52

 

CMYK 61 / 0 / 24 / 20

HEX #50CC9B

RGB 80 204 155

HSL 156.29, 0.55%, 0.56%

LAB 74.35, -45.96, 14.35

 

CMYK 66 / 0 / 27 / 27

HEX #3FBA88

RGB 63 186 136

HSL 155.61, 0.49%, 0.49%

LAB 67.99, -45.74, 15.61

 

CMYK 73 / 0 / 30 / 34

HEX #2EA875

RGB 46 168 117

HSL 154.92, 0.57%, 0.42%

LAB 61.54, -45.3, 17

 

CMYK 81 / 0 / 35 / 41

HEX #1D9662

RGB 29 150 98

HSL 154.21, 0.68%, 0.35%

LAB 55.03, -44.52, 18.55

 

CMYK 91 / 0 / 40 / 48

HEX #0C844F

RGB 12 132 79

HSL 153.5, 0.83%, 0.28%

LAB 48.44, -43.2, 20.31

 

CMYK 60 / 0 / 24 / 20

HEX #51CD9C

RGB 81 205 156

HSL 156.29, 0.55%, 0.56%

LAB 74.71, -45.97, 14.31

 

CMYK 60 / 0 / 40 / 20

HEX #51CD7A

RGB 81 205 122

HSL 139.84, 0.55%, 0.56%

LAB 74.07, -52.66, 31.32

 

CMYK 60 / 0 / 57 / 20

HEX #51CD59

RGB 81 205 89

HSL 123.87, 0.55%, 0.56%

LAB 73.63, -57.55, 46.99

 

CMYK 48 / 0 / 60 / 20

HEX #6ACD51

RGB 106 205 81

HSL 107.9, 0.55%, 0.56%

LAB 74.39, -52.02, 51.7

 

CMYK 32 / 0 / 60 / 20

HEX #8CCD51

RGB 140 205 81

HSL 91.45, 0.55%, 0.56%

LAB 75.97, -41.01, 53.9

 

CMYK 60 / 0 / 24 / 20

HEX #51CD9C

RGB 81 205 156

HSL 156.29, 0.55%, 0.56%

LAB 74.71, -45.97, 14.31

 

CMYK 60 / 0 / 8 / 20

HEX #51CDBD

RGB 81 205 189

HSL 172.26, 0.55%, 0.56%

LAB 75.5, -38.06, -2.29

 

CMYK 60 / 9 / 0 / 20

HEX #51BBCD

RGB 81 187 205

HSL 188.71, 0.55%, 0.56%

LAB 70.66, -25.05, -18.21

 

CMYK 60 / 25 / 0 / 20

HEX #5199CD

RGB 81 153 205

HSL 205.16, 0.55%, 0.56%

LAB 60.73, -6.97, -33.47

 

CMYK 60 / 41 / 0 / 20

HEX #5178CD

RGB 81 120 205

HSL 221.13, 0.55%, 0.56%

LAB 51.37, 12.5, -48.2

 

CMYK 60 / 0 / 24 / 20

HEX #51CD9C

RGB 81 205 156

HSL 156.29, 0.55%, 0.56%

LAB 74.71, -45.97, 14.31

 

CMYK 72 / 0 / 28 / 13

HEX #3FDFA0

RGB 63 223 160

HSL 156.38, 0.71%, 0.56%

LAB 79.82, -55.4, 19.27

 

CMYK 81 / 0 / 32 / 5

HEX #2DF1A3

RGB 45 241 163

HSL 156.12, 0.88%, 0.56%

LAB 85.05, -63.56, 24.87

 

CMYK 60 / 0 / 24 / 20

HEX #51CD9C

RGB 81 205 156

HSL 156.29, 0.55%, 0.56%

LAB 74.71, -45.97, 14.31

 

CMYK 47 / 0 / 18 / 27

HEX #63BA98

RGB 99 186 152

HSL 156.55, 0.39%, 0.56%

LAB 69.5, -34.36, 9.19

 

CMYK 30 / 0 / 12 / 34

HEX #75A894

RGB 117 168 148

HSL 156.47, 0.23%, 0.56%

LAB 64.9, -21.32, 4.93

 

CMYK 9 / 0 / 4 / 41

HEX #889690

RGB 136 150 144

HSL 154.29, 0.06%, 0.56%

LAB 60.84, -6.22, 1.44

 

CMYK 0 / 14 / 8 / 40

HEX #9A848D

RGB 154 132 141

HSL 335.45, 0.1%, 0.56%

LAB 57.36, 9.95, -1.73

 

CMYK 60 / 0 / 57 / 20

HEX #51CD59

RGB 81 205 89

HSL 123.87, 0.55%, 0.56%

LAB 73.63, -57.55, 46.99

 

CMYK 60 / 0 / 40 / 20

HEX #51CD7A

RGB 81 205 122

HSL 139.84, 0.55%, 0.56%

LAB 74.07, -52.66, 31.32

 

CMYK 60 / 0 / 24 / 20

HEX #51CD9B

RGB 81 205 155

HSL 155.81, 0.55%, 0.56%

LAB 74.69, -46.19, 14.82

 

CMYK 60 / 0 / 8 / 20

HEX #51CDBC

RGB 81 205 188

HSL 171.77, 0.55%, 0.56%

LAB 75.48, -38.32, -1.79

 

CMYK 60 / 8 / 0 / 20

HEX #51BCCD

RGB 81 188 205

HSL 188.23, 0.55%, 0.56%

LAB 70.96, -25.55, -17.77

 

CMYK 71 / 0 / 28 / 38

HEX #2E9D71

RGB 46 157 113

HSL 156.22, 0.55%, 0.4%

LAB 57.93, -41.64, 14.22

 

CMYK 71 / 0 / 28 / 26

HEX #37BD88

RGB 55 189 136

HSL 156.27, 0.55%, 0.48%

LAB 68.74, -48.28, 16.63

 

CMYK 60 / 0 / 24 / 20

HEX #51CD9C

RGB 81 205 156

HSL 156.29, 0.55%, 0.56%

LAB 74.71, -45.97, 14.31

 

CMYK 47 / 0 / 19 / 16

HEX #71D6AE

RGB 113 214 174

HSL 156.24, 0.55%, 0.64%

LAB 78.84, -38.87, 10.72

 

CMYK 35 / 0 / 14 / 13

HEX #91DFC0

RGB 145 223 192

HSL 156.15, 0.55%, 0.72%

LAB 83.23, -30.72, 7.63

 

CMYK 61 / 0 / 24 / 20

HEX #50CC9B

RGB 80 204 155

HSL 156.29, 0.55%, 0.56%

LAB 74.35, -45.96, 14.35

 

CMYK 60 / 48 / 0 / 20

HEX #516ACD

RGB 81 106 205

HSL 227.9, 0.55%, 0.56%

LAB 47.58, 21.19, -54.26

 

CMYK 0 / 48 / 60 / 20

HEX #CD6A51

RGB 205 106 81

HSL 12.1, 0.55%, 0.56%

LAB 55.97, 36.96, 31.74

 

CMYK 61 / 0 / 24 / 20

HEX #50CC9B

RGB 80 204 155

HSL 156.29, 0.55%, 0.56%

LAB 74.35, -45.96, 14.35

 

CMYK 24 / 60 / 0 / 20

HEX #9B51CD

RGB 155 81 205

HSL 275.81, 0.55%, 0.56%

LAB 48.59, 52.22, -52.28

 

CMYK 0 / 24 / 60 / 20

HEX #CD9B51

RGB 205 155 81

HSL 35.81, 0.55%, 0.56%

LAB 67.29, 10.57, 45.36

 

CMYK 61 / 0 / 24 / 20

HEX #50CC9B

RGB 80 204 155

HSL 156.29, 0.55%, 0.56%

LAB 74.35, -45.96, 14.35

 

CMYK 60 / 48 / 0 / 20

HEX #516ACD

RGB 81 106 205

HSL 227.9, 0.55%, 0.56%

LAB 47.58, 21.19, -54.26

 

CMYK 0 / 60 / 37 / 20

HEX #CD5182

RGB 205 81 130

HSL 336.29, 0.55%, 0.56%

LAB 52.37, 53.67, -1.88

 

CMYK 0 / 12 / 60 / 20

HEX #CDB451

RGB 205 180 81

HSL 47.9, 0.55%, 0.56%

LAB 73.69, -2.79, 52.64

 

CMYK 61 / 0 / 24 / 20

HEX #50CC9B

RGB 80 204 155

HSL 156.29, 0.55%, 0.56%

LAB 74.35, -45.96, 14.35

 

CMYK 55 / 60 / 0 / 20

HEX #5D51CD

RGB 93 81 205

HSL 245.81, 0.55%, 0.56%

LAB 42.18, 38.85, -62.94

 

CMYK 0 / 60 / 37 / 20

HEX #CD5182

RGB 205 81 130

HSL 336.29, 0.55%, 0.56%

LAB 52.37, 53.67, -1.88

 

CMYK 6 / 0 / 60 / 20

HEX #C0CD51

RGB 192 205 81

HSL 66.29, 0.55%, 0.56%

LAB 79.31, -20.95, 58.53

 

Description

Color code: HEX #50CC9B | qconv.com Color code: HEX #50CC9B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 204 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 204 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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