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Color name
HEX #50CC68

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50CC68 it is the complementary color #AF3397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50CC68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50CC68 shade: #55CC63, #66DE76, #77F089, #88FF9C and #99FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50CC68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50CC68 shade: #50CC68, #3FBA55, #2EA842, #1D962F and #0C841C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50CC68 shade: #51CD69, #5ACD51, #7CCD51, #9DCD51 and #BECD51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50CC68 shade: #51CD69, #51CD8A, #51CDAC, #51CCCD and #51ABCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50CC68 shade matches the following richer shades: #51CD69, #3FDF5E and #2DF153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50CC68 shade: #51CD69, #63BA74, #75A87F, #88968A and #9A8495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50CC68 shade: #7CCD51, #5BCD51, #51CD68, #51CD89 and #51CDAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50CC68 shade: #2E9D43, #37BD51, #51CD69, #71D685 and #91DFA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50CC68 shade: #50CC68, #519DCD and #CD516C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50CC68 shade: #50CC68, #6851CD and #CD6851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50CC68 shade: #50CC68, #519DCD, #CD51B6 and #CD8051

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50CC68 shade: #50CC68, #5178CD, #CD51B6 and #CDA551

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 49 / 20

HEX #50CC68

RGB 80 204 104

HSL 131.61, 0.55%, 0.56%

LAB 73.47, -55.37, 39.62

 

Complementary color

CMYK 0 / 71 / 14 / 31

HEX #AF3397

RGB 175 51 151

HSL 311.61, 0.55%, 0.44%

LAB 43.82, 60.13, -27.91

 

CMYK 58 / 0 / 51 / 20

HEX #55CC63

RGB 85 204 99

HSL 127.06, 0.54%, 0.57%

LAB 73.56, -54.96, 42.19

 

CMYK 54 / 0 / 47 / 13

HEX #66DE76

RGB 102 222 118

HSL 128, 0.65%, 0.64%

LAB 79.83, -55.11, 40.85

 

CMYK 50 / 0 / 43 / 6

HEX #77F089

RGB 119 240 137

HSL 128.93, 0.8%, 0.7%

LAB 86.03, -55.11, 39.54

 

CMYK 47 / 0 / 39 / 0

HEX #88FF9C

RGB 136 255 156

HSL 130.08, 1%, 0.77%

LAB 91.3, -53.8, 37.15

 

CMYK 40 / 0 / 31 / 0

HEX #99FFAF

RGB 153 255 175

HSL 132.94, 1%, 0.8%

LAB 92.3, -46.08, 29.13

 

CMYK 61 / 0 / 49 / 20

HEX #50CC68

RGB 80 204 104

HSL 131.61, 0.55%, 0.56%

LAB 73.47, -55.37, 39.62

 

CMYK 66 / 0 / 54 / 27

HEX #3FBA55

RGB 63 186 85

HSL 130.73, 0.49%, 0.49%

LAB 67.15, -54.94, 41.03

 

CMYK 73 / 0 / 61 / 34

HEX #2EA842

RGB 46 168 66

HSL 129.84, 0.57%, 0.42%

LAB 60.76, -54.15, 42.42

 

CMYK 81 / 0 / 69 / 41

HEX #1D962F

RGB 29 150 47

HSL 128.93, 0.68%, 0.35%

LAB 54.32, -52.79, 43.64

 

CMYK 91 / 0 / 79 / 48

HEX #0C841C

RGB 12 132 28

HSL 128, 0.83%, 0.28%

LAB 47.83, -50.57, 44.35

 

CMYK 60 / 0 / 49 / 20

HEX #51CD69

RGB 81 205 105

HSL 131.61, 0.55%, 0.56%

LAB 73.82, -55.38, 39.57

 

CMYK 56 / 0 / 60 / 20

HEX #5ACD51

RGB 90 205 81

HSL 115.65, 0.55%, 0.56%

LAB 73.82, -56.34, 50.9

 

CMYK 40 / 0 / 60 / 20

HEX #7CCD51

RGB 124 205 81

HSL 99.19, 0.55%, 0.56%

LAB 75.17, -46.47, 52.78

 

CMYK 23 / 0 / 60 / 20

HEX #9DCD51

RGB 157 205 81

HSL 83.23, 0.55%, 0.56%

LAB 76.94, -34.78, 55.25

 

CMYK 7 / 0 / 60 / 20

HEX #BECD51

RGB 190 205 81

HSL 67.26, 0.55%, 0.56%

LAB 79.16, -21.77, 58.32

 

CMYK 60 / 0 / 49 / 20

HEX #51CD69

RGB 81 205 105

HSL 131.61, 0.55%, 0.56%

LAB 73.82, -55.38, 39.57

 

CMYK 60 / 0 / 33 / 20

HEX #51CD8A

RGB 81 205 138

HSL 147.58, 0.55%, 0.56%

LAB 74.35, -49.71, 23.37

 

CMYK 60 / 0 / 16 / 20

HEX #51CDAC

RGB 81 205 172

HSL 164.03, 0.55%, 0.56%

LAB 75.07, -42.3, 6.25

 

CMYK 60 / 0 / 0 / 20

HEX #51CCCD

RGB 81 204 205

HSL 180.48, 0.55%, 0.56%

LAB 75.66, -33.32, -10.69

 

CMYK 60 / 17 / 0 / 20

HEX #51ABCD

RGB 81 171 205

HSL 196.45, 0.55%, 0.56%

LAB 65.97, -16.8, -25.37

 

CMYK 60 / 0 / 49 / 20

HEX #51CD69

RGB 81 205 105

HSL 131.61, 0.55%, 0.56%

LAB 73.82, -55.38, 39.57

 

CMYK 72 / 0 / 58 / 13

HEX #3FDF5E

RGB 63 223 94

HSL 131.63, 0.71%, 0.56%

LAB 78.83, -66.61, 50.71

 

CMYK 81 / 0 / 66 / 5

HEX #2DF153

RGB 45 241 83

HSL 131.63, 0.88%, 0.56%

LAB 84.01, -75.82, 61.15

 

CMYK 60 / 0 / 49 / 20

HEX #51CD69

RGB 81 205 105

HSL 131.61, 0.55%, 0.56%

LAB 73.82, -55.38, 39.57

 

CMYK 47 / 0 / 38 / 27

HEX #63BA74

RGB 99 186 116

HSL 131.72, 0.39%, 0.56%

LAB 68.77, -41.43, 27.58

 

CMYK 30 / 0 / 24 / 34

HEX #75A87F

RGB 117 168 127

HSL 131.76, 0.23%, 0.56%

LAB 64.42, -25.55, 15.89

 

CMYK 9 / 0 / 8 / 41

HEX #88968A

RGB 136 150 138

HSL 128.57, 0.06%, 0.56%

LAB 60.68, -7.41, 4.61

 

CMYK 0 / 14 / 3 / 40

HEX #9A8495

RGB 154 132 149

HSL 313.64, 0.1%, 0.56%

LAB 57.6, 11.45, -5.99

 

CMYK 40 / 0 / 60 / 20

HEX #7CCD51

RGB 124 205 81

HSL 99.19, 0.55%, 0.56%

LAB 75.17, -46.47, 52.78

 

CMYK 56 / 0 / 60 / 20

HEX #5BCD51

RGB 91 205 81

HSL 115.16, 0.55%, 0.56%

LAB 73.86, -56.09, 50.95

 

CMYK 60 / 0 / 49 / 20

HEX #51CD68

RGB 81 205 104

HSL 131.13, 0.55%, 0.56%

LAB 73.81, -55.53, 40.04

 

CMYK 60 / 0 / 33 / 20

HEX #51CD89

RGB 81 205 137

HSL 147.1, 0.55%, 0.56%

LAB 74.33, -49.9, 23.87

 

CMYK 60 / 0 / 17 / 20

HEX #51CDAA

RGB 81 205 170

HSL 163.06, 0.55%, 0.56%

LAB 75.02, -42.77, 7.25

 

CMYK 71 / 0 / 57 / 38

HEX #2E9D43

RGB 46 157 67

HSL 131.35, 0.55%, 0.4%

LAB 57.17, -50.11, 37.75

 

CMYK 71 / 0 / 57 / 26

HEX #37BD51

RGB 55 189 81

HSL 131.64, 0.55%, 0.48%

LAB 67.87, -58.02, 43.76

 

CMYK 60 / 0 / 49 / 20

HEX #51CD69

RGB 81 205 105

HSL 131.61, 0.55%, 0.56%

LAB 73.82, -55.38, 39.57

 

CMYK 47 / 0 / 38 / 16

HEX #71D685

RGB 113 214 133

HSL 131.88, 0.55%, 0.64%

LAB 78.05, -46.7, 31.11

 

CMYK 35 / 0 / 28 / 13

HEX #91DFA0

RGB 145 223 160

HSL 131.54, 0.55%, 0.72%

LAB 82.56, -36.83, 23.47

 

CMYK 61 / 0 / 49 / 20

HEX #50CC68

RGB 80 204 104

HSL 131.61, 0.55%, 0.56%

LAB 73.47, -55.37, 39.62

 

CMYK 60 / 23 / 0 / 20

HEX #519DCD

RGB 81 157 205

HSL 203.23, 0.55%, 0.56%

LAB 61.89, -9.2, -31.66

 

CMYK 0 / 60 / 47 / 20

HEX #CD516C

RGB 205 81 108

HSL 346.94, 0.55%, 0.56%

LAB 51.78, 51.39, 10.42

 

CMYK 61 / 0 / 49 / 20

HEX #50CC68

RGB 80 204 104

HSL 131.61, 0.55%, 0.56%

LAB 73.47, -55.37, 39.62

 

CMYK 49 / 60 / 0 / 20

HEX #6851CD

RGB 104 81 205

HSL 251.13, 0.55%, 0.56%

LAB 43.12, 40.94, -61.38

 

CMYK 0 / 49 / 60 / 20

HEX #CD6851

RGB 205 104 81

HSL 11.13, 0.55%, 0.56%

LAB 55.56, 37.99, 31.23

 

CMYK 61 / 0 / 49 / 20

HEX #50CC68

RGB 80 204 104

HSL 131.61, 0.55%, 0.56%

LAB 73.47, -55.37, 39.62

 

CMYK 60 / 23 / 0 / 20

HEX #519DCD

RGB 81 157 205

HSL 203.23, 0.55%, 0.56%

LAB 61.89, -9.2, -31.66

 

CMYK 0 / 60 / 11 / 20

HEX #CD51B6

RGB 205 81 182

HSL 311.13, 0.55%, 0.56%

LAB 54.28, 60.7, -29.57

 

CMYK 0 / 38 / 60 / 20

HEX #CD8051

RGB 205 128 81

HSL 22.74, 0.55%, 0.56%

LAB 60.79, 25.26, 37.66

 

CMYK 61 / 0 / 49 / 20

HEX #50CC68

RGB 80 204 104

HSL 131.61, 0.55%, 0.56%

LAB 73.47, -55.37, 39.62

 

CMYK 60 / 41 / 0 / 20

HEX #5178CD

RGB 81 120 205

HSL 221.13, 0.55%, 0.56%

LAB 51.37, 12.5, -48.2

 

CMYK 0 / 60 / 11 / 20

HEX #CD51B6

RGB 205 81 182

HSL 311.13, 0.55%, 0.56%

LAB 54.28, 60.7, -29.57

 

CMYK 0 / 20 / 60 / 20

HEX #CDA551

RGB 205 165 81

HSL 40.65, 0.55%, 0.56%

LAB 69.81, 5.18, 48.26

 

Description

Color code: HEX #50CC68 | qconv.com Color code: HEX #50CC68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 204 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 204 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 49 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 49% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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