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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50CB46 it is the complementary color #AF34B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50CB46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50CB46 shade: #55CB41, #66DD54, #77EF67, #88FF7A and #99FF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50CB46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50CB46 shade: #50CB46, #3FB933, #2EA720, #1D950D and #0C8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50CB46 shade: #52CB48, #75CB48, #99CB48, #BCCB48 and #CBB748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50CB46 shade: #52CB48, #48CB62, #48CB85, #48CBA8 and #48CBCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50CB46 shade matches the following richer shades: #52CB48, #42DE35 and #32F122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50CB46 shade: #52CB48, #62B85B, #72A56E, #829281 and #927F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50CB46 shade: #99CB48, #76CB48, #53CB48, #48CB60 and #48CB83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50CB46 shade: #33962A, #3DB734, #52CB48, #70D468 and #8FDE88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50CB46 shade: #50CB46, #48BCCB and #CB4888

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50CB46 shade: #50CB46, #4853CB and #CB4853

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50CB46 shade: #50CB46, #48BCCB, #C048CB and #CB5748

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50CB46 shade: #50CB46, #4895CB, #C048CB and #CB7F48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 66 / 20

HEX #50CB46

RGB 80 203 70

HSL 115.49, 0.56%, 0.54%

LAB 72.8, -59.14, 54.38

 

Complementary color

CMYK 5 / 72 / 0 / 27

HEX #AF34B9

RGB 175 52 185

HSL 295.49, 0.56%, 0.46%

LAB 45.73, 65.26, -45.09

 

CMYK 58 / 0 / 68 / 20

HEX #55CB41

RGB 85 203 65

HSL 111.3, 0.57%, 0.53%

LAB 72.91, -58.42, 56.56

 

CMYK 54 / 0 / 62 / 13

HEX #66DD54

RGB 102 221 84

HSL 112.12, 0.67%, 0.6%

LAB 79.14, -58.91, 55.71

 

CMYK 50 / 0 / 57 / 6

HEX #77EF67

RGB 119 239 103

HSL 112.94, 0.81%, 0.67%

LAB 85.32, -59.17, 54.66

 

CMYK 47 / 0 / 52 / 0

HEX #88FF7A

RGB 136 255 122

HSL 113.68, 1%, 0.74%

LAB 90.85, -58.49, 52.81

 

CMYK 40 / 0 / 45 / 0

HEX #99FF8D

RGB 153 255 141

HSL 113.68, 1%, 0.78%

LAB 91.78, -51.22, 45.2

 

CMYK 61 / 0 / 66 / 20

HEX #50CB46

RGB 80 203 70

HSL 115.49, 0.56%, 0.54%

LAB 72.8, -59.14, 54.38

 

CMYK 66 / 0 / 72 / 27

HEX #3FB933

RGB 63 185 51

HSL 114.63, 0.57%, 0.46%

LAB 66.52, -58.29, 55.06

 

CMYK 72 / 0 / 81 / 35

HEX #2EA720

RGB 46 167 32

HSL 113.78, 0.68%, 0.39%

LAB 60.18, -56.92, 55.1

 

CMYK 81 / 0 / 91 / 42

HEX #1D950D

RGB 29 149 13

HSL 112.94, 0.84%, 0.32%

LAB 53.8, -54.8, 53.92

 

CMYK 91 / 0 / 100 / 49

HEX #0C8300

RGB 12 131 0

HSL 114.5, 1%, 0.26%

LAB 47.38, -51.65, 50.86

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 42 / 0 / 65 / 20

HEX #75CB48

RGB 117 203 72

HSL 99.39, 0.56%, 0.54%

LAB 74.17, -48.73, 55.43

 

CMYK 25 / 0 / 65 / 20

HEX #99CB48

RGB 153 203 72

HSL 82.9, 0.56%, 0.54%

LAB 76.04, -36.09, 58

 

CMYK 7 / 0 / 65 / 20

HEX #BCCB48

RGB 188 203 72

HSL 66.87, 0.56%, 0.54%

LAB 78.39, -22.22, 61.2

 

CMYK 0 / 10 / 65 / 20

HEX #CBB748

RGB 203 183 72

HSL 50.84, 0.56%, 0.54%

LAB 74.21, -5.8, 57.16

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 65 / 0 / 52 / 20

HEX #48CB62

RGB 72 203 98

HSL 131.91, 0.56%, 0.54%

LAB 72.87, -57.53, 41.76

 

CMYK 65 / 0 / 34 / 20

HEX #48CB85

RGB 72 203 133

HSL 147.94, 0.56%, 0.54%

LAB 73.4, -51.64, 24.68

 

CMYK 65 / 0 / 17 / 20

HEX #48CBA8

RGB 72 203 168

HSL 163.97, 0.56%, 0.54%

LAB 74.14, -43.99, 7.03

 

CMYK 65 / 0 / 0 / 20

HEX #48CBCB

RGB 72 203 203

HSL 180, 0.56%, 0.54%

LAB 75.08, -34.85, -10.51

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 70 / 0 / 76 / 13

HEX #42DE35

RGB 66 222 53

HSL 115.38, 0.72%, 0.54%

LAB 78.26, -69.65, 66.11

 

CMYK 79 / 0 / 86 / 5

HEX #32F122

RGB 50 241 34

HSL 115.36, 0.88%, 0.54%

LAB 83.81, -78.59, 76.02

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 47 / 0 / 51 / 28

HEX #62B85B

RGB 98 184 91

HSL 115.48, 0.4%, 0.54%

LAB 67.75, -44.67, 39.09

 

CMYK 31 / 0 / 33 / 35

HEX #72A56E

RGB 114 165 110

HSL 115.64, 0.23%, 0.54%

LAB 63.02, -28.09, 23.26

 

CMYK 11 / 0 / 12 / 43

HEX #829281

RGB 130 146 129

HSL 116.47, 0.07%, 0.54%

LAB 58.87, -9.14, 7.07

 

CMYK 1 / 14 / 0 / 42

HEX #927F94

RGB 146 127 148

HSL 294.29, 0.09%, 0.54%

LAB 55.51, 11.22, -8.61

 

CMYK 25 / 0 / 65 / 20

HEX #99CB48

RGB 153 203 72

HSL 82.9, 0.56%, 0.54%

LAB 76.04, -36.09, 58

 

CMYK 42 / 0 / 65 / 20

HEX #76CB48

RGB 118 203 72

HSL 98.93, 0.56%, 0.54%

LAB 74.21, -48.41, 55.49

 

CMYK 59 / 0 / 65 / 20

HEX #53CB48

RGB 83 203 72

HSL 114.96, 0.56%, 0.54%

LAB 72.9, -58.25, 53.69

 

CMYK 65 / 0 / 53 / 20

HEX #48CB60

RGB 72 203 96

HSL 130.99, 0.56%, 0.54%

LAB 72.85, -57.81, 42.69

 

CMYK 65 / 0 / 35 / 20

HEX #48CB83

RGB 72 203 131

HSL 147.02, 0.56%, 0.54%

LAB 73.37, -52.02, 25.68

 

CMYK 66 / 0 / 72 / 41

HEX #33962A

RGB 51 150 42

HSL 115, 0.56%, 0.38%

LAB 54.74, -49.39, 46.29

 

CMYK 67 / 0 / 72 / 28

HEX #3DB734

RGB 61 183 52

HSL 115.88, 0.56%, 0.46%

LAB 65.83, -57.94, 53.97

 

CMYK 60 / 0 / 65 / 20

HEX #52CB48

RGB 82 203 72

HSL 115.42, 0.56%, 0.54%

LAB 72.87, -58.48, 53.65

 

CMYK 47 / 0 / 51 / 17

HEX #70D468

RGB 112 212 104

HSL 115.56, 0.56%, 0.62%

LAB 77, -50.42, 44.21

 

CMYK 36 / 0 / 39 / 13

HEX #8FDE88

RGB 143 222 136

HSL 115.12, 0.57%, 0.7%

LAB 81.76, -40.87, 34.7

 

CMYK 61 / 0 / 66 / 20

HEX #50CB46

RGB 80 203 70

HSL 115.49, 0.56%, 0.54%

LAB 72.8, -59.14, 54.38

 

CMYK 65 / 7 / 0 / 20

HEX #48BCCB

RGB 72 188 203

HSL 186.87, 0.56%, 0.54%

LAB 70.63, -27.64, -17.19

 

CMYK 0 / 65 / 33 / 20

HEX #CB4888

RGB 203 72 136

HSL 330.69, 0.56%, 0.54%

LAB 50.81, 57.62, -7.8

 

CMYK 61 / 0 / 66 / 20

HEX #50CB46

RGB 80 203 70

HSL 115.49, 0.56%, 0.54%

LAB 72.8, -59.14, 54.38

 

CMYK 65 / 59 / 0 / 20

HEX #4853CB

RGB 72 83 203

HSL 234.96, 0.56%, 0.54%

LAB 41.02, 33.41, -63.74

 

CMYK 0 / 65 / 59 / 20

HEX #CB4853

RGB 203 72 83

HSL 354.96, 0.56%, 0.54%

LAB 49.44, 52.61, 22.16

 

CMYK 61 / 0 / 66 / 20

HEX #50CB46

RGB 80 203 70

HSL 115.49, 0.56%, 0.54%

LAB 72.8, -59.14, 54.38

 

CMYK 65 / 7 / 0 / 20

HEX #48BCCB

RGB 72 188 203

HSL 186.87, 0.56%, 0.54%

LAB 70.63, -27.64, -17.19

 

CMYK 5 / 65 / 0 / 20

HEX #C048CB

RGB 192 72 203

HSL 294.96, 0.56%, 0.54%

LAB 52.01, 64.67, -45.38

 

CMYK 0 / 57 / 65 / 20

HEX #CB5748

RGB 203 87 72

HSL 6.87, 0.56%, 0.54%

LAB 51.82, 45.1, 31.62

 

CMYK 61 / 0 / 66 / 20

HEX #50CB46

RGB 80 203 70

HSL 115.49, 0.56%, 0.54%

LAB 72.8, -59.14, 54.38

 

CMYK 65 / 27 / 0 / 20

HEX #4895CB

RGB 72 149 203

HSL 204.73, 0.56%, 0.54%

LAB 59.14, -7, -34.84

 

CMYK 5 / 65 / 0 / 20

HEX #C048CB

RGB 192 72 203

HSL 294.96, 0.56%, 0.54%

LAB 52.01, 64.67, -45.38

 

CMYK 0 / 37 / 65 / 20

HEX #CB7F48

RGB 203 127 72

HSL 25.19, 0.56%, 0.54%

LAB 60.2, 24.36, 41.62

 

Description

Color code: HEX #50CB46 | qconv.com Color code: HEX #50CB46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 203 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 203 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 66 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 66% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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