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Color name
HEX #50C828

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50C828 it is the complementary color #AF37D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50C828. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50C828 shade: #55C823, #66DA36, #77EC49, #88FE5C and #99FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50C828. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50C828 shade: #50C828, #3FB615, #2EA402, #1D9200 and #0C8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50C828 shade: #50C828, #7BC828, #A6C828, #C8BF28 and #C89328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50C828 shade: #50C828, #28C82B, #28C856, #28C881 and #28C8AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50C828 shade matches the following richer shades: #50C828, #46DC14 and #3CEF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50C828 shade: #50C828, #59B53B, #63A14E, #6D8E62 and #767B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50C828 shade: #A5C828, #7BC828, #50C828, #28C82A and #28C855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50C828 shade: #34831A, #42A621, #50C828, #66D940 and #82E062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50C828 shade: #50C828, #28C8C0 and #C82890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50C828 shade: #50C828, #2850C8 and #C82850

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50C828 shade: #50C828, #28C8C0, #A028C8 and #C82830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50C828 shade: #50C828, #28A0C8, #A028C8 and #C85028

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

Complementary color

CMYK 19 / 74 / 0 / 16

HEX #AF37D7

RGB 175 55 215

HSL 285, 0.67%, 0.53%

LAB 47.95, 69.69, -58.9

 

CMYK 58 / 0 / 83 / 22

HEX #55C823

RGB 85 200 35

HSL 101.82, 0.7%, 0.46%

LAB 71.8, -59.36, 65.38

 

CMYK 53 / 0 / 75 / 15

HEX #66DA36

RGB 102 218 54

HSL 102.44, 0.69%, 0.53%

LAB 78.01, -60.25, 65.88

 

CMYK 50 / 0 / 69 / 7

HEX #77EC49

RGB 119 236 73

HSL 103.07, 0.81%, 0.61%

LAB 84.17, -60.84, 65.68

 

CMYK 46 / 0 / 64 / 0

HEX #88FE5C

RGB 136 254 92

HSL 103.7, 0.99%, 0.68%

LAB 90.27, -61.21, 65.05

 

CMYK 40 / 0 / 56 / 0

HEX #99FF6F

RGB 153 255 111

HSL 102.5, 1%, 0.72%

LAB 91.43, -54.75, 58.59

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 65 / 0 / 88 / 29

HEX #3FB615

RGB 63 182 21

HSL 104.35, 0.79%, 0.4%

LAB 65.41, -59, 62.66

 

CMYK 72 / 0 / 99 / 36

HEX #2EA402

RGB 46 164 2

HSL 103.7, 0.98%, 0.33%

LAB 59.1, -57.08, 60.15

 

CMYK 80 / 0 / 100 / 43

HEX #1D9200

RGB 29 146 0

HSL 108.08, 1%, 0.29%

LAB 52.75, -54.27, 55.25

 

CMYK 91 / 0 / 100 / 50

HEX #0C8000

RGB 12 128 0

HSL 114.38, 1%, 0.25%

LAB 46.33, -50.74, 50.03

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 39 / 0 / 80 / 22

HEX #7BC828

RGB 123 200 40

HSL 88.88, 0.67%, 0.47%

LAB 73.33, -47.65, 65.99

 

CMYK 17 / 0 / 80 / 22

HEX #A6C828

RGB 166 200 40

HSL 72.75, 0.67%, 0.47%

LAB 75.8, -31.4, 69.15

 

CMYK 0 / 5 / 80 / 22

HEX #C8BF28

RGB 200 191 40

HSL 56.63, 0.67%, 0.47%

LAB 75.88, -12.7, 70.21

 

CMYK 0 / 27 / 80 / 22

HEX #C89328

RGB 200 147 40

HSL 40.13, 0.67%, 0.47%

LAB 64.4, 10.57, 60.02

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 80 / 0 / 79 / 22

HEX #28C82B

RGB 40 200 43

HSL 121.13, 0.67%, 0.47%

LAB 70.83, -67.41, 61.87

 

CMYK 80 / 0 / 57 / 22

HEX #28C856

RGB 40 200 86

HSL 137.25, 0.67%, 0.47%

LAB 71.17, -63.2, 45.25

 

CMYK 80 / 0 / 36 / 22

HEX #28C881

RGB 40 200 129

HSL 153.38, 0.67%, 0.47%

LAB 71.79, -55.95, 24.49

 

CMYK 80 / 0 / 14 / 22

HEX #28C8AD

RGB 40 200 173

HSL 169.88, 0.67%, 0.47%

LAB 72.74, -45.63, 2.24

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 68 / 0 / 91 / 14

HEX #46DC14

RGB 70 220 20

HSL 105, 0.83%, 0.47%

LAB 77.6, -69.8, 73.26

 

CMYK 75 / 0 / 100 / 6

HEX #3CEF01

RGB 60 239 1

HSL 105.13, 0.99%, 0.47%

LAB 83.28, -77.46, 79.74

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 51 / 0 / 67 / 29

HEX #59B53B

RGB 89 181 59

HSL 105.25, 0.51%, 0.47%

LAB 66.13, -49.66, 51.79

 

CMYK 39 / 0 / 52 / 37

HEX #63A14E

RGB 99 161 78

HSL 104.82, 0.35%, 0.47%

LAB 60.51, -36.07, 36.75

 

CMYK 23 / 0 / 31 / 44

HEX #6D8E62

RGB 109 142 98

HSL 105, 0.18%, 0.47%

LAB 55.56, -20.35, 19.8

 

CMYK 4 / 0 / 5 / 52

HEX #767B75

RGB 118 123 117

HSL 110, 0.03%, 0.47%

LAB 51.04, -3.08, 2.62

 

CMYK 18 / 0 / 80 / 22

HEX #A5C828

RGB 165 200 40

HSL 73.13, 0.67%, 0.47%

LAB 75.74, -31.81, 69.07

 

CMYK 39 / 0 / 80 / 22

HEX #7BC828

RGB 123 200 40

HSL 88.88, 0.67%, 0.47%

LAB 73.33, -47.65, 65.99

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 80 / 0 / 79 / 22

HEX #28C82A

RGB 40 200 42

HSL 120.75, 0.67%, 0.47%

LAB 70.82, -67.48, 62.16

 

CMYK 80 / 0 / 58 / 22

HEX #28C855

RGB 40 200 85

HSL 136.88, 0.67%, 0.47%

LAB 71.16, -63.34, 45.71

 

CMYK 60 / 0 / 80 / 49

HEX #34831A

RGB 52 131 26

HSL 105.14, 0.67%, 0.31%

LAB 48.31, -43.37, 45.78

 

CMYK 60 / 0 / 80 / 35

HEX #42A621

RGB 66 166 33

HSL 105.11, 0.67%, 0.39%

LAB 60.37, -52.22, 55.17

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 53 / 0 / 71 / 15

HEX #66D940

RGB 102 217 64

HSL 105.1, 0.67%, 0.55%

LAB 77.77, -59.2, 62.19

 

CMYK 42 / 0 / 56 / 12

HEX #82E062

RGB 130 224 98

HSL 104.76, 0.67%, 0.63%

LAB 81.26, -50.66, 52.27

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 80 / 0 / 4 / 22

HEX #28C8C0

RGB 40 200 192

HSL 177, 0.67%, 0.47%

LAB 73.26, -40.42, -7.31

 

CMYK 0 / 80 / 28 / 22

HEX #C82890

RGB 200 40 144

HSL 321, 0.67%, 0.47%

LAB 46.72, 68.59, -18.85

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 80 / 60 / 0 / 22

HEX #2850C8

RGB 40 80 200

HSL 225, 0.67%, 0.47%

LAB 38.48, 30.3, -66.21

 

CMYK 0 / 80 / 60 / 22

HEX #C82850

RGB 200 40 80

HSL 345, 0.67%, 0.47%

LAB 44.77, 62.75, 17.67

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 80 / 0 / 4 / 22

HEX #28C8C0

RGB 40 200 192

HSL 177, 0.67%, 0.47%

LAB 73.26, -40.42, -7.31

 

CMYK 20 / 80 / 0 / 22

HEX #A028C8

RGB 160 40 200

HSL 285, 0.67%, 0.47%

LAB 43.01, 68.91, -58.35

 

CMYK 0 / 80 / 76 / 22

HEX #C82830

RGB 200 40 48

HSL 357, 0.67%, 0.47%

LAB 44.25, 61.15, 36.42

 

CMYK 60 / 0 / 80 / 22

HEX #50C828

RGB 80 200 40

HSL 105, 0.67%, 0.47%

LAB 71.67, -60.34, 63.85

 

CMYK 80 / 20 / 0 / 22

HEX #28A0C8

RGB 40 160 200

HSL 195, 0.67%, 0.47%

LAB 61.45, -18.37, -29.64

 

CMYK 20 / 80 / 0 / 22

HEX #A028C8

RGB 160 40 200

HSL 285, 0.67%, 0.47%

LAB 43.01, 68.91, -58.35

 

CMYK 0 / 60 / 80 / 22

HEX #C85028

RGB 200 80 40

HSL 15, 0.67%, 0.47%

LAB 49.7, 45.78, 46.31

 

Description

Color code: HEX #50C828 | qconv.com Color code: HEX #50C828 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 200 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 200 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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