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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50BF93 it is the complementary color #AF406C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50BF93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50BF93 shade: #55BF8E, #66D1A1, #77E3B4, #88F5C7 and #99FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50BF93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50BF93 shade: #50BF93, #3FAD80, #2E9B6D, #1D895A and #0C7747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50BF93 shade: #50BE93, #50BE75, #50BE57, #67BE50 and #84BE50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50BF93 shade: #50BE93, #50BEB0, #50AFBE, #5091BE and #5073BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50BF93 shade matches the following richer shades: #50BE93, #3DD297, #29E59B and #16F89F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50BF93 shade: #50BE93, #63AB8F, #77978B, #8A8487 and #9E7182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50BF93 shade: #50BE57, #50BE75, #50BE92, #50BEB0 and #50B0BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50BF93 shade: #338967, #3EA77D, #50BE93, #6EC9A5 and #8CD5B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50BF93 shade: #50BF93, #5066BE and #BE6650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50BF93 shade: #50BF93, #9250BE and #BE9250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50BF93 shade: #50BF93, #5066BE, #BE507C and #BEA850

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50BF93 shade: #50BF93, #5B50BE, #BE507C and #B3BE50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 23 / 25

HEX #50BF93

RGB 80 191 147

HSL 156.22, 0.46%, 0.53%

LAB 70.23, -42.15, 12.85

 

Complementary color

CMYK 0 / 63 / 38 / 31

HEX #AF406C

RGB 175 64 108

HSL 336.22, 0.46%, 0.47%

LAB 44.04, 49.23, -1.35

 

CMYK 55 / 0 / 26 / 25

HEX #55BF8E

RGB 85 191 142

HSL 152.26, 0.45%, 0.54%

LAB 70.28, -42.15, 15.65

 

CMYK 51 / 0 / 23 / 18

HEX #66D1A1

RGB 102 209 161

HSL 153.08, 0.54%, 0.61%

LAB 76.68, -42.08, 14.51

 

CMYK 48 / 0 / 21 / 11

HEX #77E3B4

RGB 119 227 180

HSL 153.89, 0.66%, 0.68%

LAB 83, -41.93, 13.46

 

CMYK 44 / 0 / 19 / 4

HEX #88F5C7

RGB 136 245 199

HSL 154.68, 0.84%, 0.75%

LAB 89.23, -41.76, 12.48

 

CMYK 40 / 0 / 15 / 0

HEX #99FFDA

RGB 153 255 218

HSL 158.24, 1%, 0.8%

LAB 93.17, -37.97, 8.38

 

CMYK 58 / 0 / 23 / 25

HEX #50BF93

RGB 80 191 147

HSL 156.22, 0.46%, 0.53%

LAB 70.23, -42.15, 12.85

 

CMYK 64 / 0 / 26 / 32

HEX #3FAD80

RGB 63 173 128

HSL 155.45, 0.47%, 0.46%

LAB 63.76, -42.03, 14.08

 

CMYK 70 / 0 / 30 / 39

HEX #2E9B6D

RGB 46 155 109

HSL 154.68, 0.54%, 0.39%

LAB 57.2, -41.71, 15.44

 

CMYK 79 / 0 / 34 / 46

HEX #1D895A

RGB 29 137 90

HSL 153.89, 0.65%, 0.33%

LAB 50.56, -41.05, 16.98

 

CMYK 90 / 0 / 40 / 53

HEX #0C7747

RGB 12 119 71

HSL 153.08, 0.82%, 0.26%

LAB 43.84, -39.85, 18.73

 

CMYK 58 / 0 / 23 / 25

HEX #50BE93

RGB 80 190 147

HSL 156.55, 0.46%, 0.53%

LAB 69.92, -41.72, 12.42

 

CMYK 58 / 0 / 38 / 25

HEX #50BE75

RGB 80 190 117

HSL 140.18, 0.46%, 0.53%

LAB 69.34, -47.77, 27.68

 

CMYK 58 / 0 / 54 / 25

HEX #50BE57

RGB 80 190 87

HSL 123.82, 0.46%, 0.53%

LAB 68.91, -52.43, 42.3

 

CMYK 46 / 0 / 58 / 25

HEX #67BE50

RGB 103 190 80

HSL 107.45, 0.46%, 0.53%

LAB 69.68, -47, 46.71

 

CMYK 31 / 0 / 58 / 25

HEX #84BE50

RGB 132 190 80

HSL 91.64, 0.46%, 0.53%

LAB 71.09, -37.31, 48.7

 

CMYK 58 / 0 / 23 / 25

HEX #50BE93

RGB 80 190 147

HSL 156.55, 0.46%, 0.53%

LAB 69.92, -41.72, 12.42

 

CMYK 58 / 0 / 7 / 25

HEX #50BEB0

RGB 80 190 176

HSL 172.36, 0.46%, 0.53%

LAB 70.64, -34.7, -2.37

 

CMYK 58 / 8 / 0 / 25

HEX #50AFBE

RGB 80 175 190

HSL 188.18, 0.46%, 0.53%

LAB 66.58, -23.54, -16.13

 

CMYK 58 / 24 / 0 / 25

HEX #5091BE

RGB 80 145 190

HSL 204.55, 0.46%, 0.53%

LAB 57.73, -7.44, -29.69

 

CMYK 58 / 39 / 0 / 25

HEX #5073BE

RGB 80 115 190

HSL 220.91, 0.46%, 0.53%

LAB 49.11, 10.33, -43.2

 

CMYK 58 / 0 / 23 / 25

HEX #50BE93

RGB 80 190 147

HSL 156.55, 0.46%, 0.53%

LAB 69.92, -41.72, 12.42

 

CMYK 71 / 0 / 28 / 18

HEX #3DD297

RGB 61 210 151

HSL 156.24, 0.62%, 0.53%

LAB 75.65, -52.52, 18.22

 

CMYK 82 / 0 / 32 / 10

HEX #29E59B

RGB 41 229 155

HSL 156.38, 0.78%, 0.53%

LAB 81.22, -61.2, 23.75

 

CMYK 91 / 0 / 36 / 3

HEX #16F89F

RGB 22 248 159

HSL 156.37, 0.94%, 0.53%

LAB 86.9, -68.37, 29.38

 

CMYK 58 / 0 / 23 / 25

HEX #50BE93

RGB 80 190 147

HSL 156.55, 0.46%, 0.53%

LAB 69.92, -41.72, 12.42

 

CMYK 42 / 0 / 16 / 33

HEX #63AB8F

RGB 99 171 143

HSL 156.67, 0.3%, 0.53%

LAB 64.77, -29.23, 7.4

 

CMYK 21 / 0 / 8 / 41

HEX #77978B

RGB 119 151 139

HSL 157.5, 0.13%, 0.53%

LAB 59.82, -13.71, 2.65

 

CMYK 0 / 4 / 2 / 46

HEX #8A8487

RGB 138 132 135

HSL 330, 0.02%, 0.53%

LAB 55.74, 2.83, -0.82

 

CMYK 0 / 28 / 18 / 38

HEX #9E7182

RGB 158 113 130

HSL 337.33, 0.19%, 0.53%

LAB 52.61, 20.45, -2.26

 

CMYK 58 / 0 / 54 / 25

HEX #50BE57

RGB 80 190 87

HSL 123.82, 0.46%, 0.53%

LAB 68.91, -52.43, 42.3

 

CMYK 58 / 0 / 38 / 25

HEX #50BE75

RGB 80 190 117

HSL 140.18, 0.46%, 0.53%

LAB 69.34, -47.77, 27.68

 

CMYK 58 / 0 / 23 / 25

HEX #50BE92

RGB 80 190 146

HSL 156, 0.46%, 0.53%

LAB 69.9, -41.94, 12.93

 

CMYK 58 / 0 / 7 / 25

HEX #50BEB0

RGB 80 190 176

HSL 172.36, 0.46%, 0.53%

LAB 70.64, -34.7, -2.37

 

CMYK 58 / 7 / 0 / 25

HEX #50B0BE

RGB 80 176 190

HSL 187.64, 0.46%, 0.53%

LAB 66.88, -24.04, -15.68

 

CMYK 63 / 0 / 25 / 46

HEX #338967

RGB 51 137 103

HSL 156.28, 0.46%, 0.37%

LAB 51.35, -34.3, 10.72

 

CMYK 63 / 0 / 25 / 35

HEX #3EA77D

RGB 62 167 125

HSL 156, 0.46%, 0.45%

LAB 61.78, -40.31, 12.96

 

CMYK 58 / 0 / 23 / 25

HEX #50BE93

RGB 80 190 147

HSL 156.55, 0.46%, 0.53%

LAB 69.92, -41.72, 12.42

 

CMYK 45 / 0 / 18 / 21

HEX #6EC9A5

RGB 110 201 165

HSL 156.26, 0.46%, 0.61%

LAB 74.7, -35.64, 9.62

 

CMYK 34 / 0 / 14 / 16

HEX #8CD5B8

RGB 140 213 184

HSL 156.16, 0.46%, 0.69%

LAB 79.97, -29.04, 7.16

 

CMYK 58 / 0 / 23 / 25

HEX #50BF93

RGB 80 191 147

HSL 156.22, 0.46%, 0.53%

LAB 70.23, -42.15, 12.85

 

CMYK 58 / 46 / 0 / 25

HEX #5066BE

RGB 80 102 190

HSL 228, 0.46%, 0.53%

LAB 45.53, 18.43, -48.91

 

CMYK 0 / 46 / 58 / 25

HEX #BE6650

RGB 190 102 80

HSL 12, 0.46%, 0.53%

LAB 52.98, 33.1, 28.09

 

CMYK 58 / 0 / 23 / 25

HEX #50BF93

RGB 80 191 147

HSL 156.22, 0.46%, 0.53%

LAB 70.23, -42.15, 12.85

 

CMYK 23 / 58 / 0 / 25

HEX #9250BE

RGB 146 80 190

HSL 276, 0.46%, 0.53%

LAB 46.4, 47.14, -47.18

 

CMYK 0 / 23 / 58 / 25

HEX #BE9250

RGB 190 146 80

HSL 36, 0.46%, 0.53%

LAB 63.41, 8.99, 40.91

 

CMYK 58 / 0 / 23 / 25

HEX #50BF93

RGB 80 191 147

HSL 156.22, 0.46%, 0.53%

LAB 70.23, -42.15, 12.85

 

CMYK 58 / 46 / 0 / 25

HEX #5066BE

RGB 80 102 190

HSL 228, 0.46%, 0.53%

LAB 45.53, 18.43, -48.91

 

CMYK 0 / 58 / 35 / 25

HEX #BE507C

RGB 190 80 124

HSL 336, 0.46%, 0.53%

LAB 49.67, 48.63, -2.54

 

CMYK 0 / 12 / 58 / 25

HEX #BEA850

RGB 190 168 80

HSL 48, 0.46%, 0.53%

LAB 69.13, -2.91, 47.58

 

CMYK 58 / 0 / 23 / 25

HEX #50BF93

RGB 80 191 147

HSL 156.22, 0.46%, 0.53%

LAB 70.23, -42.15, 12.85

 

CMYK 52 / 58 / 0 / 25

HEX #5B50BE

RGB 91 80 190

HSL 246, 0.46%, 0.53%

LAB 40.7, 34.39, -56.64

 

CMYK 0 / 58 / 35 / 25

HEX #BE507C

RGB 190 80 124

HSL 336, 0.46%, 0.53%

LAB 49.67, 48.63, -2.54

 

CMYK 6 / 0 / 58 / 25

HEX #B3BE50

RGB 179 190 80

HSL 66, 0.46%, 0.53%

LAB 74.18, -18.92, 53.04

 

Description

Color code: HEX #50BF93 | qconv.com Color code: HEX #50BF93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 191 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 191 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 23 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 23% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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