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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50BB26 it is the complementary color #AF44D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50BB26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50BB26 shade: #55BB21, #66CD34, #77DF47, #88F15A and #99FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50BB26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50BB26 shade: #50BB26, #3FA913, #2E9700, #1D8500 and #0C7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50BB26 shade: #50BA26, #78BA26, #A0BA26, #BAAD26 and #BA8526

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50BB26 shade: #50BA26, #28BA26, #26BA4C, #26BA74 and #26BA9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50BB26 shade matches the following richer shades: #50BA26, #48CC14 and #40DF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50BB26 shade: #50BA26, #58A838, #60964A, #68845D and #70726F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50BB26 shade: #9FBA26, #78BA26, #50BA26, #29BA26 and #26BA4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50BB26 shade: #337618, #41981F, #50BA26, #62D534 and #7CDC56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50BB26 shade: #50BB26, #26BAAE and #BA268B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50BB26 shade: #50BB26, #2650BA and #BA2650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50BB26 shade: #50BB26, #26BAAE, #9026BA and #BA2632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50BB26 shade: #50BB26, #269ABA, #9026BA and #BA4626

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 80 / 27

HEX #50BB26

RGB 80 187 38

HSL 103.09, 0.66%, 0.44%

LAB 67.57, -55.88, 60.59

 

Complementary color

CMYK 19 / 69 / 0 / 15

HEX #AF44D9

RGB 175 68 217

HSL 283.09, 0.66%, 0.56%

LAB 49.81, 65.16, -57.05

 

CMYK 55 / 0 / 82 / 27

HEX #55BB21

RGB 85 187 33

HSL 99.74, 0.7%, 0.43%

LAB 67.71, -54.8, 62.18

 

CMYK 50 / 0 / 75 / 20

HEX #66CD34

RGB 102 205 52

HSL 100.39, 0.6%, 0.5%

LAB 74.02, -55.6, 62.63

 

CMYK 47 / 0 / 68 / 13

HEX #77DF47

RGB 119 223 71

HSL 101.05, 0.7%, 0.58%

LAB 80.27, -56.1, 62.36

 

CMYK 44 / 0 / 63 / 5

HEX #88F15A

RGB 136 241 90

HSL 101.72, 0.84%, 0.65%

LAB 86.45, -56.39, 61.67

 

CMYK 40 / 0 / 57 / 0

HEX #99FF6D

RGB 153 255 109

HSL 101.92, 1%, 0.71%

LAB 91.41, -54.95, 59.44

 

CMYK 57 / 0 / 80 / 27

HEX #50BB26

RGB 80 187 38

HSL 103.09, 0.66%, 0.44%

LAB 67.57, -55.88, 60.59

 

CMYK 63 / 0 / 89 / 34

HEX #3FA913

RGB 63 169 19

HSL 102.4, 0.8%, 0.37%

LAB 61.2, -54.66, 59.43

 

CMYK 70 / 0 / 100 / 41

HEX #2E9700

RGB 46 151 0

HSL 101.72, 1%, 0.3%

LAB 54.78, -52.9, 57.01

 

CMYK 78 / 0 / 100 / 48

HEX #1D8500

RGB 29 133 0

HSL 106.92, 1%, 0.26%

LAB 48.31, -50.18, 51.7

 

CMYK 90 / 0 / 100 / 55

HEX #0C7300

RGB 12 115 0

HSL 113.74, 1%, 0.23%

LAB 41.75, -46.76, 46.36

 

CMYK 57 / 0 / 80 / 27

HEX #50BA26

RGB 80 186 38

HSL 102.97, 0.66%, 0.44%

LAB 67.25, -55.52, 60.29

 

CMYK 35 / 0 / 80 / 27

HEX #78BA26

RGB 120 186 38

HSL 86.76, 0.66%, 0.44%

LAB 68.93, -42.96, 62.47

 

CMYK 14 / 0 / 80 / 27

HEX #A0BA26

RGB 160 186 38

HSL 70.54, 0.66%, 0.44%

LAB 71.37, -27.3, 65.59

 

CMYK 0 / 7 / 80 / 27

HEX #BAAD26

RGB 186 173 38

HSL 54.73, 0.66%, 0.44%

LAB 69.8, -9.6, 64.97

 

CMYK 0 / 28 / 80 / 27

HEX #BA8526

RGB 186 133 38

HSL 38.51, 0.66%, 0.44%

LAB 59.3, 11.99, 55.51

 

CMYK 57 / 0 / 80 / 27

HEX #50BA26

RGB 80 186 38

HSL 102.97, 0.66%, 0.44%

LAB 67.25, -55.52, 60.29

 

CMYK 78 / 0 / 80 / 27

HEX #28BA26

RGB 40 186 38

HSL 119.19, 0.66%, 0.44%

LAB 66.3, -63.49, 59.06

 

CMYK 80 / 0 / 59 / 27

HEX #26BA4C

RGB 38 186 76

HSL 135.41, 0.66%, 0.44%

LAB 66.56, -60.15, 44.47

 

CMYK 80 / 0 / 38 / 27

HEX #26BA74

RGB 38 186 116

HSL 151.62, 0.66%, 0.44%

LAB 67.12, -53.57, 25.08

 

CMYK 80 / 0 / 16 / 27

HEX #26BA9C

RGB 38 186 156

HSL 167.84, 0.66%, 0.44%

LAB 67.97, -44.34, 4.6

 

CMYK 57 / 0 / 80 / 27

HEX #50BA26

RGB 80 186 38

HSL 102.97, 0.66%, 0.44%

LAB 67.25, -55.52, 60.29

 

CMYK 65 / 0 / 90 / 20

HEX #48CC14

RGB 72 204 20

HSL 103.04, 0.82%, 0.44%

LAB 72.64, -64.32, 69.1

 

CMYK 71 / 0 / 99 / 13

HEX #40DF02

RGB 64 223 2

HSL 103.17, 0.98%, 0.44%

LAB 78.39, -72.12, 75.77

 

CMYK 57 / 0 / 80 / 27

HEX #50BA26

RGB 80 186 38

HSL 102.97, 0.66%, 0.44%

LAB 67.25, -55.52, 60.29

 

CMYK 48 / 0 / 67 / 34

HEX #58A838

RGB 88 168 56

HSL 102.86, 0.5%, 0.44%

LAB 61.97, -45.05, 48.57

 

CMYK 36 / 0 / 51 / 41

HEX #60964A

RGB 96 150 74

HSL 102.63, 0.34%, 0.44%

LAB 56.87, -32.59, 34.31

 

CMYK 21 / 0 / 30 / 48

HEX #68845D

RGB 104 132 93

HSL 103.08, 0.17%, 0.44%

LAB 52.1, -17.84, 17.88

 

CMYK 2 / 0 / 3 / 55

HEX #70726F

RGB 112 114 111

HSL 100, 0.01%, 0.44%

LAB 47.79, -1.37, 1.39

 

CMYK 15 / 0 / 80 / 27

HEX #9FBA26

RGB 159 186 38

HSL 70.95, 0.66%, 0.44%

LAB 71.3, -27.72, 65.5

 

CMYK 35 / 0 / 80 / 27

HEX #78BA26

RGB 120 186 38

HSL 86.76, 0.66%, 0.44%

LAB 68.93, -42.96, 62.47

 

CMYK 57 / 0 / 80 / 27

HEX #50BA26

RGB 80 186 38

HSL 102.97, 0.66%, 0.44%

LAB 67.25, -55.52, 60.29

 

CMYK 78 / 0 / 80 / 27

HEX #29BA26

RGB 41 186 38

HSL 118.78, 0.66%, 0.44%

LAB 66.31, -63.35, 59.08

 

CMYK 80 / 0 / 60 / 27

HEX #26BA4B

RGB 38 186 75

HSL 135, 0.66%, 0.44%

LAB 66.55, -60.27, 44.92

 

CMYK 57 / 0 / 80 / 54

HEX #337618

RGB 51 118 24

HSL 102.77, 0.66%, 0.28%

LAB 43.84, -38.72, 42.15

 

CMYK 57 / 0 / 80 / 40

HEX #41981F

RGB 65 152 31

HSL 103.14, 0.66%, 0.36%

LAB 55.77, -47.46, 51.42

 

CMYK 57 / 0 / 80 / 27

HEX #50BA26

RGB 80 186 38

HSL 102.97, 0.66%, 0.44%

LAB 67.25, -55.52, 60.29

 

CMYK 54 / 0 / 76 / 16

HEX #62D534

RGB 98 213 52

HSL 102.86, 0.66%, 0.52%

LAB 76.33, -59.65, 64.85

 

CMYK 44 / 0 / 61 / 14

HEX #7CDC56

RGB 124 220 86

HSL 102.99, 0.66%, 0.6%

LAB 79.7, -52.11, 55.71

 

CMYK 57 / 0 / 80 / 27

HEX #50BB26

RGB 80 187 38

HSL 103.09, 0.66%, 0.44%

LAB 67.57, -55.88, 60.59

 

CMYK 80 / 0 / 6 / 27

HEX #26BAAE

RGB 38 186 174

HSL 175.14, 0.66%, 0.44%

LAB 68.45, -39.44, -4.6

 

CMYK 0 / 80 / 25 / 27

HEX #BA268B

RGB 186 38 139

HSL 319.05, 0.66%, 0.44%

LAB 43.78, 65.22, -20.55

 

CMYK 57 / 0 / 80 / 27

HEX #50BB26

RGB 80 187 38

HSL 103.09, 0.66%, 0.44%

LAB 67.57, -55.88, 60.59

 

CMYK 80 / 57 / 0 / 27

HEX #2650BA

RGB 38 80 186

HSL 222.97, 0.66%, 0.44%

LAB 37.29, 24.79, -59.98

 

CMYK 0 / 80 / 57 / 27

HEX #BA2650

RGB 186 38 80

HSL 342.97, 0.66%, 0.44%

LAB 41.85, 59.44, 13.26

 

CMYK 57 / 0 / 80 / 27

HEX #50BB26

RGB 80 187 38

HSL 103.09, 0.66%, 0.44%

LAB 67.57, -55.88, 60.59

 

CMYK 80 / 0 / 6 / 27

HEX #26BAAE

RGB 38 186 174

HSL 175.14, 0.66%, 0.44%

LAB 68.45, -39.44, -4.6

 

CMYK 23 / 80 / 0 / 27

HEX #9026BA

RGB 144 38 186

HSL 282.97, 0.66%, 0.44%

LAB 39.34, 63.99, -56.2

 

CMYK 0 / 80 / 73 / 27

HEX #BA2632

RGB 186 38 50

HSL 355.14, 0.66%, 0.44%

LAB 41.3, 57.74, 31.17

 

CMYK 57 / 0 / 80 / 27

HEX #50BB26

RGB 80 187 38

HSL 103.09, 0.66%, 0.44%

LAB 67.57, -55.88, 60.59

 

CMYK 80 / 17 / 0 / 27

HEX #269ABA

RGB 38 154 186

HSL 192.97, 0.66%, 0.44%

LAB 59.04, -20.13, -25.5

 

CMYK 23 / 80 / 0 / 27

HEX #9026BA

RGB 144 38 186

HSL 282.97, 0.66%, 0.44%

LAB 39.34, 63.99, -56.2

 

CMYK 0 / 62 / 80 / 27

HEX #BA4626

RGB 186 70 38

HSL 12.97, 0.66%, 0.44%

LAB 45.58, 45.2, 42.46

 

Description

Color code: HEX #50BB26 | qconv.com Color code: HEX #50BB26 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 187 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 187 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 80 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 80% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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