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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50BA64 it is the complementary color #AF459B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50BA64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50BA64 shade: #55BA5F, #66CC72, #77DE85, #88F098 and #99FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50BA64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50BA64 shade: #50BA64, #3FA851, #2E963E, #1D842B and #0C7218

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50BA64 shade: #50B964, #58B950, #75B950, #91B950 and #AEB950

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50BA64 shade: #50B964, #50B980, #50B99D, #50B9B9 and #509DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50BA64 shade matches the following richer shades: #50B964, #3CCD57, #28E14B and #15F53F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50BA64 shade: #50B964, #64A570, #78927C, #8B7E89 and #9F6A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50BA64 shade: #75B950, #59B950, #50B963, #50B97F and #50B99B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50BA64 shade: #348343, #40A052, #50B964, #6DC57E and #8BD198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50BA64 shade: #50BA64, #5091B9 and #B95067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50BA64 shade: #50BA64, #6350B9 and #B96350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50BA64 shade: #50BA64, #5091B9, #B950A6 and #B97850

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50BA64 shade: #50BA64, #5071B9, #B950A6 and #B99850

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 46 / 27

HEX #50BA64

RGB 80 186 100

HSL 131.32, 0.43%, 0.52%

LAB 67.83, -49.01, 34.53

 

Complementary color

CMYK 0 / 61 / 11 / 31

HEX #AF459B

RGB 175 69 155

HSL 311.32, 0.43%, 0.48%

LAB 46.63, 53.48, -25.95

 

CMYK 54 / 0 / 49 / 27

HEX #55BA5F

RGB 85 186 95

HSL 125.94, 0.42%, 0.53%

LAB 67.93, -48.52, 37.21

 

CMYK 50 / 0 / 44 / 20

HEX #66CC72

RGB 102 204 114

HSL 127.06, 0.5%, 0.6%

LAB 74.33, -48.52, 35.87

 

CMYK 46 / 0 / 40 / 13

HEX #77DE85

RGB 119 222 133

HSL 128.16, 0.61%, 0.67%

LAB 80.66, -48.42, 34.58

 

CMYK 43 / 0 / 37 / 6

HEX #88F098

RGB 136 240 152

HSL 129.23, 0.78%, 0.74%

LAB 86.91, -48.24, 33.35

 

CMYK 40 / 0 / 33 / 0

HEX #99FFAB

RGB 153 255 171

HSL 130.59, 1%, 0.8%

LAB 92.24, -46.75, 31.04

 

CMYK 57 / 0 / 46 / 27

HEX #50BA64

RGB 80 186 100

HSL 131.32, 0.43%, 0.52%

LAB 67.83, -49.01, 34.53

 

CMYK 63 / 0 / 52 / 34

HEX #3FA851

RGB 63 168 81

HSL 130.29, 0.45%, 0.45%

LAB 61.36, -48.78, 35.95

 

CMYK 69 / 0 / 59 / 41

HEX #2E963E

RGB 46 150 62

HSL 129.23, 0.53%, 0.38%

LAB 54.8, -48.22, 37.39

 

CMYK 78 / 0 / 67 / 48

HEX #1D842B

RGB 29 132 43

HSL 128.16, 0.64%, 0.32%

LAB 48.18, -47.12, 38.7

 

CMYK 89 / 0 / 79 / 55

HEX #0C7218

RGB 12 114 24

HSL 127.06, 0.81%, 0.25%

LAB 41.5, -45.13, 39.54

 

CMYK 57 / 0 / 46 / 27

HEX #50B964

RGB 80 185 100

HSL 131.43, 0.43%, 0.52%

LAB 67.52, -48.61, 34.13

 

CMYK 52 / 0 / 57 / 27

HEX #58B950

RGB 88 185 80

HSL 115.43, 0.43%, 0.52%

LAB 67.54, -49.32, 44.07

 

CMYK 37 / 0 / 57 / 27

HEX #75B950

RGB 117 185 80

HSL 98.86, 0.43%, 0.52%

LAB 68.79, -40.36, 45.85

 

CMYK 22 / 0 / 57 / 27

HEX #91B950

RGB 145 185 80

HSL 82.86, 0.43%, 0.52%

LAB 70.38, -30.13, 48.1

 

CMYK 6 / 0 / 57 / 27

HEX #AEB950

RGB 174 185 80

HSL 66.29, 0.43%, 0.52%

LAB 72.41, -18.48, 50.95

 

CMYK 57 / 0 / 46 / 27

HEX #50B964

RGB 80 185 100

HSL 131.43, 0.43%, 0.52%

LAB 67.52, -48.61, 34.13

 

CMYK 57 / 0 / 31 / 27

HEX #50B980

RGB 80 185 128

HSL 147.43, 0.43%, 0.52%

LAB 67.99, -43.6, 20.01

 

CMYK 57 / 0 / 15 / 27

HEX #50B99D

RGB 80 185 157

HSL 164, 0.43%, 0.52%

LAB 68.63, -37.16, 5.13

 

CMYK 57 / 0 / 0 / 27

HEX #50B9B9

RGB 80 185 185

HSL 180, 0.43%, 0.52%

LAB 69.4, -29.91, -9.14

 

CMYK 57 / 15 / 0 / 27

HEX #509DB9

RGB 80 157 185

HSL 196, 0.43%, 0.52%

LAB 61.06, -15.61, -21.72

 

CMYK 57 / 0 / 46 / 27

HEX #50B964

RGB 80 185 100

HSL 131.43, 0.43%, 0.52%

LAB 67.52, -48.61, 34.13

 

CMYK 71 / 0 / 58 / 20

HEX #3CCD57

RGB 60 205 87

HSL 131.17, 0.59%, 0.52%

LAB 73.1, -61.91, 47.15

 

CMYK 82 / 0 / 67 / 12

HEX #28E14B

RGB 40 225 75

HSL 131.35, 0.76%, 0.52%

LAB 78.93, -72.31, 58.79

 

CMYK 91 / 0 / 74 / 4

HEX #15F53F

RGB 21 245 63

HSL 131.25, 0.92%, 0.52%

LAB 84.91, -80.5, 69.27

 

CMYK 57 / 0 / 46 / 27

HEX #50B964

RGB 80 185 100

HSL 131.43, 0.43%, 0.52%

LAB 67.52, -48.61, 34.13

 

CMYK 39 / 0 / 32 / 35

HEX #64A570

RGB 100 165 112

HSL 131.08, 0.27%, 0.52%

LAB 62.33, -32.34, 21.11

 

CMYK 18 / 0 / 15 / 43

HEX #78927C

RGB 120 146 124

HSL 129.23, 0.11%, 0.52%

LAB 58.04, -13.73, 8.64

 

CMYK 0 / 9 / 1 / 45

HEX #8B7E89

RGB 139 126 137

HSL 309.23, 0.05%, 0.52%

LAB 54.26, 7.04, -4.15

 

CMYK 0 / 33 / 6 / 38

HEX #9F6A95

RGB 159 106 149

HSL 311.32, 0.22%, 0.52%

LAB 51.67, 28.17, -14.84

 

CMYK 37 / 0 / 57 / 27

HEX #75B950

RGB 117 185 80

HSL 98.86, 0.43%, 0.52%

LAB 68.79, -40.36, 45.85

 

CMYK 52 / 0 / 57 / 27

HEX #59B950

RGB 89 185 80

HSL 114.86, 0.43%, 0.52%

LAB 67.58, -49.04, 44.12

 

CMYK 57 / 0 / 46 / 27

HEX #50B963

RGB 80 185 99

HSL 130.86, 0.43%, 0.52%

LAB 67.5, -48.77, 34.62

 

CMYK 57 / 0 / 31 / 27

HEX #50B97F

RGB 80 185 127

HSL 146.86, 0.43%, 0.52%

LAB 67.97, -43.8, 20.53

 

CMYK 57 / 0 / 16 / 27

HEX #50B99B

RGB 80 185 155

HSL 162.86, 0.43%, 0.52%

LAB 68.58, -37.64, 6.15

 

CMYK 60 / 0 / 49 / 49

HEX #348343

RGB 52 131 67

HSL 131.39, 0.43%, 0.36%

LAB 48.72, -38.71, 27.45

 

CMYK 60 / 0 / 49 / 37

HEX #40A052

RGB 64 160 82

HSL 131.25, 0.43%, 0.44%

LAB 58.83, -45.26, 32.31

 

CMYK 57 / 0 / 46 / 27

HEX #50B964

RGB 80 185 100

HSL 131.43, 0.43%, 0.52%

LAB 67.52, -48.61, 34.13

 

CMYK 45 / 0 / 36 / 23

HEX #6DC57E

RGB 109 197 126

HSL 131.59, 0.43%, 0.6%

LAB 72.69, -41.69, 27.6

 

CMYK 33 / 0 / 27 / 18

HEX #8BD198

RGB 139 209 152

HSL 131.14, 0.43%, 0.68%

LAB 78.09, -33.63, 21.47

 

CMYK 57 / 0 / 46 / 27

HEX #50BA64

RGB 80 186 100

HSL 131.32, 0.43%, 0.52%

LAB 67.83, -49.01, 34.53

 

CMYK 57 / 22 / 0 / 27

HEX #5091B9

RGB 80 145 185

HSL 202.86, 0.43%, 0.52%

LAB 57.52, -9.02, -27.17

 

CMYK 0 / 57 / 44 / 27

HEX #B95067

RGB 185 80 103

HSL 346.86, 0.43%, 0.52%

LAB 48.3, 44.59, 8.06

 

CMYK 57 / 0 / 46 / 27

HEX #50BA64

RGB 80 186 100

HSL 131.32, 0.43%, 0.52%

LAB 67.83, -49.01, 34.53

 

CMYK 46 / 57 / 0 / 27

HEX #6350B9

RGB 99 80 185

HSL 250.86, 0.43%, 0.52%

LAB 41.05, 34.56, -53.13

 

CMYK 0 / 46 / 57 / 27

HEX #B96350

RGB 185 99 80

HSL 10.86, 0.43%, 0.52%

LAB 51.63, 32.72, 26.22

 

CMYK 57 / 0 / 46 / 27

HEX #50BA64

RGB 80 186 100

HSL 131.32, 0.43%, 0.52%

LAB 67.83, -49.01, 34.53

 

CMYK 57 / 22 / 0 / 27

HEX #5091B9

RGB 80 145 185

HSL 202.86, 0.43%, 0.52%

LAB 57.52, -9.02, -27.17

 

CMYK 0 / 57 / 10 / 27

HEX #B950A6

RGB 185 80 166

HSL 310.86, 0.43%, 0.52%

LAB 50.46, 53.06, -26.4

 

CMYK 0 / 35 / 57 / 27

HEX #B97850

RGB 185 120 80

HSL 22.86, 0.43%, 0.52%

LAB 56.41, 21.25, 32.27

 

CMYK 57 / 0 / 46 / 27

HEX #50BA64

RGB 80 186 100

HSL 131.32, 0.43%, 0.52%

LAB 67.83, -49.01, 34.53

 

CMYK 57 / 39 / 0 / 27

HEX #5071B9

RGB 80 113 185

HSL 221.14, 0.43%, 0.52%

LAB 48.28, 9.89, -41.63

 

CMYK 0 / 57 / 10 / 27

HEX #B950A6

RGB 185 80 166

HSL 310.86, 0.43%, 0.52%

LAB 50.46, 53.06, -26.4

 

CMYK 0 / 18 / 57 / 27

HEX #B99850

RGB 185 152 80

HSL 41.14, 0.43%, 0.52%

LAB 64.44, 3.56, 42

 

Description

Color code: HEX #50BA64 | qconv.com Color code: HEX #50BA64 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 186 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 186 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 46 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 46% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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