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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50B79ACE it is the complementary color #AF4865CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50B79ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50B79ACE shade: #55B795CE, #66C9A8CE, #77DBBBCE, #88EDCECE and #99FFE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50B79ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50B79ACE shade: #50B79ACE, #3FA587CE, #2E9374CE, #1D8161CE and #0C6F4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50B79ACE shade: #51B89B, #51B87F, #51B864, #5AB851 and #76B851

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50B79ACE shade: #51B89B, #51B8B7, #519DB8, #5182B8 and #5166B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50B79ACE shade matches the following richer shades: #51B89B, #3DCCA4, #2AE0AC and #16F3B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50B79ACE shade: #51B89B, #65A492, #79908A, #8D7D81 and #A06978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50B79ACE shade: #51B864, #51B87F, #51B89B, #51B8B6 and #519EB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50B79ACE shade: #35826C, #419F85, #51B89B, #6EC4AC and #8CD0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50B79ACE shade: #50B79A, #515AB8 and #B87251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50B79ACE shade: #50B79A, #9B51B8 and #B89B51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50B79ACE shade: #50B79A, #515AB8, #B8516E and #B8AF51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50B79ACE shade: #50B79A, #6751B8, #B8516E and #A2B851

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 13 / 23

HEX #50B79ACE

RGBA 80 183 154 0.81

HSLA 163.11, 0.42%, 0.52%, 0.81

LABA 67.95, -36.97, 5.79, 0.81

 

Complementary color

CMYK 0 / 48 / 34 / 25

HEX #AF4865CE

RGBA 175 72 101 0.81

HSLA 343.11, 0.42%, 0.48%, 0.81

LABA 45.2, 44.78, 4.65, 0.81

 

CMYK 43 / 0 / 15 / 23

HEX #55B795CE

RGBA 85 183 149 0.81

HSLA 159.18, 0.4%, 0.53%, 0.81

LABA 68, -37.05, 8.62, 0.81

 

CMYK 40 / 0 / 13 / 17

HEX #66C9A8CE

RGBA 102 201 168 0.81

HSLA 160, 0.48%, 0.59%, 0.81

LABA 74.46, -36.96, 7.62, 0.81

 

CMYK 37 / 0 / 12 / 11

HEX #77DBBBCE

RGBA 119 219 187 0.81

HSLA 160.8, 0.58%, 0.66%, 0.81

LABA 80.83, -36.83, 6.68, 0.81

 

CMYK 35 / 0 / 11 / 6

HEX #88EDCECE

RGBA 136 237 206 0.81

HSLA 161.58, 0.74%, 0.73%, 0.81

LABA 87.12, -36.67, 5.82, 0.81

 

CMYK 32 / 0 / 10 / 0

HEX #99FFE1CE

RGBA 153 255 225 0.81

HSLA 162.35, 1%, 0.8%, 0.81

LABA 93.33, -36.5, 5, 0.81

 

CMYK 46 / 0 / 13 / 23

HEX #50B79ACE

RGBA 80 183 154 0.81

HSLA 163.11, 0.42%, 0.52%, 0.81

LABA 67.95, -36.97, 5.79, 0.81

 

CMYK 50 / 0 / 15 / 29

HEX #3FA587CE

RGBA 63 165 135 0.81

HSLA 162.35, 0.45%, 0.45%, 0.81

LABA 61.41, -36.87, 6.87, 0.81

 

CMYK 56 / 0 / 17 / 34

HEX #2E9374CE

RGBA 46 147 116 0.81

HSLA 161.58, 0.52%, 0.38%, 0.81

LABA 54.77, -36.58, 8.08, 0.81

 

CMYK 63 / 0 / 20 / 40

HEX #1D8161CE

RGBA 29 129 97 0.81

HSLA 160.8, 0.63%, 0.31%, 0.81

LABA 48.04, -36, 9.46, 0.81

 

CMYK 72 / 0 / 24 / 46

HEX #0C6F4ECE

RGBA 12 111 78 0.81

HSLA 160, 0.8%, 0.24%, 0.81

LABA 41.21, -34.93, 11.06, 0.81

 

CMYK 56 / 0 / 16 / 28

HEX #51B89B

RGB 81 184 155

HSL 163.11, 0.42%, 0.52%

LAB 68.31, -36.98, 5.77

 

CMYK 56 / 0 / 31 / 28

HEX #51B87F

RGB 81 184 127

HSL 146.8, 0.42%, 0.52%

LAB 67.7, -43.14, 20.15

 

CMYK 56 / 0 / 46 / 28

HEX #51B864

RGB 81 184 100

HSL 131.07, 0.42%, 0.52%

LAB 67.24, -47.97, 33.78

 

CMYK 51 / 0 / 56 / 28

HEX #5AB851

RGB 90 184 81

HSL 114.76, 0.42%, 0.52%

LAB 67.31, -48.25, 43.35

 

CMYK 36 / 0 / 56 / 28

HEX #76B851

RGB 118 184 81

HSL 98.45, 0.42%, 0.52%

LAB 68.55, -39.47, 45.11

 

CMYK 56 / 0 / 16 / 28

HEX #51B89B

RGB 81 184 155

HSL 163.11, 0.42%, 0.52%

LAB 68.31, -36.98, 5.77

 

CMYK 56 / 0 / 1 / 28

HEX #51B8B7

RGB 81 184 183

HSL 179.42, 0.42%, 0.52%

LAB 69.08, -29.78, -8.52

 

CMYK 56 / 15 / 0 / 28

HEX #519DB8

RGB 81 157 184

HSL 195.73, 0.42%, 0.52%

LAB 61.07, -15.71, -21.16

 

CMYK 56 / 29 / 0 / 28

HEX #5182B8

RGB 81 130 184

HSL 211.46, 0.42%, 0.52%

LAB 53.14, -0.49, -33.41

 

CMYK 56 / 45 / 0 / 28

HEX #5166B8

RGB 81 102 184

HSL 227.77, 0.42%, 0.52%

LAB 45.24, 16.63, -45.89

 

CMYK 56 / 0 / 16 / 28

HEX #51B89B

RGB 81 184 155

HSL 163.11, 0.42%, 0.52%

LAB 68.31, -36.98, 5.77

 

CMYK 70 / 0 / 20 / 20

HEX #3DCCA4

RGB 61 204 164

HSL 163.22, 0.58%, 0.52%

LAB 74.1, -47.1, 9.09

 

CMYK 81 / 0 / 23 / 12

HEX #2AE0AC

RGB 42 224 172

HSL 162.86, 0.75%, 0.52%

LAB 80.06, -55.46, 13.25

 

CMYK 91 / 0 / 26 / 5

HEX #16F3B5

RGB 22 243 181

HSL 163.17, 0.9%, 0.52%

LAB 85.81, -61.9, 16.62

 

CMYK 56 / 0 / 16 / 28

HEX #51B89B

RGB 81 184 155

HSL 163.11, 0.42%, 0.52%

LAB 68.31, -36.98, 5.77

 

CMYK 38 / 0 / 11 / 36

HEX #65A492

RGB 101 164 146

HSL 162.86, 0.26%, 0.52%

LAB 62.84, -24.53, 2.96

 

CMYK 16 / 0 / 4 / 44

HEX #79908A

RGB 121 144 138

HSL 164.35, 0.09%, 0.52%

LAB 57.89, -9.44, 0.44

 

CMYK 0 / 11 / 9 / 45

HEX #8D7D81

RGB 141 125 129

HSL 345, 0.07%, 0.52%

LAB 53.94, 6.84, 0.06

 

CMYK 0 / 34 / 25 / 37

HEX #A06978

RGB 160 105 120

HSL 343.64, 0.22%, 0.52%

LAB 50.61, 24.2, 0.75

 

CMYK 56 / 0 / 46 / 28

HEX #51B864

RGB 81 184 100

HSL 131.07, 0.42%, 0.52%

LAB 67.24, -47.97, 33.78

 

CMYK 56 / 0 / 31 / 28

HEX #51B87F

RGB 81 184 127

HSL 146.8, 0.42%, 0.52%

LAB 67.7, -43.14, 20.15

 

CMYK 56 / 0 / 16 / 28

HEX #51B89B

RGB 81 184 155

HSL 163.11, 0.42%, 0.52%

LAB 68.31, -36.98, 5.77

 

CMYK 56 / 0 / 1 / 28

HEX #51B8B6

RGB 81 184 182

HSL 178.83, 0.42%, 0.52%

LAB 69.05, -30.06, -8.01

 

CMYK 56 / 14 / 0 / 28

HEX #519EB8

RGB 81 158 184

HSL 195.15, 0.42%, 0.52%

LAB 61.36, -16.24, -20.7

 

CMYK 59 / 0 / 17 / 49

HEX #35826C

RGB 53 130 108

HSL 162.86, 0.42%, 0.36%

LAB 49.26, -29.36, 4.86

 

CMYK 59 / 0 / 16 / 38

HEX #419F85

RGB 65 159 133

HSL 163.4, 0.42%, 0.44%

LAB 59.54, -34.21, 5.32

 

CMYK 56 / 0 / 16 / 28

HEX #51B89B

RGB 81 184 155

HSL 163.11, 0.42%, 0.52%

LAB 68.31, -36.98, 5.77

 

CMYK 44 / 0 / 12 / 23

HEX #6EC4AC

RGB 110 196 172

HSL 163.26, 0.42%, 0.6%

LAB 73.4, -31.74, 3.96

 

CMYK 33 / 0 / 9 / 18

HEX #8CD0BD

RGB 140 208 189

HSL 163.24, 0.42%, 0.68%

LAB 78.67, -25.56, 2.61

 

CMYK 56 / 0 / 16 / 28

HEX #50B79A

RGB 80 183 154

HSL 163.11, 0.42%, 0.52%

LAB 67.95, -36.97, 5.79

 

CMYK 56 / 51 / 0 / 28

HEX #515AB8

RGB 81 90 184

HSL 234.76, 0.42%, 0.52%

LAB 42.03, 24.2, -51.02

 

CMYK 0 / 38 / 56 / 28

HEX #B87251

RGB 184 114 81

HSL 19.22, 0.42%, 0.52%

LAB 54.89, 24.23, 29.77

 

CMYK 56 / 0 / 16 / 28

HEX #50B79A

RGB 80 183 154

HSL 163.11, 0.42%, 0.52%

LAB 67.95, -36.97, 5.79

 

CMYK 16 / 56 / 0 / 28

HEX #9B51B8

RGB 155 81 184

HSL 283.11, 0.42%, 0.52%

LAB 47.38, 47.63, -42.05

 

CMYK 0 / 16 / 56 / 28

HEX #B89B51

RGB 184 155 81

HSL 43.11, 0.42%, 0.52%

LAB 65.14, 1.58, 42.3

 

CMYK 56 / 0 / 16 / 28

HEX #50B79A

RGB 80 183 154

HSL 163.11, 0.42%, 0.52%

LAB 67.95, -36.97, 5.79

 

CMYK 56 / 51 / 0 / 28

HEX #515AB8

RGB 81 90 184

HSL 234.76, 0.42%, 0.52%

LAB 42.03, 24.2, -51.02

 

CMYK 0 / 56 / 40 / 28

HEX #B8516E

RGB 184 81 110

HSL 343.11, 0.42%, 0.52%

LAB 48.51, 44.51, 4.11

 

CMYK 0 / 5 / 56 / 28

HEX #B8AF51

RGB 184 175 81

HSL 54.76, 0.42%, 0.52%

LAB 70.49, -9.08, 48.52

 

CMYK 56 / 0 / 16 / 28

HEX #50B79A

RGB 80 183 154

HSL 163.11, 0.42%, 0.52%

LAB 67.95, -36.97, 5.79

 

CMYK 44 / 56 / 0 / 28

HEX #6751B8

RGB 103 81 184

HSL 252.82, 0.42%, 0.52%

LAB 41.58, 34.56, -51.67

 

CMYK 0 / 56 / 40 / 28

HEX #B8516E

RGB 184 81 110

HSL 343.11, 0.42%, 0.52%

LAB 48.51, 44.51, 4.11

 

CMYK 12 / 0 / 56 / 28

HEX #A2B851

RGB 162 184 81

HSL 72.82, 0.42%, 0.52%

LAB 71.25, -22.81, 48.94

 

Description

Color code: HEX #50B79ACE | qconv.com Color code: HEX #50B79ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 183 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 183 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 13 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 13% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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