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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50A782 it is the complementary color #AF587D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50A782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50A782 shade: #55A77D, #66B990, #77CBA3, #88DDB6 and #99EFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50A782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50A782 shade: #50A782, #3F956F, #2E835C, #1D7149 and #0C5F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50A782 shade: #50A581, #50A56A, #50A553, #64A550 and #7BA550

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50A782 shade: #50A581, #50A598, #509BA5, #5084A5 and #506DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50A782 shade matches the following richer shades: #50A581, #3CB984, #28CD87, #14E18A and #00F48D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50A782 shade: #50A581, #63917E, #777E7B, #8B6A78 and #9F5675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50A782 shade: #50A552, #50A569, #50A580, #50A597 and #509DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50A782 shade: #356E55, #42896B, #50A581, #68B695 and #84C4A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50A782 shade: #50A782, #5064A5 and #A55E50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50A782 shade: #50A782, #8050A5 and #A58050

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50A782 shade: #50A782, #5064A5, #A55075 and #A59150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50A782 shade: #50A782, #5550A5, #A55075 and #A0A550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 22 / 35

HEX #50A782

RGB 80 167 130

HSL 154.48, 0.35%, 0.48%

LAB 62.47, -35.21, 11.25

 

Complementary color

CMYK 0 / 50 / 29 / 31

HEX #AF587D

RGB 175 88 125

HSL 334.48, 0.35%, 0.52%

LAB 48.98, 39.74, -4.41

 

CMYK 49 / 0 / 25 / 35

HEX #55A77D

RGB 85 167 125

HSL 149.27, 0.33%, 0.49%

LAB 62.55, -35.03, 14.16

 

CMYK 45 / 0 / 22 / 27

HEX #66B990

RGB 102 185 144

HSL 150.36, 0.37%, 0.56%

LAB 69.14, -34.83, 13.06

 

CMYK 41 / 0 / 20 / 20

HEX #77CBA3

RGB 119 203 163

HSL 151.43, 0.45%, 0.63%

LAB 75.62, -34.6, 12.05

 

CMYK 38 / 0 / 18 / 13

HEX #88DDB6

RGB 136 221 182

HSL 152.47, 0.56%, 0.7%

LAB 82.01, -34.36, 11.11

 

CMYK 36 / 0 / 16 / 6

HEX #99EFC9

RGB 153 239 201

HSL 153.49, 0.73%, 0.77%

LAB 88.32, -34.13, 10.23

 

CMYK 52 / 0 / 22 / 35

HEX #50A782

RGB 80 167 130

HSL 154.48, 0.35%, 0.48%

LAB 62.47, -35.21, 11.25

 

CMYK 58 / 0 / 26 / 42

HEX #3F956F

RGB 63 149 111

HSL 153.49, 0.41%, 0.42%

LAB 55.79, -35.27, 12.42

 

CMYK 65 / 0 / 30 / 49

HEX #2E835C

RGB 46 131 92

HSL 152.47, 0.48%, 0.35%

LAB 48.99, -35.18, 13.75

 

CMYK 74 / 0 / 35 / 56

HEX #1D7149

RGB 29 113 73

HSL 151.43, 0.59%, 0.28%

LAB 42.08, -34.81, 15.25

 

CMYK 87 / 0 / 43 / 63

HEX #0C5F36

RGB 12 95 54

HSL 150.36, 0.78%, 0.21%

LAB 35.06, -33.88, 17.01

 

CMYK 52 / 0 / 22 / 35

HEX #50A581

RGB 80 165 129

HSL 154.59, 0.35%, 0.48%

LAB 61.83, -34.51, 10.9

 

CMYK 52 / 0 / 36 / 35

HEX #50A56A

RGB 80 165 106

HSL 138.35, 0.35%, 0.48%

LAB 61.36, -39.22, 22.92

 

CMYK 52 / 0 / 50 / 35

HEX #50A553

RGB 80 165 83

HSL 122.12, 0.35%, 0.48%

LAB 60.99, -43.02, 34.61

 

CMYK 39 / 0 / 52 / 35

HEX #64A550

RGB 100 165 80

HSL 105.88, 0.35%, 0.48%

LAB 61.83, -37.27, 37.35

 

CMYK 25 / 0 / 52 / 35

HEX #7BA550

RGB 123 165 80

HSL 89.65, 0.35%, 0.48%

LAB 63.09, -29.02, 39.19

 

CMYK 52 / 0 / 22 / 35

HEX #50A581

RGB 80 165 129

HSL 154.59, 0.35%, 0.48%

LAB 61.83, -34.51, 10.9

 

CMYK 52 / 0 / 8 / 35

HEX #50A598

RGB 80 165 152

HSL 170.82, 0.35%, 0.48%

LAB 62.41, -28.98, -1.14

 

CMYK 52 / 6 / 0 / 35

HEX #509BA5

RGB 80 155 165

HSL 187.06, 0.35%, 0.48%

LAB 59.77, -20.42, -12.4

 

CMYK 52 / 20 / 0 / 35

HEX #5084A5

RGB 80 132 165

HSL 203.29, 0.35%, 0.48%

LAB 52.87, -7.85, -22.9

 

CMYK 52 / 34 / 0 / 35

HEX #506DA5

RGB 80 109 165

HSL 219.53, 0.35%, 0.48%

LAB 46.12, 5.8, -33.38

 

CMYK 52 / 0 / 22 / 35

HEX #50A581

RGB 80 165 129

HSL 154.59, 0.35%, 0.48%

LAB 61.83, -34.51, 10.9

 

CMYK 68 / 0 / 29 / 27

HEX #3CB984

RGB 60 185 132

HSL 154.56, 0.51%, 0.48%

LAB 67.52, -46.73, 17.12

 

CMYK 80 / 0 / 34 / 20

HEX #28CD87

RGB 40 205 135

HSL 154.55, 0.67%, 0.48%

LAB 73.46, -56.58, 23.59

 

CMYK 91 / 0 / 39 / 12

HEX #14E18A

RGB 20 225 138

HSL 154.54, 0.84%, 0.48%

LAB 79.52, -64.61, 30.15

 

CMYK 100 / 0 / 42 / 4

HEX #00F48D

RGB 0 244 141

HSL 154.67, 1%, 0.48%

LAB 85.31, -71.1, 36.25

 

CMYK 52 / 0 / 22 / 35

HEX #50A581

RGB 80 165 129

HSL 154.59, 0.35%, 0.48%

LAB 61.83, -34.51, 10.9

 

CMYK 32 / 0 / 13 / 43

HEX #63917E

RGB 99 145 126

HSL 155.22, 0.19%, 0.48%

LAB 56.5, -19.94, 5.12

 

CMYK 6 / 0 / 2 / 51

HEX #777E7B

RGB 119 126 123

HSL 154.29, 0.03%, 0.48%

LAB 52.15, -3.21, 0.72

 

CMYK 0 / 24 / 14 / 45

HEX #8B6A78

RGB 139 106 120

HSL 334.55, 0.13%, 0.48%

LAB 48.45, 15.52, -2.69

 

CMYK 0 / 46 / 26 / 38

HEX #9F5675

RGB 159 86 117

HSL 334.52, 0.3%, 0.48%

LAB 46.06, 34, -4.15

 

CMYK 52 / 0 / 50 / 35

HEX #50A552

RGB 80 165 82

HSL 121.41, 0.35%, 0.48%

LAB 60.98, -43.16, 35.11

 

CMYK 52 / 0 / 36 / 35

HEX #50A569

RGB 80 165 105

HSL 137.65, 0.35%, 0.48%

LAB 61.34, -39.4, 23.44

 

CMYK 52 / 0 / 22 / 35

HEX #50A580

RGB 80 165 128

HSL 153.88, 0.35%, 0.48%

LAB 61.8, -34.73, 11.42

 

CMYK 52 / 0 / 8 / 35

HEX #50A597

RGB 80 165 151

HSL 170.12, 0.35%, 0.48%

LAB 62.38, -29.24, -0.62

 

CMYK 52 / 5 / 0 / 35

HEX #509DA5

RGB 80 157 165

HSL 185.65, 0.35%, 0.48%

LAB 60.37, -21.46, -11.49

 

CMYK 52 / 0 / 23 / 57

HEX #356E55

RGB 53 110 85

HSL 153.68, 0.35%, 0.32%

LAB 42.1, -25.23, 8.28

 

CMYK 52 / 0 / 22 / 46

HEX #42896B

RGB 66 137 107

HSL 154.65, 0.35%, 0.4%

LAB 51.96, -29.85, 9.35

 

CMYK 52 / 0 / 22 / 35

HEX #50A581

RGB 80 165 129

HSL 154.59, 0.35%, 0.48%

LAB 61.83, -34.51, 10.9

 

CMYK 43 / 0 / 18 / 29

HEX #68B695

RGB 104 182 149

HSL 154.62, 0.35%, 0.56%

LAB 68.44, -31.81, 9.35

 

CMYK 33 / 0 / 14 / 23

HEX #84C4A8

RGB 132 196 168

HSL 153.75, 0.35%, 0.64%

LAB 74.33, -26.49, 7.6

 

CMYK 52 / 0 / 22 / 35

HEX #50A782

RGB 80 167 130

HSL 154.48, 0.35%, 0.48%

LAB 62.47, -35.21, 11.25

 

CMYK 52 / 39 / 0 / 35

HEX #5064A5

RGB 80 100 165

HSL 225.88, 0.35%, 0.48%

LAB 43.56, 11.4, -37.42

 

CMYK 0 / 43 / 52 / 35

HEX #A55E50

RGB 165 94 80

HSL 9.88, 0.35%, 0.48%

LAB 47.73, 27.41, 20.6

 

CMYK 52 / 0 / 22 / 35

HEX #50A782

RGB 80 167 130

HSL 154.48, 0.35%, 0.48%

LAB 62.47, -35.21, 11.25

 

CMYK 22 / 52 / 0 / 35

HEX #8050A5

RGB 128 80 165

HSL 273.88, 0.35%, 0.48%

LAB 42.83, 36.52, -38.31

 

CMYK 0 / 22 / 52 / 35

HEX #A58050

RGB 165 128 80

HSL 33.88, 0.35%, 0.48%

LAB 56.1, 8.21, 31.38

 

CMYK 52 / 0 / 22 / 35

HEX #50A782

RGB 80 167 130

HSL 154.48, 0.35%, 0.48%

LAB 62.47, -35.21, 11.25

 

CMYK 52 / 39 / 0 / 35

HEX #5064A5

RGB 80 100 165

HSL 225.88, 0.35%, 0.48%

LAB 43.56, 11.4, -37.42

 

CMYK 0 / 52 / 29 / 35

HEX #A55075

RGB 165 80 117

HSL 333.88, 0.35%, 0.48%

LAB 45.66, 39.32, -4.64

 

CMYK 0 / 12 / 52 / 35

HEX #A59150

RGB 165 145 80

HSL 45.88, 0.35%, 0.48%

LAB 60.63, -1.25, 36.97

 

CMYK 52 / 0 / 22 / 35

HEX #50A782

RGB 80 167 130

HSL 154.48, 0.35%, 0.48%

LAB 62.47, -35.21, 11.25

 

CMYK 48 / 52 / 0 / 35

HEX #5550A5

RGB 85 80 165

HSL 243.53, 0.35%, 0.48%

LAB 38.53, 25.25, -45.42

 

CMYK 0 / 52 / 29 / 35

HEX #A55075

RGB 165 80 117

HSL 333.88, 0.35%, 0.48%

LAB 45.66, 39.32, -4.64

 

CMYK 3 / 0 / 52 / 35

HEX #A0A550

RGB 160 165 80

HSL 63.53, 0.35%, 0.48%

LAB 65.72, -14.09, 42.95

 

Description

Color code: HEX #50A782 | qconv.com Color code: HEX #50A782 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 167 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 167 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 22 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 22% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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