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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5094BF it is the complementary color #AF6B40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5094BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5094BF shade: #5594BA, #66A6CD, #77B8E0, #88CAF3 and #99DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5094BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5094BF shade: #5094BF, #3F82AC, #2E7099, #1D5E86 and #0C4C73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5094BF shade: #5094BE, #5076BE, #5058BE, #6650BE and #8350BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5094BF shade: #5094BE, #5076BE, #5058BE and #5050BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5094BF shade matches the following richer shades: #5094BE, #3D98D2, #299CE5 and #16A1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5094BF shade: #5094BE, #638FAB, #778B97, #8A8684 and #9E8271

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5094BF shade: #50BEAE, #50B1BE, #5094BE, #5077BE and #5059BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5094BF shade: #336889, #3E7EA7, #5094BE, #6EA6C9 and #8CB9D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5094BF shade: #5094BF, #9050BE and #BEBC50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5094BF shade: #5094BF, #BE5094 and #94BE50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5094BF shade: #5094BF, #9050BE, #BE7A50 and #7EBE50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5094BF shade: #5094BF, #B150BE, #BE7A50 and #5DBE50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 23 / 0 / 25

HEX #5094BF

RGB 80 148 191

HSL 203.24, 0.46%, 0.53%

LAB 58.65, -8.81, -28.83

 

Complementary color

CMYK 0 / 39 / 63 / 31

HEX #AF6B40

RGB 175 107 64

HSL 23.24, 0.46%, 0.47%

LAB 51.84, 23.02, 35.15

 

CMYK 54 / 20 / 0 / 27

HEX #5594BA

RGB 85 148 186

HSL 202.57, 0.42%, 0.53%

LAB 58.65, -9.31, -25.97

 

CMYK 50 / 19 / 0 / 20

HEX #66A6CD

RGB 102 166 205

HSL 202.72, 0.51%, 0.6%

LAB 65.36, -9.75, -26.23

 

CMYK 47 / 18 / 0 / 12

HEX #77B8E0

RGB 119 184 224

HSL 202.86, 0.63%, 0.67%

LAB 71.95, -10.1, -26.49

 

CMYK 44 / 17 / 0 / 5

HEX #88CAF3

RGB 136 202 243

HSL 202.99, 0.82%, 0.74%

LAB 78.43, -10.38, -26.75

 

CMYK 40 / 14 / 0 / 0

HEX #99DCFF

RGB 153 220 255

HSL 200.59, 1%, 0.8%

LAB 84.58, -12.41, -23.68

 

CMYK 58 / 23 / 0 / 25

HEX #5094BF

RGB 80 148 191

HSL 203.24, 0.46%, 0.53%

LAB 58.65, -8.81, -28.83

 

CMYK 63 / 24 / 0 / 33

HEX #3F82AC

RGB 63 130 172

HSL 203.12, 0.46%, 0.46%

LAB 51.84, -8.07, -28.59

 

CMYK 70 / 27 / 0 / 40

HEX #2E7099

RGB 46 112 153

HSL 202.99, 0.54%, 0.39%

LAB 44.9, -7.07, -28.34

 

CMYK 78 / 30 / 0 / 47

HEX #1D5E86

RGB 29 94 134

HSL 202.86, 0.64%, 0.32%

LAB 37.82, -5.68, -28.05

 

CMYK 90 / 34 / 0 / 55

HEX #0C4C73

RGB 12 76 115

HSL 202.72, 0.81%, 0.25%

LAB 30.6, -3.69, -27.69

 

CMYK 58 / 22 / 0 / 25

HEX #5094BE

RGB 80 148 190

HSL 202.91, 0.46%, 0.53%

LAB 58.61, -9.13, -28.33

 

CMYK 58 / 38 / 0 / 25

HEX #5076BE

RGB 80 118 190

HSL 219.27, 0.46%, 0.53%

LAB 49.95, 8.48, -41.87

 

CMYK 58 / 54 / 0 / 25

HEX #5058BE

RGB 80 88 190

HSL 235.64, 0.46%, 0.53%

LAB 41.85, 27.26, -54.83

 

CMYK 46 / 58 / 0 / 25

HEX #6650BE

RGB 102 80 190

HSL 252, 0.46%, 0.53%

LAB 41.66, 36.69, -55.05

 

CMYK 31 / 58 / 0 / 25

HEX #8350BE

RGB 131 80 190

HSL 267.82, 0.46%, 0.53%

LAB 44.63, 43.41, -50.11

 

CMYK 58 / 22 / 0 / 25

HEX #5094BE

RGB 80 148 190

HSL 202.91, 0.46%, 0.53%

LAB 58.61, -9.13, -28.33

 

CMYK 58 / 38 / 0 / 25

HEX #5076BE

RGB 80 118 190

HSL 219.27, 0.46%, 0.53%

LAB 49.95, 8.48, -41.87

 

CMYK 58 / 54 / 0 / 25

HEX #5058BE

RGB 80 88 190

HSL 235.64, 0.46%, 0.53%

LAB 41.85, 27.26, -54.83

 

CMYK 58 / 58 / 0 / 25

HEX #5050BE

RGB 80 80 190

HSL 240, 0.46%, 0.53%

LAB 39.85, 32.27, -58.06

 

CMYK 58 / 22 / 0 / 25

HEX #5094BE

RGB 80 148 190

HSL 202.91, 0.46%, 0.53%

LAB 58.61, -9.13, -28.33

 

CMYK 71 / 28 / 0 / 18

HEX #3D98D2

RGB 61 152 210

HSL 203.36, 0.62%, 0.53%

LAB 59.98, -8.06, -37.48

 

CMYK 82 / 32 / 0 / 10

HEX #299CE5

RGB 41 156 229

HSL 203.3, 0.78%, 0.53%

LAB 61.57, -5.9, -45.58

 

CMYK 91 / 35 / 0 / 3

HEX #16A1F8

RGB 22 161 248

HSL 203.1, 0.94%, 0.53%

LAB 63.7, -3.04, -52.67

 

CMYK 58 / 22 / 0 / 25

HEX #5094BE

RGB 80 148 190

HSL 202.91, 0.46%, 0.53%

LAB 58.61, -9.13, -28.33

 

CMYK 42 / 16 / 0 / 33

HEX #638FAB

RGB 99 143 171

HSL 203.33, 0.3%, 0.53%

LAB 57.31, -7.51, -19.46

 

CMYK 21 / 8 / 0 / 41

HEX #778B97

RGB 119 139 151

HSL 202.5, 0.13%, 0.53%

LAB 56.7, -4.42, -8.78

 

CMYK 0 / 3 / 4 / 46

HEX #8A8684

RGB 138 134 132

HSL 20, 0.02%, 0.53%

LAB 56.21, 1.11, 1.6

 

CMYK 0 / 18 / 28 / 38

HEX #9E8271

RGB 158 130 113

HSL 22.67, 0.19%, 0.53%

LAB 56.51, 8.08, 13.23

 

CMYK 58 / 0 / 8 / 25

HEX #50BEAE

RGB 80 190 174

HSL 171.27, 0.46%, 0.53%

LAB 70.59, -35.22, -1.35

 

CMYK 58 / 7 / 0 / 25

HEX #50B1BE

RGB 80 177 190

HSL 187.09, 0.46%, 0.53%

LAB 67.18, -24.55, -15.23

 

CMYK 58 / 22 / 0 / 25

HEX #5094BE

RGB 80 148 190

HSL 202.91, 0.46%, 0.53%

LAB 58.61, -9.13, -28.33

 

CMYK 58 / 37 / 0 / 25

HEX #5077BE

RGB 80 119 190

HSL 218.73, 0.46%, 0.53%

LAB 50.24, 7.87, -41.42

 

CMYK 58 / 53 / 0 / 25

HEX #5059BE

RGB 80 89 190

HSL 235.09, 0.46%, 0.53%

LAB 42.1, 26.63, -54.42

 

CMYK 63 / 24 / 0 / 46

HEX #336889

RGB 51 104 137

HSL 203.02, 0.46%, 0.37%

LAB 41.86, -7, -23.5

 

CMYK 63 / 25 / 0 / 35

HEX #3E7EA7

RGB 62 126 167

HSL 203.43, 0.46%, 0.45%

LAB 50.38, -7.62, -27.97

 

CMYK 58 / 22 / 0 / 25

HEX #5094BE

RGB 80 148 190

HSL 202.91, 0.46%, 0.53%

LAB 58.61, -9.13, -28.33

 

CMYK 45 / 17 / 0 / 21

HEX #6EA6C9

RGB 110 166 201

HSL 203.08, 0.46%, 0.61%

LAB 65.6, -8.99, -23.62

 

CMYK 34 / 13 / 0 / 16

HEX #8CB9D5

RGB 140 185 213

HSL 203.01, 0.46%, 0.69%

LAB 72.94, -8.14, -18.88

 

CMYK 58 / 23 / 0 / 25

HEX #5094BF

RGB 80 148 191

HSL 203.24, 0.46%, 0.53%

LAB 58.65, -8.81, -28.83

 

CMYK 24 / 58 / 0 / 25

HEX #9050BE

RGB 144 80 190

HSL 274.91, 0.46%, 0.53%

LAB 46.16, 46.64, -47.58

 

CMYK 0 / 1 / 58 / 25

HEX #BEBC50

RGB 190 188 80

HSL 58.91, 0.46%, 0.53%

LAB 74.5, -13.34, 53.64

 

CMYK 58 / 23 / 0 / 25

HEX #5094BF

RGB 80 148 191

HSL 203.24, 0.46%, 0.53%

LAB 58.65, -8.81, -28.83

 

CMYK 0 / 58 / 22 / 25

HEX #BE5094

RGB 190 80 148

HSL 322.91, 0.46%, 0.53%

LAB 50.48, 51.79, -15.66

 

CMYK 22 / 0 / 58 / 25

HEX #94BE50

RGB 148 190 80

HSL 82.91, 0.46%, 0.53%

LAB 72.03, -31.33, 50.03

 

CMYK 58 / 23 / 0 / 25

HEX #5094BF

RGB 80 148 191

HSL 203.24, 0.46%, 0.53%

LAB 58.65, -8.81, -28.83

 

CMYK 24 / 58 / 0 / 25

HEX #9050BE

RGB 144 80 190

HSL 274.91, 0.46%, 0.53%

LAB 46.16, 46.64, -47.58

 

CMYK 0 / 36 / 58 / 25

HEX #BE7A50

RGB 190 122 80

HSL 22.91, 0.46%, 0.53%

LAB 57.51, 22.24, 33.76

 

CMYK 34 / 0 / 58 / 25

HEX #7EBE50

RGB 126 190 80

HSL 94.91, 0.46%, 0.53%

LAB 70.76, -39.45, 48.25

 

CMYK 58 / 23 / 0 / 25

HEX #5094BF

RGB 80 148 191

HSL 203.24, 0.46%, 0.53%

LAB 58.65, -8.81, -28.83

 

CMYK 7 / 58 / 0 / 25

HEX #B150BE

RGB 177 80 190

HSL 292.91, 0.46%, 0.53%

LAB 50.45, 55.1, -40.49

 

CMYK 0 / 36 / 58 / 25

HEX #BE7A50

RGB 190 122 80

HSL 22.91, 0.46%, 0.53%

LAB 57.51, 22.24, 33.76

 

CMYK 51 / 0 / 58 / 25

HEX #5DBE50

RGB 93 190 80

HSL 112.91, 0.46%, 0.53%

LAB 69.28, -49.91, 46.15

 

Description

Color code: HEX #5094BF | qconv.com Color code: HEX #5094BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 148 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 148 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 23 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 23% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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