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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50943C it is the complementary color #AF6BC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50943C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50943C shade: #559437, #66A64A, #77B85D, #88CA70 and #99DC83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50943C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50943C shade: #50943C, #3F8229, #2E7016, #1D5E03 and #0C4C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50943C shade: #51943D, #68943D, #80943D, #94913D and #947A3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50943C shade: #51943D, #3D9440, #3D9458, #3D9470 and #3D9487

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50943C shade matches the following richer shades: #51943D, #47A52C, #3EB61B and #35C70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50943C shade: #51943D, #5A844E, #63735E, #6C626F and #765180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50943C shade: #80943D, #69943D, #51943D, #3D9440 and #3D9457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50943C shade: #315A25, #417731, #51943D, #61B249 and #79C064

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50943C shade: #50943C, #3D9492 and #943D74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50943C shade: #50943C, #3D5194 and #943D51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50943C shade: #50943C, #3D9492, #803D94 and #943D40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50943C shade: #50943C, #3D7D94, #803D94 and #94543D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 59 / 42

HEX #50943C

RGB 80 148 60

HSL 106.36, 0.42%, 0.41%

LAB 55.29, -38.81, 39.22

 

Complementary color

CMYK 10 / 45 / 0 / 24

HEX #AF6BC3

RGB 175 107 195

HSL 286.36, 0.42%, 0.59%

LAB 55.65, 41.81, -35.21

 

CMYK 43 / 0 / 63 / 42

HEX #559437

RGB 85 148 55

HSL 100.65, 0.46%, 0.4%

LAB 55.47, -37.7, 41.84

 

CMYK 39 / 0 / 55 / 35

HEX #66A64A

RGB 102 166 74

HSL 101.74, 0.38%, 0.47%

LAB 62.16, -37.77, 40.74

 

CMYK 35 / 0 / 49 / 28

HEX #77B85D

RGB 119 184 93

HSL 102.86, 0.39%, 0.54%

LAB 68.75, -37.73, 39.54

 

CMYK 33 / 0 / 45 / 21

HEX #88CA70

RGB 136 202 112

HSL 104, 0.46%, 0.62%

LAB 75.23, -37.61, 38.33

 

CMYK 30 / 0 / 40 / 14

HEX #99DC83

RGB 153 220 131

HSL 105.17, 0.56%, 0.69%

LAB 81.62, -37.45, 37.14

 

CMYK 46 / 0 / 59 / 42

HEX #50943C

RGB 80 148 60

HSL 106.36, 0.42%, 0.41%

LAB 55.29, -38.81, 39.22

 

CMYK 52 / 0 / 68 / 49

HEX #3F8229

RGB 63 130 41

HSL 105.17, 0.52%, 0.34%

LAB 48.49, -38.57, 40.22

 

CMYK 59 / 0 / 80 / 56

HEX #2E7016

RGB 46 112 22

HSL 104, 0.67%, 0.26%

LAB 41.57, -37.93, 40.61

 

CMYK 69 / 0 / 97 / 63

HEX #1D5E03

RGB 29 94 3

HSL 102.86, 0.94%, 0.19%

LAB 34.55, -36.64, 39.8

 

CMYK 84 / 0 / 100 / 70

HEX #0C4C00

RGB 12 76 0

HSL 110.53, 1%, 0.15%

LAB 27.43, -33.95, 34.86

 

CMYK 45 / 0 / 59 / 42

HEX #51943D

RGB 81 148 61

HSL 106.21, 0.42%, 0.41%

LAB 55.35, -38.37, 38.81

 

CMYK 30 / 0 / 59 / 42

HEX #68943D

RGB 104 148 61

HSL 90.34, 0.42%, 0.41%

LAB 56.55, -30.2, 40.51

 

CMYK 14 / 0 / 59 / 42

HEX #80943D

RGB 128 148 61

HSL 73.79, 0.42%, 0.41%

LAB 58.14, -20.52, 42.74

 

CMYK 0 / 2 / 59 / 42

HEX #94913D

RGB 148 145 61

HSL 57.93, 0.42%, 0.41%

LAB 58.87, -10.31, 44

 

CMYK 0 / 18 / 59 / 42

HEX #947A3D

RGB 148 122 61

HSL 42.07, 0.42%, 0.41%

LAB 52.46, 2.4, 36.68

 

CMYK 45 / 0 / 59 / 42

HEX #51943D

RGB 81 148 61

HSL 106.21, 0.42%, 0.41%

LAB 55.35, -38.37, 38.81

 

CMYK 59 / 0 / 57 / 42

HEX #3D9440

RGB 61 148 64

HSL 122.07, 0.42%, 0.41%

LAB 54.6, -43.81, 36.27

 

CMYK 59 / 0 / 41 / 42

HEX #3D9458

RGB 61 148 88

HSL 138.62, 0.42%, 0.41%

LAB 54.94, -40.02, 24.1

 

CMYK 59 / 0 / 24 / 42

HEX #3D9470

RGB 61 148 112

HSL 155.17, 0.42%, 0.41%

LAB 55.42, -35.04, 11.34

 

CMYK 59 / 0 / 9 / 42

HEX #3D9487

RGB 61 148 135

HSL 171.03, 0.42%, 0.41%

LAB 56.01, -29.29, -0.95

 

CMYK 45 / 0 / 59 / 42

HEX #51943D

RGB 81 148 61

HSL 106.21, 0.42%, 0.41%

LAB 55.35, -38.37, 38.81

 

CMYK 57 / 0 / 73 / 35

HEX #47A52C

RGB 71 165 44

HSL 106.61, 0.58%, 0.41%

LAB 60.28, -49.81, 51.39

 

CMYK 66 / 0 / 85 / 29

HEX #3EB61B

RGB 62 182 27

HSL 106.45, 0.74%, 0.41%

LAB 65.4, -58.98, 61.35

 

CMYK 73 / 0 / 95 / 22

HEX #35C70A

RGB 53 199 10

HSL 106.35, 0.9%, 0.41%

LAB 70.61, -66.58, 68.59

 

CMYK 45 / 0 / 59 / 42

HEX #51943D

RGB 81 148 61

HSL 106.21, 0.42%, 0.41%

LAB 55.35, -38.37, 38.81

 

CMYK 32 / 0 / 41 / 48

HEX #5A844E

RGB 90 132 78

HSL 106.67, 0.26%, 0.41%

LAB 50.95, -25.51, 24.63

 

CMYK 14 / 0 / 18 / 55

HEX #63735E

RGB 99 115 94

HSL 105.71, 0.1%, 0.41%

LAB 46.61, -10.3, 9.66

 

CMYK 3 / 12 / 0 / 56

HEX #6C626F

RGB 108 98 111

HSL 286.15, 0.06%, 0.41%

LAB 42.87, 6.62, -5.89

 

CMYK 8 / 37 / 0 / 50

HEX #765180

RGB 118 81 128

HSL 287.23, 0.22%, 0.41%

LAB 40.07, 24.3, -20.41

 

CMYK 14 / 0 / 59 / 42

HEX #80943D

RGB 128 148 61

HSL 73.79, 0.42%, 0.41%

LAB 58.14, -20.52, 42.74

 

CMYK 29 / 0 / 59 / 42

HEX #69943D

RGB 105 148 61

HSL 89.66, 0.42%, 0.41%

LAB 56.6, -29.82, 40.59

 

CMYK 45 / 0 / 59 / 42

HEX #51943D

RGB 81 148 61

HSL 106.21, 0.42%, 0.41%

LAB 55.35, -38.37, 38.81

 

CMYK 59 / 0 / 57 / 42

HEX #3D9440

RGB 61 148 64

HSL 122.07, 0.42%, 0.41%

LAB 54.6, -43.81, 36.27

 

CMYK 59 / 0 / 41 / 42

HEX #3D9457

RGB 61 148 87

HSL 137.93, 0.42%, 0.41%

LAB 54.93, -40.2, 24.62

 

CMYK 46 / 0 / 59 / 65

HEX #315A25

RGB 49 90 37

HSL 106.42, 0.42%, 0.25%

LAB 34.19, -25.83, 25.88

 

CMYK 45 / 0 / 59 / 53

HEX #417731

RGB 65 119 49

HSL 106.29, 0.42%, 0.33%

LAB 45, -32.26, 32.51

 

CMYK 45 / 0 / 59 / 42

HEX #51943D

RGB 81 148 61

HSL 106.21, 0.42%, 0.41%

LAB 55.35, -38.37, 38.81

 

CMYK 46 / 0 / 59 / 30

HEX #61B249

RGB 97 178 73

HSL 106.29, 0.42%, 0.49%

LAB 65.64, -44.67, 45.22

 

CMYK 37 / 0 / 48 / 25

HEX #79C064

RGB 121 192 100

HSL 106.3, 0.42%, 0.57%

LAB 71.34, -39.72, 39.29

 

CMYK 46 / 0 / 59 / 42

HEX #50943C

RGB 80 148 60

HSL 106.36, 0.42%, 0.41%

LAB 55.29, -38.81, 39.22

 

CMYK 59 / 0 / 1 / 42

HEX #3D9492

RGB 61 148 146

HSL 178.62, 0.42%, 0.41%

LAB 56.33, -26.24, -6.77

 

CMYK 0 / 59 / 22 / 42

HEX #943D74

RGB 148 61 116

HSL 322.07, 0.42%, 0.41%

LAB 39.4, 43.1, -13.69

 

CMYK 46 / 0 / 59 / 42

HEX #50943C

RGB 80 148 60

HSL 106.36, 0.42%, 0.41%

LAB 55.29, -38.81, 39.22

 

CMYK 59 / 45 / 0 / 42

HEX #3D5194

RGB 61 81 148

HSL 226.21, 0.42%, 0.41%

LAB 36.01, 13.51, -39.32

 

CMYK 0 / 59 / 45 / 42

HEX #943D51

RGB 148 61 81

HSL 346.21, 0.42%, 0.41%

LAB 38.25, 38.56, 6.57

 

CMYK 46 / 0 / 59 / 42

HEX #50943C

RGB 80 148 60

HSL 106.36, 0.42%, 0.41%

LAB 55.29, -38.81, 39.22

 

CMYK 59 / 0 / 1 / 42

HEX #3D9492

RGB 61 148 146

HSL 178.62, 0.42%, 0.41%

LAB 56.33, -26.24, -6.77

 

CMYK 14 / 59 / 0 / 42

HEX #803D94

RGB 128 61 148

HSL 286.21, 0.42%, 0.41%

LAB 37.96, 43.01, -35.83

 

CMYK 0 / 59 / 57 / 42

HEX #943D40

RGB 148 61 64

HSL 357.93, 0.42%, 0.41%

LAB 37.85, 36.93, 16.73

 

CMYK 46 / 0 / 59 / 42

HEX #50943C

RGB 80 148 60

HSL 106.36, 0.42%, 0.41%

LAB 55.29, -38.81, 39.22

 

CMYK 59 / 16 / 0 / 42

HEX #3D7D94

RGB 61 125 148

HSL 195.86, 0.42%, 0.41%

LAB 49.25, -13.45, -18.62

 

CMYK 14 / 59 / 0 / 42

HEX #803D94

RGB 128 61 148

HSL 286.21, 0.42%, 0.41%

LAB 37.96, 43.01, -35.83

 

CMYK 0 / 43 / 59 / 42

HEX #94543D

RGB 148 84 61

HSL 15.86, 0.42%, 0.41%

LAB 42.72, 24.25, 24.87

 

Description

Color code: HEX #50943C | qconv.com Color code: HEX #50943C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 148 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 148 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 59% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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